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Kaffee-Kantate
| Label | Antoine Marchand – CC72280Challenge Classics – CC72280 |
| Format | CD, Compilation |
| Barcode | 0608917228021 |
| Country | Netherlands |
| Released | 2006 |
| Genre | Classical |
| Style | Baroque |
| "Schweigt Stille Plaudert Nicht" BWV 211 (Kaffee-Kantate / Coffee Cantata / Cantate Du Café) | (24:47) | |
| 1 | Recitative (Tenor): "Schweigt Stille, Plaudert Nicht" | 0:40 |
| 2 | Aria (Bass): "Hat Man Nicht Mit Seinen Kindern" | 2:37 |
| 3 | Recitative (Soprano, Bass): "Du Böses Kind, Du Loses Mädchen" | 0:40 |
| 4 | Aria (Soprano): "Ei! Wie Schmeckt Der Coffee Süße" | 4:38 |
| 5 | Recitative (Soprano, Bass): "Wenn Du Mir Nicht Den Coffee Läßt" | 1:21 |
| 6 | Aria (Bass): "Mädchen, Die Von Harten Sinnen" | 2:34 |
| 7 | Recitative (Soprano, Bass): "Nun Folge Was Dein Vater Spricht" | 0:57 |
| 8 | Aria (Soprano): "Heute Noch, Lieber Vater Tut Es Doch" | 6:20 |
| 9 | Recitative (Tenor): "Nun Geht Und Sucht Der Alte Schlendrian" | 0:54 |
| 10 | Chorus (Soprano, Tenor, Bass): "Die Katze Läßt Das Mausen Nicht" | 4:01 |
| "Mer Hahn En Neue Oberkeet" BWV 212 (Bauernkantate / Peasant Cantata / Cantate Des Paysans) | (27:17) | |
| 11 | Sinfonia | 2:09 |
| 12 | Aria Duetto (Soprano, Bass): "Mer Hahn En Neue Oberkeet" | 0:30 |
| 13 | Recitative (Bass, Soprano): "Nu, Mieke, Gib Dein Guschel Immer Her" | 0:50 |
| 14 | Aria (Soprano): "Ach, Es Schmeckt Doch Gar Zu Gut" | 0:49 |
| 15 | Recitative (Bass): "Ter Herr Ist Gut: Allein Der Schösser" | 0:22 |
| 16 | Aria (Bass): "Ach, Her Schösser, Geht Nicht Gar Zu Schlimm" | 1:20 |
| 17 | Recitative (Soprano): "Es Bleibt Dabei, Daß Unser Herr Der Beste Sei" | 0:21 |
| 18 | Aria (Soprano): "Unser Trefflicher Lieber Kammerherr" | 1:41 |
| 19 | Recitative (Soprano, Bass): "Er Hilft Uns Allen, Alt Und Jung" | 0:33 |
| 20 | Aria (Soprano): "Tas Ist Galant" | 0:59 |
| 21 | Recitative (Bass): "Und Unsre Gnäd'ge Frau" | 0:42 |
| 22 | Aria (Bass): "Fünfzig Taler Bares Geld" | 0:53 |
| 23 | Recitative (Soprano): "Im Ernst Ein Wort!" | 0:26 |
| 24 | Ario (Soprano): "Klein-Zschocher Müsse So Zart Und Süße" | 5:50 |
| 25 | Recitative (Bass): "Das Ist Zu Klug Vor Dich" | 0:19 |
| 26 | Aria (Bass): "Es Nehme Zehntausend Dukaten" | 0:41 |
| 27 | Recitative (Soprano): "Das Klingt Zu Liederlich" | 0:19 |
| 28 | Aria (Soprano): "Gib, Schöne, Viel Söhne" | 0:36 |
| 29 | Recitative (Bass): "Du Hast Wohl Recht" | 0:16 |
| 30 | Aria (Bass): "Dein Wachstum Sei Feste" | 5:11 |
| 31 | Recitative (Soprano, Bass): "Und Damit Sei Es Auch Genung" | 0:21 |
| 32 | Aria (Soprano): "Und Daß Ihr's Alle Wißt" | 0:37 |
| 33 | Recitative (Soprano, Bass): "Mein Schatzl Erraten" | 0:29 |
| 34 | Coro (S, B): "Wir Gehn Nun, Wo Der Dudelsack" | 1:04 |
| "Amore Traditore" BWV 203 | (13:14) | |
| 35 | Aria (Bass): "Amore Traditore" | 6:06 |
| 36 | Recitative (Bass): "Voglio Provar" | 0:42 |
| 37 | Aria (Bass): "Chi In Amore Ha Nemica La Sorte" | 6:24 |
A&R [Challenge Records International] – Anne De Jong
Art Direction, Design [Sleeve] – Marcel van den Broek
Bass Vocals – Donald Bentvelsen (35 to 37)
Bass Vocals – Hans Wijers (35 to 37)
Bass Vocals – Matthijs Mesdag (35 to 37)
Bass Vocals – René Steur (35 to 37)
Cello – Jaap ter Linden
Cello – Martha Vallon (11 to 34)
Cello – Richte van der Meer (1 to 10)
Choir – The Amsterdam Baroque Choir (1 to 34)
Chorus Master – Simon Schouten
Composed By – Johann Sebastian Bach
Conductor, Harpsichord – Ton Koopman
Double Bass – Nicholas Pap (1 to 34)
Engineer [Sound Engineer], Edited By, Mastered By – Adriaan Verstijnen
Flute [Traverso] – Wilbert Hazelzet (1 to 34)
Horn – Sue Dent (11 to 34)
Liner Notes – Christoph Wolff
Liner Notes [Booklet Editor] – Eline Holl
Liner Notes [French Translation] – Clémence Comte
Liner Notes [German Translation] – Boris Kehrmann
Lute – Mike Fentross (11 to 34)
Management [Business Manager] – Ron van Eeden
Orchestra – The Amsterdam Baroque Orchestra (1 to 34)
Photography By [Cover] – Marco Borggreve
Producer – Tini Mathot
Soloist, Bass Vocals – Klaus Mertens (11 to 37)
Soloist, Bass Vocals [Herr Schlendrian] – Klaus Mertens (1 to 10)
Soloist, Soprano Vocals – Els Bongers (11 to 34)
Soloist, Soprano Vocals [Liesgen] – Anne Grimm (1 to 10)
Soloist, Tenor Vocals – Paul Agnew (1 to 10)
Soprano Vocals – Els Bongers (35 to 37)
Soprano Vocals – Francine van der Heijden (35 to 37)
Soprano Vocals – Henriëtte Feith (35 to 37)
Soprano Vocals – Mieke Wouters (35 to 37)
Text By – Christian Friedrich Henrici (1 to 34)
Viola – Jane Rogers (11 to 34)
Viola – Marina Ascherson (1 to 10)
Viola – Martin Kelly (1 to 34)
Violin – Carla Marotta (1 to 34)
Violin – Foskien Kooistra (1 to 34)
Violin – Iona Davies (1 to 34)
Violin – Jane Norman (1 to 10)
Violin – Marc Cooper (1 to 34)
Violin – Marshall Marcus (11 to 34)
Violin – Nicola Cleminson (1 to 34)
Violin – Sebastiaan van Vucht (1 to 34)
Violin, Concertmistress [Leader] – Margaret Faultless (1 to 34)
Art Direction, Design [Sleeve] – Marcel van den Broek
Bass Vocals – Donald Bentvelsen (35 to 37)
Bass Vocals – Hans Wijers (35 to 37)
Bass Vocals – Matthijs Mesdag (35 to 37)
Bass Vocals – René Steur (35 to 37)
Cello – Jaap ter Linden
Cello – Martha Vallon (11 to 34)
Cello – Richte van der Meer (1 to 10)
Choir – The Amsterdam Baroque Choir (1 to 34)
Chorus Master – Simon Schouten
Composed By – Johann Sebastian Bach
Conductor, Harpsichord – Ton Koopman
Double Bass – Nicholas Pap (1 to 34)
Engineer [Sound Engineer], Edited By, Mastered By – Adriaan Verstijnen
Flute [Traverso] – Wilbert Hazelzet (1 to 34)
Horn – Sue Dent (11 to 34)
Liner Notes – Christoph Wolff
Liner Notes [Booklet Editor] – Eline Holl
Liner Notes [French Translation] – Clémence Comte
Liner Notes [German Translation] – Boris Kehrmann
Lute – Mike Fentross (11 to 34)
Management [Business Manager] – Ron van Eeden
Orchestra – The Amsterdam Baroque Orchestra (1 to 34)
Photography By [Cover] – Marco Borggreve
Producer – Tini Mathot
Soloist, Bass Vocals – Klaus Mertens (11 to 37)
Soloist, Bass Vocals [Herr Schlendrian] – Klaus Mertens (1 to 10)
Soloist, Soprano Vocals – Els Bongers (11 to 34)
Soloist, Soprano Vocals [Liesgen] – Anne Grimm (1 to 10)
Soloist, Tenor Vocals – Paul Agnew (1 to 10)
Soprano Vocals – Els Bongers (35 to 37)
Soprano Vocals – Francine van der Heijden (35 to 37)
Soprano Vocals – Henriëtte Feith (35 to 37)
Soprano Vocals – Mieke Wouters (35 to 37)
Text By – Christian Friedrich Henrici (1 to 34)
Viola – Jane Rogers (11 to 34)
Viola – Marina Ascherson (1 to 10)
Viola – Martin Kelly (1 to 34)
Violin – Carla Marotta (1 to 34)
Violin – Foskien Kooistra (1 to 34)
Violin – Iona Davies (1 to 34)
Violin – Jane Norman (1 to 10)
Violin – Marc Cooper (1 to 34)
Violin – Marshall Marcus (11 to 34)
Violin – Nicola Cleminson (1 to 34)
Violin – Sebastiaan van Vucht (1 to 34)
Violin, Concertmistress [Leader] – Margaret Faultless (1 to 34)
Ⓟ & Ⓒ 2006 Challenge Records (www.challengerecords.com). Made in Austria.
Recorded at the Waalse Kerk, Amsterdam at:
January 1996 (BWV 211), September & November 1996 (BWV 212) and May 1995 (BWV 203).
The 20-page glossy booklet contains notes in English, German and French plus a track and credits-list.
Booklet and CD are stored in a standard jewel case with transparent tray.
> This disc will provide entrance to an exclusive website with a.o. bonus material and additional information about Ton Koopman <
Recorded at the Waalse Kerk, Amsterdam at:
January 1996 (BWV 211), September & November 1996 (BWV 212) and May 1995 (BWV 203).
The 20-page glossy booklet contains notes in English, German and French plus a track and credits-list.
Booklet and CD are stored in a standard jewel case with transparent tray.
> This disc will provide entrance to an exclusive website with a.o. bonus material and additional information about Ton Koopman <
Barcode – 608917228021
Label Code – LC 00950
Rights Society – BIEM / STEMRA
Matrix / Runout – Sony DADC A0100741198-0101 11 A4
Mastering SID Code – IFPI L551
Mould SID Code – IFPI 94Y4
Label Code – LC 00950
Rights Society – BIEM / STEMRA
Matrix / Runout – Sony DADC A0100741198-0101 11 A4
Mastering SID Code – IFPI L551
Mould SID Code – IFPI 94Y4