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Revealing Bach
| Label | Archiv Produktion – 482 0959Archiv Produktion – 0289 4820959 0 |
| Format | 18 x CD, Stereo Box Set, Compilation |
| Barcode | 0028948209590 |
| Country | Italy |
| Released | 2014 |
| Genre | Classical |
| Style | Baroque |
| Goldberg Variations, BWV 988 (Clavier-Übung, IV) | ||
| 1-1 | Aria | 4:03 |
| 1-2 | Variatio 1 A 1 Clav. | 2:20 |
| 1-3 | Variatio 2 A 1 Clav. | 1:43 |
| 1-4 | Variatio 3 Canone All'Unisono A 1 Clav. | 2:23 |
| 1-5 | Variatio 4 A 1 Clav. | 1:10 |
| 1-6 | Variatio 5 A 1 Ovvero 2 Clav. | 1:55 |
| 1-7 | Variatio 6 Canone Alla Seconda A 1 Clav. | 1:21 |
| 1-8 | Variatio 7 A 1 Ovvero 2 Clav. | 2:04 |
| 1-9 | Variatio 8 A 2 Clav. | 2:16 |
| 1-10 | Variatio 9 Canone Alla Terza A 1 Clav. | 1:56 |
| 1-11 | Variatio 10 Fugetta A 1 Clav. | 1:34 |
| 1-12 | Variatio 11 A 2 Clav. | 2:12 |
| 1-13 | Variatio 12 Canone Alla Quarta A 1 Clav. | 2:48 |
| 1-14 | Variatio 13 A 2 Clav. | 3:15 |
| 1-15 | Variatio 14 A 2 Clav. | 2:15 |
| 1-16 | Variatio 15 Canone Alla Quinta In Moto Contrario A 1 Clav. | 4:30 |
| 1-17 | Variatio 16 Ouverture A 1 Clav.. | 3:02 |
| 1-18 | Variatio 17 A 2 Clav. | 2:14 |
| 1-19 | Variatio 18 Canone Alla Sexta A 1 Clav. | 1:34 |
| 1-20 | Variatio 19 A 1 Clav. | 1:31 |
| 1-21 | Variatio 20 A 2 Clav. | 2:14 |
| 1-22 | Variatio 21 Canone Alla Settima A 1 Clav. | 2:29 |
| 1-23 | Variatio 22 Alla Breve A 1 Clav. | 1:31 |
| 1-24 | Variatio 23 A 2 Clav. | 2:17 |
| 1-25 | Variatio 24 Canone All'Ottava A 1 Clav. | 3:02 |
| 1-26 | Variatio 25 A 2 Clav. | 6:50 |
| 1-27 | Variatio 26 A 2 Clav. | 2:33 |
| 1-28 | Variatio 27 Canone Alla Nona A 2 Clav. | 1:53 |
| 1-29 | Variatio 28 A 2 Clav. | 2:29 |
| 1-30 | Variatio 29 A 1 Ovvero 2 Clav. | 2:13 |
| 1-31 | Variatio 30 Quodlibet A 1 Clav. | 1:42 |
| 1-32 | Aria - Da Capo | 2:04 |
| Italian Concerto In F, BWV 971 | ||
| 2-1 | 1. Allegro | 4:17 |
| 2-2 | 2. Andante | 4:22 |
| 2-3 | 3. Presto | 4:05 |
| Chromatic Fantasia And Fugue In D Minor, BWV 903 | ||
| 2-4 | Fantasia | 5:36 |
| 2-5 | Fugue | 5:07 |
| Toccata And Fugue In G Minor, BWV 915 | ||
| 2-6 | Toccata | 3:41 |
| 2-7 | Fugue | 3:57 |
| 2-8 | Pastoral In F, BWV 590 | 9:54 |
| 2-9 | Fantasia (And Unfinished Fugue) In C Minor, BWV 906 | 4:58 |
| Sonata For Violin And Harpsichord No. 1 In B Minor, BWV 1014 | ||
| 3-1 | 1. Adagio | 4:40 |
| 3-2 | 2. Allegro | 3:21 |
| 3-3 | 3. Andante | 3:40 |
| 3-4 | 4. Allegro | 4:12 |
| Sonata For Violin And Harpsichord No. 2 In A Major, BWV 1015 | ||
| 3-5 | 1. (Without Tempo Indication) | 3:21 |
| 3-6 | 2. Allegro Assai | 3:27 |
| 3-7 | 3. Andante In Poco | 3:19 |
| 3-8 | 4. Presto | 5:00 |
| Sonata For Violin And Harpsichord No. 3 In E Major, BWV 1016 | ||
| 3-9 | 1. Adagio | 5:28 |
| 3-10 | 2. Allegro | 3:05 |
| 3-11 | 3. Adagio Ma Non Tanto | 5:22 |
| 3-12 | 4. Allegro | 4:00 |
| Sonata For Violin And Harpsichord No. 4 In C Minor, BWV 1017 | ||
| 4-1 | 1. Largo | 4:49 |
| 4-2 | 2. Allegro | 4:49 |
| 4-3 | 3. Adagio | 3:14 |
| 4-4 | 4. Allegro | 5:01 |
| Sonata For Violin And Harpsichord No. 5 In F Minor, BWV 1018 | ||
| 4-5 | 1. Largo | 7:39 |
| 4-6 | 2. Allegro | 4:31 |
| 4-7 | 3. Adagio | 4:09 |
| 4-8 | 4. Vivace | |
| Sonata For Violin And Harpsichord No. 6 In G major, BWV 1019 | ||
| 4-9 | 1. Allegro | 3:58 |
| 4-10 | 2. Largo | 1:59 |
| 4-11 | 3. Allegro | 5:24 |
| 4-12 | 4. Adagio | 3:03 |
| 4-13 | 5. Allegro | 3:53 |
| Sonata For Flute And Obbligato Harpsichord In B Minor, BWV 1030 | ||
| 5-1 | 1. Andante | 7:24 |
| 5-2 | 2. Largo E Dolce | 3:48 |
| 5-3 | 3. Presto - Allegro | 5:51 |
| Sonata For Flute And Obbligato Harpsichord In E Flat Major, BWV 1031 | ||
| 5-4 | 1. Allegro Moderato | 3:50 |
| 5-5 | 2. Siciliano | 2:18 |
| 5-6 | 3. Allegro | 4:37 |
| Sonata For Flute And Obbligato Harpsichord In A Major, BWV 1032 | ||
| 5-7 | 1. Vivace | 5:04 |
| 5-8 | 2. Largo E Dolce | 3:06 |
| 5-9 | 3. Allegro | 4:17 |
| Sonata For Flute And Obbligato Harpsichord In G Minor, BWV 1020 | ||
| 5-10 | 1. Allegro | 4:04 |
| 5-11 | 2. Adagio | 3:02 |
| 5-12 | 3. Allegro | 4:47 |
| Brandenburg Concerto No. 1 In F Major, BWV 1046 | ||
| 6-1 | 1. (Without Tempo Indication) | 3:38 |
| 6-2 | 2. Adagio | 3:46 |
| 6-3 | 3. Allegro | 4:20 |
| 6-4 | 4. Menuetto - Trio I - Polacca - Trio II | 7:28 |
| Brandenburg Concerto No. 2 In F Major, BWV 1047 | ||
| 6-5 | 1. (Without Tempo Indication) | 4:44 |
| 6-6 | 2. Andante | 3:42 |
| 6-7 | 3. Allegro Assai | 2:36 |
| Brandenburg Concerto No. 3 In G Major, BWV 1048 | ||
| 6-8 | 1. (Without Tempo Indication) | 5:23 |
| 6-9 | 2. Adagio | 0:51 |
| 6-10 | 3. Allegro | 4:59 |
| Brandenburg Concerto No. 4 In G Major, BWV 1049 | ||
| 6-11 | 1. Allegro | 7:18 |
| 6-12 | 2. Andante | 3:53 |
| 6-13 | 3. Presto | 4:53 |
| Brandenburg Concerto No. 5 In D Major, BWV 1050 | ||
| 7-1 | 1. Allegro | |
| 7-2 | 2. Affetuoso | |
| 7-3 | 3. Allegro | |
| Brandenburg Concerto No. 6 In B Flat Major, BWV 1051 | ||
| 7-4 | 1. (Without Tempo Indication) | 6:15 |
| 7-5 | 2. Adagio Ma Non Tanto | 4:59 |
| 7-6 | 3. Allegro | 5:49 |
| Concerto For Harpsichord, Strings And Continuo No.4 In A, BWV 1055 | ||
| 7-7 | 1. (Without Tempo Indication) | 5:10 |
| 7-8 | 2. Larghetto | 5:03 |
| 7-9 | 3. Allegro Ma Non Tanto | 4:51 |
| Concerto For Violin, Oboe, Strings And Basso Continuo In D Minor, After BWV 1060 | ||
| 7-10 | 1. Allegro | 5:20 |
| 7-11 | 2. Adagio | 5:33 |
| 7-12 | 3. Allegro | 3:37 |
| Concerto For Harpsichord, Strings And Continuo No. 1 In D Minor, BWV 1052 | ||
| 8-1 | 1 Allegro | 7:50 |
| 8-2 | 2. Adagio | 6:49 |
| 8-3 | 3. Allegro | 8:39 |
| Concerto For Harpsichord, Strings And Continuo No. 2 In E, BWV 1053 | ||
| 8-4 | 1. Allegro | 8:44 |
| 8-5 | 2. Siciliano | 4:17 |
| 8-6 | 3. Allegro | 7:18 |
| Concerto For Harpsichord, Strings And Continuo No. 5 In F Minor, BWV 1056 | ||
| 8-7 | 1. Allegro | 3:39 |
| 8-8 | 2. Largo | 2:00 |
| 8-9 | 3. Presto | 4:15 |
| Concerto For Harpsichord, 2 Recorders, Strings And Continuo No. 6 In F, BWV 1057 | ||
| 8-10 | 1. (Without Tempo Indication) | 8:07 |
| 8-11 | 2. Andante | 3:26 |
| 8-12 | 3. Allegro Assai | 5:18 |
| Concerto For 2 Harpsichords, Strings And Continuo In C, BWV 1061 | ||
| 9-1 | 1. Allegro | 8:18 |
| 9-2 | 2. Adagio Ovvero Largo | 4:15 |
| 9-3 | 3. Fuga | 6:31 |
| Concerto For 3 Harpsichords, Strings And Continuo No. 1 In D Minor, BWV 1063 | ||
| 9-4 | 1. Allegro | 5:41 |
| 9-5 | 2. Alla Siciliana | 4:16 |
| 9-6 | 3. Allegro | 5:29 |
| Concerto For 4 Harpsichords, Strings And Continuo In A Minor, BWV 1065 | ||
| 9-7 | 1. Allegro | 4:22 |
| 9-8 | 2. Largo | 2:03 |
| 9-9 | 3. Allegro | 3:58 |
| Concerto For Harpsichord, Strings And Continuo No. 3 In D, BWV 1054 | ||
| 10-1 | 1. (Without Tempo Indiciation) | 7:53 |
| 10-2 | 2. Adagio E Piano Sempre | 5:10 |
| 10-3 | 3. Allegro | 2:54 |
| Concerto For Harpsichord, Strings And Continuo No. 4 In A, BWV 1055 | ||
| 10-4 | 1. Allegro Moderato | 4:59 |
| 10-5 | 2. Larghetto | 5:04 |
| 10-6 | 3. Allegro Ma Non Tanto | 4:27 |
| Concerto For Harpsichord, Strings And Continuo No. 7 In G Minor, BWV 1058 | ||
| 10-7 | 1. (Without Tempo Indication) | 3:55 |
| 10-8 | 2. Andante | 5:17 |
| 10-9 | 3. Allegro Assai | 3:59 |
| Concerto For 2 Harpsichords, Strings And Continuo In C Minor, BWV 1060 | ||
| 10-10 | 1. Allegro | 5:14 |
| 10-11 | 2. Adagio | 5:13 |
| 10-12 | 3. Allegro | 4:01 |
| Concerto For 3 Harpsichords, Strings And Continuo No. 2 In C, BWV 1064 | ||
| 10-13 | 1. Allegro | 6:51 |
| 10-14 | 2. Adagio | 5:51 |
| 10-15 | 3. Allegro | 4:55 |
| Concerto For 2 Harpsichords, Strings And Continuo In C Minor, BWV 1062 | ||
| 11-1 | 1. Allegro | 3:55 |
| 11-2 | 2. Andante E Piano | 7:03 |
| 11-3 | 3. Allegro Assai | 5:06 |
| Concerto For Flute, Violin, Harpsichords And Strings In A Minor, BWV 1044 | ||
| 11-4 | 1. Allegro | 9:10 |
| 11-5 | 2. Adagio Ma Non Tanto E Dolce | 6:14 |
| 11-6 | 3. Tempo Di Allabreve | 7:30 |
| Concerto For 3 Violins, Strings And Continuo In D, BWV 1064 (Reconstruction) | ||
| 11-7 | 1. Allegro | 7:02 |
| 11-8 | 2. Adagio | 6:46 |
| 11-9 | 3. Allegro | 4:47 |
| Concerto For 2 Violins, Strings And Continuo In D Minor, BWV 1043 | ||
| 12-1 | 1. Vivace | 3:52 |
| 12-2 | 2. Largo Ma Non Tanto | 7:37 |
| 12-3 | 3. Allegro | 5:13 |
| Concerto For 2 Harpsichords, Strings And Continuo In C Minor, BWV 1060 | ||
| 12-4 | 1. Allegro | 5:07 |
| 12-5 | 2. Adagio | 5:14 |
| 12-6 | 3. Allegro | 3:44 |
| Musical Offering, BWV 1079 | ||
| 12-7 | Ricercar A 3 | 5:26 |
| 12-8 | Canon Perpetuus Super Thema Regium | 0:31 |
| 12-9 | Canon A 2 | 0:52 |
| 12-10 | Canon A 2 Violini In Unisono | 0:37 |
| 12-11 | Canon A 2 Per Motum Contrarium | 0:28 |
| 12-12 | Canon A 2 Per Augmentationem, Contrario Motu | 2:02 |
| 12-13 | Canon A 2 Per Tonos | 2:27 |
| 12-14 | Fuga Canonica | 1:51 |
| 12-15 | Ricercar A 6 | 6:37 |
| 12-16 | Canon A 2 - Quaerendo Invenietis | 1:01 |
| 12-17 | Canon A 2 (Quaerendo Invenietis) Fassung B | 1:04 |
| 12-18 | Canon A 4 | 2:30 |
| 12-19 | Sonata A 3 - I Largo | 7:18 |
| 12-20 | Sonata A 3 - II Allegro | 6:15 |
| 12-21 | Sonata A 3 - III Andante | 2:54 |
| 12-22 | Sonata A 3 - IV Allegro | 3:08 |
| 12-23 | Canone Perpetuo | 1:24 |
| Organ Concerto No. 1 In G Major, BWV 592 | ||
| 13-1 | 1. (Without Tempo Indication) | 3:18 |
| 13-2 | 2. Grave | 1:54 |
| 13-3 | 3. Presto | 1:48 |
| Organ Concerto No. 2 In A Minor, BWV 593 | ||
| 13-4 | 1. (Without Tempo Indication) | 4:10 |
| 13-5 | 2. Adagio. Senza Pedale A Due Clav. | 3:19 |
| 13-6 | 3. Allegro | 4:09 |
| Organ Concerto No. 3 In C Major, BWV 594 | ||
| 13-7 | 1. (Without Tempo Indication) | 7:15 |
| 13-8 | 2. Recitativ. Adagio | 2:26 |
| 13-9 | 3. Allegro | 7:54 |
| Organ Concerto No. 4 In C Major, BWV 595 | ||
| 13-10 | (In One Movement) | 3:58 |
| Organ Concerto No. 5 In D Minor, BWV 596 | ||
| 13-11 | 1. (Without Tempo Indication) | 1:25 |
| 13-12 | 2. Fuga | 3:54 |
| 13-13 | 3. Largo | 2:30 |
| 13-14 | 4. Finale | 3:22 |
| Organ Concerto No. 6 In E Flat Major, BWV 597 | ||
| 13-15 | 1. (Without Tempo Indication) | 3:32 |
| 13-16 | 2. Gigue | 3:31 |
| Toccata (Prelude) And Fugue In D Minor "Dorian", BWV 538 | ||
| 14-1 | Toccata | 6:23 |
| 14-2 | Fuga | 9:15 |
| 14-3 | Prelude And Fugue In E Flat Major, BWV 552 | 14:53 |
| Trio Sonata No. 5 In C Major, BWV 529 | ||
| 14-4 | 1. Allegro | 5:17 |
| 14-5 | 2. Largo | 7:48 |
| 14-6 | 3. Allegro | 4:00 |
| 14-7 | Toccata And Fugue In D Minor, BWV 565 | 8:49 |
| 14-8 | Fantasie And Fugue In G Minor, BWV 542 | 12:30 |
| 14-9 | Kommst Du Nun, Jesu, Vom Himmel Herunter - Chorale Prelude, BWV 650 | 3:32 |
| 14-10 | Wachet Auf, Ruft Uns Die Stimme - Chorale Prelude, BWV 645 | |
| Passacaglia In C Minor, BWV 582 | (15:18) | |
| 15-1 | - | |
| 15-2 | - | |
| Partite Diverse Sopra: Sei Gegrüßet, Jesu Gütig, BWV 768 | (19:26) | |
| 15-3 | Choral. Variationen I-XI | |
| 15-4 | Canzona In D Minor, BWV 588 | 7:17 |
| 15-5 | Schmücke Dic, O Liebe Seele - Chorale Prelude, BWV 654 | 9:11 |
| Suite No. 3 In D, BWV 1068 | ||
| 15-6 | 1. Ouverture | 9:08 |
| 15-7 | 2. Air | 5:44 |
| 15-8 | 3. Gavotte I-II | 4:04 |
| 15-9 | 4. Bourrée | 1:14 |
| 15-10 | 5. Gigue | 3:06 |
| Suite No. 1 In C, BWV 1066 | ||
| 16-1 | 1. Ouverture | 8:17 |
| 16-2 | 2. Courante | 2:27 |
| 16-3 | 3. Gavotte I-II | 3:23 |
| 16-4 | 4. Forlane | 1:58 |
| 16-5 | 5. Menuet I-II | 3:05 |
| 16-6 | 6. Bourrée I-II | 2:37 |
| 16-7 | 7. Passepied I-II | 3:25 |
| Suite No. 2 In B Minor, BWV 1067 | ||
| 16-8 | 1. Ouverture | 9:18 |
| 16-9 | 2. Rondeau | 1:55 |
| 16-10 | 3. Sarabande | 3:29 |
| 16-11 | 4. Bourrée I-II | 2:05 |
| 16-12 | 5. Polonaise | 3:29 |
| 16-13 | 6. Menuet | 1:28 |
| 16-14 | 7. Badinerie | 1:31 |
| Suite No. 4 In D, BWV 1069 | ||
| 16-15 | 1. Ouveture | 9:51 |
| 16-16 | 2. Bourrée I-II | 3:02 |
| 16-17 | 3. Gavotte | 2:00 |
| 16-18 | 4. Menuet I-II | 3:37 |
| 16-19 | 5. Réjouissance | 2:43 |
| Mass In B Minor, BWV 232 | (123:04) | |
| 17-1 | Kyrie - 1. Chor: Kyrie Eleison | |
| 17-2 | Kyrie - 2. Duet (Sopran, Alt): Christe Eleison | |
| 17-3 | Kyrie - 3. Chor: Kyrie Eleison | |
| 17-4 | Gloria - 4. Chor: Gloria In Excelsis Deo | |
| 17-5 | Gloria - 5. Et In Terra Pax | |
| 17-6 | Gloria - 6. Arie (Alt.): Laudamus Te | |
| 17-7 | Gloria - 7. Chor: Gratias Agimus Tibi | |
| 17-8 | Gloria - 8. Duett (Sopran, Tenor): Domine Deus | |
| 17-9 | Gloria - 9. Chor: Qui Tollis Peccata Mundi | |
| 17-10 | Gloria - 10. Arie (Alt.): Qui Sedes Ad Dextram Patris | |
| 17-11 | Gloria - 11. Arie (Bass): Quoniam Tu Solus Sanctus | |
| 17-12 | Gloria - 12. Chor: Cum Sancto Spiritu | |
| 18-1 | Credo (Symbolum Nicenum) - 13. Chor: Credo In Unum Deum | |
| 18-2 | Credo (Symbolum Nicenum) - 14. Chor: Credo In Unum Deum / Patrem Omnipotentem | |
| 18-3 | Credo (Symbolum Nicenum) - 15. Duett (Sopran, Alt): Et In Unum Dominum | |
| 18-4 | Credo (Symbolum Nicenum) - 16. Chor: Et Incarnatus Est | |
| 18-5 | Credo (Symbolum Nicenum) - 17. Chor: Crucifixus | |
| 18-6 | Credo (Symbolum Nicenum) - 18. Chor: Et Resurrexit | |
| 18-7 | Credo (Symbolum Nicenum) - 19. Arie (Bass): Et In Spiritum Sanctum | |
| 18-8 | Credo (Symbolum Nicenum) - 20. Chor: Confiteor Unum Baptisma (Attaca): | |
| 18-9 | Credo (Symbolum Nicenum) - 21. Chor: Et Expecto Resurrectionem | |
| 18-10 | Sanctus - 22. Chor: Sanctus | |
| 18-11 | Sanctus - 23. Chor: Osanna In Excelsis | |
| 18-12 | Sanctus - 24. Arie (Tenor): Benedictus, Qui Venit | |
| 18-13 | Sanctus - 25. Chor: Osanna In Excelsis (Da Capo) | |
| 18-14 | Agnus Dei - 26. Arie (Alt.): Agnus Dei | |
| 18-15 | Agnus Dei - 27. Chor: Dona Nobis Pacem |
Artwork By – Punto E Virgola
Bassoon – Karl Kolbinger (6-1 to 6-4)
Cello – Fritz Kiskalt (7-1 to 7-6, 12-7 to 12-23)
Composed By – Johann Sebastian Bach
Double Bass – Herbert Duft (7-1 to 7-6)
Edited By – Christopher Alder (11-4 to 11-6)
Edited By – Gernot Westhauser (2-1 to 2-9)
Edited By – Günter Hermanns (15-4)
Edited By – Hans-Rudolf Müller (2-1 to 2-9)
Edited By – Helmut Najda (1-1 to 1-32, 15-5 to 15-10)
Edited By – Jobst Eberhardt (8-1 to 8-12, 15-4)
Edited By – Jürgen Bulgrin (11-4 to 11-6)
Edited By – Klaus Behrens (1-1 to 1-32)
Edited By – Wolfgang Werner (8-1 to 8-12, 15-5)
Engineer [Balance] – Eberhard Richter (14-1, 14-2, 15-1 to 15-3)
Engineer [Balance] – Günter Hermanns (8-1 to 8-12, 9-1 to 9-9, 15-4)
Engineer [Balance] – Hans-Peter Schweigmann (7-7 to 7-9, 11-4 to 11-9)
Engineer [Balance] – Hansjoachim Reiser (1-1 to 1-32)
Engineer [Balance] – Harald Baudis (3-1 to 3-12, 4-1 to 4-13, 12-1 to 12-23)
Engineer [Balance] – Helmut Najda (1-1 to 1-32)
Engineer [Balance] – Klaus Scheibe (2-1 to 2-9, 5-1 to 5-12, 6-1 to 6-13, 7-1 to 7-6, 15-5)
Engineer [Balance] – Walter Alfred Wettler (15-6 to 15-10, 16-8 to 16-14)
Engineer [Balance] – Wolfgang Mitlehner (13-1 to 13-16)
Executive-Producer – Dr. Gerd Ploebsch (8-1 to 8-12, 9-1 to 9-9, 11-4 to 11-9)
Executive-Producer – Dr. Hans Hickmann (3-1 to 3-12, 4-1 to 4-13, 7-10 to 7-12)
Executive-Producer – Karl Faust (1-1 to 1-32, 2-1 to 2-9, 6-1 to 6-13, 7-1 to 7-6)
Executive-Producer – Rolf Peter Schröder (12-1 to 12-6)
Flute – Aurèle Nicolet (5-1 to 5-12, 7-1 to 7-3, 11-4 to 11-6, 12-7 to 12-23, 16-8 to 16-14)
Harpsichord – Hedwig Bilgram (6-1 to 6-13, 9-1 to 9-9, 1-10 to 10-15, 11-1 to 11-3, 12-4 to 12-23)
Harpsichord – Iwona Fütterer (9-4 to 9-9, 10-13 to 10-15)
Harpsichord – Karl Richter (1-1 t 1-32, 2-1 to 2-9, 3-1 to 3-12, 4-1 to 4-13, 5-1 to 5-12, 7-1 to 7-12, 8-1 to 8-12, 9-1 to 9-9, 10-1 to 10-15, 11-1 to 11-9, 12-4 to 12-23)
Harpsichord – Ulrike Schott (9-7 to 9-9)
Horn [Natural Horn / II] – Werner Meyendorf (6-1 to 6-4)
Horn [Natural Horn / I] – Hermann Baumann (6-1 to 6-4)
Liner Notes – Massimo Rolando Zegna
Oboe – Edgar Shann (7-10 to 7-12)
Oboe – Manfred Clement (6-1 to 6-7)
Oboe d'Amore – Manfred Clement (7-7 to 7-9)
Orchestra – Münchener Bach-Orchester (6-1 to 6-13, 7-1 to 7-12, 8-1 to 8-12, 9-1 to 9-9, 10-1 to 10-15, 11-1 to 11-9, 12-1 to 12-6, 15-6 to 15-10, 16-1 to 16-19)
Organ [Great Silbermann Of Freiberg Cathedral] – Karl Richter (14-1, 14-2, 15-1 to 15-3)
Organ [Organ Silbermann, Arlesheim] – Karl Richter (13-1 to 13-16)
Organ [Organ of The Jægersborg Church, Copenhagen] – Karl Richter (14-3 to 14-10, 15-4, 15-5)
Photography By [Copyright] – Siegfried Lauterwasser
Producer – Dr. Gerd Ploebsch (5-1 to 5-12, 7-7 to 7-9, 13-1 to 13-16, 14-1, 14-2, 15-1 to 15-3)
Producer – Dr. Hans Hickmann (12-1 to 12-23)
Producer – Manfred Richter (15-4, 15-5)
Producer [Recording] – Dr. Gerd Ploebsch (8-1 to 8-12, 11-4 to 11-6)
Producer [Recording] – Harald Baudis (7-10 to 7-12)
Producer [Recording] – Karl-Heinz Schneider (15-6 to 15-10, 16-8 to 16-14)
Producer [Recording] – Manfred Richter (3-1 to 3-12, 4-1 to 4-13)
Producer [Recording] – Rainer Brock (1-1 to 1-32, 2-1 to 2-9, 6-1 to 6-13, 7-1 to 7-6)
Recorded By – Klaus Behrens (2-1 to 2-9)
Recorded By – Klaus Behrens (8-1 to 8-12, 9-1 to 9-9)
Recorded By – Wolf-Dieter Karwatky (11-4 to 11-6)
Recorder – Hans-Martin Linde (6-5 to 6-7)
Recorder [II] – Hans-Martin Linde (6-11 to 6-13)
Recorder [I] – Günther Höller (6-11 to 6-13)
Recording Supervisor – Dr. Gerd Ploebsch (5-1 to 5-12)
Recording Supervisor – Reimar Bluth (14-1, 14-2, 15-1 to 15-3)
Trumpet – Pierre Thibaud (6-5 to 6-7)
Viola – Siegfried Meinecke (12-7 to 12-23)
Viola [II] – Ingo Sinnhoffer (7-1 to 7-6)
Viola [I] – Kurt-Christian Stier (7-1 to 7-6)
Viola da Gamba [II] – Johannes Fink (7-1 to 7-6)
Viola da Gamba [I] – Oswald Uhl (7-1 to 7-6)
Violin – Gerhart Hetzel (11-4 to 11-9)
Violin – Hansheinz Schneeberger (6-1 to 6-7, 6-11 to 6-13, 7-1 to 7-3)
Violin – Kurt Guntner (12-1 to 12-3, 12-7 to 12-23)
Violin – Otto Büchner (12-1 to 12-3, 12-7 to 12-23)
Violin – Otto Büchner (7-10 to 7-12)
Violin – Ruben Gonzalez (11-7 to 11-9)
Violin – Walter Forchert (11-7 to 11-9)
Violin – Wolfgang Schneiderhan (3-1 to 3-12, 4-1 to 4-13)
Bassoon – Karl Kolbinger (6-1 to 6-4)
Cello – Fritz Kiskalt (7-1 to 7-6, 12-7 to 12-23)
Composed By – Johann Sebastian Bach
Double Bass – Herbert Duft (7-1 to 7-6)
Edited By – Christopher Alder (11-4 to 11-6)
Edited By – Gernot Westhauser (2-1 to 2-9)
Edited By – Günter Hermanns (15-4)
Edited By – Hans-Rudolf Müller (2-1 to 2-9)
Edited By – Helmut Najda (1-1 to 1-32, 15-5 to 15-10)
Edited By – Jobst Eberhardt (8-1 to 8-12, 15-4)
Edited By – Jürgen Bulgrin (11-4 to 11-6)
Edited By – Klaus Behrens (1-1 to 1-32)
Edited By – Wolfgang Werner (8-1 to 8-12, 15-5)
Engineer [Balance] – Eberhard Richter (14-1, 14-2, 15-1 to 15-3)
Engineer [Balance] – Günter Hermanns (8-1 to 8-12, 9-1 to 9-9, 15-4)
Engineer [Balance] – Hans-Peter Schweigmann (7-7 to 7-9, 11-4 to 11-9)
Engineer [Balance] – Hansjoachim Reiser (1-1 to 1-32)
Engineer [Balance] – Harald Baudis (3-1 to 3-12, 4-1 to 4-13, 12-1 to 12-23)
Engineer [Balance] – Helmut Najda (1-1 to 1-32)
Engineer [Balance] – Klaus Scheibe (2-1 to 2-9, 5-1 to 5-12, 6-1 to 6-13, 7-1 to 7-6, 15-5)
Engineer [Balance] – Walter Alfred Wettler (15-6 to 15-10, 16-8 to 16-14)
Engineer [Balance] – Wolfgang Mitlehner (13-1 to 13-16)
Executive-Producer – Dr. Gerd Ploebsch (8-1 to 8-12, 9-1 to 9-9, 11-4 to 11-9)
Executive-Producer – Dr. Hans Hickmann (3-1 to 3-12, 4-1 to 4-13, 7-10 to 7-12)
Executive-Producer – Karl Faust (1-1 to 1-32, 2-1 to 2-9, 6-1 to 6-13, 7-1 to 7-6)
Executive-Producer – Rolf Peter Schröder (12-1 to 12-6)
Flute – Aurèle Nicolet (5-1 to 5-12, 7-1 to 7-3, 11-4 to 11-6, 12-7 to 12-23, 16-8 to 16-14)
Harpsichord – Hedwig Bilgram (6-1 to 6-13, 9-1 to 9-9, 1-10 to 10-15, 11-1 to 11-3, 12-4 to 12-23)
Harpsichord – Iwona Fütterer (9-4 to 9-9, 10-13 to 10-15)
Harpsichord – Karl Richter (1-1 t 1-32, 2-1 to 2-9, 3-1 to 3-12, 4-1 to 4-13, 5-1 to 5-12, 7-1 to 7-12, 8-1 to 8-12, 9-1 to 9-9, 10-1 to 10-15, 11-1 to 11-9, 12-4 to 12-23)
Harpsichord – Ulrike Schott (9-7 to 9-9)
Horn [Natural Horn / II] – Werner Meyendorf (6-1 to 6-4)
Horn [Natural Horn / I] – Hermann Baumann (6-1 to 6-4)
Liner Notes – Massimo Rolando Zegna
Oboe – Edgar Shann (7-10 to 7-12)
Oboe – Manfred Clement (6-1 to 6-7)
Oboe d'Amore – Manfred Clement (7-7 to 7-9)
Orchestra – Münchener Bach-Orchester (6-1 to 6-13, 7-1 to 7-12, 8-1 to 8-12, 9-1 to 9-9, 10-1 to 10-15, 11-1 to 11-9, 12-1 to 12-6, 15-6 to 15-10, 16-1 to 16-19)
Organ [Great Silbermann Of Freiberg Cathedral] – Karl Richter (14-1, 14-2, 15-1 to 15-3)
Organ [Organ Silbermann, Arlesheim] – Karl Richter (13-1 to 13-16)
Organ [Organ of The Jægersborg Church, Copenhagen] – Karl Richter (14-3 to 14-10, 15-4, 15-5)
Photography By [Copyright] – Siegfried Lauterwasser
Producer – Dr. Gerd Ploebsch (5-1 to 5-12, 7-7 to 7-9, 13-1 to 13-16, 14-1, 14-2, 15-1 to 15-3)
Producer – Dr. Hans Hickmann (12-1 to 12-23)
Producer – Manfred Richter (15-4, 15-5)
Producer [Recording] – Dr. Gerd Ploebsch (8-1 to 8-12, 11-4 to 11-6)
Producer [Recording] – Harald Baudis (7-10 to 7-12)
Producer [Recording] – Karl-Heinz Schneider (15-6 to 15-10, 16-8 to 16-14)
Producer [Recording] – Manfred Richter (3-1 to 3-12, 4-1 to 4-13)
Producer [Recording] – Rainer Brock (1-1 to 1-32, 2-1 to 2-9, 6-1 to 6-13, 7-1 to 7-6)
Recorded By – Klaus Behrens (2-1 to 2-9)
Recorded By – Klaus Behrens (8-1 to 8-12, 9-1 to 9-9)
Recorded By – Wolf-Dieter Karwatky (11-4 to 11-6)
Recorder – Hans-Martin Linde (6-5 to 6-7)
Recorder [II] – Hans-Martin Linde (6-11 to 6-13)
Recorder [I] – Günther Höller (6-11 to 6-13)
Recording Supervisor – Dr. Gerd Ploebsch (5-1 to 5-12)
Recording Supervisor – Reimar Bluth (14-1, 14-2, 15-1 to 15-3)
Trumpet – Pierre Thibaud (6-5 to 6-7)
Viola – Siegfried Meinecke (12-7 to 12-23)
Viola [II] – Ingo Sinnhoffer (7-1 to 7-6)
Viola [I] – Kurt-Christian Stier (7-1 to 7-6)
Viola da Gamba [II] – Johannes Fink (7-1 to 7-6)
Viola da Gamba [I] – Oswald Uhl (7-1 to 7-6)
Violin – Gerhart Hetzel (11-4 to 11-9)
Violin – Hansheinz Schneeberger (6-1 to 6-7, 6-11 to 6-13, 7-1 to 7-3)
Violin – Kurt Guntner (12-1 to 12-3, 12-7 to 12-23)
Violin – Otto Büchner (12-1 to 12-3, 12-7 to 12-23)
Violin – Otto Büchner (7-10 to 7-12)
Violin – Ruben Gonzalez (11-7 to 11-9)
Violin – Walter Forchert (11-7 to 11-9)
Violin – Wolfgang Schneiderhan (3-1 to 3-12, 4-1 to 4-13)
CD1
Recordings: München, Plenarsaal der Akademie der Wissenschaften, 4/1970 (ADD).
Publisher: G. Henle Verlag, München
(P) 1972 Deutsche Grammophon GmbH, Berlin
CD2
Recordings: München, Plenarsaal der Akademie der Wissenschaften, 11/1969 (ADD).
Publishers: Schott Verlag, Mainz (BWV 971); Ed. Wilhelm Hansen, Kopenhagen (BWV 903);
C.F. Peters Musikverlag, Frankfurt (BWV 915); Breitkopf & Härtel, Wiesbaden (BWV 590, 906).
(P) 1970 Deutsche Grammophon GmbH, Berlin
CD3 & CD4
Recordings: Wien, Wien-Film, 2/1966 (ADD).
(P) 1967 Deutsche Grammophon GmbH, Berlin
CD5
Recordings: München, Residenz, Plenarsaal der Akademie der Wissenschaften, 4/1973 (ADD).
(P) 1975 Deutsche Grammophon GmbH, Berlin
CD6 & CD7
Recordings: Munich, Musikhochschule, 1&2/1963 (BWV 1060), 1/1967 (BWV 1046-1051); Munich, Herkulessaal der Reisdenz, 6/1980 (BWV 1055) (ADD).
(P) 1964 (BWV 1060) / 1968 (BWV 1046-1051) / 1981 (BWV 1055) Deutsche Grammophon GmbH, Berlin
CD8
Recordings: München, Bavaria Musikstudios, 10/1971 (BWV 1052, 1053), 7/1972 (BWV 1056, 1057) (ADD).
Publisher: Breitkopf & Härtel, Wiesbaden.
(P) 1973 Deutsche Grammophon GmbH, Berlin
CD9
Recordings: München, Bavaria Musikstudios, 10/1972.
Publisher: Breitkopf & Härtel, Wiesbaden.
(P) 1973 Deutsche Grammophon GmbH, Berlin
CD10
Recordings: München, Bavaria Musikstudios, 10/1971 (BWV 1054, 1055), 7/1972 (BWV 1058, 1060), 10/1972 (BWV 1064).
Publisher: Breitkopf & Härtel, Wiesbaden.
(P) 1973 Deutsche Grammophon GmbH, Berlin
CD11
Recordings: München, Bavaria Musikstudios, 10/1972 (BWV 1062); Residenz, herkulessaal, 6/1980 (BWV 1044, 1064).
Publisher: Breitkopf & Härtel, Wiesbaden (BWV 1062, 1044), Bärenreiter, Kassel (BWV 1064).
(P) 1973 (BWV 1062) / 1981 (BWV 1044, 1064) Deutsche Grammophon GmbH, Berlin
CD12
Recordings: München, Hochschule für Musik, Grosser Saal, 1/1963 (AAA).
Publisher: Breitkopf & Härtel Musikverlag.
(P) 1963 (BWV 1079) / 1964 (BWV 1043, 1060) Deutsche Grammophon GmbH, Berlin
CD13
Recording: Dom zu Arlesheim, Switzerland, 9/1973 (ADD).
(P) 1974 Deutsche Grammophon GmbH, Berlin
CD14
Recording: Freiberg (Sachsen), 9/1978 (BWV 538) (ADD); Jægersborg's Church (BWV 565, 552, 529, 542, 650, 645), (AAD).
Coproduction mit VEB Deutsche Schallplatten Berlin (DDR) (BWV 538).
(P) 1964 (BWV 542, 565) / 1967 (BWV 552, 529, 650, 645) / 1980 (BWV 538) Deutsche Grammophon GmbH, Berlin
CD15
Recordings: Münich, Residenz, Herkulessaal, 6/1960 (BWV 1068); Jægersborg's Church, 4/1967 (BWV 654) & 3/1968 (BWV 588);
Freiberg (Sachsen), 9/1978 (BWV 582, 768) (ADD).
Publishers: Edition Peters, Frankfurt (BWV 654); Breitkopf & Härtel, Wiesbaden (BWV 1068).
(P) 1961 (BWV 1068) / 1967 (BWV 654) / 1969 (BWV 588) / 1980 (BWV 582, 768) Deutsche Grammophon GmbH, Berlin
CD16
Recording: München, Residenz, Herkulessaal, 6/1960 (BWV 1067); 6/1961 (BWV 1066, 1069).
Publishers: Edition Peters, Frankfurt (BWV 1069); Breitkopf & Härtel, Wiesbaden (BWV 1066, 1067).
(P) 1961 Deutsche Grammophon GmbH, Berlin
CD17 & CD18
Recording: Munich, Musikhochschule, 2 & 4/1961 (ADD).
(P) 1962 Deutsche Grammophon GmbH, Berlin
(P) 1961, 1962, 1963, 1964, 1967, 1968, 1969, 1973, 1974, 1975,
1967, 1970, 1972, 1980, 1981 Deutsche Grammophon GmbH, Berlin.
This product (P) & (C) 2014 Universal Music Italia srl
Made in the E.U.
Comes in hard cardboard box including discs in separate wallets (with same artwork) and a 48-page booklet (English/Italian/German).
Recordings: München, Plenarsaal der Akademie der Wissenschaften, 4/1970 (ADD).
Publisher: G. Henle Verlag, München
(P) 1972 Deutsche Grammophon GmbH, Berlin
CD2
Recordings: München, Plenarsaal der Akademie der Wissenschaften, 11/1969 (ADD).
Publishers: Schott Verlag, Mainz (BWV 971); Ed. Wilhelm Hansen, Kopenhagen (BWV 903);
C.F. Peters Musikverlag, Frankfurt (BWV 915); Breitkopf & Härtel, Wiesbaden (BWV 590, 906).
(P) 1970 Deutsche Grammophon GmbH, Berlin
CD3 & CD4
Recordings: Wien, Wien-Film, 2/1966 (ADD).
(P) 1967 Deutsche Grammophon GmbH, Berlin
CD5
Recordings: München, Residenz, Plenarsaal der Akademie der Wissenschaften, 4/1973 (ADD).
(P) 1975 Deutsche Grammophon GmbH, Berlin
CD6 & CD7
Recordings: Munich, Musikhochschule, 1&2/1963 (BWV 1060), 1/1967 (BWV 1046-1051); Munich, Herkulessaal der Reisdenz, 6/1980 (BWV 1055) (ADD).
(P) 1964 (BWV 1060) / 1968 (BWV 1046-1051) / 1981 (BWV 1055) Deutsche Grammophon GmbH, Berlin
CD8
Recordings: München, Bavaria Musikstudios, 10/1971 (BWV 1052, 1053), 7/1972 (BWV 1056, 1057) (ADD).
Publisher: Breitkopf & Härtel, Wiesbaden.
(P) 1973 Deutsche Grammophon GmbH, Berlin
CD9
Recordings: München, Bavaria Musikstudios, 10/1972.
Publisher: Breitkopf & Härtel, Wiesbaden.
(P) 1973 Deutsche Grammophon GmbH, Berlin
CD10
Recordings: München, Bavaria Musikstudios, 10/1971 (BWV 1054, 1055), 7/1972 (BWV 1058, 1060), 10/1972 (BWV 1064).
Publisher: Breitkopf & Härtel, Wiesbaden.
(P) 1973 Deutsche Grammophon GmbH, Berlin
CD11
Recordings: München, Bavaria Musikstudios, 10/1972 (BWV 1062); Residenz, herkulessaal, 6/1980 (BWV 1044, 1064).
Publisher: Breitkopf & Härtel, Wiesbaden (BWV 1062, 1044), Bärenreiter, Kassel (BWV 1064).
(P) 1973 (BWV 1062) / 1981 (BWV 1044, 1064) Deutsche Grammophon GmbH, Berlin
CD12
Recordings: München, Hochschule für Musik, Grosser Saal, 1/1963 (AAA).
Publisher: Breitkopf & Härtel Musikverlag.
(P) 1963 (BWV 1079) / 1964 (BWV 1043, 1060) Deutsche Grammophon GmbH, Berlin
CD13
Recording: Dom zu Arlesheim, Switzerland, 9/1973 (ADD).
(P) 1974 Deutsche Grammophon GmbH, Berlin
CD14
Recording: Freiberg (Sachsen), 9/1978 (BWV 538) (ADD); Jægersborg's Church (BWV 565, 552, 529, 542, 650, 645), (AAD).
Coproduction mit VEB Deutsche Schallplatten Berlin (DDR) (BWV 538).
(P) 1964 (BWV 542, 565) / 1967 (BWV 552, 529, 650, 645) / 1980 (BWV 538) Deutsche Grammophon GmbH, Berlin
CD15
Recordings: Münich, Residenz, Herkulessaal, 6/1960 (BWV 1068); Jægersborg's Church, 4/1967 (BWV 654) & 3/1968 (BWV 588);
Freiberg (Sachsen), 9/1978 (BWV 582, 768) (ADD).
Publishers: Edition Peters, Frankfurt (BWV 654); Breitkopf & Härtel, Wiesbaden (BWV 1068).
(P) 1961 (BWV 1068) / 1967 (BWV 654) / 1969 (BWV 588) / 1980 (BWV 582, 768) Deutsche Grammophon GmbH, Berlin
CD16
Recording: München, Residenz, Herkulessaal, 6/1960 (BWV 1067); 6/1961 (BWV 1066, 1069).
Publishers: Edition Peters, Frankfurt (BWV 1069); Breitkopf & Härtel, Wiesbaden (BWV 1066, 1067).
(P) 1961 Deutsche Grammophon GmbH, Berlin
CD17 & CD18
Recording: Munich, Musikhochschule, 2 & 4/1961 (ADD).
(P) 1962 Deutsche Grammophon GmbH, Berlin
(P) 1961, 1962, 1963, 1964, 1967, 1968, 1969, 1973, 1974, 1975,
1967, 1970, 1972, 1980, 1981 Deutsche Grammophon GmbH, Berlin.
This product (P) & (C) 2014 Universal Music Italia srl
Made in the E.U.
Comes in hard cardboard box including discs in separate wallets (with same artwork) and a 48-page booklet (English/Italian/German).
Barcode – 0 28948 20959 0
Rights Society – S.I.A.E.
Other (Cat# CD1) – 482 0960
Other (Cat# CD2) – 482 0961
Other (Cat# CD3) – 482 0962
Other (Cat# CD4) – 482 0963
Other (Cat# CD5) – 482 0964
Other (Cat# CD6) – 482 0965
Other (Cat# CD7) – 482 0966
Other (Cat# CD8) – 482 0967
Other (Cat# CD9) – 482 0968
Other (Cat# CD10) – 482 0969
Other (Cat# CD11) – 482 0978
Other (Cat# CD12) – 482 0979
Other (Cat# CD13) – 482 0980
Other (Cat# CD14) – 482 0981
Other (Cat# CD15) – 482 0982
Other (Cat# CD16) – 482 0983
Other (Cat# CD17) – 482 0984
Other (Cat# CD18) – 482 0985
SPARS Code – ADD / AAD / AAA
Rights Society – S.I.A.E.
Other (Cat# CD1) – 482 0960
Other (Cat# CD2) – 482 0961
Other (Cat# CD3) – 482 0962
Other (Cat# CD4) – 482 0963
Other (Cat# CD5) – 482 0964
Other (Cat# CD6) – 482 0965
Other (Cat# CD7) – 482 0966
Other (Cat# CD8) – 482 0967
Other (Cat# CD9) – 482 0968
Other (Cat# CD10) – 482 0969
Other (Cat# CD11) – 482 0978
Other (Cat# CD12) – 482 0979
Other (Cat# CD13) – 482 0980
Other (Cat# CD14) – 482 0981
Other (Cat# CD15) – 482 0982
Other (Cat# CD16) – 482 0983
Other (Cat# CD17) – 482 0984
Other (Cat# CD18) – 482 0985
SPARS Code – ADD / AAD / AAA