You have no items in your shopping cart.
The Warner Recordings, 1934-1970
| Label | Warner Classics – 0190295267186 |
| Format | 14 x CD, Compilation, Remastered, Stereo, Mono Box Set, Compilation |
| Barcode | 0190295267186 |
| Country | Europe |
| Released | 30 Oct 2020 |
| Genre | Non-Music, Classical |
| Style | Classical, Romantic, Neo-Romantic, Modern, Interview |
| Violin Concerto In D Major, Op. 61 | |||
| 1-1 | I. Allego Ma Non Troppo | 21:10 | |
| 1-2 | II. Larghetto | 9:13 | |
| 1-3 | III. Rondo: Allegro | 8:34 | |
| Symphonie Espagnol, Op. 21 | |||
| 1-4 | I. Allegro Non Troppo | 7:13 | |
| 1-5 | II. Scherzando (Allegro Molto) | 3:44 | |
| 1-6 | IV. Andante | 5:55 | |
| 1-7 | V. Rondo (Allegro) | 7:45 | |
| 2-1 | An Die Schönen Blauen Donau - Walzer, Op. 314 | 9:11 | |
| 2-2 | Frühlingstimme - Walzer, Op. 410 | 4:38 | |
| 2-3 | Pizzicato Polka | 2:20 | |
| 2-4 | Tritsch-Tratsch-Polka, Op. 214 | 2:34 | |
| Piano Concerto No. 1 In D Minor, Op. 15 | |||
| 2-5 | I. Maestoso | 20:58 | |
| 2-6 | II. Adagio | 15:51 | |
| 2-7 | III. Rondo: Allegro Non Troppo | 10:33 | |
| 3-1 | Die Meistersinger Von Nürnberg: Act 1: Vorspiel | 8:34 | |
| 3-2 | Oberon, J360: Overture | 8:18 | |
| Piano Concerto No. 5 In E-flat Major, Op. 73 "Emperor" | |||
| 3-3 | I. Allegro | 20:06 | |
| 3-4 | II. Adagio Un Poco Mosso | 7:55 | |
| 3-5 | Rondo: Allegro – Più Allegro | 9:25 | |
| Symphony No. 9 In E Minor, Op. 95 "From The New World" | |||
| 4-1 | I. Adagio – Allegro Molto | 8:36 | |
| 4-2 | II. Largo | 11:34 | |
| 4-3 | III. Molto Vivace | 7:53 | |
| 4-4 | IV. Allegro Con Fuoco | 10:38 | |
| Cello Concerto In B Minor, Op. 104 | |||
| 4-5 | I. Allegro | 13:41 | |
| 4-6 | II. Adagio Ma Non Troppo | 10:33 | |
| 4-7 | III. Allegro Moderato – Andante – Allegro Vivo | 11:50 | |
| Vier Letzte Lieder, AV150 | |||
| 5-1 | I. Frühling | 3:45 | |
| 5-2 | II. September | 5:23 | |
| 5-3 | III. Beim Schlafengehen | 5:26 | |
| 5-4 | IV. Im Abendrot | 8:26 | |
| 5-5 | Muttertändelei, Op. 43 No. 2 | 2:08 | |
| 5-6 | Waldseligkeit, Op. 49 No. 1 | 3:18 | |
| 5-7 | Zueignung, Op. 10 No. 1 | 1:55 | |
| 5-8 | Freundliche Vision, Op. 40 No. 1 | 3:09 | |
| 5-9 | Die Heiligen Drei Könige, Op. 56 No. 6 | 6:41 | |
| 6-1 | Ch'io Mi Scordi Di Te? ... Non Temer Amato Ben, K.505 | 11:15 | |
| 6-2 | Vado, Ma Dove? ... O Dei, K.583 | 4:23 | |
| 6-3 | Alma Grande E Nobile Care [i.e. Alma Grande E Nobil Core], K.578 | 4:30 | |
| 6-4 | Nehmt Meinem Dank, K.383 | 3:58 | |
| 6-5 | Ruhe, Meine Seele, Op. 27 No. 1 | 3:54 | |
| 6-6 | Meinen Kinde [i.e. Meinem Kinde], Op. 37 No. 3 | 2:50 | |
| 6-7 | Wiegenlied, Op. 41 No. 1 | 4:45 | |
| 6-8 | Morgen, Op. 27 No. 4 | 3:46 | |
| 6-9 | Das Bächlein, Op. 88 No. 1 | 2:01 | |
| 6-10 | Das Rosenband, Op. 36 No. 1 | 3:13 | |
| 6-11 | Winterweihe, Op. 48 No. 4 | 3:23 | |
| Des Knaben Wunderhorn | |||
| 7-1 | XI. Revelge | 7:10 | |
| 7-2 | V. Das Irdische Leben | 2:46 | |
| 7-3 | II. Verlor'ne Müh' | 2:30 | |
| 7-4 | VII. Rheinlegendchen | 3:07 | |
| 7-5 | XII. Der Tamboursg'sell | 5:51 | |
| 7-6 | I. Der Schildwache Nachtlied | 6:18 | |
| 7-7 | IV. Wer Hat Dies Liedlein Erdacht? | 2:00 | |
| 7-8 | X. Lob Des Hohen Verstandes | 2:48 | |
| 7-9 | VI. Des Antonius Von Padua Fischpredigt | 4:00 | |
| 7-10 | VIII. Lied Des Verfolgten Im Turm | 3:42 | |
| 7-11 | III. Trost Im Unglück | 2:12 | |
| 7-12 | IX. Wo Die Schönen Trompeten Blasen | 7:32 | |
| Piano Concerto No. 1 In C Major, Op. 15 | |||
| 8-1 | I. Allegro Con Brio | 14:27 | |
| 8-2 | II. Largo | 12:29 | |
| 8-3 | III. Rondo: Allegro Scherzando | 8:36 | |
| Piano Concerto No. 2 In B-Flat Major, Op. 19 | |||
| 8-4 | I. Allegro Con Brio | 14:12 | |
| 8-5 | II. Adagio | 9:02 | |
| 8-6 | III. Rondo: Molto Allegro | 6:26 | |
| Piano Concerto No. 3 In C Minor, Op. 37 | |||
| 9-1 | I. Allegro Con Brio | 16:39 | |
| 9-2 | II. Largo | 10:26 | |
| 9-3 | III. Rondo: Allegro – Presto | 8:38 | |
| Piano Concerto No. 4 In G Minor, Op. 58+ | |||
| 9-4 | I. Allegro Moderato | 18:51 | |
| 9-5 | II. Andante Con Moto | 9:02 | |
| 9-6 | III. Rondo: Vivace | 6:26 | |
| Piano Concerto No. 5 In E-Flat Major, Op. 73 "Emperor" | |||
| 10-1 | I. Allegro | 20:16 | |
| 10-2 | II. Adagio Un Poco Mosso | 8:56 | |
| 10-3 | III. Rondo: Allegro - Più Allegro | 10:32 | |
| Violin Concerto In D Major, Op. 77 | |||
| 11-1 | I. Allegro Non Troppo | 22:36 | |
| 11-2 | II. Adagio | 9:38 | |
| 11-3 | III. Allegro Giocoso, Ma Non Troppo Vivace | 8:37 | |
| Double Concerto In A Minor, Op. 102 | |||
| 11-4 | I. Allegro | 17:02 | |
| 11-5 | II. Andante | 7:55 | |
| 11-6 | III. Vivace Non Troppo | 8:57 | |
| Symphony No. 9 In C Major, D.944 "Great" | |||
| 12-1 | I. Adagio - Allegro Molto | 14:21 | |
| 12-2 | II. Andante Con Moto | 14:32 | |
| 12-3 | III. Scherzo: Allegro Vivace - Trio | 9:48 | |
| 12-4 | IV. Finale: Allegro Vivace | 11:46 | |
| Symphony No. 8 In G Major, Op. 88 | |||
| 13-1 | I. Allegro Con Brio | 10:49 | |
| 13-2 | II. Adagio | 10:39 | |
| 13-3 | III. Allegretto Grazioso - Molto Vivace | 6:42 | |
| 13-4 | IV. Allegro Ma Non Troppo | 9:33 | |
| 13-5 | Slavonic Dance In E Minor, Op. 72 No. 2 | 6:05 | |
| 13-6 | Slavonic Dance In A-flat Major, Op. 46 No. 3 | 5:04 | |
| George Szell - A Memoir | |||
| 14-1 | Introduction - Background And Overview | 5:41 | |
| 14-2 | Early Career And Early Recordings | 2:31 | |
| 14-3 | Cleveland Orchestra - Auditions, Demands, Methods, Standard | 21:35 | |
| 14-4 | Rehearsal - George Szell And Emil Gilels | 3:30 | |
| 14-5 | Szell's Expectations Of Commitment From Players And Himself | 3:10 | |
| 14-6 | London Symphony Orchestra - Demands, Methods, Standards | 16:43 | |
| 14-7 | Szell The Controller - And Szell's Pride In The Cleveland Orchestra | 8:20 | |
| 14-8 | Szell's Last Year - And Conclusion | 9:57 | |
Conductor – George Szell
Cover, Photography By – Malcolm Walker
Engineer [Balance Engineer] – Arthur Clarke (2-5 to 2-7, 3-1 to 3-5, 4-1 to 4-4)
Engineer [Balance Engineer] – Edward Thomas Graham (8-1 to 8-6, 9-1 to 9-6, 10-1 to 10-3)
Engineer [Balance Engineer] – Carson Taylor (11-1 to 11-6, 12-1 to 12-4, 13-1 to 13-6)
Engineer [Balance Engineer] – Charles B. Gregory (2-1 to 2-4, 4-5 to 4-7)
Engineer [Balance Engineer] – Christopher Parker (6-1 to 6-11)
Engineer [Balance Engineer] – Ernst Rothe (5-1 to 5-9)
Engineer [Balance Engineer] – Frank Bruno (8-1 to 8-6, 9-1 to 9-6, 10-1 to 10-3)
Engineer [Balance Engineer] – Robert Gooch (6-1 to 6-11)
Engineer [Balance Engineer] – Walter Starkman (1-1 to 1-7)
Engineer [Balance Engineer] – Wolfgang Gülich (5-1 to 5-9)
Liner Notes – Jon Tolansky
Liner Notes [Traduction] – Hugues Mousseau
Liner Notes [Übersetzung] – Dorle Ellmers
Photography By [p. 10-11] – David Farrell
Producer – Frederick W. Gaisberg (2-1 to 2-4, 4-5 to 4-7)
Producer – Lawrance Collingwood (2-5 to 2-7, 3-3 to 3-5, 4-1 to 4-4)
Producer – Paul Myers (8-1 to 8-6, 9-1 to 9-6, 10-1 to 10-3)
Producer – Peter Andry (11-1 to 11-6, 12-1 to 12-4, 13-1 to 13-6)
Producer – Rex Palmer (1-1 to 1-7)
Producer – Suvi Raj Grubb (5-1 to 5-9)
Producer – Unknown Artist (3-1, 3-2)
Producer – Walter Legge (5-1 to 5-9, 6-1 to 6-11, 7-1 to 7-12)
Remastered By – Alan Ramsay (6-1 to 6-4)
Remastered By – Simon Gibson (5-1 to 5-9, 6-5 to 6-11)
Cover, Photography By – Malcolm Walker
Engineer [Balance Engineer] – Arthur Clarke (2-5 to 2-7, 3-1 to 3-5, 4-1 to 4-4)
Engineer [Balance Engineer] – Edward Thomas Graham (8-1 to 8-6, 9-1 to 9-6, 10-1 to 10-3)
Engineer [Balance Engineer] – Carson Taylor (11-1 to 11-6, 12-1 to 12-4, 13-1 to 13-6)
Engineer [Balance Engineer] – Charles B. Gregory (2-1 to 2-4, 4-5 to 4-7)
Engineer [Balance Engineer] – Christopher Parker (6-1 to 6-11)
Engineer [Balance Engineer] – Ernst Rothe (5-1 to 5-9)
Engineer [Balance Engineer] – Frank Bruno (8-1 to 8-6, 9-1 to 9-6, 10-1 to 10-3)
Engineer [Balance Engineer] – Robert Gooch (6-1 to 6-11)
Engineer [Balance Engineer] – Walter Starkman (1-1 to 1-7)
Engineer [Balance Engineer] – Wolfgang Gülich (5-1 to 5-9)
Liner Notes – Jon Tolansky
Liner Notes [Traduction] – Hugues Mousseau
Liner Notes [Übersetzung] – Dorle Ellmers
Photography By [p. 10-11] – David Farrell
Producer – Frederick W. Gaisberg (2-1 to 2-4, 4-5 to 4-7)
Producer – Lawrance Collingwood (2-5 to 2-7, 3-3 to 3-5, 4-1 to 4-4)
Producer – Paul Myers (8-1 to 8-6, 9-1 to 9-6, 10-1 to 10-3)
Producer – Peter Andry (11-1 to 11-6, 12-1 to 12-4, 13-1 to 13-6)
Producer – Rex Palmer (1-1 to 1-7)
Producer – Suvi Raj Grubb (5-1 to 5-9)
Producer – Unknown Artist (3-1, 3-2)
Producer – Walter Legge (5-1 to 5-9, 6-1 to 6-11, 7-1 to 7-12)
Remastered By – Alan Ramsay (6-1 to 6-4)
Remastered By – Simon Gibson (5-1 to 5-9, 6-5 to 6-11)
CD wallets designed from original cover artwork
Recordings from 1934-1970.
This compilation ℗ 2000 & © 2020 Parlophone Records Limited
Made in Germany.
Includes a 30 page booklet with tracklisting and program notes.
CD 1
Recorded: 18-20.VI (1-3), 20 & 22.VI (4-7) 1934, Konzerthaus, Vienna (MONO)
1-3: first release as Columbia LX 509-513 (78rpm) - 78 matrix numbers WHAX 39-44
4-7: first release as Columbia LX 347-349 (78rpm) - 78 matrix numbers WHAX 39-44
Remastered in 2017 from original masters in 24-Bit/96kHz by Studio art e Son (1-3)
℗ 1934/Remastered 2020 (4-7) & 1936/Remastered 2017 (1-3) Parlophone Records Limited
Total time: 68:38
CD 2
Recorded: 26.VI.1934, Mittlerer Saal, Konzerthaus, Vienna [1-4m 9.I & 12.XII.1938, No. 1 Studio, Abbey Road London [5-7 (MONO)
78 rpm originally released as: HMV C 2686, matrix numbers 2WX 768-769 (); HMV C 2687 (2-4), matrix numbers 2WX 771 (2) & 2WX 770 (3-4); HMV DB 3712-3717, matrix numbers 2EA 5963-5974 (5-7)
℗ 1934 (1-4), 1939 (5-7) & Remastered ℗ 2020 Parlophone Records Limited
Total time: 65:59
CD 3
Recorded 15.X.1935 [1-2, 21.X.1938 [3-5, No. 1 Studio, Abbey Road, London (MONO)
78 rpm originally released as: HMV C 2809, matrix numbers 2EA 1564-1565); HMV C 2826, matrix numbers 2EA 1560-1561 (2); HMV C3043-3047, matrix numbers 2EA 1196-1200 & 6901-6905 (3-5)
℗ 1936 (1-2), 1939 (3-5) & Remastered ℗ 2020 Parlophone Records Limited
Total time: 54:21
CD 4
Recorded 30.X.1937, No. 1 Studio, Abbey Road, London [1-4, 8.IV.1938 Slovansky Hall (formerly Deutsche Haus), Prague [5-7 (MONO)
78 rpm originally released as: HMV C 2949-2953, matrix numbers 2EA 5337-5346 (1-4); HMV DB 3288-3292, matrix numbers 2HC 220-220 [sic (5-7)
℗ 1938 & Remastered ℗ 2003 (5-7) & 2020 (1-4) Parlophone Records Limited
Total time: 74:49
CD 5
Recorded 1-3.IX.1965, Grunewaldkirche, Berlin (STEREO)
Originally released as Columbia SAX 5258 · Tape number YRX 15-16
Remastered in 24-bit / 96 kHz (see Credits)
℗ 1966 & Remastered ℗ 2011 Parlophone Records Limited
Total time: 40:13
CD 6
Recorded 10-14 & 18.IX.1965, Kingsway Hall, London (STEREO)
Originally released as HMV ASD 2493 · Tape number 2YEA 3759-3760
Remastered in 24-bit / 96 kHz (see Credits)
℗ 1969 & Remastered ℗ 2011 (5-11), 2015 (1-4) Parlophone Records Limited
Total time: 48:12
CD 7
Recorded 8-9 & 11-12.III.1968, Kingsway Hall, London
Originally released as HMV SAN 218 · Tape number 2YEA 3595-3596
Remastered from original tapes in 24-bit / 96 kHz by Studio Art et Son
℗ 1968 & Remastered ℗ 2015 Parlophone Records Limited
Total time: 48:12
CD 8 to CD 10
Recorded 29-30.IV, 1 & 4.V.1968, Severance Hall, Cleveland
℗ 1968 & Remastered ℗ 1996 Parlophone Records Limited
Total time: CD 8 65:32, CD 9 70:35, CD 10 39:45
CD 11
Recorded 9 & 12-13.V.1969, Severance Hall, Cleveland
Originally released as HMV ASD 2526 · Tape numbers: 2YEA 3879-3880
4-6 Remastered from original tapes in 24-bit / 96 kHz by Studio Art et Son
℗ 1970, Remastered ℗ 2003 (1-3) & 2017 (4-6) Parlophone Records Limited
CD 12
Recorded 21-22.IV.1970, Severance Hall, Cleveland
Originally released as HMV ASD 2760 · Tape numbers: 2YEA 4060-4061
Remastered from original tapes in 24-bit / 96 kHz by Warner Japan
℗ 1970 & Remastered ℗ 2017 Parlophone Records Limited
CD 13
Recorded 28-29.IV.1970 [1-4, 20.IV.1970 [5-6, Severance Hall, Cleveland
Originally released as HMV ASD 2653 · Tape numbers: 2YEA 4056-4057
Remastered from original tapes in 24-bit / 96 kHz by Warner Japan
℗ 1970 & Remastered ℗ 2018 Parlophone Records Limited
CD14
℗ 2020 Jon Tolansky (spoken material) & Parlophone Records Limited (sound recordings).
Recordings from 1934-1970.
This compilation ℗ 2000 & © 2020 Parlophone Records Limited
Made in Germany.
Includes a 30 page booklet with tracklisting and program notes.
CD 1
Recorded: 18-20.VI (1-3), 20 & 22.VI (4-7) 1934, Konzerthaus, Vienna (MONO)
1-3: first release as Columbia LX 509-513 (78rpm) - 78 matrix numbers WHAX 39-44
4-7: first release as Columbia LX 347-349 (78rpm) - 78 matrix numbers WHAX 39-44
Remastered in 2017 from original masters in 24-Bit/96kHz by Studio art e Son (1-3)
℗ 1934/Remastered 2020 (4-7) & 1936/Remastered 2017 (1-3) Parlophone Records Limited
Total time: 68:38
CD 2
Recorded: 26.VI.1934, Mittlerer Saal, Konzerthaus, Vienna [1-4m 9.I & 12.XII.1938, No. 1 Studio, Abbey Road London [5-7 (MONO)
78 rpm originally released as: HMV C 2686, matrix numbers 2WX 768-769 (); HMV C 2687 (2-4), matrix numbers 2WX 771 (2) & 2WX 770 (3-4); HMV DB 3712-3717, matrix numbers 2EA 5963-5974 (5-7)
℗ 1934 (1-4), 1939 (5-7) & Remastered ℗ 2020 Parlophone Records Limited
Total time: 65:59
CD 3
Recorded 15.X.1935 [1-2, 21.X.1938 [3-5, No. 1 Studio, Abbey Road, London (MONO)
78 rpm originally released as: HMV C 2809, matrix numbers 2EA 1564-1565); HMV C 2826, matrix numbers 2EA 1560-1561 (2); HMV C3043-3047, matrix numbers 2EA 1196-1200 & 6901-6905 (3-5)
℗ 1936 (1-2), 1939 (3-5) & Remastered ℗ 2020 Parlophone Records Limited
Total time: 54:21
CD 4
Recorded 30.X.1937, No. 1 Studio, Abbey Road, London [1-4, 8.IV.1938 Slovansky Hall (formerly Deutsche Haus), Prague [5-7 (MONO)
78 rpm originally released as: HMV C 2949-2953, matrix numbers 2EA 5337-5346 (1-4); HMV DB 3288-3292, matrix numbers 2HC 220-220 [sic (5-7)
℗ 1938 & Remastered ℗ 2003 (5-7) & 2020 (1-4) Parlophone Records Limited
Total time: 74:49
CD 5
Recorded 1-3.IX.1965, Grunewaldkirche, Berlin (STEREO)
Originally released as Columbia SAX 5258 · Tape number YRX 15-16
Remastered in 24-bit / 96 kHz (see Credits)
℗ 1966 & Remastered ℗ 2011 Parlophone Records Limited
Total time: 40:13
CD 6
Recorded 10-14 & 18.IX.1965, Kingsway Hall, London (STEREO)
Originally released as HMV ASD 2493 · Tape number 2YEA 3759-3760
Remastered in 24-bit / 96 kHz (see Credits)
℗ 1969 & Remastered ℗ 2011 (5-11), 2015 (1-4) Parlophone Records Limited
Total time: 48:12
CD 7
Recorded 8-9 & 11-12.III.1968, Kingsway Hall, London
Originally released as HMV SAN 218 · Tape number 2YEA 3595-3596
Remastered from original tapes in 24-bit / 96 kHz by Studio Art et Son
℗ 1968 & Remastered ℗ 2015 Parlophone Records Limited
Total time: 48:12
CD 8 to CD 10
Recorded 29-30.IV, 1 & 4.V.1968, Severance Hall, Cleveland
℗ 1968 & Remastered ℗ 1996 Parlophone Records Limited
Total time: CD 8 65:32, CD 9 70:35, CD 10 39:45
CD 11
Recorded 9 & 12-13.V.1969, Severance Hall, Cleveland
Originally released as HMV ASD 2526 · Tape numbers: 2YEA 3879-3880
4-6 Remastered from original tapes in 24-bit / 96 kHz by Studio Art et Son
℗ 1970, Remastered ℗ 2003 (1-3) & 2017 (4-6) Parlophone Records Limited
CD 12
Recorded 21-22.IV.1970, Severance Hall, Cleveland
Originally released as HMV ASD 2760 · Tape numbers: 2YEA 4060-4061
Remastered from original tapes in 24-bit / 96 kHz by Warner Japan
℗ 1970 & Remastered ℗ 2017 Parlophone Records Limited
CD 13
Recorded 28-29.IV.1970 [1-4, 20.IV.1970 [5-6, Severance Hall, Cleveland
Originally released as HMV ASD 2653 · Tape numbers: 2YEA 4056-4057
Remastered from original tapes in 24-bit / 96 kHz by Warner Japan
℗ 1970 & Remastered ℗ 2018 Parlophone Records Limited
CD14
℗ 2020 Jon Tolansky (spoken material) & Parlophone Records Limited (sound recordings).
Barcode (Text) – 0 190295 26718 6
Barcode (Scanned) – 0190295267186
Label Code – LC 02822
SPARS Code – ADD
Rights Society – GEMA BIEM
Matrix / Runout (CD1) – 0190295267186-01 AK01230-01 [manufactured by optimal media GmbH]
Mastering SID Code (CD1, CD3, CD9, CD13, CD14) – IFPI L577
Mould SID Code (CD1 to CD14) – IFPI 9707
Matrix / Runout (CD2) – 0190295267186-02 AK01232-01 [manufactured by optimal media GmbH]
Mastering SID Code (CD2, CD4, CD10, CD12) – IFPI L578
Matrix / Runout (CD3) – 0190295267186-03 AK01234-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD4) – 0190295267186-04 AK01235-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD5) – 082564026050-17 AF06094-01 [manufactured by optimal media GmbH][manufactured by optimal media GmbH]
Mastering SID Code (CD5, CD6) – ifpi L574
Matrix / Runout (CD6) – 082564026050-18 AF06095-01 [manufactured by optimal media GmbH][manufactured by optimal media GmbH]
Matrix / Runout (CD7) – 082564026050-19 AF06096-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD8) – 0190295267186-08 AK01239-01 [manufactured by optimal media GmbH]
Mastering SID Code (CD8) – IFPI L576
Matrix / Runout (CD9) – 0190295267186-09 AK01241-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD10) – 0190295267186-10 AK01241-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD11) – 0190295267186-11 AK01242-01 [manufactured by optimal media GmbH]
Mastering SID Code (CD11) – IFPI L579
Matrix / Runout (CD12) – 0190295267186-12 AK01243-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD13) – 0190295267186-13 AK01244-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD14) – 0190295267186-14 AK01245-01 [manufactured by optimal media GmbH]
Barcode (Scanned) – 0190295267186
Label Code – LC 02822
SPARS Code – ADD
Rights Society – GEMA BIEM
Matrix / Runout (CD1) – 0190295267186-01 AK01230-01 [manufactured by optimal media GmbH]
Mastering SID Code (CD1, CD3, CD9, CD13, CD14) – IFPI L577
Mould SID Code (CD1 to CD14) – IFPI 9707
Matrix / Runout (CD2) – 0190295267186-02 AK01232-01 [manufactured by optimal media GmbH]
Mastering SID Code (CD2, CD4, CD10, CD12) – IFPI L578
Matrix / Runout (CD3) – 0190295267186-03 AK01234-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD4) – 0190295267186-04 AK01235-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD5) – 082564026050-17 AF06094-01 [manufactured by optimal media GmbH][manufactured by optimal media GmbH]
Mastering SID Code (CD5, CD6) – ifpi L574
Matrix / Runout (CD6) – 082564026050-18 AF06095-01 [manufactured by optimal media GmbH][manufactured by optimal media GmbH]
Matrix / Runout (CD7) – 082564026050-19 AF06096-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD8) – 0190295267186-08 AK01239-01 [manufactured by optimal media GmbH]
Mastering SID Code (CD8) – IFPI L576
Matrix / Runout (CD9) – 0190295267186-09 AK01241-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD10) – 0190295267186-10 AK01241-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD11) – 0190295267186-11 AK01242-01 [manufactured by optimal media GmbH]
Mastering SID Code (CD11) – IFPI L579
Matrix / Runout (CD12) – 0190295267186-12 AK01243-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD13) – 0190295267186-13 AK01244-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD14) – 0190295267186-14 AK01245-01 [manufactured by optimal media GmbH]