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A Bridge Too Fuckin' Far
| Label | Sympathy For The Record Industry – SFTRI 422 |
| Format | 2 x Vinyl, LP, Album |
| Barcode | 0790276042216 |
| Country | US |
| Released | 1998 |
| Genre | Rock |
| Style | Garage Rock, Lo-Fi, Noise, Punk, Rock & Roll |
| Love's Sting | |||
| A1 | Clean Yong 16 | ||
| A2 | '68 | ||
| A3 | You Walked In The Room | ||
| A4 | Shotgun Saw | ||
| A5 | Evergreen | ||
| Dänce Tyme | |||
| B1 | Shake Your Hips | ||
| B2 | Get Rhythm | ||
| B3 | Muddy Boots | ||
| B4 | Boomerang | ||
| B5 | Bending Like A Willow Tree | ||
| Mynd's Game | |||
| C1 | Like Any Other Kind | ||
| C2 | The Wall | ||
| C3 | King's Road | ||
| C4 | That's How My Mind Works | ||
| C5 | In The Company Of Kings | ||
| Vintage Denim | |||
| D1 | Let It Rock | ||
| D2 | The Way I Walk | ||
| D3 | My Girl Josephine | ||
| D4 | Pink Pedal Pushers | ||
| D5 | Hoy Hoy | ||
| D6 | Route 66 | ||
Artwork [Wreath Border] – Nick Diablo
Bass – George Reyes
Blues Harp, Saxophone – Walter Daniels
Drums – Jeff Bouck
Guitar, Voice [Screams] – Nick Diablo
Layout – Eddie Flowers
Liner Notes – Monsieur Jeffrey Evans
Maracas – Greg Oblivian
Organ – Jack Oblivian
Photography By [Back Cover] – Dan Bell
Photography By [Front Cover Photo] – Evans
Photography By [Other] – Bob Kondrak
Photography By [Other] – Jack Taylor
Photography By [Other] – Jeffrey Evans
Photography By [Other] – Mary Albrecht
Photography By [Other] – Michael Day
Photography By [Other] – Nick Diablo
Photography By [Other] – Scott Bomar
Photography By [Other] – Victoria Renhard
Recorded By [In Austin] – Monsieur Jeffrey Evans
Recorded By [In Memphis] – Jack Oblivian
Vocals, Guitar – Monsieur Jeffrey Evans
Bass – George Reyes
Blues Harp, Saxophone – Walter Daniels
Drums – Jeff Bouck
Guitar, Voice [Screams] – Nick Diablo
Layout – Eddie Flowers
Liner Notes – Monsieur Jeffrey Evans
Maracas – Greg Oblivian
Organ – Jack Oblivian
Photography By [Back Cover] – Dan Bell
Photography By [Front Cover Photo] – Evans
Photography By [Other] – Bob Kondrak
Photography By [Other] – Jack Taylor
Photography By [Other] – Jeffrey Evans
Photography By [Other] – Mary Albrecht
Photography By [Other] – Michael Day
Photography By [Other] – Nick Diablo
Photography By [Other] – Scott Bomar
Photography By [Other] – Victoria Renhard
Recorded By [In Austin] – Monsieur Jeffrey Evans
Recorded By [In Memphis] – Jack Oblivian
Vocals, Guitar – Monsieur Jeffrey Evans
Recorded in Memphis by Jack Oblivian and in Austin by Monsieur Jeffrey Evans for Tillman Audio Research.
Thanks to Chris Walker for the use of Barrister's after hours and Mike Vernon for letting us record in his garage. Sounds good to me.
Sessions were doubly blessed by Tex Edwards and Greg Oblivian.
Thanks to Long Gone John.
Front cover photo of Jack Taylor (R.I.P.) in heaven by Evans.
Back cover at Bon Ton Cafe, Memphis, by Dan Bell.
Other photos by Victoria Renhard, Jack Taylor, Michael Day, Bob Konrak, Jeffrey Evans, Nick Diablo, Scott Bomar, and Mary Albrecht.
Wreath border by Nick Diablo. Layout by Eddie Flowers.
Thanks for tour cards letters, and thoughts during our time of loss.
DEDICATED TO JACK TAYLOR, 1965-1997
Thanks to Chris Walker for the use of Barrister's after hours and Mike Vernon for letting us record in his garage. Sounds good to me.
Sessions were doubly blessed by Tex Edwards and Greg Oblivian.
Thanks to Long Gone John.
Front cover photo of Jack Taylor (R.I.P.) in heaven by Evans.
Back cover at Bon Ton Cafe, Memphis, by Dan Bell.
Other photos by Victoria Renhard, Jack Taylor, Michael Day, Bob Konrak, Jeffrey Evans, Nick Diablo, Scott Bomar, and Mary Albrecht.
Wreath border by Nick Diablo. Layout by Eddie Flowers.
Thanks for tour cards letters, and thoughts during our time of loss.
DEDICATED TO JACK TAYLOR, 1965-1997
Barcode (UPC code, not printed on release) – 790276042216
Matrix / Runout (Runout side A, etched) – SFTRI-422-A
Matrix / Runout (Runout side B, etched) – SFTRI-422-B
Matrix / Runout (Runout side C, etched) – SFTRI-422-C
Matrix / Runout (Runout side D, etched) – SFTRI-422-D
Matrix / Runout (Runout side A, etched) – SFTRI-422-A
Matrix / Runout (Runout side B, etched) – SFTRI-422-B
Matrix / Runout (Runout side C, etched) – SFTRI-422-C
Matrix / Runout (Runout side D, etched) – SFTRI-422-D