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Choral Music
| 1 | The Hourly Prayer Of St Joasaph Gorlenko (1910) | 2:33 |
| Ten Settings From The Obikhod, Op. 61 (1909) | (6:44) | |
| 2 | No. 7 Cherubic Hymn | 4:23 |
| 3 | No. 10 I Will Take The Cup Of Salvation | 2:21 |
| Five Russian Folksongs (1902) | (7:43) | |
| 4 | No. 1 The Dove Book (Spiritual Poem) | 2:51 |
| 5 | No. 2 Oh, Avsen (Christmas Carol) | 0:42 |
| 6 | No. 3 You Are My Beauty (Wedding Song) | 1:50 |
| 7 | No. 4 I’ll Go, Young One (Velichalnaya Sung In Honor Of A Povoznik) | 0:42 |
| 8 | No. 5 At Dawn (Round-dance Song) | 1:38 |
| 15 Russian Folksongs For Female Voices (1908) | ||
| 9 | No. 3 Now We Have A Drink (Round-dance Song) | 1:12 |
| 10 | No. 9 As At The Evening (Wedding Song) | 2:51 |
| 11 | No. 10 We, Girls, Would Like To Pour Some Horilka (Wedding Song) | 0:59 |
| 12 | No. 14 The Valley (Wedding Song) | 2:03 |
| Ten Russian Folksongs, Arranged For Female Voices, Op. 45 (1899) | (10:56) | |
| 13 | No. 1 You, My River (Wedding Song) | 2:11 |
| 14 | No. 2 Oh, It’s Not A Sunset (Velichalnaya) | 0:59 |
| 15 | No. 3 Birch Forest, Who’s A Single Man? (Velichalnaya) | 0:37 |
| 16 | No. 4 White Snow (Protyazhnaya) | 1:55 |
| 17 | No. 5 I’ll Sit Down Young (Round-dance Song) | 0:39 |
| 18 | No. 6 The Winds Blew (Round-dance Song) | 1:51 |
| 19 | No. 7 Along The Steep Coast (Round-dance Song) | 0:41 |
| 20 | No. 8 Rain On The Street (Round-dance Song) | 0:42 |
| 21 | No. 9 That’s My Grief (Round-dance Song) | 0:44 |
| 22 | No. 10 Along The Street (Round-dance Song) | 0:37 |
| Three Russian Folksongs For Female Voices (1912) | (4:43) | |
| 23 | No. 1 Hushaby (Lullaby) | 1:46 |
| 24 | No. 2 The Open Field, You’re My Wide Space (Protyazhnaya) | 1:39 |
| 25 | No. 3 Oh, There Was No Wind (Wedding Song) | 1:18 |
| 26 | Glorification For Vladimir Stasov (1899) | 0:53 |
| Music To Maurice Maeterlinck’s Drama Sœur Béatrice, Op. 60 (1906) | (6:24) | |
| 27 | I Beggars’ Chorus: Ave Maria | 0:49 |
| 28 | II Ave, Maris Stella | 4:09 |
| 29 | III The Death Of Beatrice: Requiem Aeternam | 1:26 |
| 30 | Glorification For Vladimir Stasov On 2 January 1894 (1894) | 0:45 |
| 31 | Farewell Song Of The Schoolgirls From The Empress Maria Institute, Op. 50 (1900) | 3:51 |
| 32 | Glory To Nikolay Andreevich Rimsky-Korsakov (1901) | 0:26 |
| Choruses From The Final Scene Of Schiller’s ‘Die Braut Von Messina’, Op. 28 (1878) | (8:49) | |
| 33 | Introduction (‘Blessed Is He Who Is In The Quiet Deep’) | 5:10 |
| 34 | Finale (Requiem) | 3:39 |
| 35 | Glory To Evgeniya Ivanovna Zbrueva (1913) | 0:31 |
| 36 | Fugato ‘Drip, Ek’ (1900) | 0:25 |
| 37 | Chorus From The Cantata To The Memory Of Mark Antokolsky, Op. 47 (1902) | 2:08 |
| 38 | Slava, Op. 47 (publ. 1899) | 1:52 |
| 39 | Hymn To Anton Rubinstein, Op. 54 (1902) | 1:15 |
Advisor [Artistic Adviser], Supervised By [Supervisor] – Yuri Abdokov
Baritone Vocals [Baritone] – Kirill Panfilov (34)
Choir – The Academy of Russian Music Chamber Choir
Chorus Master [Choirmaster], Conductor – Ivan Nikiforchin
Composed By – Anatoly Lyadov
Design [Cover Design] – David M. Baker
Engineer [Sound Engineer], Producer, Editor – Ilya Dontsov
Executive-Producer – Martin Anderson
Harmonium [Four Hands] – Alexey Shevchenko (28)
Harmonium [Four Hands] – Dmitry Korostelyov (28)
Harp – Nika Ryabchinenko (38)
Liner Notes [Booklet Essay] – Igor Prokhorov
Piano – Dmitry Korostelyov (31, 33, 34, 37)
Piano [Two Pianos, Eight Hands] – Alexey Shevchenko (38)
Piano [Two Pianos, Eight Hands] – Dmitry Korostelyov (38)
Piano [Two Pianos, Eight Hands] – Maria Uspenskaya (38)
Piano [Two Pianos, Eight Hands] – Yulia Likhacheva (38)
Producer [Production Direction], Coordinator [Co-ordination] – Igor Prokhorov
Trumpet – Kseniia Abaimova (35)
Typography [Typesetting], Layout [Lay-out] – Kerrypress, St Albans
Baritone Vocals [Baritone] – Kirill Panfilov (34)
Choir – The Academy of Russian Music Chamber Choir
Chorus Master [Choirmaster], Conductor – Ivan Nikiforchin
Composed By – Anatoly Lyadov
Design [Cover Design] – David M. Baker
Engineer [Sound Engineer], Producer, Editor – Ilya Dontsov
Executive-Producer – Martin Anderson
Harmonium [Four Hands] – Alexey Shevchenko (28)
Harmonium [Four Hands] – Dmitry Korostelyov (28)
Harp – Nika Ryabchinenko (38)
Liner Notes [Booklet Essay] – Igor Prokhorov
Piano – Dmitry Korostelyov (31, 33, 34, 37)
Piano [Two Pianos, Eight Hands] – Alexey Shevchenko (38)
Piano [Two Pianos, Eight Hands] – Dmitry Korostelyov (38)
Piano [Two Pianos, Eight Hands] – Maria Uspenskaya (38)
Piano [Two Pianos, Eight Hands] – Yulia Likhacheva (38)
Producer [Production Direction], Coordinator [Co-ordination] – Igor Prokhorov
Trumpet – Kseniia Abaimova (35)
Typography [Typesetting], Layout [Lay-out] – Kerrypress, St Albans
All except tracks 2, 3, 13, 16 first recordings
Recorded on 5, 10, 12, 17, 24 and 26 November and 22 December 2020
in the Concert Hall of the Academy of Choral Arts, Moscow
© Toccata Classics, London, 2021
℗ Toccata Classics, London, 2021
TT 67:04
Made in Germany
Recorded on 5, 10, 12, 17, 24 and 26 November and 22 December 2020
in the Concert Hall of the Academy of Choral Arts, Moscow
© Toccata Classics, London, 2021
℗ Toccata Classics, London, 2021
TT 67:04
Made in Germany
Barcode – 5 060113 446145
Label Code – LC 14674
SPARS Code – DDD
Label Code – LC 14674
SPARS Code – DDD