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Requiem For Jazz
| Label | International Anthem Recording Company – IMRC0061 |
| Format | CD, Album |
| Barcode | 0789993992744 |
| Country | Worldwide |
| Released | 2023 |
| Genre | Jazz |
| Style | Avant-garde Jazz, Gospel |
| 1 | Jazz Is Merely The Negroes Cry Of Joy & Suffering | 01:05 |
| 2 | Introit - Joy N’ Suff’rin | 03:33 |
| 3 | Jazz Is The Musical Expression Of The Triumph Of The Negroes Spirit | 01:14 |
| 4 | Kyrie Eleison - Lawd Hav’ Merci | 04:59 |
| 5 | This Endless Repetition Is Like A Chain Around The Spirit. And Is A Reflection Of The Denial Of A Future To The Negro In The American Way Of Life | 01:13 |
| 6 | Dias Ire - Chain Around The Spirit | 03:51 |
| 7 | Another Restraining Factor In Jazz Are The Changes | 00:43 |
| 8 | Tuba Mirum - The Changes | 03:06 |
| 9 | The Negro Experiences The Endless Daily Humiliation Of American Life Which Bequeaths Him A Futureless Future | 01:21 |
| 10 | Rex Tremendae – Futureless Future | 02:38 |
| 11 | The Negro Transforms America’s Image Of Him Into A Transport Of Joy! | 01:33 |
| 12 | Recordare - Recall The Joy | 02:06 |
| 13 | Jazz Reflects The Improvised Life Thrust Upon The Negro | 01:40 |
| 14 | Confutatis - Repression | 03:46 |
| 15 | Through Spirituals, Through The Blues, Then Through Jazz We Made A Memory Of Our Past And A Promise Of All To Come | 02:14 |
| 16 | Lacrimosa - Weeping Our Lady Of Sorrow | 02:44 |
| 17 | Because Jazz Is The One Element In American Life Where Whites Must Be Humble To The Negro | 01:30 |
| 18 | Offerturium - Hostias - Humility | 03:42 |
| 19 | Only When Whites Have Paid The Price In Suffering To Be The Negroes Equal | 00:40 |
| 20 | Sanctus - Holy, Holy, Holy | 02:10 |
| 21 | The Jazz Body Is Dead But The Spirit Of Jazz Is Alive | 00:38 |
| 22 | Agnus Dei - Jazz Is Dead! | 02:06 |
| 23 | Lux Aeterna - Eternal Light/My Rhapsody | 05:49 |
| 24 | Long Tone For Rayna Golding (A Binti Zawadi Daughter Gift.... Our Future) | 02:35 |
Alto Saxophone – Fred Jackson, Jr.
Alto Saxophone – Marshall Allen (23)
Alto Vocals – Monique Golding
Baritone Vocals – Phillip Armstrong
Cello – Olula
Clarinet – Hannah Washington
Composed By, Arranged By, Conductor, Mixed By – Angel Bat Dawid
Contrabass – Jeremiah Hunt
Design [Visualz] – Jonathan Woods
Design [Visualz] – Liz Gomez
Electronics – Norman W. Long
Flute – Adam Zanolini
Lacquer Cut By – Daniel Krieger
Mastered By – Najee-Zaid Searcy
Percussion – Noel Scott (23)
Percussion – Vincent Davis
Performer [Auxiliary Instruments] – Xristian Espinoza
Performer [Dancer] – Aquarius
Performer [Dancer] – Viktor Le Givens
Piano – Charles Joseph Smith
Recorded By [Live] – Dave Vettraino
Recorded By [Live] – Najee-Zaid Searcy
Set Designer – Viktor Le Givens
Soprano Saxophone – Isaiah Collier
Soprano Vocals – Tramaine Parker
Tenor Saxophone – Kwesaiah
Tenor Vocals – Deacon Otis Cooke
Trumpet – Sam Thousand
Viola – Michelle Manson
Violin – DaJour Smith
Violin – J’Niya Blunt
Alto Saxophone – Marshall Allen (23)
Alto Vocals – Monique Golding
Baritone Vocals – Phillip Armstrong
Cello – Olula
Clarinet – Hannah Washington
Composed By, Arranged By, Conductor, Mixed By – Angel Bat Dawid
Contrabass – Jeremiah Hunt
Design [Visualz] – Jonathan Woods
Design [Visualz] – Liz Gomez
Electronics – Norman W. Long
Flute – Adam Zanolini
Lacquer Cut By – Daniel Krieger
Mastered By – Najee-Zaid Searcy
Percussion – Noel Scott (23)
Percussion – Vincent Davis
Performer [Auxiliary Instruments] – Xristian Espinoza
Performer [Dancer] – Aquarius
Performer [Dancer] – Viktor Le Givens
Piano – Charles Joseph Smith
Recorded By [Live] – Dave Vettraino
Recorded By [Live] – Najee-Zaid Searcy
Set Designer – Viktor Le Givens
Soprano Saxophone – Isaiah Collier
Soprano Vocals – Tramaine Parker
Tenor Saxophone – Kwesaiah
Tenor Vocals – Deacon Otis Cooke
Trumpet – Sam Thousand
Viola – Michelle Manson
Violin – DaJour Smith
Violin – J’Niya Blunt
Barcode – 7 89993 99274 4
Matrix / Runout – FOURMANUFACTURING.COM A0103403563-0101 24 A00
Matrix / Runout – FOURMANUFACTURING.COM A0103403563-0101 24 A00