You have no items in your shopping cart.
Anner Bylsma Collection - Cello Concertos - Duets
Antonio Vivaldi 1678–1741 | |||
Concerto For Violoncello, Strings And Basso Continuo In A Minor Rv 418 | |||
1-1 | I Allegro | ||
1-2 | II [Andante] | ||
1-3 | III Allegro | ||
Concerto For Violoncello, Strings And Basso Continuo In G Major Rv 413 | |||
1-4 | I Allegro | ||
1-5 | II Largo | ||
1-6 | III Allegro | ||
Concerto For Violin, Violoncello, Strings And Basso Continuo In B-flat Major Rv 547 | |||
1-7 | I Allegro [moderato] | ||
1-8 | II Andante | ||
1-9 | III Allegro Molto | ||
1-10 | Concerto For Violoncello, Strings And Basso Continuo In D Major Rv 403 | ||
1-11 | Concerto For Violoncello, Strings And Basso Continuo In B Minor Rv 424 | ||
1-12 | Concerto For Violoncello, Strings And Basso Continuo In A Minor Rv 419 | ||
1-13 | Concerto For Violoncello, Bassoon, Strings And Basso Continuo In E Minor Rv 409 | ||
1-14 | Concerto For 2 Violins, 2 Violoncellos And Strings in D major RV 564 | ||
Johann Sebastian Bach 1685–1750 | |||
1-15 | Concerto In D Minor (fragment) | ||
Luigi Boccherini 1743–1805 | |||
Concerto For Violoncello And Orchestra In G Major G 480 | |||
2-1 | I Allegro | ||
2-2 | II Adagio | ||
2-3 | III Allegro | ||
Concerto For Violoncello And Orchestra In D Major G 483 | |||
2-4 | I Allegro Maestoso | ||
2-5 | II Andante Lentarello | ||
2-6 | III Allegro Con Moto | ||
Concerto for Violoncello and Orchestra in D major G 476 | |||
2-7 | I Allegro | ||
2-8 | II Largo | ||
2-9 | III Allegro Piacere | ||
Concerto For Violoncello And Orchestra In C Major G 573 | |||
2-10 | I Maestoso | ||
2-11 | II Largo Cantabile | ||
2-12 | III Allegro Comodo | ||
Joseph Haydn 1732–1809 | |||
Concerto For Violoncello And Orchestra No. 1 In C Major Hob. Viib: 1 | |||
3-1 | I Moderato | ||
3-2 | II Adagio | ||
3-3 | III Allegro Molto | ||
Concerto For Violoncello And Orchestra No. 2 In D Major Hob. Viib: 2 | |||
3-4 | I Allegro Moderato | ||
3-5 | II Adagio | ||
3-6 | III Rondo. Allegro | ||
Anton Kraft 1749–1820 | |||
Concerto For Violoncello And Orchestra In C Major Op. 4 | |||
3-7 | I Allegro Aperto | ||
3-8 | II Romanza. Andante | ||
3-9 | III Rondo Alla Cosacca. Moderato | ||
Ludwig Van Beethoven 1770–1827 | |||
Concerto For Piano, Violin, Violoncello And Orchestra In C Major Op. 56 “Triple Concerto” | |||
4-1 | I Allegro | ||
4-2 | II Largo | ||
4-3 | III Rondo Alla Polacca | ||
Quintet For 2 Violins, Viola And 2 Violoncellos In A Major | |||
4-4 | I Adagio Sostenuto – Presto | ||
4-5 | II Andante Con Variazioni (I–Iv) | ||
4-6 | III Presto | ||
FranÇOis Servais 1807–1866 | |||
5-1 | Souvenir de Bade Op. 20 | ||
5-2 | Caprice In A Major Op. 11/4 | ||
5-3 | Caprice In D Major Op. 11/2 | ||
5-4 | Caprice Sur Des Motifs de L’opéra Le Comte Ory Op. 3 | ||
5-5 | Grand Duo de Concert (sur Deux Airs Nationaux Anglais) | ||
5-6 | Souvenir de Spa Op. 2 | ||
Auguste Franchomme 1808–1884 | |||
6-1 | Air Auvergnat Varié In A Minor Op. 26 | ||
6-2 | Caprice In C Major Op. 7/7 | ||
6-3 | Nocturne In G Major | ||
6-4 | Grande Valse Op. 34 | ||
Frédéric Chopin 1810–1849 / Auguste Franchomme | |||
6-5 | Grand Duo Concertant Sur Des Thèmes de Robert Le Diable | ||
Auguste Franchomme | |||
6-6 | Caprice In A Minor Op. 7/4 | ||
6-7 | Nocturne In A-flat Major Op. 15/3 | ||
6-8 | Caprice In E Minor Op. 7/2 | ||
6-9 | Air russe varié in D minor op. 32/2 |
Artwork – [ec:ko] Communications
Booklet Editor – Jochen Rudelt
Cello – Anner Bylsma
Fortepiano – Lambert Orkis (CD 6)
Fortepiano – Paul Badura-Skoda (CD 4 [1-3])
Music Director – Jeanne Lamon (CD 1 [1-14], 2, 3)
Orchestra – Collegium Aureum (CD 4 [1-3])
Orchestra – L'Archibudelli (CD 4 [4-6], 6)
Orchestra – Smithsonian Chamber Orchestra (CD 5, 6)
Orchestra – Tafelmusik (CD 1, 2)
Photography By – Carine Bijlsma
Reissue Producer – Robert Russ
Violin – Franzjosef Maier (CD 4 [1-3])
Booklet Editor – Jochen Rudelt
Cello – Anner Bylsma
Fortepiano – Lambert Orkis (CD 6)
Fortepiano – Paul Badura-Skoda (CD 4 [1-3])
Music Director – Jeanne Lamon (CD 1 [1-14], 2, 3)
Orchestra – Collegium Aureum (CD 4 [1-3])
Orchestra – L'Archibudelli (CD 4 [4-6], 6)
Orchestra – Smithsonian Chamber Orchestra (CD 5, 6)
Orchestra – Tafelmusik (CD 1, 2)
Photography By – Carine Bijlsma
Reissue Producer – Robert Russ
Violin – Franzjosef Maier (CD 4 [1-3])
CD 1:
Recording: Hervormde Kerk, Bennebroek, The Netherlands, June 25–27, 1990 [1–9; Humbercrest United Church, Toronto, May 16, 1996 [10–14; Doopsgezinde Kerk, Amsterdam, February 1975 [15
Producer / Recording Supervisor: Wolf Erichson
Recording Engineer / Editing: Stephan Schellmann (Tritonus) [1–9
P 1976/1992/1997 Sony Music Entertainment
CD 2:
Recording: Kirche der Karlshöhe, Ludwigsburg, Germany, September 1988 [1–6; Doopsgezinde Kerk, Amsterdam, September 15–17, 1992 [7–12
Producer / Recording Supervisor: Wolf Erichson [7–12
Recording Engineer / Editing: Markus Heiland (Tritonus) [7–12
P 1989/1993 Sony Music Entertainment
CD 3:
Recording: Humbercrest United Church, Toronto, October 29–31 1989
Producer / Recording Supervisor: Wolf Erichson
Recording Engineer / Editing: Andreas Neubronner (Tritonus)
P 1990 Sony Music Entertainment
CD 4:
Recording: Cedernsaal, Schloss Kirchheim, Germany, June 1974 [1–3; Doopsgezinde Kerk, Amsterdam, June 5, 1991 [4–6
Producer / Recording Supervisor: Wolf Erichson [4–6
P 1990/1992 Sony Music Entertainment
CD 5:
Recording: Hall of Musical Instruments, National Museum of American History, Smithsonian Institution, Washington, DC, April 9–11, 1986
Producers & Engineers: Marc Aubort & Joanna Nickrenz (Elite Recordings Inc.)
P 1988 Sony Music Entertainment
CD 6:
Recording: American Academy of Arts and Letters, New York City, January 25–28, 1993
Producer / Recording Supervisor: Wolf Erichson
Recording Engineer / Editing: Stephan Schellmann (Tritonus)
P 1994 Sony Music Entertainment
Recording: Hervormde Kerk, Bennebroek, The Netherlands, June 25–27, 1990 [1–9; Humbercrest United Church, Toronto, May 16, 1996 [10–14; Doopsgezinde Kerk, Amsterdam, February 1975 [15
Producer / Recording Supervisor: Wolf Erichson
Recording Engineer / Editing: Stephan Schellmann (Tritonus) [1–9
P 1976/1992/1997 Sony Music Entertainment
CD 2:
Recording: Kirche der Karlshöhe, Ludwigsburg, Germany, September 1988 [1–6; Doopsgezinde Kerk, Amsterdam, September 15–17, 1992 [7–12
Producer / Recording Supervisor: Wolf Erichson [7–12
Recording Engineer / Editing: Markus Heiland (Tritonus) [7–12
P 1989/1993 Sony Music Entertainment
CD 3:
Recording: Humbercrest United Church, Toronto, October 29–31 1989
Producer / Recording Supervisor: Wolf Erichson
Recording Engineer / Editing: Andreas Neubronner (Tritonus)
P 1990 Sony Music Entertainment
CD 4:
Recording: Cedernsaal, Schloss Kirchheim, Germany, June 1974 [1–3; Doopsgezinde Kerk, Amsterdam, June 5, 1991 [4–6
Producer / Recording Supervisor: Wolf Erichson [4–6
P 1990/1992 Sony Music Entertainment
CD 5:
Recording: Hall of Musical Instruments, National Museum of American History, Smithsonian Institution, Washington, DC, April 9–11, 1986
Producers & Engineers: Marc Aubort & Joanna Nickrenz (Elite Recordings Inc.)
P 1988 Sony Music Entertainment
CD 6:
Recording: American Academy of Arts and Letters, New York City, January 25–28, 1993
Producer / Recording Supervisor: Wolf Erichson
Recording Engineer / Editing: Stephan Schellmann (Tritonus)
P 1994 Sony Music Entertainment
Barcode – 888430106628
Label Code – LC 06868
Label Code – LC 06868