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Saison 1909 | |||
Le Pavillion D'armide | |||
1-1 | I L' Introduction Et Scene Premiere | 8:47 | |
1-2 | II Courantes. Danse Des Heures | 2:29 | |
1-3 | III La Scene D' Animation Du Gobelin | 4:29 | |
1-4 | IV La Plainte D' Armide | 2:30 | |
1-5 | V Scene: Grand Pas D' Action (Adagio) | 6:27 | |
1-6 | VI Grande Valse Noble | 5:28 | |
1-7 | VII Variation, Allegro, Moderato Tranquillo, Vivace, Grave. Maestoso E Molto Sostenuto | 7:54 | |
1-8 | VIII Danse Des Gamins | 2:26 | |
1-9 | IX Danse Des Confidentes | 3:38 | |
1-10 | X Bacchus Et Les Bacchantes | 3:38 | |
1-11 | XI Danse Des Ombres | 3:05 | |
1-12 | XII Danse Des Bouffons | 3:06 | |
1-13 | XIII Pas D'echarpe | 1:49 | |
1-14 | XIV Pas De Deux | 4:26 | |
1-15 | XV Grande Valse Finale | 6:37 | |
2-1 | Prince Igor: Dance Of The Polovotsian Maidens And Polovotsian Dances | 13:33 | |
Scheherazade Op. 35 | |||
2-2 | I The Sea And Sinbad's Ship | 9:37 | |
2-3 | II The Story Of The Kalender Prince | 11:52 | |
2-4 | III The Young Prince And The Young Princess | 9:45 | |
2-5 | IV Festival In Bagdad – The Sea – The Ship Goes To Pieces On A Rock Surmounted By A Bronze Warrior | 11:55 | |
Saison 1910 | |||
Giselle | |||
3-1 | Introduction | 1:53 | |
3-2 | Act One | No. 2 Entrée Du Comte Albrecht | 1:00 | |
3-3 | No. 3 Entrée De Giselle – Scène Avec Hilarion | 1:55 | |
3-4 | No. 4 Retour Des Vendange | 0:46 | |
3-5 | Valse | 3:53 | |
3-6 | No. 7 Marche De Vignerons | 1:33 | |
3-7 | Variation De Giselle | 1:34 | |
3-8 | Grand Galop | 1:17 | |
3-9 | No. 8 Scène Finale (Scène De Folie) | 7:44 | |
3-10 | Act Two | No. 3/4 Entrée D'Hilarion | 1:01 | |
3-11 | No 5 Apparition De Myrtha | 2:01 | |
3-12 | No. 8 Scène Des Wilis | 0:45 | |
3-13 | No. 9 Danse Des Wilis | 4:21 | |
3-14 | No. 10 Apparition De Giselle | 1:04 | |
3-15 | No. 11 Danse De Giselle | 0:27 | |
3-16 | No. 13 Entrée D'Albrecht | 2:12 | |
3-17 | No. 14 Scène des Wilis | 0:38 | |
3-18 | No. 15 Pas de Deux : Giselle Et Albrecht | 3:02 | |
3-19 | Variation De Giselle | 1:21 | |
3-20 | No. 16 Finale | 3:02 | |
Carnaval Op. 9 | |||
4-1 | I. Préambule | 2:34 | |
4-2 | II. Pierrot | 1:15 | |
4-3 | III. Arlequin | 0:43 | |
4-4 | IV. Valse noble | 1:08 | |
4-5 | V. Eusebius | 1:23 | |
4-6 | VI. Florestan | 1:01 | |
4-7 | VII. Coquette | 1:12 | |
4-8 | VIII. Réplique | 0:56 | |
4-9 | IX. Papillons | 0:52 | |
4-10 | X. A.S.C.H.–S.C.H.A. (Lettres Dansantes) | 0:51 | |
4-11 | XI. Chiarina | 1:02 | |
4-12 | XII. Chopin | 2:15 | |
4-13 | XIII. Estrella | 0:36 | |
4-14 | XIV. Reconnaissance | 1:41 | |
4-15 | XV. Pantalon Et Columbine | 0:51 | |
4-16 | XVI. Valse Allemande | 0:33 | |
4-17 | XVII. Paganini | 1:08 | |
4-18 | XVIII. Aveu | 1:05 | |
4-19 | XIX. Promenade | 1:35 | |
4-20 | XX. Pause | 0:23 | |
4-21 | XXI. Marche Des "Davidsbundler" Contre Les Philistins | 2:37 | |
L'Oiseau De Feu (The Firebird) | |||
4-22 | Introduction | 2:33 | |
4-23 | 1er Tableau | Le Jardin Enchanté De Kachtcheï | 1:47 | |
4-24 | Apparition De L'Oiseau De Feu, Poursuivi Par Ivan Tsarévitch | 2:24 | |
4-25 | Danse De L'Oiseau De Feu | 1:25 | |
4-26 | Capture De L'Oiseau De Feu Par Ivan Tsarévitch | 1:01 | |
4-27 | Supplications De L'Oiseau De Feu | 5:30 | |
4-28 | Apparition Des Treize Princesses Enchantées | 2:17 | |
4-29 | Jeu Des Princesses Avec Les Pommes D'or | 2:21 | |
4-30 | Rusque Apparition D'Ivan Tsarévitch | 1:14 | |
4-31 | Khorovode: Ronde Des Princesses | 4:32 | |
4-32 | Lever Du Jour | 1:24 | |
4-33 | Ivan Tsarévitch Pénètre Dans Le Palais De Kachtcheï | 0:06 | |
4-34 | Carillon Magique Et Capture D'Ivan Tsarévitch | 1:23 | |
4-35 | Arrivée Kachtcheï L'Immortel | 1:04 | |
4-36 | Dialogue De Kachtcheï Avec Ivan Tsarévitch | 1:07 | |
4-37 | Intercession Des Princesses | 0:57 | |
4-38 | Apparition De L'Oiseau de Feu | 0:40 | |
4-39 | Danse De La Suite De Kachtcheï, Enchantèe Par L'Oiseau de Feu | 0:53 | |
4-40 | Danse Infernale De Tous Les Sujets de Kachtcheï | 4:51 | |
4-41 | Berceuse (L'Oiseau De Feu) | 2:52 | |
4-42 | Réveil De Kachtcheï | 0:56 | |
4-43 | Mort De Kachtcheï | 1:17 | |
4-44 | 2er Tableau | Disparition Du Palais Et Des Sortilèges De Kachtcheï, Animation Des Chevaliers Pétrifiés. Allégresse Générale | 3:06 | |
Saison 1911 | |||
Narcisse Et Écho, Ballet Op. 40 | |||
5-1 | I. Un Paysage Panthéiste = A Phanteistic Landscape | 5:42 | |
5-2 | II. Un Sylvain Se Réveille, Il Joue La Flute = A Woodland Creature Awakes, Plays His Flute | 6:40 | |
5-3 | III. Entre Des Jeunes Béotiens Et Béotiennes = Entrance Of The Beotiens And Their Mistresses | 2:21 | |
5-4 | IV. Danse De La Bacchante = Dance Of The Bacchante | 5:15 | |
5-5 | V. Chants Lointains = Distant Voices | 4:53 | |
5-6 | VI. Danse De Narcisse = Dance Of Narcissus | 10:49 | |
5-7 | VII. Echo Est Abandonee = Echo Is Abandoned | 2:55 | |
5-8 | VIII. Entre Narcisse, Épuisé Par La Fatigue = Narcissus Enters, Exhausted | 5:33 | |
5-9 | IX. Arrivée D'Écho = Echo Arrives | 4:28 | |
5-10 | X. Narcisse Se Transforme En Une Fleur = Narcissus Is Transformed Into A Flower | 4:33 | |
5-11 | L'Invitation À La Valse | 10:49 | |
Swan Lake, Ballet Op. 20 | |||
6-1 | Introduction (Moderato Assai) | 2:48 | |
6-2 | Act One | No. 1 Scene (Allegro Giusto) | 2:58 | |
6-3 | No. 2 Waltz (Tempo Di Valse) | 7:15 | |
6-4 | No. 3 Scene (Allegro Moderato) | 3:43 | |
6-5 | No. 4 Pas De Trois | I. Intrada (Allegro) | 2:13 | |
6-6 | II. Andante Sostenuto | 2:21 | |
6-7 | III. Allegro Semplice – Presto | 1:16 | |
6-8 | IV. Moderato | 1:09 | |
6-9 | V. Allegro | 1:08 | |
6-10 | VI. Coda (Allegro Vivace) | 1:45 | |
6-11 | No. 5 Pas De Deux | I. Tempo Di Valse | 2:26 | |
6-12 | II. Moderato Assai – Molto Più Mosso | 5:43 | |
6-13 | III. Tempo Di Valse | 1:37 | |
6-14 | IV. Coda (Allegro Molto Vivace) | 1:56 | |
6-15 | No. 6 Pas D'action (Andantino Quasi Moderato – Allegro) | 1:58 | |
6-16 | No. 7 Subject | 0:44 | |
6-17 | No. 8 Dance With Goblets (Tempo Di Polacca) | 5:58 | |
6-18 | No. 9 Finale (Andante) | 2:37 | |
6-19 | Act Two | No. 10 Scene (Moderato) | 2:46 | |
6-20 | No. 11 Scene (Allegro Moderato – Allegro Vivo) | 4:59 | |
6-21 | No. 12 Scene (Allegro) | 3:19 | |
6-22 | No. 13 Dances Of The Little Swans | I. Tempo Di Valse | 2:25 | |
6-23 | II. Moderato Assai – Molto Più Mosso | 1:40 | |
6-24 | III. Tempo Di Valse | 1:47 | |
6-25 | IV. Dance Of The Little Swans (Allegro Moderato) | 1:26 | |
6-26 | V. Andante – Andante Non Troppo – Allegro | 7:18 | |
6-27 | VI. Tempo Di Valse | 1:29 | |
6-28 | VII. Coda (Allegro Vivace) | 1:42 | |
6-29 | No. 14 Scene (Moderato) | 2:57 | |
7-1 | Act Three | No. 15 Scene (Allegro Giusto) | 2:32 | |
7-2 | No. 16 Dance Of The Guests And The Dwarfs (Moderato Assai – Allegro Vivo) | 2:32 | |
7-3 | No. 17 Scene: Entrance And Waltz Of The Special Guests (Allegro – Tempo Di Valse) | 2:43 | |
7-4 | No. 18 Scene (Allegro – Allegro Giusto) | 8:08 | |
7-5 | No. 19 Pas De Six | Intrada (Moderato Assai) | 8:08 | |
7-6 | Variation I (Allegro) | 2:41 | |
7-7 | Variation II (Andante Con Moto) | 1:37 | |
7-8 | Variation III (Moderato) | 3:23 | |
7-9 | Variation IV (Allegro) | 1:06 | |
7-10 | Variation V (Moderato – Allegro Semplice) | 0:58 | |
7-11 | Coda (Allegro Molto) | 1:24 | |
7-12 | Pas De Deux (Additional Number) | Variation I (Moderato – Andante) | 1:48 | |
7-13 | Variation II (Allegro – Moderato) | 4:03 | |
7-14 | Variation III (Allegro) | 0:59 | |
7-15 | Coda (Allegro Molto Vivace) | 2:28 | |
7-16 | No. 20 Hungarian Dance: Csárdás (Moderato Assai – Allegro Moderato – Vivace) | 2:54 | |
7-17 | Russian Dance (Cadenza – Andante Semplice – Allegro Vivo) (Additional Number) | 4:23 | |
7-18 | No. 21 Spanish Dance (Allegro Non Troppo: Tempo Di Bolero) | 2:29 | |
7-19 | No. 22 Neapolitan Dance (Allegro Moderato – Andantino Quasi Moderato) | 2:19 | |
7-20 | No. 23 Mazurka | 4:59 | |
7-21 | No. 24 Scene (Allegro – Valse – Allegro Vivo) | 3:35 | |
7-22 | Act Four | No. 25 Entr'acte (Moderato) | 1:51 | |
7-23 | No. 26 Scene (Allegro Ma Non Troppo) | 2:22 | |
7-24 | No. 27 Danse Of The Little Swans (Moderato) | 4:23 | |
7-25 | No. 28 Scene (Allegro Agitato – Allegro Vivace) | 3:04 | |
7-26 | No. 29 Finale (Andante – Allegro Agitato – Alla Breve – Moderato E Maestoso) | 6:47 | |
Petrouchka (Petrushka) | |||
8-1 | Tableau 1 | Fête Populaire de la Semaine Grasse – Le Tour De Passe-passe | 7:20 | |
8-2 | Danse Russe | 2:35 | |
8-3 | Tableau 2 | Chez Petrouchka | 4:36 | |
8-4 | Tableau 3 | Chez Le Maure – Danse De La Ballerine | 3:36 | |
8-5 | Valse : La Ballerine Et Le Maure | 3:13 | |
8-6 | Tableau 4 | Fête Populaire De La Semaine Grasse (Vers Le Soir) | 1:11 | |
8-7 | Danse Des Nounous | 2:40 | |
8-8 | L'ours Et Un Payson | 1:17 | |
8-9 | Un Marchand Fêtard Avec Deux Jeunes Fulles Tziganes | 1:06 | |
8-10 | Danse Des Cochers Et Des Palefreniers | 2:07 | |
8-11 | Les Déguisés | 1:33 | |
8-12 | Le Rixe. Le Maure Et Petrouchka | 0:48 | |
8-13 | Mort De Petrouchka | 0:55 | |
8-14 | Le Police Et la Charlatan – Apparition Du Double de Petrouchka | 2:11 | |
La Péri | |||
8-15 | Fanfare Pour Précéder La Péri | 2:33 | |
8-16 | La Péri, Poème Dansé | 19:03 | |
8-17 | Prélude À L'après-Midi D'un Faune | 10:22 | |
Saison 1912 | |||
9-1 | Thamar (Tamara) | 21:53 | |
Daphnis Et Chloé, M. 57 | |||
9-2 | Premier Tableau | Introduction | 2:53 | |
9-3 | Danse Religieuse | 5:32 | |
9-4 | Scène | 1:57 | |
9-5 | Danse Générale | 0:46 | |
9-6 | Scène | 0:38 | |
9-7 | Danse Grotesque de Dorcon | 1:55 | |
9-8 | Danse Légère Et Gracieuse de Daphnis | 4:31 | |
9-9 | Scène – Danse de Lyceion – Arrivée Des Pirates | 3:17 | |
9-10 | Scène (Nocturne) | 1:44 | |
9-11 | Danse Lente Et Mystérieuse | 3:06 | |
9-12 | Deuxième Tableau | Interlude | 2:13 | |
9-13 | Introduction | 0:11 | |
9-14 | Danse Guerrière Et Scène | 4:36 | |
9-15 | Danse Suppliante de Chloé | 5:26 | |
9-16 | Troisième Tableau | Introduction | 0:22 | |
9-17 | Lever Du Jour | 6:22 | |
9-18 | Pantomime | 6:22 | |
9-19 | Danse Générale | 4:42 | |
Saison 1913 | |||
10-1 | Jeux | 17:37 | |
Le Sacre Du Printemps = The Rite Of Spring | |||
10-2 | Part 1: L'Adoration De La Terre | I. Introduction | 3:48 | |
10-3 | II. Les Augures Printaniers – Danses Des Adolescentes | 3:01 | |
10-4 | III. Jeu Du Rapt | 3:34 | |
10-5 | IV. Rondes Printanières | 1:50 | |
10-6 | V. Jeux Des Cités Rivales | 0:40 | |
10-7 | VI. Cortège du Sage | 1:08 | |
10-8 | VII. Adoration de la Terre (Le Sage) | 0:22 | |
10-9 | VIII. Danse De La Terre | 1:08 | |
10-10 | Part 2: Le Sacrifice | I. Introduction | 3:42 | |
10-11 | II. Cercles Mysteriéux Des Adolescentes | 2:55 | |
10-12 | III. Glorification De L'Élue | 1:30 | |
10-13 | IV. Évocation Des Ancêtres | 0:48 | |
10-14 | V. Action Rituelle Des Ancêtres | 3:07 | |
10-15 | VI. Danse Sacrale (L'Élue) | 4:19 | |
La Tragédie De Salomé | |||
10-16 | Part I | Prélude | 8:58 | |
10-17 | Danse Des Perles | 3:56 | |
10-18 | Part II | Les Enchantements Sur La Mer | 9:51 | |
10-19 | Danse Des Éclairs | 3:14 | |
10-20 | Danse De L'effroi | 1:30 | |
Saison 1914 | |||
La Légende de Joseph, Symphonic Fragment, Op. 63 | |||
11-1 | Allegro moderato | 6:37 | |
11-2 | Moderato – Ziemlich Lebhaft | 4:56 | |
11-3 | Viel Ruhiger, Leicht Schwebend | 3:26 | |
11-4 | Ziemlich Ruhig | 4:28 | |
11-5 | Viel Ruhiger, Stets Alla Breve | 6:10 | |
Le Rossignol = The Nightingale | |||
11-6 | Act 1 | Introduction | 3:31 | |
11-7 | « Porté Au Vent, Tombant Au Loin » (Le Pêcheur, Le Rossignol) | 3:35 | |
11-8 | « Ah! Ah! Ah! » (Le Rossignol, Le Pêcheur) | 3:14 | |
11-9 | « Voici L'endroit, Près Ces Arbres » (La Cuisinière, Les Cortisans, Le Chambellan, Le Bonze) | 3:12 | |
11-10 | « Beau Rossignol, Incomparable Oiseau » (Le Chambellan, Le Bonze, Le Rossignol, Les Courtisans, Le Pêcheur) | 3:27 | |
11-11 | Act 2 | « Des Feux, Des Feux, Bien Vite » (Chorus, Soprano, Tenor, Alto, La Cuisinière, Le Chambellan) | 2:13 | |
11-12 | Marche Chinoise - « Ô Maître Magnanime » (Le Chambellan) | 3:35 | |
11-13 | Chanson Du Rossignol - « Ah, Joie, Emplis Mon Coeur Chambellan » (Le Rossignol, L'Empereur, Les Courtisans, Le Chambellan) | 4:17 | |
11-14 | « Au Coucher Du Soleil » (Les Envoyés Japonais) | 1:19 | |
11-15 | Jeu Du Rossignol Mécanique - « Psst, Psst » (Les Courtisans, L'Empereur, Le Chambellan, La Voix Du Pêcheur) | 3:36 | |
11-16 | Act 3 | « Vois-nous Rassemblés » (Spectres, L'Empereur) | 4:04 | |
11-17 | « Ah, Me Voici, Ô Prince Magnanime » (Le Rossignol, L'Empereur) | 2:24 | |
11-18 | « Ah, J’aime À T’écouter » (La Mort, Le Rossignol, L'Empereur) | 5:18 | |
11-19 | Cortège Solonnel | 1:06 | |
11-20 | « Bonjour À Tous » (L'Empereur, La Voix Du Pêcheur) | 1:22 | |
Saison 1916 | |||
12-1 | Till Eulenspiegels Lustige Streiche, Op. 28 | 15:03 | |
12-2 | Pavane In F-Sharp Minor, Op. 50 | 6:37 | |
Le Donne Dii Buon Umore = The Good-humoured Ladies | |||
12-3 | I. Presto (From Sonata In G IV. Non Presto In Tempo di Ballo (From Sonata In D Major, K430), K2) | 1:52 | |
12-4 | II. Allegro (From Sonata In D, K435) | 3:12 | |
12-5 | III. Andante (From Sonata In B Minor, K87) | 4:05 | |
12-6 | IV. Non Presto, In Tempo Di Ballo (From Sonata In D Major, K430) | 2:48 | |
12-7 | V. Presto (From Sonata In G Major, K455) | 3:13 | |
12-8 | Feu D'Artifice, Op. 4 | 7:52 | |
12-9 | Kikimore, Op. 63 | 7:52 | |
12-10 | Baba-Yaga, Op. 56 | 3:29 | |
Parade | |||
12-11 | Choral – Prélude Du Rideau Rouge | 1:35 | |
12-12 | Prestidigitateur Chinois | 3:58 | |
12-13 | Petite Fille Américaine | 1:46 | |
12-14 | Rag Time Dupaquebot | 2:11 | |
12-15 | Acrobates | 3:09 | |
12-16 | Final – Suite Du Prélude Du Rideau Rouge | 2:37 | |
Saison 1919 | |||
La Boutique Fantasque = The Magic Toyshop | |||
13-1 | I. Ouverture (Tempo Di Marcia) | 6:04 | |
13-2 | II. Tarantella (Allegro Con Brio) "La Danza" | 2:37 | |
13-3 | III. Mazurka | 4:20 | |
13-4 | IV. Danse Cosaque (Allegretto Marcato) | 4:08 | |
13-5 | V. Can-Can (Allegretto Grotesco) "Petit Caprice Style Offenbach" | 5:04 | |
13-6 | VI. Valse Lente (Andantino Moderato) | 5:05 | |
13-7 | VII. Nocturne (Andantino) | 3:29 | |
13-8 | VIII. (Vivacissimo) | 5:05 | |
El Sombrero de Tres Picos = The Three Cornered Hat | |||
13-9 | I. Introducción – Allegro Non Troppo | 1:25 | |
13-10 | Parte I : La Tarde (Afternoon) | II. El Mirlo = The Blackbird | 1:47 | |
13-11 | III. El Petimetre y El Cortejo = The Dandy And The Procession | 1:56 | |
13-12 | IV. La Chica = The Girl | 1:10 | |
13-13 | V. El Corregidor = The Corregidor | 0:48 | |
13-14 | VI. Danza De La Molinera = Dance Of The Miller's Wife (Fandango) | 2:35 | |
13-15 | VII. Minueto | 1:05 | |
13-16 | VIII. Las Uvas = The Grapes | 2:14 | |
13-17 | IX. Fandango | 1:57 | |
13-18 | Parte II : La Noche = Night | X. Danza De Los Vecinos = The Neighbors' Dance | 3:16 | |
13-19 | XI. Danza Del Molinero = Miller's Dance (Farruca) | 3:04 | |
13-20 | XII. Le Detención = The Arrest | 1:33 | |
13-21 | XIII. Nocturno | 2:43 | |
13-22 | XIV. Danza Del Corregidor = The Corregidor's Dance | 2:59 | |
13-23 | XV. La Confrontación = The Confrontation | 2:08 | |
13-24 | XVI. Retorno Del Molinero = The Miller's Return | 2:29 | |
13-25 | Danza Final (Jota) | 6:22 | |
Saison 1920 | |||
Le Chant Du Rossignol = The Song Of The Nightingale | |||
14-1 | Introduction Et Marche Chinoise = Introduction & Chinese March | 5:56 | |
14-2 | Chant Du Rossignol = Song Of The Nightingale | 3:23 | |
14-3 | Jeu Du Rossignol Méchanique = Performance Of The Mechanical Nightingale | 11:05 | |
Pulcinella | |||
14-4 | Overture. Allegro Moderato | 2:01 | |
14-5 | Serenata. Larghetto: "Mentre L'erbetta Pasce L'agnella" (Tenor) | 9:46 | |
14-6 | Allegretto: "Contento Forse Vivere" (Mezzo-soprano) | 4:14 | |
14-7 | Allegro (Alla Breve): "Con Queste Paroline" (Bass) | 3:14 | |
14-8 | Largo (Trio): "Sento Dire No'ncé Pace" (All) | 2:25 | |
14-9 | Tarantella: "Una Te Falan Zemprece" (Tenor) | 3:59 | |
14-10 | Andantino: "Se Tu M'ami" (Mezzo-soprano) | 3:29 | |
14-11 | Gavotta Con Due Variazioni. Allegro Moderato | 1:36 | |
14-12 | Variation I | 0:54 | |
14-13 | Variation II | 1:45 | |
14-14 | Tempo Di Minuetto. Molto Moderato (Trio): "Pupilette, Fiammette D'amore" (all) | 5:55 | |
Saison 1921 | |||
Sleeping Beauty Op. 66 | |||
15-1 | Introduction (Allegro Vivo – Andantino) | 2:59 | |
15-2 | Prologue: The Christening | No. 1 March (Moderato) | 5:04 | |
15-3 | No. 2 Dance Scene (Moderato Con Moto) | 4:27 | |
15-4 | No. 3 Pas De Six | Introduction | 0:36 | |
15-5 | Adagio | 3:50 | |
15-6 | Variation I: The Fairy Of The Crystal Fountain (Allegro Moderato) | 0:54 | |
15-7 | Variation II: The Fairy Of The Enchanted Garden (Allegro) | 0:34 | |
15-8 | Variation III: The Fairy Of The Woodland Glades (Allegro Moderato) | 0:59 | |
15-9 | Variation IV: The Fairy Of The Songbirds (Moderato) | 0:29 | |
15-10 | Variation V: The Fairy Of The Golden Viene (Allegro Molto Vivace) | 1:01 | |
15-11 | Variation VI: The Lilac Fairy (Temo Di Valse) | 1:00 | |
15-12 | Coda (Allegro Giusto) | 1:31 | |
15-13 | No. 4 Finale | 8:32 | |
15-14 | Act One: The Spell | No. 5 Scene (Allegro Vivo – Moderato) | 6:51 | |
15-15 | No. 6 Waltz (Allegro: Tempo Di Valse) | 4:58 | |
15-16 | No. 7 Scene (Andante) | 1:47 | |
15-17 | No. 8 Pas D'action | Rose Adagio (Andante – Adagio Maestoso) | 6:14 | |
15-18 | Dance Of The Maids Of Honour And The Pages | 2:00 | |
15-19 | Aurora's Variation | 3:31 | |
15-20 | Coda (Allegro Giusto) | 2:30 | |
15-21 | No. 9 Finale | 7:38 | |
16-1 | No. 10 Entr'acte And Scene (Allegro Con Spirito – Un Poco Più Tranquillo) | 2:46 | |
16-2 | No. 11 Blind Man's Buff (Allegro Vivo) | 1:37 | |
16-3 | No. 12 Scene: Dancess Of The Courtiers | Scene | 0:52 | |
16-4 | Dance Of The Duchesses (Minuet: Moderato Con Moto) | 0:55 | |
16-5 | Dance Of The Baronesses (Gavotte) | 0:53 | |
16-6 | Dance Of The Countesses (Allegro Non Troppo) | 0:39 | |
16-7 | Dance Of The Marchionesses (Allegro Non Troppo) | 0:346 | |
16-8 | No. 13 Farandole | Scene (Poco Più Vivo) | 0:16 | |
16-9 | Dance (Allegro Non Troppo) | 1:35 | |
16-10 | No. 14 Scene (Poco Più Vivo) | 5:20 | |
16-11 | No. 14 Scene: Prince Florimund And The Lilac Fairy | 2:27 | |
16-12 | No. 15 Pas D'action | Aurora And Florimund (Andante Cantabile) | 1:22 | |
16-13 | Aurora's Variation (Allegro Con Moto) | 1:29 | |
16-14 | Coda (Presto) | 0:43 | |
16-15 | No. 17 Panorama (Andantino) | 4:00 | |
16-16 | No. 18 Entr'acte | 5:57 | |
16-17 | No. 19 Symphonic Entr'acte (The Sleep) And Scene (Andante Misterioso) | 7:41 | |
16-18 | No. 20 Finale: The Awakening (Allegro Agitato) | 2:22 | |
17-1 | Act Three: The Wedding | No. 21 March (Allegro Non Troppo) | 3:26 | |
17-2 | No. 22 Polonaise: Procession Of The Fairy–Tale Characters (Allegro Moderato Et Brillante) | 4:34 | |
17-3 | No. 23 Pas De Quatre | Introduction (Allegro Non Tanto) | 2:07 | |
17-4 | Variation I: The Golden Fairy (Allegro: Tempo Di Valse) | 1:05 | |
17-5 | Variation II: The Silver Fairy (Allegro Giusto) | 0:49 | |
17-6 | Variation III: The Sapphire Fairy (Vivacissimo) | 0:44 | |
17-7 | Variation IV: The Diamond Fairy (Vivace) | 0:44 | |
17-8 | Coda (L'istesso Tempo) | 0:45 | |
17-9 | No. 24 Pas De Caractère. Puss–In–Boots And The White Cat (Allegro Moderato) | 1:54 | |
17-10 | No. 25 Pas De Quatre | Introduction (Adagio) | 2:01 | |
17-11 | Variation I: Cinderella And Prince Charming (Allegro: Tempo Di Valse) | 0:57 | |
17-12 | Variation II: The Bluebird And Princess Florine (Andantino) | 0:48 | |
17-13 | Coda (Presto) | 1:24 | |
17-14 | No. 26 Pas De Caractère | Red Riding Hood And The Wolf (Allegro Moderato) | 1:22 | |
17-15 | Cinderella And Prince Charming (Allegro Agitato – Tempo Di Valse – Vivace Assai) | 2:36 | |
17-16 | No. 27 Pas Berrichon | 1:21 | |
17-17 | No. 28 Pas De Deux (Aurora And Florimund) | Entrée (Allegretto A Allegro Moderato) | 1:41 | |
17-18 | Adagio (Andante Non Troppo) | 4:40 | |
17-19 | Variation I: Florimund (Vivace – Prestissimo) | 1:02 | |
17-20 | Variation II: Aurora (Andantino) | 1:55 | |
17-21 | Coda (Alllegro Vivace) | 1:21 | |
17-22 | No. 29 Sarabande | 2:38 | |
17-23 | No. 30 Finale And Apotheosis | Finale (Allegro Brillante: Tempo Di Mazurka) - | 5:44 | |
17-24 | Apotheosis (Andante Molto Maestoso) | 2:31 | |
Chout (Le Bouffon), Suite From The Ballet, Op. 21b | |||
17-25 | No. 1: The Buffon And His Wife | 3:17 | |
17-26 | No. 2: Dance Of The Wives | 3:44 | |
17-27 | No. 3: The Buffoons Kill Their Wives | 2:22 | |
17-28 | No. 6: Dance Of The Buffoons' Daughters | 2:27 | |
17-29 | No. 8: In The Merchant's Bedroom | 2:09 | |
17-30 | No. 9: The Young Wife Becomes A Goat | 2:41 | |
17-31 | No. 10: The Burial Of The Goat | 3:18 | |
17-32 | No. 11: Quarrel between the Buffoon and the Merchant | 1:32 | |
17-33 | No. 12: Final Dance | 2:35 |
Compilation Producer – Philippe Pauly
Cover, Illustration [Diaghilev Les Ballets Russes, 1979] – Bernard Villemot
Engineer – Bernard Leroux (8-15, 8-16)
Engineer – Christopher Parker (13-9 to 13-25)
Engineer – Claus Strüben (11-1 to 11-5)
Engineer – Daniel Michel (12-11 to 12-16)
Engineer – Douglas Larter (9-1, 12-1)
Engineer – Edvard Shakhnazarian (1-1 to 1-15)
Engineer – Geneviève N'Guyen (8-15, 8-16)
Engineer – Guy Chesnais (14-4 to 14-14)
Engineer – Harold Davidson (10-2 to 10-15)
Engineer – Jonathan Cooper (5-1 to 5-10)
Engineer – Michael Brammann (12-8)
Engineer – Michael Sheady (8-1 to 8-14)
Engineer – Michel Lepage (14-4 to 14-14)
Engineer – Mike Clements (8-17)
Engineer – Paul Vavasseur (5-11, 10-16 to 10-20)
Engineer – Pierre Lavoix (12-2)
Engineer – Raymond Buttin (11-6 to 11-20)
Engineer – Robert E. Beckett (12-3 to 12-7)
Engineer – Robert Gooch (10-2 to 10-15, 13-1 to 13-8)
Engineer – Sean Lewis (12-9, 12-10)
Engineer – Vitaly Ivanov (1-1 to 1-15)
Engineer – Walter Ruhlmann (9-2 to 9-20, 10-1)
Engineer [Assistant] – Bernard Legac (11-6 to 11-20)
Engineer [Assistant] – Richard Smoker (5-1 to 5-10)
Engineer [Assistant] – Sandrine Bréchat (11-6 to 11-20)
Engineer [Balance Engineer] – Carson Taylor (2-1 to 2-5)
Engineer [Balance Engineer] – Christopher Parker (3-1 to 3-20, 6-1 to 6-29, 7-1 to 7-26, 15-1 to 15-21, 16-1 to 16-18, 17-1 to 17-24)
Executive-Producer – Peter Andry (2-1 to 2-5, 3-1 to 3-20)
Liner Notes – Jon Tolansky
Producer – Alain Lanceron (12-11 to 12-16)
Producer – Betta International (1-1 to 1-15)
Producer – Christopher Bishop (6-1 to 6-29, 7-1 to 7-26, 15-1 to 15-21, 16-1 to 16-18, 17-1 to 17-24)
Producer – David Mottley (11-1 to 11-5)
Producer – David R. Murray (8-1 to 8-14)
Producer – Guy Chesnais (8-15, 8-16, 14-1 to 14-3)
Producer – John Fraser (14-4 to 14-14)
Producer – Martin Fouqué (12-8)
Producer – Michel Garcin (12-2)
Producer – Ralph Couzens (5-1 to 5-10)
Producer – René Challan (5-11, 9-2 to 9-20, 10-1, 10-16 to 10-20)
Producer – Richard C. Jones (2-1 to 2-5)
Producer – Ronald Kinloch Anderson (13-9 to 13-25)
Producer – Stephen Johns (8-17)
Producer – Tim Handley (12-9, 12-10)
Producer – Victor Olof (13-9 to 13-25)
Producer – Walter Jellinek (12-3 to 12-7, 13-1 to 13-8)
Producer – Walter Legge (9-1, 12-1)
Cover, Illustration [Diaghilev Les Ballets Russes, 1979] – Bernard Villemot
Engineer – Bernard Leroux (8-15, 8-16)
Engineer – Christopher Parker (13-9 to 13-25)
Engineer – Claus Strüben (11-1 to 11-5)
Engineer – Daniel Michel (12-11 to 12-16)
Engineer – Douglas Larter (9-1, 12-1)
Engineer – Edvard Shakhnazarian (1-1 to 1-15)
Engineer – Geneviève N'Guyen (8-15, 8-16)
Engineer – Guy Chesnais (14-4 to 14-14)
Engineer – Harold Davidson (10-2 to 10-15)
Engineer – Jonathan Cooper (5-1 to 5-10)
Engineer – Michael Brammann (12-8)
Engineer – Michael Sheady (8-1 to 8-14)
Engineer – Michel Lepage (14-4 to 14-14)
Engineer – Mike Clements (8-17)
Engineer – Paul Vavasseur (5-11, 10-16 to 10-20)
Engineer – Pierre Lavoix (12-2)
Engineer – Raymond Buttin (11-6 to 11-20)
Engineer – Robert E. Beckett (12-3 to 12-7)
Engineer – Robert Gooch (10-2 to 10-15, 13-1 to 13-8)
Engineer – Sean Lewis (12-9, 12-10)
Engineer – Vitaly Ivanov (1-1 to 1-15)
Engineer – Walter Ruhlmann (9-2 to 9-20, 10-1)
Engineer [Assistant] – Bernard Legac (11-6 to 11-20)
Engineer [Assistant] – Richard Smoker (5-1 to 5-10)
Engineer [Assistant] – Sandrine Bréchat (11-6 to 11-20)
Engineer [Balance Engineer] – Carson Taylor (2-1 to 2-5)
Engineer [Balance Engineer] – Christopher Parker (3-1 to 3-20, 6-1 to 6-29, 7-1 to 7-26, 15-1 to 15-21, 16-1 to 16-18, 17-1 to 17-24)
Executive-Producer – Peter Andry (2-1 to 2-5, 3-1 to 3-20)
Liner Notes – Jon Tolansky
Producer – Alain Lanceron (12-11 to 12-16)
Producer – Betta International (1-1 to 1-15)
Producer – Christopher Bishop (6-1 to 6-29, 7-1 to 7-26, 15-1 to 15-21, 16-1 to 16-18, 17-1 to 17-24)
Producer – David Mottley (11-1 to 11-5)
Producer – David R. Murray (8-1 to 8-14)
Producer – Guy Chesnais (8-15, 8-16, 14-1 to 14-3)
Producer – John Fraser (14-4 to 14-14)
Producer – Martin Fouqué (12-8)
Producer – Michel Garcin (12-2)
Producer – Ralph Couzens (5-1 to 5-10)
Producer – René Challan (5-11, 9-2 to 9-20, 10-1, 10-16 to 10-20)
Producer – Richard C. Jones (2-1 to 2-5)
Producer – Ronald Kinloch Anderson (13-9 to 13-25)
Producer – Stephen Johns (8-17)
Producer – Tim Handley (12-9, 12-10)
Producer – Victor Olof (13-9 to 13-25)
Producer – Walter Jellinek (12-3 to 12-7, 13-1 to 13-8)
Producer – Walter Legge (9-1, 12-1)
℗ & © 2022 Parlophone Records Limited
English, French and German text.
Editor's Note 1: | character used to separate parts or acts that would ordinarily call for a Header, but is not used here, to keep complete works under a single Index Track.
Editor's Note 2: Some subtracks are split into individual subtracks as presented on disc sleeves, to manage multipart tracks. Track numeration is as printed or by using #.# convention.
CD 1 67:02
Recorded: XI.1994, Mosfilm Studio, Moscow (STEREO)
℗ 1995 Marco Polo, licensed courtesy of Naxos Music to Parlophone Records Limited
CD 2 56:46
Recorded: VI.-VII.1969, Medinah Temple, Chicago (STEREO)
℗ 1969/Remastered 1986 Parlophone Records Limited
CD 3 41:37
Recorded: 29-30.V.1961, Abbey Road Studio No. 1, London (STEREO)
℗ 1962/Remastered 2009 Parlophone Records Limited
CD 4 71:29
Recorded: 7 & 10.IV.1959, No. 1 Studio, Abbey Road, London (Carnaval); 30.VI.1983, Symphony Hall, Boston (L'Oiseau de Feu) (STEREO)
℗ 1959/Remastered 2022 (Carnaval), ℗ 1984/Remastered 2003 (L'Oiseau de Feu) Parlophone Records Limited
CD 5 64:03
Recorded: 29-30.XI & 1.XII.1965, Salle Wagram, Paris (L'invitation à La Valse); 1998, Dr. Anton Philipszaal, The Hague (Tcherepnin) (STEREO)
℗ 1988 CHANDOS (Narcisse et Écho); ℗ 1968/Remastered 2017 (L'invitation à La Valse) Warner Music France
CD 6 81:47 CD 7 74:55
Recorded: 26-28.IV & 8-10.VI.1976, Kingsway Hall, London (STEREO)
℗ 1976/Remastered 2011 Parlophone Records Ltd.
CD 8 67:10
Recorded: 21.IX.1971, Maison de l'O.R.T.F., Paris (La Péri); X.1986, Arts Center, Warwick (Petrouchka), 17-19.IX.2004; Philharmonie, Berlin (Prélude à l'après-midi d'un faune) (STEREO)
℗ 1988 (Petrouchka), 2005 (Prélude à l'après-midi d'un faune); ℗ 1972 (La Péri) Warner Music UK Limited
CD 9 77:26
Recorded: 11 & 13.1954, Kingsway Hall, London (Thamar) (MONO); 1 & 4-8.VI.1962, Salle Wagram, Paris (Daphnis et Chloé) (STEREO)
℗ 1957/Remastered 2022 (Thamar) Parlophone Records Limited; 1963/Remastered 2017 (Daphnis et Chloé) Warner Music France
CD 10 77:15
Recorded: 10, 12-13.I.1959, No. 1 Studio, Abbey Road, London (Le Sacre du printemps); 11, 12 & 14.X.1963 (Jeux) & 13-14.X.1972, Salle Wagram, Paris (La Tragédie de Salomé) (STEREO)
℗ 1964/Remastered 2017 (Jeux), 1973 (La Tragédie de Salomé) Warner Music France; ℗ 1960/Remastered 2020 (Le Sacre du printemps) Parlophone Records Limited
CD 11 71:59
Recorded: III.1974, Lukaskirche, Dresden (La Légende de Joseph); 6-9.II.1999, Maison de l'Orchestre National d'Ile-de-France, Alfortville (Le Rossignol) (STEREO)
℗ 1975/Remastered 2013 (La Légende de Joseph), 1999 (Le Rossignol) Parlophone Records Limited
CD 12 67:29
Recorded: 13.X.1957, No. 1 Studio, Abbey Road, London (Tommasini); 19, 25 & 28.VI.1962, Kingsway Hall, London (Strauss); XI.1981, Sallee Paderewsky, Lausanne (Fauré); 8-10 & 15.VI.1988, Halle-aux-Grains, Toulouse (Satie); Blackheath Concert Hall, London (Stravinsky); Grieghallen, Bergen, Norway, 20-23.II.1991 (Liadov) (STEREO)
℗ 1954/Remastered 1997 (Tommasini), 1963/Remastered 2014 (Strauss), 1996 (Liadov) Parlophone Records Limited; ℗ 1988 (Satie) Warner Music France; Erato Disques and Teldec (Stravinsky); ℗ 1983 (Fauré), 1991 (Stravinsky), Warner Music UK Limited
CD 13 75:29
Percussion on El Sombrero de tres picos provided by the Corps de ballet of the Teatro del Liceo, Barcelona, under the supervision of Maesto Juan Magriña (Track 13-9)
Recorded: 27.V.1959 & 27.V.1960, Kingsway Hall, London (Respighi); 28-30.X & 2.XII.1963, Kingsway Hall, London and 10.V.1964, Studio No. 1, Abbey Road, London (De Falla) (STEREO)
℗ 1961/Remastered 2022 (Respighi) & 1964/Remastered 2001 (De Falla) Parlophone Records Limited
CD 14 59:55
Recorded: VI.1981, Studio 103, Radio France, Paris (Rossignol); 6-7.XI.1981 & 30.VII.1982, No. 1 Studio, Abbey Road, London (Pulcinella) (STEREO)
℗ 1982 Warner Music UK Limited; ℗ 1982/Remastered 2001 Parlophone Records Limited
CD 15 67:37 CD 16 44:40 CD 17 73:25
Recorded: II.1966, Kingsway Hall, London (Chout); IV-VI.1974, No.1 Studio, Abbey Road, London (Sleeping Beauty) (STEREO)
℗ 1974/Remastered 2022, Parlophone Records Limited (Sleeping Beauty); ℗ 1967 Decca Music Group (Chout), licensed to Parlophone Records Limited
English, French and German text.
Editor's Note 1: | character used to separate parts or acts that would ordinarily call for a Header, but is not used here, to keep complete works under a single Index Track.
Editor's Note 2: Some subtracks are split into individual subtracks as presented on disc sleeves, to manage multipart tracks. Track numeration is as printed or by using #.# convention.
CD 1 67:02
Recorded: XI.1994, Mosfilm Studio, Moscow (STEREO)
℗ 1995 Marco Polo, licensed courtesy of Naxos Music to Parlophone Records Limited
CD 2 56:46
Recorded: VI.-VII.1969, Medinah Temple, Chicago (STEREO)
℗ 1969/Remastered 1986 Parlophone Records Limited
CD 3 41:37
Recorded: 29-30.V.1961, Abbey Road Studio No. 1, London (STEREO)
℗ 1962/Remastered 2009 Parlophone Records Limited
CD 4 71:29
Recorded: 7 & 10.IV.1959, No. 1 Studio, Abbey Road, London (Carnaval); 30.VI.1983, Symphony Hall, Boston (L'Oiseau de Feu) (STEREO)
℗ 1959/Remastered 2022 (Carnaval), ℗ 1984/Remastered 2003 (L'Oiseau de Feu) Parlophone Records Limited
CD 5 64:03
Recorded: 29-30.XI & 1.XII.1965, Salle Wagram, Paris (L'invitation à La Valse); 1998, Dr. Anton Philipszaal, The Hague (Tcherepnin) (STEREO)
℗ 1988 CHANDOS (Narcisse et Écho); ℗ 1968/Remastered 2017 (L'invitation à La Valse) Warner Music France
CD 6 81:47 CD 7 74:55
Recorded: 26-28.IV & 8-10.VI.1976, Kingsway Hall, London (STEREO)
℗ 1976/Remastered 2011 Parlophone Records Ltd.
CD 8 67:10
Recorded: 21.IX.1971, Maison de l'O.R.T.F., Paris (La Péri); X.1986, Arts Center, Warwick (Petrouchka), 17-19.IX.2004; Philharmonie, Berlin (Prélude à l'après-midi d'un faune) (STEREO)
℗ 1988 (Petrouchka), 2005 (Prélude à l'après-midi d'un faune); ℗ 1972 (La Péri) Warner Music UK Limited
CD 9 77:26
Recorded: 11 & 13.1954, Kingsway Hall, London (Thamar) (MONO); 1 & 4-8.VI.1962, Salle Wagram, Paris (Daphnis et Chloé) (STEREO)
℗ 1957/Remastered 2022 (Thamar) Parlophone Records Limited; 1963/Remastered 2017 (Daphnis et Chloé) Warner Music France
CD 10 77:15
Recorded: 10, 12-13.I.1959, No. 1 Studio, Abbey Road, London (Le Sacre du printemps); 11, 12 & 14.X.1963 (Jeux) & 13-14.X.1972, Salle Wagram, Paris (La Tragédie de Salomé) (STEREO)
℗ 1964/Remastered 2017 (Jeux), 1973 (La Tragédie de Salomé) Warner Music France; ℗ 1960/Remastered 2020 (Le Sacre du printemps) Parlophone Records Limited
CD 11 71:59
Recorded: III.1974, Lukaskirche, Dresden (La Légende de Joseph); 6-9.II.1999, Maison de l'Orchestre National d'Ile-de-France, Alfortville (Le Rossignol) (STEREO)
℗ 1975/Remastered 2013 (La Légende de Joseph), 1999 (Le Rossignol) Parlophone Records Limited
CD 12 67:29
Recorded: 13.X.1957, No. 1 Studio, Abbey Road, London (Tommasini); 19, 25 & 28.VI.1962, Kingsway Hall, London (Strauss); XI.1981, Sallee Paderewsky, Lausanne (Fauré); 8-10 & 15.VI.1988, Halle-aux-Grains, Toulouse (Satie); Blackheath Concert Hall, London (Stravinsky); Grieghallen, Bergen, Norway, 20-23.II.1991 (Liadov) (STEREO)
℗ 1954/Remastered 1997 (Tommasini), 1963/Remastered 2014 (Strauss), 1996 (Liadov) Parlophone Records Limited; ℗ 1988 (Satie) Warner Music France; Erato Disques and Teldec (Stravinsky); ℗ 1983 (Fauré), 1991 (Stravinsky), Warner Music UK Limited
CD 13 75:29
Percussion on El Sombrero de tres picos provided by the Corps de ballet of the Teatro del Liceo, Barcelona, under the supervision of Maesto Juan Magriña (Track 13-9)
Recorded: 27.V.1959 & 27.V.1960, Kingsway Hall, London (Respighi); 28-30.X & 2.XII.1963, Kingsway Hall, London and 10.V.1964, Studio No. 1, Abbey Road, London (De Falla) (STEREO)
℗ 1961/Remastered 2022 (Respighi) & 1964/Remastered 2001 (De Falla) Parlophone Records Limited
CD 14 59:55
Recorded: VI.1981, Studio 103, Radio France, Paris (Rossignol); 6-7.XI.1981 & 30.VII.1982, No. 1 Studio, Abbey Road, London (Pulcinella) (STEREO)
℗ 1982 Warner Music UK Limited; ℗ 1982/Remastered 2001 Parlophone Records Limited
CD 15 67:37 CD 16 44:40 CD 17 73:25
Recorded: II.1966, Kingsway Hall, London (Chout); IV-VI.1974, No.1 Studio, Abbey Road, London (Sleeping Beauty) (STEREO)
℗ 1974/Remastered 2022, Parlophone Records Limited (Sleeping Beauty); ℗ 1967 Decca Music Group (Chout), licensed to Parlophone Records Limited
Barcode – 0 190296 477157
Barcode (Scanned) – 0190296477157
Rights Society – GEMA
Rights Society – BIEM
Matrix / Runout (CD1) – 0190296477157-1 AL56946-01 [manufactured by optimal media GmbH]
Mastering SID Code (CD1, CD2, CD9, CD10, CD17) – IFPI L578
Mould SID Code – IFPI 9702
Matrix / Runout (CD2) – 0190296477157-2 AL56946-02 [manufactured by optimal media GmbH]
Matrix / Runout (CD3) – 0190296477157-3 AL56946-03 [manufactured by optimal media GmbH]
Mastering SID Code (CD3 to CD5, CD11 to CD13) – IFPI L576
Matrix / Runout (CD4) – 0190296477157-4 AL56946-04 [manufactured by optimal media GmbH]
Matrix / Runout (CD5) – 0190296477157-5 AL56946-05 [manufactured by optimal media GmbH]
Matrix / Runout (CD6) – 0190296477157-6 AL56946-06 [manufactured by optimal media GmbH]
Mastering SID Code (CD6 to CD8, CD12, CD14 to CD16) – IFPI L577
Matrix / Runout (CD7) – 0190296477157-7 AL56946-07 [manufactured by optimal media GmbH]
Matrix / Runout (CD8) – 0190296477157-8 AL56946-08 [manufactured by optimal media GmbH]
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Matrix / Runout (CD13) – 0190296477157-13 AL56946-13 [manufactured by optimal media GmbH]
Matrix / Runout (CD14) – 0190296477157-14 AL56946-14 [manufactured by optimal media GmbH]
Matrix / Runout (CD15) – 0190296477157-15 AL56946-15 [manufactured by optimal media GmbH]
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Matrix / Runout (CD17) – 0190296477157-17 AL56946-17 [manufactured by optimal media GmbH]
Barcode (Scanned) – 0190296477157
Rights Society – GEMA
Rights Society – BIEM
Matrix / Runout (CD1) – 0190296477157-1 AL56946-01 [manufactured by optimal media GmbH]
Mastering SID Code (CD1, CD2, CD9, CD10, CD17) – IFPI L578
Mould SID Code – IFPI 9702
Matrix / Runout (CD2) – 0190296477157-2 AL56946-02 [manufactured by optimal media GmbH]
Matrix / Runout (CD3) – 0190296477157-3 AL56946-03 [manufactured by optimal media GmbH]
Mastering SID Code (CD3 to CD5, CD11 to CD13) – IFPI L576
Matrix / Runout (CD4) – 0190296477157-4 AL56946-04 [manufactured by optimal media GmbH]
Matrix / Runout (CD5) – 0190296477157-5 AL56946-05 [manufactured by optimal media GmbH]
Matrix / Runout (CD6) – 0190296477157-6 AL56946-06 [manufactured by optimal media GmbH]
Mastering SID Code (CD6 to CD8, CD12, CD14 to CD16) – IFPI L577
Matrix / Runout (CD7) – 0190296477157-7 AL56946-07 [manufactured by optimal media GmbH]
Matrix / Runout (CD8) – 0190296477157-8 AL56946-08 [manufactured by optimal media GmbH]
Matrix / Runout (CD9) – 0190296477157-9 AL56946-9 [manufactured by optimal media GmbH]
Matrix / Runout (CD10) – 0190296477157-10 AL56946-10 [manufactured by optimal media GmbH]
Matrix / Runout (CD11) – 0190296477157-11 AL56946-11 [manufactured by optimal media GmbH]
Matrix / Runout (CD12) – 0190296477157-12 AL56946-12 [manufactured by optimal media GmbH]
Matrix / Runout (CD13) – 0190296477157-13 AL56946-13 [manufactured by optimal media GmbH]
Matrix / Runout (CD14) – 0190296477157-14 AL56946-14 [manufactured by optimal media GmbH]
Matrix / Runout (CD15) – 0190296477157-15 AL56946-15 [manufactured by optimal media GmbH]
Matrix / Runout (CD16) – 0190296477157-16 AL56946-160190296477157-15 AL56946-15 [manufactured by optimal media GmbH]0190296477157-15 AL56946-15 [manufactured by optimal media GmbH] [manufactured by optimal media GmbH]
Matrix / Runout (CD17) – 0190296477157-17 AL56946-17 [manufactured by optimal media GmbH]