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The Complete RCA Album Collection
| Label | RCA Red Seal – 19439952392Sony Classical – 19439952392 |
| Format | 11 x CD, Remastered, Mono Box Set, Compilation |
| Barcode | 0194399523926 |
| Released | 22 Jul 2022 |
| Genre | Classical |
| Style | Classical, Romantic, Modern |
| Háry János Suite Op. 15 | ||
| 1-1 | I Prelude: The Fairy Tale Begins. Con Moto – Tranquillo, Molto Moderato | 3:36 |
| 1-2 | II Viennese Musical Clock. Allegretto | 2:14 |
| 1-3 | III Song. Andante, Poco Rubato | 5:44 |
| 1-4 | IV The Battle And Defeat Of Napoleon. Alla Marcia | 4:02 |
| 1-5 | V Intermezzo. Andante Maestoso, Ma Con Fuoco | 4:34 |
| 1-6 | VI Entrance Of The Emperor And His Court. Alla Marcia | 2:58 |
| 1-7 | Hungarian Capriccio | 7:02 |
| 1-8 | Romanian Rhapsody In A Major Op. 11 - Excerpt: Bars 66-137/1 | 11:35 |
| The Bartered Bride: 3 Dances | ||
| 1-9 | Polka. Moderato | 4:26 |
| 1-10 | Furiant. Allegro Energico | 2:06 |
| 1-11 | Dance of the Comedians. Vivace | 3:55 |
| 1-12 | The Irish Washerwoman | 2:03 |
| 1-13 | Scherzo Capriccioso Op. 66 | 8:54 |
| Hungarian Dances WoO 1 | ||
| 1-14 | No. 18 In D Major. Molto Vivace | 1:27 |
| 1-15 | No. 19 In B Minor. Allegretto | 1:36 |
| 1-16 | No. 20 In E Minor. Poco Allegretto – Vivace | 2:01 |
| 1-17 | No. 21 In E Minor. Vivace | 1:15 |
| Symphony No. 4 In D Minor Op. 120 | ||
| 2-1 | I Ziemlich Langsam – Lebhaft – | 8:37 |
| 2-2 | II Romanze. Ziemlich Langsam – | 4:06 |
| 2-3 | III Scherzo. Lebhaft – Trio – | 4:23 |
| 2-4 | IV Langsam – Lebhaft – Schneller – | 7:16 |
| Symphony No. 4 In B-flat Major Op. 60 | ||
| 2-5 | I Adagio – Allegro Vivace | 9:33 |
| 2-6 | II Adagio | 9:47 |
| 2-7 | III Allegro Vivace | 5:39 |
| 2-08 | IV Allegro Ma Non Troppo | 7:06 |
| 2-09 | Leonore Overture No. 3 Op. 72a (Excerpt) | 7:18 |
| Verklärte Nacht Op. 4 | ||
| 3-1 | Grave – | 7:43 |
| 3-2 | Bar 100: Molto Rallentando (Woman) – | 6:32 |
| 3-3 | Bar 201: Pesante. Grave (Interlude) – | 3:33 |
| 3-4 | Bar 229: Adagio (Man) – | 10:51 |
| 3-5 | Bar 370: Adagio (Postlude) – | 5:01 |
| 3-6 | Concertino For Piano And Orchestra | 8:55 |
| 3 Alt-Wiener Tanzweisen = 3 Old Viennese Dances | ||
| 3-7 | No. 2: Liebesleid = Love's Sorrow. Tempo Di "Ländler" | 3:18 |
| 3-8 | No. 3: Schön Rosmarin = Fair Rosamarin. Grazioso | 1:51 |
| 3-9 | Tambourin Chinois Op. 3 | 3:59 |
| 3-10 | Caprice Viennois Op. 2 | 4:36 |
| 3 Alt-Wiener Tanzweisen = 3 Old Viennese Dances | ||
| 3-11 | No. 1: Liebesfreud = Love's Joy. Allegro | 3:49 |
| 3-12 | Träumerei = Dreaming Op. 15/7 | 4:23 |
| La Source Ou Naïla = Naïla, The Water Nymph – Ballet Suite | ||
| 4-1 | Pas Des Écharpes. Allegro – Allegretto | 2:33 |
| 4-2 | Scène D'Amour. Andante Sostenuto | 2:09 |
| 4-3 | Variation. Moderato – Allegro Moderato | 0:53 |
| 4-4 | Scherzo-Polka. Allegretto Moderato | 2:17 |
| Sylvia – Ballet Suite | ||
| 4-5 | Pizzicati | 2:13 |
| 4-6 | Cortège de Bacchus = Procession Of Bacchus | 5:40 |
| I Gioielli Della Madonna = The Jewels Of The Madonna | ||
| 4-7 | Intermezzo No. 1. Tranquillo | 5:11 |
| 4-8 | Intermezzo No. 2. Vivace Assai | 3:10 |
| Coppélia – Ballet Suite | ||
| 4-9 | Entr’acte (Act Ii) | 0:23 |
| 4-10 | No. 1 Valse (Act I) | 2:51 |
| 4-11 | Marche Funèbre D’une Marionnette = Funeral March Of A Marionette | 4:37 |
| 4-12 | Alborada Del Gracioso = Morning Song Of The Jester M 43/4 | 7:04 |
| Adventures In A Perambulator | ||
| 5-1 | I En Voiture. Larghetto (♩ = 84) | 3:36 |
| 5-2 | II The Policeman. Animato (Non Troppo) – Più Lento (♩ = 92) – Moderato (♩ = 76) – Molto Più Moto (♩ = 138) – Tempo I (♩ = 92) | 3:42 |
| 5-3 | III The Hurdy-Gurdy. Più Animato (♩ = 132) – Moderato (♩ = 152) – Tempo Di Valse – Più Animato (♩ = 168) – Allegro (♩ = 160) – Moderato (♩ = 152) – Tempo Di Valse – Lento (♩ =88) | 4:06 |
| 5-4 | IV The Lake. Largo (♩ = 72) – Poco Più Animato – Poco Più Mosso (Alla Breve) – Molto Più Lento (♩ = 108) | 4:33 |
| 5-5 | V Dogs. Moderato (♩ = 108) – Più Animato, Giocoso (♩ = 138) – Allegretto (♩ = 152) – Tempo I (♩ = 108) – Meno Mosso (Ma Poco) | 3:58 |
| 5-6 | VI Dreams. Larghetto (♩ = 100) – Largo (♩ = 72) – Poco Più Animato (♩ = 80) – Più Animato (♩ = 108) – Grazioso (♩ = 96) – Presto (𝅗𝅥 = 72) – Largo (♩ = 52) – Larghetto (♩ = 80) | 8:30 |
| 5-7 | The Pleasure-Dome Of Kubla Khan | 8:39 |
| British Folk-Music Settings | ||
| 5-8 | No. 16: Shepherd’s Hey - Fast (𝅗𝅥 = 96-116) | 1:53 |
| 5-9 | No. 22: Country Gardens - Fairly Fast (𝅗𝅥 = About 92) And With A Leisurely Swing | 2:06 |
| 5-10 | No. 6: Irish Tune From County Derry (Londonerry Air) - Slowish, But Not Dragged And Wayward In Time (𝅘𝅥𝅮 = 72–104) | 4:25 |
| 5-11 | No. 1: Molly On The Shore - Fast (𝅗𝅥 = 112–132) | 3:52 |
| 5-12 | Chorale And Fugue In D Minor Op. 4 | 9:41 |
| 5-13 | When Johnny Comes Marching Home (An American Overture) | 7:17 |
| Symphony No. 2 In E Minor Op. 27 | ||
| 6-1 | I Largo – Allegro Moderato | 15:42 |
| 6-2 | II Allegro Molto | 7:31 |
| 6-3 | III Adagio | 11:24 |
| 6-4 | IV Allegro Vivace | 10:24 |
| 6-5 | Andante Cantabile (2nd Movement From String Quartet No. 1 Op. 11, Version For Cello And String Orchestra) | 7:14 |
| Symphony No. 2 In C Minor “Resurrection” | ||
| 7-1 | I Allegro Maestoso. Mit Durchaus Ernstem Und Feierlichem Ausdruck | 19:31 |
| 7-2 | II Andante Moderato. Sehr Gemächlich. Nie Eilen | 8:59 |
| 7-3 | III [Scherzo.] In Ruhig Fließender Bewegung - Attacca | 9:41 |
| 7-4 | IV “Urlicht”. Sehr Feierlich, Aber Schlicht. Nicht Schleppen. "O Röschen Rot!" (Alto) - Attacca | 5:32 |
| 7-5 | V Im Tempo Des Scherzo. Wild Herausfahrend – Allegro Energico. Nicht Zu Schnell – Wieder Zurückhaltend – Langsam. Misteriso "Aufersteh'n, Ja Aufersteh'n Wirst Du" (Soprano, Chorus) – Langsam. Nicht Schleppen "Wieder Aufzublühen, Wirst Du Gesät" (Soprano, Chorus) – Etwas Bewegter "O Glaube, Mein Herz, O Glaube" (Alto, Soprano, Chorus) – Mit Aufschwung, Aber Nicht Eilen "O Schmerz! Du Alldurchdringer!" | 33:05 |
| 8-1 | An Der Schönen Blauen Donau = By The Beautiful Blue Danube Op. 314 | 7:49 |
| 8-2 | Die Fledermaus = The Bat: Overture | 8:07 |
| 8-3 | Geschichten Aus Dem Wienerwald = Tales From The Vienna Woods Op. 325 | 8:54 |
| 8-4 | Accelerationen = Accelerations Op. 234 | 7:53 |
| 8-5 | Der Zigeunerbaron = The Gypsy Baron: Overture | 7:39 |
| 8-6 | Aquarellen = Watercolors Op. 258 | 8:01 |
| 8-7 | Pizzicato Polka | 3:06 |
| 8-8 | Neue Pizzicato Polka (From Fürstin Ninetta) Op. 449 | 3:37 |
| 8-9 | Valse Bluette (No. 2 From Quatre Airs De Ballet) | 2:43 |
| 8-10 | Der Rosenkavalier: Waltz Sequence | 9:12 |
| 8-11 | Spielerei = Child's Play Op. 140 | 3:19 |
| 8-12 | Schwanda The Bagpiper: Polka And Fugue | 8:09 |
| Eine Kleine Nachtmusik = A Little Night Music – Serenade No. 13 In G Major K 525 | ||
| 9-1 | I Allegro | 4:15 |
| 9-2 | II Romance. Andante | 4:29 |
| 9-3 | III Menuetto. Allegretto – Trio | 2:16 |
| 9-4 | IV Rondo. Allegro | 2:45 |
| 6 German Dances K 600 | ||
| 9-5 | No. 1 In C Major – Trio | 1:37 |
| 9-6 | No. 2 In F Major – Trio | 1:44 |
| 9-7 | No. 3 In B-flat Major– Trio | 1:41 |
| 9-8 | No. 4 In E-flat Major – Trio | 1:41 |
| 9-9 | No. 5 In G Major – Trio. Der Kanarienvogel = The Canary | 1:37 |
| 4 German Dances K 602 | ||
| 9-10 | No. 3 In C Major – Trio | 1:49 |
| 3 German Dances K 605 | (1:25) | |
| 9-11 | No. 2 in G major – Trio | 2:05 |
| 9-12 | No. 3 In C Major – Trio. Die Schlittenfahrt = The Sleighride – Coda | 3:52 |
| 9-13 | Le Nozze di Figaro: Overture | |
| 9-14 | Moto Perpetuo Op. 11 | 4:55 |
| 9-15 | Herzlich Tut Mich Verlangen BWV 727 | 2:44 |
| Symphony No. 7 In E Major (Original Version) | ||
| 10-1 | I Allegro Moderato | 17:44 |
| 10-2 | II Adagio. Sehr Feierlich Und Sehr Langsam | 25:12 |
| 10-3 | III Scherzo. Sehr Schnell – Trio. Etwas Langsamer | 9:21 |
| 10-4 | IV Finale. Bewegt, Doch Nicht Schnell | 10:29 |
| Symphony No. 1 In E Minor Op. 39 | ||
| 11-1 | I Andante Ma Non Troppo – Allegro Energico – Tranquillo – Tempo I [Allegro Energico] – Tranquillo – A Tempo | 10:36 |
| 11-2 | II Andante (Ma Non Troppo Lento) – Molto Tranquillo – Tempo I | 9:52 |
| 11-3 | III Scherzo. Allegro – Lento (Ma Non Troppo) – Tempo I | 4:29 |
| 11-4 | IV Finale (Quasi Una Fantasia). Andante – Allegro Molto – Andante Assai – Allegro Molto Como Prima – Andante (ma Non Troppo) – Più Largamente Poco A Poco | 11:53 |
Booklet Editor – Jochen Rudelt
Booklet Editor – Marvin J. Deitz
Conductor – Eugene Ormandy
Design – [ec:ko] Communications
Liner Notes – Richard Evidon
Mastered By – Andreas K. Meyer
Mastered By – Nancy Conforti
Orchestra – Minneapolis Symphony Orchestra
Producer – Charles O'Connell (1-1 to 1-17, 2-1 to 2-9, 3-1 to 3-12, 4-1 to 4-12)
Producer – Robert Russ
Research [Disc] – Matt Fiveash
Transferred By – Andreas K. Meyer
Transferred By – David Seubert (CD 2 [5-8] Matrices CVE 87549/50-1; CVE 87554–57-1; CVE 87500-1)
Transferred By – Nancy Conforti
Translated By [Liner Notes] – Jean-Claude Poyet
Translated By [Liner Notes] – Texthouse
Booklet Editor – Marvin J. Deitz
Conductor – Eugene Ormandy
Design – [ec:ko] Communications
Liner Notes – Richard Evidon
Mastered By – Andreas K. Meyer
Mastered By – Nancy Conforti
Orchestra – Minneapolis Symphony Orchestra
Producer – Charles O'Connell (1-1 to 1-17, 2-1 to 2-9, 3-1 to 3-12, 4-1 to 4-12)
Producer – Robert Russ
Research [Disc] – Matt Fiveash
Transferred By – Andreas K. Meyer
Transferred By – David Seubert (CD 2 [5-8] Matrices CVE 87549/50-1; CVE 87554–57-1; CVE 87500-1)
Transferred By – Nancy Conforti
Translated By [Liner Notes] – Jean-Claude Poyet
Translated By [Liner Notes] – Texthouse
CD 1:
Original Releases
78s 7951–53 in set M-197; 7954–56 in set AM-197; 17116–18 in set DM-197 Released April 1934 [1–6
14031 Released February 1937 [7
1701/02 (10") Released April 1935 [8
8694 / 1761 (10") Released August 1936 [9–12
8418 Released December 1934 [13
1796 (10") Released January 1937 [14–17
LPs CAL-121 [9/11 / CAL-119 [14–17 Released October 2, 1953
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 17, 1934 [1–6; January 14, 1935 [7; January 16, 1934 [8; January 19, 1934 [9–11; January 23, 1934 [12; January 22, 1934 [13; January 8, 1935 [14/15; January 9, 1935 [16/17
Producer: Charles O’Connell
Matrix Nos.: CVE 81516-1 [1; CVE 81517-1 [2; CVE 81518-1 [3; CVE 81519-1A [4; CVE 81520-1A [5; CVE 81521-1 [6; CVE 87580/81-1 [7; BVE 1504–06-1, BVE 81507-1A [8; CVE 81547-1A [9; BVE 81548-1 [10; CVE 81549-1A [11; BVE 81582-1A [12; CVE 81575-2, CVE 81576-1 [13; BVE 87547-1 [14/15; BVE 87558-1 [16/17
℗ 1934/1935/1936/1937 Sony Music Entertainment
CD2:
Original Releases
78s 7982–84 in set M-201; 7985–87 in set AM-201; 17105–07 in set DM-201 Released May 1934 [1–4
8747–51 in set M-274; 8752–56 in set AM-274; 16994–98 in set DM-274 Released November 1935 [5–8
Previously unissued [9
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 22, 1934 [1–4; January 9, 1935 [5–8;
January 7, 1935 [9 · Producer: Charles O’Connell
Matrix Nos.: CVE 81569-1, CVE 81570-1A, CVE 81571–74-1 [1–4; CVE 87548-1[6R*, CVE 87549/50-1 [5; CVE 87551–53-1 [6; CVE 87554/55-1 [7; CVE 87556/57-1 [8; CVE 87539-1, BVE 87540-1 [9
* Dub made January 7, 1936 at New York Studio No. 2
℗ 1934/1935/2022 Sony Music Entertainment
CD 3:
Original Releases
78s 8266–69 in set M-207; 8270–73 in set AM-207; 17101–04 in set DM-207 Released May 23, 1934 [1–5
8765 Released November 1935 [6
1659 [7/8; 8284 [9/10; 8285 [11/12 in set M-211 (10") Released June 20, 1934
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 24, 1934 [1–5; January 15, 1935 [6; January 19, 1934 [7–12
Producer: Charles O’Connell
Matrix Nos.: CVE 81508/09-2A, CVE 81510/11-2, CVE 81512-3A, CVE 81513-3, CVE 81514-2A, CVE 81515-3A [1–5; CVE 87583/84-1 [6; BVE 81553-1A [7; BVE 81555-1 [8; CVE 81551-1 [9; CVE 81552-1 [10; CVE 81554-1A [11; CVE 81550-1A [12
℗ 1934/1935 Sony Music Entertainment
CD 4:
Original Releases
78s 1669–71 in set M-220 (10"), 1672–74 in set AM-220 (10"), 2101–03 in set DM-220 (10") Released September 1934 [1–6
1742 [7; 1743 [8–10 Released May 1936
8661-B Released June 1935 [11
8552 Released February 1935 [12
LP CAL-119 Released October 2, 1953 [5–10
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 19, 1934 [1–5; January 20, 1934 [6; January 8, 1935 [7/8/11; January 14, 1935 [9/10; January 23, 1934 [12
Producer: Charles O’Connell
Matrix Nos.: BVE 81556-1 [1; BVE 81557-1 [2/3; BVE 81558-1 [4; BVE 81559-1A [5; BVE 81560/61-1 [6; BVE 87545/46-1 [7; BVE 87542-1 [8; BVE 87582-1 [9/10; CVE 87544-1 [11; CVE 81583/84-1A [12
℗ 1934/1935/1936 Sony Music Entertainment
CD 5:
Original Releases
78s 8455–58 in set M-238; 8459–62 in set AM-238; 17063–66 in set DM-238 Released October 1934 [1–6
11-9231 in set M 1063 Released November 30, 1946 [3
7957 Released May 1934 [7
1666 (10") [8/9; 8734 [10/11 Released July 25, 1934
8777-B; 16983-B Released April 1946 [10
8924/25-A Released May 1936 [12
8629 Released May 1935 [13
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 17, 1934 [1/2/5; January 22, 1934 [3/4; January 23, 1934 [6/10/11; January 17, 1934 [7; January 16, 1934 [8/9; January 14, 1935 [12; January 12, 1935 [13
Producer: Charles O’Connell
Session Supervisor: Roy Harris [13
Matrix Nos.: CVE 81528-1A [1; CVE 815-29-1A [2; CVE 81530-2A [3; 81531-2A [4; CVE 81532-1A [5; CVE 81533-2A, CVE 81534-2 [6; CVE 81522/23-1A [7; BVE 81500-1A [8; BVE 81503-1 [9; CVE 81502-3 [10; CVE 81501-3 [11; CVE 87577–79-1 [12; CVE 87567/68-1 [13
℗ 1934/1935/1936 Sony Music Entertainment
CD 6:
Original Releases
78s 8463–68 in set M-239; 8469–74 in set AM-239; 17057–62 in set DM-239 Released November 1934 [1–4
1719 (10") Released December 1935 [5
LPs CAL-247 Released July 22, 1955 [1–4
CAL-121 Released October 2, 1953 [5
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 18/19*/22**, 1934 [1–4; January 20, 1934 [5
Producer: Charles O’Connell
Matrix Nos.: CVE 81535-2*, CVE 81536/37-2A**, CVE 81538-1A [1; CVE 81539/40-1 [2; CVE 81541-1A, CVE 81542-1, CVE 81543-1A [3; CVE 81544-1A*, CVE 81545/46-1* [4; BVE-81567/68-1 [5
℗ 1934/1935 Sony Music Entertainment
CD 7:
Original Releases
78s 11753–63 in set M-256; 11764–74 in set AM-256; 13172–82 in set DM-256 Released May 1935
LP DMM4-0260 Released 1977
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 6, 1935
Producer: Charles O’Connell
Matrix Nos.: CVE 87511-2, CVE 87512–15-1 [1; CVE 87516–18-1 [2; CVE 87519–21-1 [3; CVE 87522/23-1 [4; CVE 87524–26-1, CVE 87527-2, CVE 87528–32-1 [5
℗ 1935 Sony Music Entertainment
CD 8:
Original Releases
78s 8650–54 in set M-262; 8655–59 in set AM-262; 16658–62 in set DM-262 Released June 1935 [1–5
8867 Released December 18, 1936 [6
1757 (10") Released June 1936 [7/9
1758 (10") [9; 1759 (10") [10/11 Released July 1936
7958 Released April 1934 [12
11-9225 in set M-1062 Released November 30, 1946 [12
45s 49-0269–73 in set WDM-262 Released March 15, 1949 [1–5
549-5001/02 in set ERB-6 Released October 2, 1953 [1/2/4/5
LPs CAL-121 Released October 2, 1953 [7, 9–11
CAL-282 Released March 23, 1956 [10
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 14, 1935 [1/4; January 10, 1935 [2/3/10/11; January 12, 1935 [5/6; January 20, 1934 [7–9/12
Producer: Charles O’Connell
Matrix Nos.: CVE 87573-2, CVE 87574-1 [1; CVE 87562/63-1 [2; CVE 87564/65-1 [3; CVE 87575/76-1 [4; CVE 87571/72-1 [5; CVE 87569/70-1 [6; BVE 81565-1 [7; BVE 81566-1 [8; BVE 81562-1A [9; BVE 87559–61-1 [10; BVE 87566-1 [11; CVE 81563-1, CVE 81564-1A [12
℗ 1934/1935/1936 Sony Music Entertainment
CD 9:
Original Releases
78s 8588 (10"); 1698 (10") Released July 1935 [1–4
1722 (10") [5–8; 1723 (10") [9–12 Released December 1935
8458-B; 8462-B Released October 1934 [13
17063-B in set DM-238 [13 8661-A Released June 1935 [14
14325 Released June 1937 [13/14
LP CAL-121 Released October 2, 1953 [13/14
Previously unissued [15
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 17, 1934 [1–4; January 23, 1934 [5–13; January 8, 1935 [14/15
Producer: Charles O’Connell
Matrix Nos.: CVE 81524-1 [1; CVE 81525-1 [2; BVE 81526-1A [3; BVE 81527-1 [4; BVE 81577-1 [5/6; BVE 81578-1A [7/8; BVE 81579-1 [9/10;
BVE 81580-1A [11/12; CVE 81581-1A [13; CVE 87543-1 [14; BVE 87510-1 [15
℗ 1934/1935/2022 Sony Music Entertainment
CD 10:
Original Releases
78s 8770–77-S in set M-276; 8778–85-S in set AM-276; 16983-S–90 in set DM-276 Released December 1935
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 5, 1935 [1/2; January 7, 1935 [3/4
Producer: Charles O’Connell
Matrix Nos.: CVE 87500–03-1 [1; CVE 87504–09-1 [2; CVE 87533/34-1 [3; CVE 87535–37-1 [4
℗ 1935 Sony Music Entertainment
CD 11:
Original Releases
78s 8873–77 in set M-290; 8878–82 in set AM-290; 16692–96 in set DM-290 Released December 18, 1936
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 16, 1935
Producer: Charles O’Connell
Matrix Nos.: CVE 87593–95-1 [1; CVE 87596–98-1 [2; CVE 87599-1 [3; CVE 88900–02-1 [4
(P) 1936 Sony Music Entertainment
Original Releases
78s 7951–53 in set M-197; 7954–56 in set AM-197; 17116–18 in set DM-197 Released April 1934 [1–6
14031 Released February 1937 [7
1701/02 (10") Released April 1935 [8
8694 / 1761 (10") Released August 1936 [9–12
8418 Released December 1934 [13
1796 (10") Released January 1937 [14–17
LPs CAL-121 [9/11 / CAL-119 [14–17 Released October 2, 1953
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 17, 1934 [1–6; January 14, 1935 [7; January 16, 1934 [8; January 19, 1934 [9–11; January 23, 1934 [12; January 22, 1934 [13; January 8, 1935 [14/15; January 9, 1935 [16/17
Producer: Charles O’Connell
Matrix Nos.: CVE 81516-1 [1; CVE 81517-1 [2; CVE 81518-1 [3; CVE 81519-1A [4; CVE 81520-1A [5; CVE 81521-1 [6; CVE 87580/81-1 [7; BVE 1504–06-1, BVE 81507-1A [8; CVE 81547-1A [9; BVE 81548-1 [10; CVE 81549-1A [11; BVE 81582-1A [12; CVE 81575-2, CVE 81576-1 [13; BVE 87547-1 [14/15; BVE 87558-1 [16/17
℗ 1934/1935/1936/1937 Sony Music Entertainment
CD2:
Original Releases
78s 7982–84 in set M-201; 7985–87 in set AM-201; 17105–07 in set DM-201 Released May 1934 [1–4
8747–51 in set M-274; 8752–56 in set AM-274; 16994–98 in set DM-274 Released November 1935 [5–8
Previously unissued [9
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 22, 1934 [1–4; January 9, 1935 [5–8;
January 7, 1935 [9 · Producer: Charles O’Connell
Matrix Nos.: CVE 81569-1, CVE 81570-1A, CVE 81571–74-1 [1–4; CVE 87548-1[6R*, CVE 87549/50-1 [5; CVE 87551–53-1 [6; CVE 87554/55-1 [7; CVE 87556/57-1 [8; CVE 87539-1, BVE 87540-1 [9
* Dub made January 7, 1936 at New York Studio No. 2
℗ 1934/1935/2022 Sony Music Entertainment
CD 3:
Original Releases
78s 8266–69 in set M-207; 8270–73 in set AM-207; 17101–04 in set DM-207 Released May 23, 1934 [1–5
8765 Released November 1935 [6
1659 [7/8; 8284 [9/10; 8285 [11/12 in set M-211 (10") Released June 20, 1934
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 24, 1934 [1–5; January 15, 1935 [6; January 19, 1934 [7–12
Producer: Charles O’Connell
Matrix Nos.: CVE 81508/09-2A, CVE 81510/11-2, CVE 81512-3A, CVE 81513-3, CVE 81514-2A, CVE 81515-3A [1–5; CVE 87583/84-1 [6; BVE 81553-1A [7; BVE 81555-1 [8; CVE 81551-1 [9; CVE 81552-1 [10; CVE 81554-1A [11; CVE 81550-1A [12
℗ 1934/1935 Sony Music Entertainment
CD 4:
Original Releases
78s 1669–71 in set M-220 (10"), 1672–74 in set AM-220 (10"), 2101–03 in set DM-220 (10") Released September 1934 [1–6
1742 [7; 1743 [8–10 Released May 1936
8661-B Released June 1935 [11
8552 Released February 1935 [12
LP CAL-119 Released October 2, 1953 [5–10
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 19, 1934 [1–5; January 20, 1934 [6; January 8, 1935 [7/8/11; January 14, 1935 [9/10; January 23, 1934 [12
Producer: Charles O’Connell
Matrix Nos.: BVE 81556-1 [1; BVE 81557-1 [2/3; BVE 81558-1 [4; BVE 81559-1A [5; BVE 81560/61-1 [6; BVE 87545/46-1 [7; BVE 87542-1 [8; BVE 87582-1 [9/10; CVE 87544-1 [11; CVE 81583/84-1A [12
℗ 1934/1935/1936 Sony Music Entertainment
CD 5:
Original Releases
78s 8455–58 in set M-238; 8459–62 in set AM-238; 17063–66 in set DM-238 Released October 1934 [1–6
11-9231 in set M 1063 Released November 30, 1946 [3
7957 Released May 1934 [7
1666 (10") [8/9; 8734 [10/11 Released July 25, 1934
8777-B; 16983-B Released April 1946 [10
8924/25-A Released May 1936 [12
8629 Released May 1935 [13
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 17, 1934 [1/2/5; January 22, 1934 [3/4; January 23, 1934 [6/10/11; January 17, 1934 [7; January 16, 1934 [8/9; January 14, 1935 [12; January 12, 1935 [13
Producer: Charles O’Connell
Session Supervisor: Roy Harris [13
Matrix Nos.: CVE 81528-1A [1; CVE 815-29-1A [2; CVE 81530-2A [3; 81531-2A [4; CVE 81532-1A [5; CVE 81533-2A, CVE 81534-2 [6; CVE 81522/23-1A [7; BVE 81500-1A [8; BVE 81503-1 [9; CVE 81502-3 [10; CVE 81501-3 [11; CVE 87577–79-1 [12; CVE 87567/68-1 [13
℗ 1934/1935/1936 Sony Music Entertainment
CD 6:
Original Releases
78s 8463–68 in set M-239; 8469–74 in set AM-239; 17057–62 in set DM-239 Released November 1934 [1–4
1719 (10") Released December 1935 [5
LPs CAL-247 Released July 22, 1955 [1–4
CAL-121 Released October 2, 1953 [5
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 18/19*/22**, 1934 [1–4; January 20, 1934 [5
Producer: Charles O’Connell
Matrix Nos.: CVE 81535-2*, CVE 81536/37-2A**, CVE 81538-1A [1; CVE 81539/40-1 [2; CVE 81541-1A, CVE 81542-1, CVE 81543-1A [3; CVE 81544-1A*, CVE 81545/46-1* [4; BVE-81567/68-1 [5
℗ 1934/1935 Sony Music Entertainment
CD 7:
Original Releases
78s 11753–63 in set M-256; 11764–74 in set AM-256; 13172–82 in set DM-256 Released May 1935
LP DMM4-0260 Released 1977
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 6, 1935
Producer: Charles O’Connell
Matrix Nos.: CVE 87511-2, CVE 87512–15-1 [1; CVE 87516–18-1 [2; CVE 87519–21-1 [3; CVE 87522/23-1 [4; CVE 87524–26-1, CVE 87527-2, CVE 87528–32-1 [5
℗ 1935 Sony Music Entertainment
CD 8:
Original Releases
78s 8650–54 in set M-262; 8655–59 in set AM-262; 16658–62 in set DM-262 Released June 1935 [1–5
8867 Released December 18, 1936 [6
1757 (10") Released June 1936 [7/9
1758 (10") [9; 1759 (10") [10/11 Released July 1936
7958 Released April 1934 [12
11-9225 in set M-1062 Released November 30, 1946 [12
45s 49-0269–73 in set WDM-262 Released March 15, 1949 [1–5
549-5001/02 in set ERB-6 Released October 2, 1953 [1/2/4/5
LPs CAL-121 Released October 2, 1953 [7, 9–11
CAL-282 Released March 23, 1956 [10
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 14, 1935 [1/4; January 10, 1935 [2/3/10/11; January 12, 1935 [5/6; January 20, 1934 [7–9/12
Producer: Charles O’Connell
Matrix Nos.: CVE 87573-2, CVE 87574-1 [1; CVE 87562/63-1 [2; CVE 87564/65-1 [3; CVE 87575/76-1 [4; CVE 87571/72-1 [5; CVE 87569/70-1 [6; BVE 81565-1 [7; BVE 81566-1 [8; BVE 81562-1A [9; BVE 87559–61-1 [10; BVE 87566-1 [11; CVE 81563-1, CVE 81564-1A [12
℗ 1934/1935/1936 Sony Music Entertainment
CD 9:
Original Releases
78s 8588 (10"); 1698 (10") Released July 1935 [1–4
1722 (10") [5–8; 1723 (10") [9–12 Released December 1935
8458-B; 8462-B Released October 1934 [13
17063-B in set DM-238 [13 8661-A Released June 1935 [14
14325 Released June 1937 [13/14
LP CAL-121 Released October 2, 1953 [13/14
Previously unissued [15
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 17, 1934 [1–4; January 23, 1934 [5–13; January 8, 1935 [14/15
Producer: Charles O’Connell
Matrix Nos.: CVE 81524-1 [1; CVE 81525-1 [2; BVE 81526-1A [3; BVE 81527-1 [4; BVE 81577-1 [5/6; BVE 81578-1A [7/8; BVE 81579-1 [9/10;
BVE 81580-1A [11/12; CVE 81581-1A [13; CVE 87543-1 [14; BVE 87510-1 [15
℗ 1934/1935/2022 Sony Music Entertainment
CD 10:
Original Releases
78s 8770–77-S in set M-276; 8778–85-S in set AM-276; 16983-S–90 in set DM-276 Released December 1935
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 5, 1935 [1/2; January 7, 1935 [3/4
Producer: Charles O’Connell
Matrix Nos.: CVE 87500–03-1 [1; CVE 87504–09-1 [2; CVE 87533/34-1 [3; CVE 87535–37-1 [4
℗ 1935 Sony Music Entertainment
CD 11:
Original Releases
78s 8873–77 in set M-290; 8878–82 in set AM-290; 16692–96 in set DM-290 Released December 18, 1936
Recorded: Minneapolis, Cyrus Northrop Memorial Auditorium, January 16, 1935
Producer: Charles O’Connell
Matrix Nos.: CVE 87593–95-1 [1; CVE 87596–98-1 [2; CVE 87599-1 [3; CVE 88900–02-1 [4
(P) 1936 Sony Music Entertainment
Barcode (Text ) – 1 94399 52392 6
Barcode (Scanned) – 194399523926
Label Code – LC 00316
Barcode (Scanned) – 194399523926
Label Code – LC 00316