Forever Pavot

So there is a new tenant in the Jean-Claude Vannier residence. The discreet type, but rather noisy. Fuzz guitars, wild farfisa, bass lines mixed well ahead in the Burgalat tradition, flutes playing, horse cavalcades on Miguel El Salam, 'Rhapsode' is such a huge indoor Western shot by the ORTF (64's to 74's French Broadcasting Authority TV) that sometimes we expect to see Jean-Christophe Averty spring out from an enclosure, holding both a camera and a joint. But again, clothes dont make the man. The name Forever Pavot was not born of an apology of drugs: "It started as a joke. One day I read too fast a "flower power" poorly written on a school pencil case. It made me laugh", said Emile. The result is worth all these sleepless nights: where others merely copy the past, Emile stacks up sound, rehabilitates the harpsichord in this narrow world that has become pop music. He composes arranged pieces (Electric Mami) that give the impression of hearing 'Strawberry Fields Forever' sung by Zombies. After an initial 45 rpm, 'Christophe Columb', which he produced in the spring of 2013, and which was "distributed free with chocolates" and then repressed by Frantic City, the story of Forever Pavot begins to take shape around a new group.