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20th Century Foxtrots • 4: France and Belgium
| Label | Grand Piano ‎– GP855 |
| Format | CD, Album, Stereo |
| Barcode | 0747313985524 |
| Country | Germany |
| Released | 2022 |
| Genre | Classical |
| Style | Modern |
| 1 | Camille Saint-Saëns: Tango from 'Lola', Op. 11 (1900) | 2:12 |
| 2 | Erik Satie: La diva de l'Empire (Intermezzo américain d'après la célèbre chanson de Bonnaud, Blès et Satie) (1904)) | 2:26 |
| 3 | Erik Satie: Rag-Time Parade (1917) | 1:59 |
| 4 | Darius Milhaud. Caramel Mou, Op. 68 (1920) | 3:07 |
| 5 | Henri Cliquet-Pleyel: 2 Blues (1922) - No. 1. Come along | 2:09 |
| 6 | Henri Cliquet-Pleyel: 2 Blues (1922) - No. 2. Far away | 2:55 |
| 7 | André Messager: Tango from 'L'Amour Masqué' (1923) | 2:09 |
| 8 | Daniel Éricourt: Pièce en forme de rag (1924) | 1:21 |
| 9 | Manuel Rosenthal: 8 Bagatelles: No. 6 Rag (1924) | 1:17 |
| 10 | Gabriel Pierné: Girls (French Blues) from 'Impressions de music-hall', op. 47 (1927) | 3:24 |
| 11 | Reynaldo Hahn: Charleston (arr. for piano) from 'Le temps d'aimer', Act III (1926) | 1:18 |
| 12 | Reynaldo Hahn: 'Los Enamorados', Tango-Habanera from 'Une Revue...' (1830-1930) (1926) | 2:28 |
| 13 | Désire-Émile Inghelbrecht: Little Black Man, Fox-Trot from 'Le Diable dans le Beffroi' (1926) | 1:35 |
| 14 | Maurice Ravel (Arr. Gil-Marchex): Five o'clock Fox-Trot from 'L'enfant et les sortilèges' (1920-25/1927) | 6:34 |
| 15 | Jean Wiéner: Haarlem (1929) | 2:39 |
| 16 | Jean Wiéner: The White Village Onestep from 'Olive chez les nègres, ou Le village blanc' (1926) | 1:27 |
| 17 | Pierre-Octave Ferroud: The Bacchante Blues from '13 Danses' (1929) | 3:39 |
| 18 | Mélanie Bonis: Boston valse, ou Valse lente, from 5 Petites pièces, Op. 119, No. 3 (1928) | 1:13 |
| 19 | Jacques Benoist-Méchin: Équateur No. 5 Rag-Nocturne (1923-27) | 5:12 |
| 20 | Georges Auric: Magic-Park, Tox-Trot from 'À nous la liberté' (1931) | 00:56 |
| 21 | Georges Auric: Tango-Nocturne from 'À nous la liberté' (1931) | 2:16 |
| 22 | Pierre Vellones: Biarritz-Fox, Fox-Trot from 'La Reine de Biarritz' (1934) | 01:40 |
| 23 | Jacques Ibert: Burlesque-Fox from 'La Maison du Maltais' (1938) | 2:19 |
| 24 | Henri Dutilleux: Fox from 'Le Café du Cadran' (1947) | 1:35 |
| 25 | Hubert Mouton: Jumbo's Two Step (1911) | 2:46 |
| 26 | Jean Lensen: Siberia, Fox-Trot (1923) | 2:09 |
| 27 | August Louis Baeyens: Jazz Fantaisie (1926) | 2:19 |
| 28 | Clément Doucet: Montparnasse (1931) | 2:29 |
| 29 | Clément Doucet: Wiener Luft (1931) | 1:58 |
| 30 | Emmanuel Durlet: Tragische Tango (1943) | 4:27 |
Engineer – Martin Schicker
Executive Producer – Dr. Michael Breugst
Piano – Gottlieb Wallisch
Producer – Anton Langer
Technician – Paul Müller
Executive Producer – Dr. Michael Breugst
Piano – Gottlieb Wallisch
Producer – Anton Langer
Technician – Paul Müller
Gottlieb Wallisch continues his acclaimed survey of jazz-influenced piano literature. In this volume we explore le tumulte noir (‘the Black craze’) in the French-speaking countries after the First World War, taking us to Paris and Brussels where the mood was hot for dancing. The fashionable status of this new craze attracted writers, composers, intellectuals and artists from all over the world, with American jazz music as the latest rage in the cafes and bistros of the day. The influence of dances from overseas spread like wildfire, taking hold amongst French and Belgian composers eager to free themselves from Germanic Wagnerism while riding the wave of popularity of hit records and cinema.
Barcode – 747313985524