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Masterworks
Label | Sony Classical – 19075877922Sony Music – 19075877922 |
Series | Sony Classical Masters |
Format | 9 x CD, Box Set, Compilation |
Barcode | 0190758779225 |
Country | Europe |
Released | 2019 |
Genre | Classical |
Style | Modern, Contemporary |
String Quartets & Duets | |||
String Quartet No. 1 "Métamorphoses Noctures" (1953-1954) | |||
1-1 | Allegro Grazioso | 1:33 | |
1-2 | Vivace, Capriccioso | 1:59 | |
1-3 | Adagio, Mesto | 2:08 | |
1-4 | Presto | 2:44 | |
1-5 | Andante Tranquillo | 2:29 | |
1-6 | Tempo Di Valse, Moderato, Con Eleganza, Un Poco Capriccioso | 2:18 | |
1-7 | Allegretto, Un Poco Gioviale | 2:56 | |
1-8 | Prestissimo | 4:35 | |
String Quartet No. 2 (1968) | |||
1-9 | I. Allegro Nervoso | 4:46 | |
1-10 | II. Sostenuto, Molto Calmo | 4:32 | |
1-11 | III. Come Un Meccanismo Di Precisione | 3:04 | |
1-12 | IV. Presto Furioso, Brutale, Tumultuoso | 2:03 | |
1-13 | V. Allegro Con Delicatezza | 5:37 | |
Hommage À Hilding Rosenberg (1982) - For Violin And Violoncello | |||
1-14 | Andante Con Moto | 1:09 | |
Baladă Şi Joc (1950) - Ballad And Dance For Two Violins | |||
1-15 | Baladă. Andante | 1:54 | |
1-16 | Joc. Allegro Vivace | 1:28 | |
Andante And Allegretto (1950) - For String Quartet | |||
1-17 | Andante Cantabile | 6:36 | |
1-18 | Allegretto Poco Capriccioso | 6:31 | |
A Cappella Vocal Works | |||
2-1 | Éjszaka (1955) • Andante Con Moto | 2:24 | |
2-2 | Reggel (1955) • Vivace, Stridente | 1:22 | |
Idegen Földön | |||
2-3 | I. Siralmas Nékem (1945) • Poco Lento, Semplice | 1:15 | |
2-4 | II. Egy Fekete Holló (1945) • Rubato - Andante - Più Mosso | 1:13 | |
2-5 | III. Vissza Ne Nézz (1945) • Lento | 0:50 | |
2-6 | IV. Fujdogál A Nyári Szél (1946) • Allegretto Con Moto, Giocoso E Molto Leggiere | 0:43 | |
2-7 | Magány (1946) • Molto Moderato, Poco Rubato - Più Mosso, Non Rubato - Subito: Ancora Più Mosso, Con Slancio | 3:25 | |
Két Kánon | |||
2-8 | I. Ha Folyóvíz Volnék (1947) • Adagio Ma Non Troppo | 2:11 | |
2-9 | II. Pletykázó Asszonyok (1952) • Vivacissimo | 1:07 | |
2-10 | Bethlehemi Királyok (1946) • Vidáman [Allegro] | 1:59 | |
2-11 | Bujdosó (1946) • Nyugodtan [Tranquillo] - Adagio | 2:30 | |
2-12 | Lux Aeterna (1966) • Sostenuto, Molto Calmo, "From Afar" | 8:06 | |
2-13 | Lakodalmas (1950) • Adaptation Of A Hungarian Folksong | 1:07 | |
Inaktelki Nóták (1953) - Adaptations Of Hungarian Folksongs | |||
2-14 | I. Sej, Hideg Sincsen • Moderato, Ma Giusto | 1:09 | |
2-15 | II. Úri Bicsok, Nincsen Nyele • Allegro | 0:58 | |
2-16 | III. Én Az Uccán Már Végig Se Mehetek • Parlando, Rubato | 1:34 | |
2-17 | II. Da Capo: Úri Bicsok, Nincsen Nyele • Allegro | 0:51 | |
Mátraszentimrei Dalok (1955) - Adaptations Of Hungarian Folksongs | |||
2-18 | I. Három Hórdo • Allegro Giusto | 1:09 | |
2-19 | II. Igaz Szerelem • Andante | 1:16 | |
2-20 | III. Gomb, Gomb • Allegretto Con Moto | 1:23 | |
2-21 | IV. Erdőbe, Erdőbe • Allegro Con Moto | 0:58 | |
2-22 | Pápainé (1953) - Traditional Hungarian Ballad • Andante Moderato | 3:34 | |
Drei Phantasien Nach Friedrich Hölderlin (1982) | |||
2-23 | I. Hälfte Des Lebens • Lento | 3:20 | |
2-24 | II. Wann Aus Der Ferne • Andante Con Tenerezza | 5:08 | |
2-25 | III. Abendphantasie • Maestoso - Più Mosso, Agitato | 3:16 | |
Magyar Etüdök (1983) | |||
2-26 | I. 9. Etüd (Spiegelkanon) • Moderato Meccanico | 1:50 | |
2-27 | II. 49. Etüd / 40. Etüd • Andantino Poco Rubato | 1:50 | |
2-28 | III. 90. Etüd (Vásár) • Tempo Giusto - Allegro Vivace - Allegro Con Anima | 2:20 | |
Haj, Ifjúság! (1952) | |||
2-29 | Azt Hallottam Rószám • Parlando | 1:06 | |
2-30 | Nem Láttam Én Télbe Fecskét • Allegro | 1:42 | |
2-31 | Húsvét (1946) • Vidáman [Allegro] | 2:43 | |
Hortobágy (1952) - Three Adaptations Of Hungarian Folksongs | |||
2-32 | Kiszáradt A Tóbul Mind A Sár • Parlando Rubato | 2:11 | |
2-33 | Még Azt Mondják • Allegro, Giusto (Un Poco Pesante) | 2:03 | |
2-34 | És Az Eső Fú A Széi • Più Mosso (Vivace, Leggiero) | 1:21 | |
2-35 | Magos Kősziklának (1946) - Adaptation Of A Hungarian Folksong | 2:09 | |
Kállai Kettős (1952) - Adaptations Of Hungarian Folksongs | |||
2-36 | Felüről Fúj As Őszi Szél • Andante | 1:33 | |
2-37 | Eb Fél, Kutya Fél • Allegro Molto | 1:33 | |
Works For Piano | |||
Études Pour Piano (Premier Livre, 1985) | |||
3-1 | I. Désordre • Molto Vivace, Vigoroso, Molto Ritmico | 2:22 | |
3-2 | II. Cordes À Vide • Andantino Con Moto, Molto Tenero | 3:16 | |
3-3 | III. Touches Bloquées • Presto Possibile, Sempre Molto Ritmico | 1:57 | |
3-4 | IV. Fanfares • Vivacissimo Molto Ritmico, Con Allegria E Slancio | 3:37 | |
3-5 | V. Arc-En-Ciel • Andante Molto Rubato, Con Eleganza, With Swing | 3:52 | |
3-6 | VI. Automne À Varsovie • Presto Cantabile, Molto Ritmico E Flessibile | 4:27 | |
Études Pour Piano (Deuxième Livre) | |||
3-7 | VII. Galamb Borong (1987) • Vivacissimo Luminoso, Legato Possibile | 2:48 | |
3-8 | VIII. Fém (1989) • Vivace Risoluto, Con Vigore | 3:05 | |
3-9 | IX. Vertige (1990) • Prestissimo Sempre Molto Legato, Sehr Gleichmäßig | 3:03 | |
3-10 | X. Der Zauberlehrling (1994) • Prestissimo, Staccatissimo, Leggierissimo | 2:20 | |
3-11 | XI. En Suspens (1994) • Andante Con Moto, « Avec L'Élégance Du Swing » | 2:07 | |
3-12 | XII. Entrelacs (1993) • Vivicissimo Molto Ritmico, Sempre Legato, Con Delicatezza | 2:56 | |
3-13 | XIII. L'Escalier Du Diable (1993) • Presto Legato Ma Leggiero | 5:16 | |
3-14 | XIV. Coloana Infinită (1993) • Presto Possibile, Tempestoso Con Fuoco | 1:41 | |
Musica Ricercata (1951-1953) | |||
3-15 | I. Sostenuto - Misurato - Prestissimo | 2:43 | |
3-16 | II. Mesto, Rigido E Cerimoniale | 3:52 | |
3-17 | III. Allegro Con Spirito | 1:12 | |
3-18 | IV. Tempo De Valse (Poco Vivace - « À L'Orgue De Barbarie ») | 2:18 | |
3-19 | V. Rubato. Lamentoso | 3:12 | |
3-20 | VI. Allegro Molto Capriccioso | 0:50 | |
3-21 | VII. Cantabile, Molto Legato | 4:04 | |
3-22 | VIII. Vivace. Energico | 1:15 | |
3-23 | IX. (Béla Bartók In Memoriam) Adagio. Mesto - Allegro Maestoso | 2:15 | |
3-24 | X. Vivace. Capriccioso | 1:22 | |
3-25 | XI. (Omaggio A Girolamo Frescobaldi) Andante Misurato E Tranquillo | 4:14 | |
Études Pour Piano (Extrait Du Troisième Livre) | |||
3-26 | XV. White On White (1995). Andante Con Tenerezza | 3:52 | |
Vocal Music | |||
Nonsense Madrigals | |||
4-1 | I. Two Dreams And Little Bat (1988) • Poco Animato, Gently Swinging | 2:14 | |
4-2 | II. Cuckoo In The Pear-Tree (1988) • Lively | 1:33 | |
4-3 | III. The Alphabet (1988) • Lento | 3:33 | |
4-4 | IV. Flying Robert (1988) • Passacaglia. Tempo Giusto | 2:43 | |
4-5 | V. The Lobster Quadrille (1989) • Allegro Molto Leggiero E Ritmico | 1:50 | |
4-6 | VI. A Long, Sad Tale (1993) • Vivacissimo Leggiero E Molto Ritmico (Like Jazz!) | 1:28 | |
4-7 | Mysteries Of The Macabre - Arranged For Coloratura Soprano And Ensemble (1991) From The Opera Le Grand Macabre • Allegro Molto Leggiero E Ritmico | 7:49 | |
4-8 | Aventures (1962) • Agitato | 11:20 | |
Nouvelles Aventures (1962-1965) | |||
4-9 | Sostenuto | 5:53 | |
4-10 | Agitato Molto | 4:39 | |
4-11 | Der Sommer (1989) • Andante Misurato | 3:12 | |
Három Weöres-Dal (1946-1947) | |||
4-12 | I. Táncol A Hold Fehér Ingben • Vivace | 1:05 | |
4-13 | II. Gyümölcs-Fürt • Rubato | 2:42 | |
4-14 | III. Kalmár Jött Nagy Madarakkal • Lento | 2:10 | |
Öt Arany-Dal (1952) | |||
4-15 | I. Csalfa Sugár • Andantino, Semplice | 2:02 | |
4-16 | II. A Legszebb Virág • Moderato, Con Moto | 2:29 | |
4-17 | III. A Csendes Dalokból • Allegro, Giusto E Rigoroso | 0:52 | |
4-18 | IV. A Bujdosó • Poco Rubato | 3:16 | |
4-19 | V. Az Ördög Elvitte A Fináncot • Parlando - Allegro Giusto | 2:09 | |
Négy Lakoldami Tánc (1950) - Adaptations Of Hungarian Folksongs | |||
4-20 | I. A Menyasszony Szép Virág • Allegretto. Szeliden | 2:04 | |
4-21 | II. A Kapuban A Szekér • Allegro | 0:40 | |
4-22 | III. Hopp Ide Tisztán • Andantino. Nyugodtan [Tranquillo] | 1:16 | |
4-23 | IV. Mikor Kedves Laci Bátyám | 1:13 | |
Mechanical Music | |||
Adaptations For Barrel Organ | |||
5-1 | Continuum (1970) • Prestissimo | 3:22 | |
5-2 | Hungarian Rock (Chaconne; 1978) • Vivacissimo Molto Ritmico | 4:52 | |
5-3 | Capriccio No. 1 (1947) • Allegretto Capriccioso | 3:55 | |
5-4 | Invention (1948) • Risoluto | 1:23 | |
5-5 | Capriccio No. 2 (1947) • Allegro Robusto | 1:43 | |
5-6 | Poème Symphonique - For 100 Metronomes (1962) | 19:56 | |
Adaptation For Barrel Organ: Musica Ricercata (1951-1953) | |||
5-7 | I. Sostenuto - Misurato - Prestissimo | 2:13 | |
5-8 | II. Mesto, Rigido E Cerimoniale | 3:19 | |
5-9 | III. Allegro Con Spirito | 1:07 | |
5-10 | IV. Tempo De Valse (Poco Vivace - « À L'Orge De Barbarie ») | 1:52 | |
5-11 | V. Rubato. Lamentoso | 3:46 | |
5-12 | VI. Allegro Molto Capriccioso | 0:55 | |
5-13 | VII. Cantabile, Molto Legato | 2:35 | |
5-14 | VIII. Vivace. Energico | 0:54 | |
5-15 | IX. (Béla Bartók In Memoriam) Adagio. Mesto - Allegro Maestoso | 2:10 | |
5-16 | X. Vivace. Capriccioso | 1:20 | |
5-17 | XI. (Ommagio A Girolamo Frescobaldi) Andante Misurato E Tranquillo | 3:54 | |
Adaptations For Player Piano | |||
5-18 | X. Der Zauberlehrling (1994) • Prestissimo, Staccatissimo, Leggierissimo | 2:14 | |
5-19 | IX. Vertige (1990) • Prestissimo Sempre Molto Legato, Sehr Gleichmäßig | 1:49 | |
5-20 | XI. En Suspens (1994) • Andante Con Moto, « Avec L'Élégance Du Swing » | 1:16 | |
5-21 | XIII. L'Escalier Du Diable (1993) • Presto Legato Ma Leggiero | 3:40 | |
5-22 | XIVa. Coloana Fără Sfârşit (1993; Original Version For Player Piano) • Presto Possibile, Tempestoso Con Fuoco | 1:04 | |
5-23 | VII. Galamb Borong (1988) - Adapted For 2 Players Piano • Vivacissimo Luminoso, Legato Possibile | 2:16 | |
5-24 | Continuum (1970) - Adapted For 2 Players Piano • Prestissimo | 3:44 | |
Keyboard Works | |||
Five Pieces For Piano Four-Hands | |||
6-1 | Induló (1942) • Allegro | 2:05 | |
6-2 | Polifón Etüd (1943) • Allegro Comodo | 2:09 | |
Haróm Lakodalmi Tánc (1950) | |||
6-3 | I. A Kapuban A Szekér • Allegro | 0:27 | |
6-4 | II. Hopp Ide Tisztán • Andantino | 1:11 | |
6-5 | III. Csángo Forgós • Allegro | 1:00 | |
Sonatina (1950) | |||
6-6 | I. Allegro | 1:11 | |
6-7 | II. Andante | 1:39 | |
6-8 | III. Vivace | 1:20 | |
6-9 | Allegro (1943) | 0:42 | |
6-10 | Capriccio No. 1 (1947) • Allegretto Carpiccioso | 2:33 | |
6-11 | Invention (1948) • Risoluto | 1:12 | |
6-12 | Capriccio No. 2 (1947) • Allegro Robusto | 1:47 | |
Three Pieces For Two Pianos (1976) | |||
6-13 | I. Monument • Streng Und Genau | 4:23 | |
6-14 | II. Selbstportrait Mit Reich Und Riley (Und Chopin Ist Auch Dabei) • Presto: So Schnell Und So Gleichmäßig Wie Möglich | 8:19 | |
6-15 | III. In Zart Fließender Bewegung | 4:21 | |
6-16 | Passacaglia Ungherese (1978) • Andante | 5:02 | |
6-17 | Hungarian Rock (Chaconne, 1978) • Vivacissimo Molto Ritmico | 5:08 | |
6-18 | Continuum (1968) • Prestissimo | 3:36 | |
6-19 | Ricercare - Omaggio A Girolamo Frescobaldi (1951) • Andante Misurato, Molto Tranquillo E Legato | 4:34 | |
Two Studies For Organ | |||
6-20 | I. Harmonies (1967) • Rubato, Sempre Legatissimo | 6:42 | |
6-21 | II. Coulées (1969) • Prestissimo, Sempre Legato | 4:03 | |
6-22 | Volumina (1961/1962) | 14:41 | |
Chamber Music | |||
Trio For Violin, Horn And Piano (1982) | |||
7-1 | I. Andantino Con Tenerezza | 6:13 | |
7-2 | II. Vivacissimo Molto Ritmico | 5:28 | |
7-3 | III. Alla Marcia | 3:18 | |
7-4 | IV. Lamento. Adagio | 7:44 | |
Ten Pieces For Wind Quintet (1968) | |||
7-5 | I. Molto Sostenuto E Calmo | 2:17 | |
7-6 | II. Prestissimo Minaccioso E Burlesco | 0:45 | |
7-7 | III. Lento | 1:37 | |
7-8 | IV. Prestissimo Leggiero E Virtuoso | 0:52 | |
7-9 | V. Presto Staccatissimo E Leggiero | 0:28 | |
7-10 | VI. Presto Staccatissimo E Leggiero | 1:05 | |
7-11 | VII. Vivo, Energico | 0:58 | |
7-12 | VIII. Allegro Con Delicatezza | 2:37 | |
7-13 | IX. Sostenuto, Stridente | 1:09 | |
7-14 | X. Presto Bizzarro E Rubato, So Schnell Wie Möglich | 1:08 | |
Six Bagatelles For Wind Quintet (1953) | |||
7-15 | I. Allegro Con Spirito | 1:11 | |
7-16 | II. Rubato. Lamentoso | 3:01 | |
7-17 | III. Allegro Grazioso | 2:39 | |
7-18 | IV. Presto Ruvido | 0:59 | |
7-19 | V. Adagio. Mesto | 2:25 | |
7-20 | VI. Molto Vivace. Capriccioso | 1:24 | |
Sonata For Solo Viola (1991-94) | |||
7-21 | I. Hora Lungă • Lento Rubato (Ma Ritmico) | 5:49 | |
7-22 | II. Loop • Molto Vivace, Ritmico - With Swing | 2:21 | |
7-23 | III. Facsar • Andante Cantabile Ed Espressivo, With Swing | 6:58 | |
7-24 | IV. Presto Con Sordino • So Schnell Wie Möglich | 1:38 | |
7-25 | V. Lamento • Tempo Giusto, Intenso E Barbaro | 3:23 | |
7-26 | VI. Chaconne Chromatique • Vivace Appassionato (Molto Ritmico E Feroce) | 3:20 | |
Le Grand Macabre (1997 Version) - Opera In Four Scenes | |||
8-1 | Car Horn Prelude | 0:57 | |
Scene One | |||
8-2 | "Dies Irae" (Piet, Amanda, Amando, Nekrotzar) | 6:22 | |
8-3 | "Away, You Swagpot!" (Nekrotzar, Piet) | 2:26 | |
8-4 | "Shut Up!" (Nekrotzar, Piet, Chorus) | 4:13 | |
8-5 | "Oh … !" - "Amanda! Can Do No More!" (Amanda, Amando, Piet) | 0:41 | |
8-6 | "Ha-ha-ha-ha! Hey! Give Me My Requisites!" (Nekrotzar, Piet, Chorus) | 3:04 | |
8-7 | "Melting Snow Is Thy Breast!" (Amando, Amanda) | 2:36 | |
8-8 | Second Car Horn Prelude | 0:41 | |
Scene Two | |||
8-9 | "One! Two! Three! Five!" (Mescalina, Astradamors) | 7:54 | |
8-10 | "Shapely And Attractive Figure" (Mescalina, Astradamors) | 3:19 | |
8-11 | "Venus! Venus!" (Mescalina, Astradamors) | 1:33 | |
8-12 | "Stop!" - "Sh! … Quiet, For Heaven's Sake!" (Astradamors, Nekrotzar, Piet, Mescalina, Venus, Chorus) | 3:30 | |
8-13 | "Who's There? A Man?" - "A Man!" (Mescalina, Nekrotzar, Venus, Piet, Astradamors) | 2:23 | |
8-14 | Finale: "Fire And Death I Bring" (Nekrotzar, Piet, Astradamors) | 3:27 | |
Scene Three | |||
9-1 | Doorbell Prelude | 0:56 | |
9-2 | "Arse-Licker, Arse-Kisser!" (White Minister, Black Minister, Prince Go-Go) | 3:35 | |
9-3 | "Posture Exercises!" (Black Minister, White Minister, Prince Go-Go) | 2:27 | |
9-4 | "Tsk…" - "Psssst!" - "Ha! Head Of My Secret Service!" (Chorus, Gepopo, Prince Go-Go, White Minister, Black Minister) | 6:21 | |
9-5 | "Ahh! … Secret Cypher!" (Gepopo, Prince Go-Go, White Minister, Black Minister, Chorus) | 5:36 | |
9-6 | "Hurray, Hurray! My Wife Is Dead" (Astradamors, Prince Go-Go, Chorus) | 2:00 | |
9-7 | Nekrotzar's Entrance | 3:18 | |
9-8 | "Woe! Ooh!" - "For The Day Of Wrath" (Nekrotzar, Astradamors, Chorus) | 3:17 | |
9-9 | "There's No Need To Fear" (Astradamors, Piet, Nekrotzar) | 3:02 | |
9-10 | "Up!" - "Drink!" - "Up!" (Nekrotzar, Piet, Astradamors, Prince Go-Go) | 1:28 | |
9-11 | Galimatias: "Hmm! It's Delicious!" (Nekrotzar, Piet, Astradamors, Prince Go-Go) | 4:45 | |
9-12 | "Where Am I? What Time Is It?" (Nekrotzar, Piet, Prince Go-Go, Astradamors, Chorus) | 5:46 | |
9-13 | Interlude | 1:34 | |
Scene Four | |||
9-14 | "Ghost Astradamors, Are You Dead?" (Piet, Astradamors, Prince Go-Go, Ruffiack, Schobiack, Schabernack, Nekrotzar, Mescalina, White Minister, Black Minister) | 3:39 | |
9-15 | Mirror Canon. Nekrotzar's Death | 2:03 | |
9-16 | Finale. Passacaglia: "Ah, It Was Good" (Amanda, Amando, All Withouth Nekrotzar) | 5:07 |
Baritone Vocals – Omar Ebrahim (4-8 to 4-10)
Baritone Vocals – Philip Lawson (4-1 to 4-6)
Baritone Vocals [Bass-baritone - Nekrotzar] – Willard White (8-1 to 9-16)
Baritone Vocals [Black Minister] – Richard Suart (8-1 to 9-16)
Baritone Vocals [Ruffiack] – Martin Winkler (8-1 to 9-16)
Baritone Vocals [Schabernack] – Michael Lessiter (8-1 to 9-16)
Baritone Vocals [Schobiack] – Marc Campbell-Griffiths (8-1 to 9-16)
Barrel Organ, Adapted By [Adaptations For Barrel Organ] – Pierre Charial (5-1 to 5-5, 5-7 to 5-17)
Bass Vocals – Stephen Connolly (4-1 to 4-6)
Bass Vocals [Astradamors] – Frode Olsen (8-1 to 9-16)
Bassoon – Robin O'Neill (7-5 to 7-20)
Cello [Arditti String Quartet] – Rohan De Saram (1-1 to 1-18)
Choir – London Sinfonietta Voices (2-1 to 2-37, 8-1 to 9-16)
Choir – The King's Singers (4-1 to 4-6)
Chorus Master – Terry Edwards (2-1 to 2-37)
Chorus Master [For Paris Production] – Grant Gershon (8-1 to 9-16)
Clarinet – Michael Collins (7-5 to 7-20)
Composed By – György Ligeti
Conductor – Esa-Pekka Salonen (4-7 to 4-10)
Contralto Vocals – Rose Taylor (4-8 to 4-10)
Countertenor Vocals – David Hurley (4-1 to 4-6)
Countertenor Vocals – Nigel Short (4-1 to 4-6)
Countertenor Vocals [Prince Go-go] – Derek Lee Ragin (8-1 to 9-16)
Design, Booklet Editor – Christine Schweitzer
Directed By [Chorus] – Terry Edwards (8-1 to 9-16)
Edited By – Matthew Cocker (8-1 to 9-16)
Edited By [Tape Editor] – Adolf Wurm (1-1 to 1-18)
Edited By [Tape Editor] – Marcus Herzog (2-1 to 2-37)
Edited By [Tape Editor] – Matthew Cocker (4-1 to 4-23)
Edited By [Tape Editor] – Ulrich Schneider (3-1 to 3-26, 4-1 to 6-18)
Engineer – Marcus Herzog (2-1 to 2-37, 4-7 to 4-10, 6-19 to 6-22)
Engineer – Markus Heiland (7-1 to 7-4)
Engineer – Mike Ross-Trevor (4-1 to 4-6, 7-5 to 7-20)
Engineer – Teije Van Geest (7-21 to 7-26)
Engineer – Ulrich Schneider (1-1 to 1-18, 3-1 to 3-26, 4-11 to 5-24)
Engineer [Assistant] – Peter Brandt (8-1 to 9-16)
Engineer [Assistant] – Taco Van Der Werf (8-1 to 9-16)
Engineer [Mastering] – Tony Bridge (8-1 to 9-16)
Engineer [Recording] – Markus Heiland (8-1 to 9-16)
Engineer [Second] – Chris Potter (7-5 to 7-20)
Engineer [Second] – Ulrich Schneider (7-5 to 7-20)
Ensemble – Arditt String Quartet (1-1 to 1-18)
Ensemble – London Winds (7-5 to 7-20)
Executive-Producer – Dr. Steven E. Paul (1-1 to 7-26)
Flute – Philippa Davies (7-5 to 7-20)
Horn – Marie-Luise Neunecker (7-1 to 7-4)
Horn – Richard Watkins (7-5 to 7-20)
Libretto By – György Ligeti (8-1 to 9-16)
Libretto By – Michael Meschke (8-1 to 9-16)
Mezzo-soprano Vocals – Malena Ernman (4-20 to 4-23)
Mezzo-soprano Vocals [Amando] – Charlotte Hellekant (8-1 to 9-16)
Mezzo-soprano Vocals [Mescalina] – Jard Van Nes (8-1 to 9-16)
Oboe – Gareth Hulse (7-5 to 7-20)
Orchestra – Members Of The Philharmonia Orchestra (4-7 to 4-10)
Orchestra – Philharmonia Orchestra (8-1 to 9-16)
Piano – Irina Kataeva (6-1 to 6-15)
Piano – Pierre-Laurent Aimard (3-1 to 3-26, 4-12 to 4-23, 6-1 to 6-9, 6-13 to 6-15, 7-1 to 7-4)
Player Piano – Jürgen Hocker (5-18 to 5-24)
Producer – David Mottley (1-1 to 1-18, 4-7 to 4-10)
Producer – Georg Fassbinder (6-1 to 6-18, 7-5 to 7-20)
Producer – Sid McLauchlan (2-1 to 2-37)
Producer – Teije Van Geest (7-21 to 7-26)
Producer – Ulrich Schneider (3-1 to 4-6, 4-11 to 5-24, 7-1 to 7-4, 8-1 to 9-16)
Producer [For Deutschlandradio] – Reinhard Oehlschlägel (5-1 to 5-24)
Programmed By [Player Piano Computer Programming] – Horst Mohr (5-18 to 5-24)
Programmed By [Player Piano Computer Programming] – Walter Tenten (5-18 to 5-24)
Repetiteur [Language Coaches] – György Ligeti (2-1 to 2-37)
Repetiteur [Language Coaches] – Peter Sherwood (2-1 to 2-37)
Repetiteur [Rehearsal Assistant] – Paul Webster (2-1 to 2-37)
Soprano Vocals – Eva Wedin (4-20 to 4-23)
Soprano Vocals – Phyllis Bryn-Julson (4-8 to 4-10)
Soprano Vocals – Rosemary Hardy (4-12 to 4-23)
Soprano Vocals [Amanda] – Laura Claycomb (8-1 to 9-16)
Soprano Vocals [Gepopo, Venus] – Sibylle Ehlert (8-1 to 9-16)
Technician – Andreas Kawa (1-1 to 1-18)
Technician – Olaf Schmelzer (2-1 to 2-37)
Technician [Barrel Organ Tuning & Adjustment] – Françoise Terrioux (5-1 to 5-5, 5-7 to 5-17)
Technician [Restoration & Operation] – Jörg Borchardt (5-1 to 5-24)
Technician [Restoration & Operation] – Jürgen Hocker (5-1 to 5-24)
Technician [Technical Supervision] – Chris Potter (4-1 to 4-6)
Technician [Technical Supervision] – Dirk Lachmann (6-19 to 6-22, 8-1 to 9-16)
Technician [Technical Supervision] – Tim Wood (3-1 to 3-26, 4-11 to 6-18)
Tenor Vocals – Bruce Russell (4-1 to 4-6)
Tenor Vocals – Bob Chilcott (4-1 to 4-6)
Tenor Vocals [Piet The Pot] – Graham Clark (8-1 to 9-16)
Tenor Vocals [White Minister] – Steven Cole (8-1 to 9-16)
Viola – Tabea Zimmermann (7-21 to 7-26)
Viola [Arditti String Quartet] – Garth Knox (1-1 to 1-18)
Violin – Saschko Gawriloff (7-1 to 7-4)
Violin [Arditti String Quartet] – David Alberman (1-1 to 1-18)
Violin [Arditti String Quartet] – Irvine Arditti (1-1 to 1-18)
Baritone Vocals – Philip Lawson (4-1 to 4-6)
Baritone Vocals [Bass-baritone - Nekrotzar] – Willard White (8-1 to 9-16)
Baritone Vocals [Black Minister] – Richard Suart (8-1 to 9-16)
Baritone Vocals [Ruffiack] – Martin Winkler (8-1 to 9-16)
Baritone Vocals [Schabernack] – Michael Lessiter (8-1 to 9-16)
Baritone Vocals [Schobiack] – Marc Campbell-Griffiths (8-1 to 9-16)
Barrel Organ, Adapted By [Adaptations For Barrel Organ] – Pierre Charial (5-1 to 5-5, 5-7 to 5-17)
Bass Vocals – Stephen Connolly (4-1 to 4-6)
Bass Vocals [Astradamors] – Frode Olsen (8-1 to 9-16)
Bassoon – Robin O'Neill (7-5 to 7-20)
Cello [Arditti String Quartet] – Rohan De Saram (1-1 to 1-18)
Choir – London Sinfonietta Voices (2-1 to 2-37, 8-1 to 9-16)
Choir – The King's Singers (4-1 to 4-6)
Chorus Master – Terry Edwards (2-1 to 2-37)
Chorus Master [For Paris Production] – Grant Gershon (8-1 to 9-16)
Clarinet – Michael Collins (7-5 to 7-20)
Composed By – György Ligeti
Conductor – Esa-Pekka Salonen (4-7 to 4-10)
Contralto Vocals – Rose Taylor (4-8 to 4-10)
Countertenor Vocals – David Hurley (4-1 to 4-6)
Countertenor Vocals – Nigel Short (4-1 to 4-6)
Countertenor Vocals [Prince Go-go] – Derek Lee Ragin (8-1 to 9-16)
Design, Booklet Editor – Christine Schweitzer
Directed By [Chorus] – Terry Edwards (8-1 to 9-16)
Edited By – Matthew Cocker (8-1 to 9-16)
Edited By [Tape Editor] – Adolf Wurm (1-1 to 1-18)
Edited By [Tape Editor] – Marcus Herzog (2-1 to 2-37)
Edited By [Tape Editor] – Matthew Cocker (4-1 to 4-23)
Edited By [Tape Editor] – Ulrich Schneider (3-1 to 3-26, 4-1 to 6-18)
Engineer – Marcus Herzog (2-1 to 2-37, 4-7 to 4-10, 6-19 to 6-22)
Engineer – Markus Heiland (7-1 to 7-4)
Engineer – Mike Ross-Trevor (4-1 to 4-6, 7-5 to 7-20)
Engineer – Teije Van Geest (7-21 to 7-26)
Engineer – Ulrich Schneider (1-1 to 1-18, 3-1 to 3-26, 4-11 to 5-24)
Engineer [Assistant] – Peter Brandt (8-1 to 9-16)
Engineer [Assistant] – Taco Van Der Werf (8-1 to 9-16)
Engineer [Mastering] – Tony Bridge (8-1 to 9-16)
Engineer [Recording] – Markus Heiland (8-1 to 9-16)
Engineer [Second] – Chris Potter (7-5 to 7-20)
Engineer [Second] – Ulrich Schneider (7-5 to 7-20)
Ensemble – Arditt String Quartet (1-1 to 1-18)
Ensemble – London Winds (7-5 to 7-20)
Executive-Producer – Dr. Steven E. Paul (1-1 to 7-26)
Flute – Philippa Davies (7-5 to 7-20)
Horn – Marie-Luise Neunecker (7-1 to 7-4)
Horn – Richard Watkins (7-5 to 7-20)
Libretto By – György Ligeti (8-1 to 9-16)
Libretto By – Michael Meschke (8-1 to 9-16)
Mezzo-soprano Vocals – Malena Ernman (4-20 to 4-23)
Mezzo-soprano Vocals [Amando] – Charlotte Hellekant (8-1 to 9-16)
Mezzo-soprano Vocals [Mescalina] – Jard Van Nes (8-1 to 9-16)
Oboe – Gareth Hulse (7-5 to 7-20)
Orchestra – Members Of The Philharmonia Orchestra (4-7 to 4-10)
Orchestra – Philharmonia Orchestra (8-1 to 9-16)
Piano – Irina Kataeva (6-1 to 6-15)
Piano – Pierre-Laurent Aimard (3-1 to 3-26, 4-12 to 4-23, 6-1 to 6-9, 6-13 to 6-15, 7-1 to 7-4)
Player Piano – Jürgen Hocker (5-18 to 5-24)
Producer – David Mottley (1-1 to 1-18, 4-7 to 4-10)
Producer – Georg Fassbinder (6-1 to 6-18, 7-5 to 7-20)
Producer – Sid McLauchlan (2-1 to 2-37)
Producer – Teije Van Geest (7-21 to 7-26)
Producer – Ulrich Schneider (3-1 to 4-6, 4-11 to 5-24, 7-1 to 7-4, 8-1 to 9-16)
Producer [For Deutschlandradio] – Reinhard Oehlschlägel (5-1 to 5-24)
Programmed By [Player Piano Computer Programming] – Horst Mohr (5-18 to 5-24)
Programmed By [Player Piano Computer Programming] – Walter Tenten (5-18 to 5-24)
Repetiteur [Language Coaches] – György Ligeti (2-1 to 2-37)
Repetiteur [Language Coaches] – Peter Sherwood (2-1 to 2-37)
Repetiteur [Rehearsal Assistant] – Paul Webster (2-1 to 2-37)
Soprano Vocals – Eva Wedin (4-20 to 4-23)
Soprano Vocals – Phyllis Bryn-Julson (4-8 to 4-10)
Soprano Vocals – Rosemary Hardy (4-12 to 4-23)
Soprano Vocals [Amanda] – Laura Claycomb (8-1 to 9-16)
Soprano Vocals [Gepopo, Venus] – Sibylle Ehlert (8-1 to 9-16)
Technician – Andreas Kawa (1-1 to 1-18)
Technician – Olaf Schmelzer (2-1 to 2-37)
Technician [Barrel Organ Tuning & Adjustment] – Françoise Terrioux (5-1 to 5-5, 5-7 to 5-17)
Technician [Restoration & Operation] – Jörg Borchardt (5-1 to 5-24)
Technician [Restoration & Operation] – Jürgen Hocker (5-1 to 5-24)
Technician [Technical Supervision] – Chris Potter (4-1 to 4-6)
Technician [Technical Supervision] – Dirk Lachmann (6-19 to 6-22, 8-1 to 9-16)
Technician [Technical Supervision] – Tim Wood (3-1 to 3-26, 4-11 to 6-18)
Tenor Vocals – Bruce Russell (4-1 to 4-6)
Tenor Vocals – Bob Chilcott (4-1 to 4-6)
Tenor Vocals [Piet The Pot] – Graham Clark (8-1 to 9-16)
Tenor Vocals [White Minister] – Steven Cole (8-1 to 9-16)
Viola – Tabea Zimmermann (7-21 to 7-26)
Viola [Arditti String Quartet] – Garth Knox (1-1 to 1-18)
Violin – Saschko Gawriloff (7-1 to 7-4)
Violin [Arditti String Quartet] – David Alberman (1-1 to 1-18)
Violin [Arditti String Quartet] – Irvine Arditti (1-1 to 1-18)
Originally issued 2010 Sony Classical under title: György Ligeti: Works
Made in the EU.
Packaging: CDs housed in individual cardsleeves. Includes a booklet with complete track listing in English.
_________________________________
• Disc one:
Recorded at Henry Wood Hall, Trinity Church Square, London on July 13-15, 1994.
Publisher: Schott Musik International, Mainz.
Total time: 58.20.
℗ 1996 Sony Classical, a division of Sony Entertainment Holdings GmbH.
• Disc two:
Recorded at Evangelische Kirche Isselhorst, Gütersloh, Germany on April 21-26, 1994.
Publisher: Schott Musik International, Mainz - Peters, Frankfurt (12).
Total time: 75.29.
℗ 1996 Sony Classical, a division of Sony Entertainment Holdings GmbH.
• Disc three:
Recorded at Salle de Musique, La Chaux-de-Fonds, Switzerland on December 6-9, 1995.
Publisher: Schott Musik International, Mainz.
Total time: 74.16.
• Disc four:
Recorded at Whitfield Street Studios, London on October 12-15, 1995 (1-6); at Air Studios, Lyndhurst Hall, Hampstead on December 2-4, 1995 (7-10); at ORF Studio 3, Salzburg on August 24, 1996 (11) and at Swedish Radio Studio 2, Stockholm on August 27-28, 1996 (12-23).
Publishers: Schott Musik International, Mainz - Peters, Frankfurt (8-10).
Total time: 68.59.
℗ 1996 Sony Classical, a division of Sony Entertainment Holdings GmbH.
• Disc five:
A recording from the DeutschlandRadio, Funkhaus Köln, Germany, October 31-November 2, 1995.
Publisher: Schott Musik International, Mainz.
Total time: 75.18.
• Disc six:
Tracks 1-18 recorded at Friedrich-Hebert-Halle, Harburg, Germany, February 24-27, 1995.
Pianos: Steinway & Sons. Harpischord: Bach-Neupert.
Tracks 19-22 recorded at St. Martin Church, Olten, Switzerland, November 4-5, 1995.
Organ: M. Mathis & Söhne.
Publishers: Schott Musik International, Mainz - Peters, Frankfurt (Volumina).
Total time: 78.04.
℗ 1997 Sony Classical, a division of Sony Entertainment Holdings GmbH.
• Disc 7:
Tracks 1-4 recorded at Salle de Musique, Musica-Théâtre, La Chaux-de-Fonds, Switzerland, May 9/10, 1996.
Tracks 5-20 recorded at Whitfield Street Studios, London, March 10/11, 1995.
Tracks 21-26 recorded at Tonstudio Sandhausen, Germany, November 20-22, 1994.
Publisher: Schott Musik International, Mainz.
Total time: 71.01.
℗ 1998 Sony Music Entertainment Inc.
• Discs eight and nine:
Recorded live in Paris, France, at the Théatre du Châtelet on February 5, 7, 9, 11 & 13, 1998, during the Salzburger Festspiele.
Publisher: Schott Musik International, Mainz.
Total time: 43.12 / 59.15.
℗ 1999 Sony Music Entertainment Inc.
__________________
This release compiles the "György Ligeti Edition", previously issued separately.
Made in the EU.
Packaging: CDs housed in individual cardsleeves. Includes a booklet with complete track listing in English.
_________________________________
• Disc one:
Recorded at Henry Wood Hall, Trinity Church Square, London on July 13-15, 1994.
Publisher: Schott Musik International, Mainz.
Total time: 58.20.
℗ 1996 Sony Classical, a division of Sony Entertainment Holdings GmbH.
• Disc two:
Recorded at Evangelische Kirche Isselhorst, Gütersloh, Germany on April 21-26, 1994.
Publisher: Schott Musik International, Mainz - Peters, Frankfurt (12).
Total time: 75.29.
℗ 1996 Sony Classical, a division of Sony Entertainment Holdings GmbH.
• Disc three:
Recorded at Salle de Musique, La Chaux-de-Fonds, Switzerland on December 6-9, 1995.
Publisher: Schott Musik International, Mainz.
Total time: 74.16.
• Disc four:
Recorded at Whitfield Street Studios, London on October 12-15, 1995 (1-6); at Air Studios, Lyndhurst Hall, Hampstead on December 2-4, 1995 (7-10); at ORF Studio 3, Salzburg on August 24, 1996 (11) and at Swedish Radio Studio 2, Stockholm on August 27-28, 1996 (12-23).
Publishers: Schott Musik International, Mainz - Peters, Frankfurt (8-10).
Total time: 68.59.
℗ 1996 Sony Classical, a division of Sony Entertainment Holdings GmbH.
• Disc five:
A recording from the DeutschlandRadio, Funkhaus Köln, Germany, October 31-November 2, 1995.
Publisher: Schott Musik International, Mainz.
Total time: 75.18.
• Disc six:
Tracks 1-18 recorded at Friedrich-Hebert-Halle, Harburg, Germany, February 24-27, 1995.
Pianos: Steinway & Sons. Harpischord: Bach-Neupert.
Tracks 19-22 recorded at St. Martin Church, Olten, Switzerland, November 4-5, 1995.
Organ: M. Mathis & Söhne.
Publishers: Schott Musik International, Mainz - Peters, Frankfurt (Volumina).
Total time: 78.04.
℗ 1997 Sony Classical, a division of Sony Entertainment Holdings GmbH.
• Disc 7:
Tracks 1-4 recorded at Salle de Musique, Musica-Théâtre, La Chaux-de-Fonds, Switzerland, May 9/10, 1996.
Tracks 5-20 recorded at Whitfield Street Studios, London, March 10/11, 1995.
Tracks 21-26 recorded at Tonstudio Sandhausen, Germany, November 20-22, 1994.
Publisher: Schott Musik International, Mainz.
Total time: 71.01.
℗ 1998 Sony Music Entertainment Inc.
• Discs eight and nine:
Recorded live in Paris, France, at the Théatre du Châtelet on February 5, 7, 9, 11 & 13, 1998, during the Salzburger Festspiele.
Publisher: Schott Musik International, Mainz.
Total time: 43.12 / 59.15.
℗ 1999 Sony Music Entertainment Inc.
__________________
This release compiles the "György Ligeti Edition", previously issued separately.
Barcode (Text) – 1 90758 779225
Barcode – 190758779225
Label Code – LC 06868
Rights Society – GEMA
Rights Society – BIEM
SPARS Code – DDD
Barcode – 190758779225
Label Code – LC 06868
Rights Society – GEMA
Rights Society – BIEM
SPARS Code – DDD