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Interstellar (Original Motion Picture Soundtrack)
| Label | Music On Vinyl – MOVATM023WaterTower Music – MOVATM023Sony Classical – MOVATM023 |
| Series | At The Movies |
| Format | 2 x Vinyl, LP, Album, Deluxe Edition, Limited Edition, 180 Gram |
| Barcode | 8718469538058 |
| Country | Europe |
| Released | 09 Mar 2015 |
| Genre | Electronic, Classical, Stage & Screen |
| Style | Score, Ambient, Contemporary, Modern Classical, Soundtrack |
| A1 | – Hans Zimmer | Dreaming Of The Crash | 3:50 |
| A2 | – Hans Zimmer | Cornfield Chase | 2:05 |
| A3 | – Hans Zimmer | Dust | 5:38 |
| A4 | – Hans Zimmer | Day One | 3:16 |
| A5 | – Hans Zimmer | Message From Home | 1:40 |
| B6 | – Hans Zimmer | Stay | 6:50 |
| B7 | – Hans Zimmer | The Wormhole | 1:29 |
| B8 | – Hans Zimmer | Afraid Of Time | 2:31 |
| B9 | – Hans Zimmer | A Place Among The Stars | 3:27 |
| B10 | – Hans Zimmer | No Time For Caution | 3:59 |
| C11 | – Hans Zimmer | Murph | 11:14 |
| C12 | – Hans Zimmer | Detach | 6:38 |
| D13 | – Hans Zimmer | Running Out | 1:53 |
| D14 | – Hans Zimmer | Tick-Tock | 8:12 |
| D15 | – Hans Zimmer | Where We're Going | 7:35 |
| D16 | – John Lithgow, Ellen Burstyn, Casey Affleck, Jessica Chastain, Matthew McConaughey, Mackenzie Foy | Do Not Go Gentle Into That Good Night | 1:28 |
Art Direction, Coordinator [Soundtrack Coordination] – Sandeep Sriram
Bass – Mary Scully
Bassoon [1] – Richard Skinner
Bassoon [2] – Lorna West
Bassoon [3], Contrabassoon [3] – Rachel Simms
Bassoon [4], Contrabassoon [4] – Gordon Laing
Booking [Air Studios Bookings] – Alison Burton
Cello [First Cellist] – Caroline Dale
Choir – London Voices
Chorus Master [Choirmaster] – Ben Parry
Chorus Master [Choirmaster] – Terry Edwards
Clarinet [1] – Nicholas Bucknall
Clarinet [2], Clarinet [High Eb, 2] – Nick Rodwell
Clarinet [3], Bass Clarinet [C Extension, 3] – Martin Robertson
Clarinet [4], Bass Clarinet [C Extension, 4] – Duncan Ashby
Clarinet [5], Contrabass Clarinet [Eb Contrabass Clarinet, 5] – Dave Fuest
Clarinet [6], Contrabass Clarinet [Bb Contrabass Clarinet, 6] – Alan Andrews
Conductor [Orchestra] – Gavin Greenaway
Conductor [Orchestra] – Richard Harvey
Contractor – Isobel Griffiths
Engineer [Additional] – Christian Wenger
Engineer [Additional] – Daniel Kresco
Engineer [Additional] – Seth Waldmann
Engineer [Technical Score Engineer] – Chuck Choi
Engineer [Technical Score Engineer] – Stephanie McNally
Engineer [Technical] – Dan Cole
Engineer [Technical] – Matt Kingdon
Executive-Producer [Executive In Charge Of Music For Paramount Pictures] – Randy Spendlove
Executive-Producer [Executive In Charge Of Music For Warner Bros. Pictures] – Paul Broucek
Executive-Producer [Executive In Charge Of WaterTower Music] – Jason Linn
Executive-Producer [Music Business Affairs Executive] – Lisa Margolis
Flute [1] – Karen Jones
Flute [2], Piccolo Flute [2] – Helen Keen
Flute [3], Piccolo Flute [3] – Paul Edmund-Davies
Flute [4], Piccolo Flute [4], Alto Flute [4] – Anna Noakes
Flute [5], Alto Flute [5] – Rowland Sutherland
Flute [6], Alto Flute [6] – Siobhan Grealy
French Horn [First] – Richard Watkins
Harp – Skaila Kanga
Liner Notes – Christopher Nolan
Liner Notes – Hans Zimmer
Management [Studio Manager For Remote Control Production] – Shalini Singh
Mixed By [Score Mix Assistant] – John Witt Chapman
Mixed By [Score], Recorded By [Score] – Alan Meyerson
Music By, Composed By, Piano, Synth [Programming] – Hans Zimmer
Music Consultant – Czarina Russell
Music Librarian – Jill Streater
Musical Assistance [Assistant To Hans Zimmer] – Cynthia Park
Musical Assistance [Music Preparation] – Booker T. White
Oboe [1] – David Theodore
Oboe [2] – Matthew Draper
Oboe [3], Cor Anglais [3] – Jane Marshall
Oboe [4], Cor Anglais [4] – Janey Miller
Orchestra [Leader Of The 1sts] – Thomas Bowes
Orchestra [Leader Of The 2nds] – Roger Garland
Orchestrated By [Orchestrator] – Andrew Kinney
Orchestrated By [Orchestrator] – Carl Rydlund
Orchestrated By [Orchestrator] – Elizabeth Finch
Orchestrated By [Orchestrator] – Kevin Kaska
Orchestrated By [Orchestrator] – Suzette Moriarty
Orchestrated By [Orchestrator] – Walt Fowler
Orchestrated By [Supervising Orchestrator] – Bruce L. Fowler
Organ [At Temple Church Performed By] – Roger Sayer
Other [Booth Reader] – Chris Craker
Other [Booth Reader] – Steve Mazzaro
Other [Digital Instrument Design] – Mark Wherry
Percussion [Tuned] – Frank Ricotti
Photography By [Scoring Session Photography] – Jordan Goldberg
Piano [Quartet] – Andy Vinter
Piano [Quartet] – Dave Arch
Piano [Quartet] – John Lenehan
Piano [Quartet] – Simon Chamberlain
Producer [Score Produced By] – Alex Gibson
Producer [Score Produced By] – Christopher Nolan
Producer [Score Produced By] – Hans Zimmer
Producer [Soundtrack Album Produced By] – Chris Craker
Producer [Soundtrack Album Produced By] – Christopher Nolan
Producer [Soundtrack Album Produced By] – Hans Zimmer
Production Manager [Music Production Services] – Steven Kofsky
Programmed By [Sequencer Programming] – Andrew Kawczynski
Programmed By [Sequencer Programming] – Steve Mazzaro
Recorded By [ProTools Recordist At Lyndhurst Hall] – Chris Barrett
Recorded By [ProTools Recordist At Studio 1] – Laurence Anslow
Recorded By [ProTools Recordist At Temple Church] – John Prestage
Recorded By [Score] – Geoff Foster
Sampler [Sampling Team] – Ben Robinson
Sampler [Sampling Team] – Raul Vega
Sampler [Sampling Team] – Taurees Habib
Score Editor [Music Editor] – Ryan Rubin
Score Editor [Supervising Music Editor] – Alex Gibson
Sound Designer [Ambient Music Design] – Mario Reinsch
Steel Guitar – Chas Smith
Strings [Quartet] – Bruce White
Strings [Quartet] – Emlyn Singleton
Strings [Quartet] – Rita Manning
Strings [Quartet] – Tim Gill
Technician [Assistant/Abbey Road Mobile] – John Barrett
Technician [Assistant/Abbey Road Mobile] – Jon Alexander
Technician [Technical Assistant] – Jacqueline Friedberg
Technician [Technical Assistant] – Leland Cox
Viola [First] – Peter Lale
Violin – Ann Marie Simpson
Bass – Mary Scully
Bassoon [1] – Richard Skinner
Bassoon [2] – Lorna West
Bassoon [3], Contrabassoon [3] – Rachel Simms
Bassoon [4], Contrabassoon [4] – Gordon Laing
Booking [Air Studios Bookings] – Alison Burton
Cello [First Cellist] – Caroline Dale
Choir – London Voices
Chorus Master [Choirmaster] – Ben Parry
Chorus Master [Choirmaster] – Terry Edwards
Clarinet [1] – Nicholas Bucknall
Clarinet [2], Clarinet [High Eb, 2] – Nick Rodwell
Clarinet [3], Bass Clarinet [C Extension, 3] – Martin Robertson
Clarinet [4], Bass Clarinet [C Extension, 4] – Duncan Ashby
Clarinet [5], Contrabass Clarinet [Eb Contrabass Clarinet, 5] – Dave Fuest
Clarinet [6], Contrabass Clarinet [Bb Contrabass Clarinet, 6] – Alan Andrews
Conductor [Orchestra] – Gavin Greenaway
Conductor [Orchestra] – Richard Harvey
Contractor – Isobel Griffiths
Engineer [Additional] – Christian Wenger
Engineer [Additional] – Daniel Kresco
Engineer [Additional] – Seth Waldmann
Engineer [Technical Score Engineer] – Chuck Choi
Engineer [Technical Score Engineer] – Stephanie McNally
Engineer [Technical] – Dan Cole
Engineer [Technical] – Matt Kingdon
Executive-Producer [Executive In Charge Of Music For Paramount Pictures] – Randy Spendlove
Executive-Producer [Executive In Charge Of Music For Warner Bros. Pictures] – Paul Broucek
Executive-Producer [Executive In Charge Of WaterTower Music] – Jason Linn
Executive-Producer [Music Business Affairs Executive] – Lisa Margolis
Flute [1] – Karen Jones
Flute [2], Piccolo Flute [2] – Helen Keen
Flute [3], Piccolo Flute [3] – Paul Edmund-Davies
Flute [4], Piccolo Flute [4], Alto Flute [4] – Anna Noakes
Flute [5], Alto Flute [5] – Rowland Sutherland
Flute [6], Alto Flute [6] – Siobhan Grealy
French Horn [First] – Richard Watkins
Harp – Skaila Kanga
Liner Notes – Christopher Nolan
Liner Notes – Hans Zimmer
Management [Studio Manager For Remote Control Production] – Shalini Singh
Mixed By [Score Mix Assistant] – John Witt Chapman
Mixed By [Score], Recorded By [Score] – Alan Meyerson
Music By, Composed By, Piano, Synth [Programming] – Hans Zimmer
Music Consultant – Czarina Russell
Music Librarian – Jill Streater
Musical Assistance [Assistant To Hans Zimmer] – Cynthia Park
Musical Assistance [Music Preparation] – Booker T. White
Oboe [1] – David Theodore
Oboe [2] – Matthew Draper
Oboe [3], Cor Anglais [3] – Jane Marshall
Oboe [4], Cor Anglais [4] – Janey Miller
Orchestra [Leader Of The 1sts] – Thomas Bowes
Orchestra [Leader Of The 2nds] – Roger Garland
Orchestrated By [Orchestrator] – Andrew Kinney
Orchestrated By [Orchestrator] – Carl Rydlund
Orchestrated By [Orchestrator] – Elizabeth Finch
Orchestrated By [Orchestrator] – Kevin Kaska
Orchestrated By [Orchestrator] – Suzette Moriarty
Orchestrated By [Orchestrator] – Walt Fowler
Orchestrated By [Supervising Orchestrator] – Bruce L. Fowler
Organ [At Temple Church Performed By] – Roger Sayer
Other [Booth Reader] – Chris Craker
Other [Booth Reader] – Steve Mazzaro
Other [Digital Instrument Design] – Mark Wherry
Percussion [Tuned] – Frank Ricotti
Photography By [Scoring Session Photography] – Jordan Goldberg
Piano [Quartet] – Andy Vinter
Piano [Quartet] – Dave Arch
Piano [Quartet] – John Lenehan
Piano [Quartet] – Simon Chamberlain
Producer [Score Produced By] – Alex Gibson
Producer [Score Produced By] – Christopher Nolan
Producer [Score Produced By] – Hans Zimmer
Producer [Soundtrack Album Produced By] – Chris Craker
Producer [Soundtrack Album Produced By] – Christopher Nolan
Producer [Soundtrack Album Produced By] – Hans Zimmer
Production Manager [Music Production Services] – Steven Kofsky
Programmed By [Sequencer Programming] – Andrew Kawczynski
Programmed By [Sequencer Programming] – Steve Mazzaro
Recorded By [ProTools Recordist At Lyndhurst Hall] – Chris Barrett
Recorded By [ProTools Recordist At Studio 1] – Laurence Anslow
Recorded By [ProTools Recordist At Temple Church] – John Prestage
Recorded By [Score] – Geoff Foster
Sampler [Sampling Team] – Ben Robinson
Sampler [Sampling Team] – Raul Vega
Sampler [Sampling Team] – Taurees Habib
Score Editor [Music Editor] – Ryan Rubin
Score Editor [Supervising Music Editor] – Alex Gibson
Sound Designer [Ambient Music Design] – Mario Reinsch
Steel Guitar – Chas Smith
Strings [Quartet] – Bruce White
Strings [Quartet] – Emlyn Singleton
Strings [Quartet] – Rita Manning
Strings [Quartet] – Tim Gill
Technician [Assistant/Abbey Road Mobile] – John Barrett
Technician [Assistant/Abbey Road Mobile] – Jon Alexander
Technician [Technical Assistant] – Jacqueline Friedberg
Technician [Technical Assistant] – Leland Cox
Viola [First] – Peter Lale
Violin – Ann Marie Simpson
Pressed on 180 gram audiophile vinyl, housed in a high-gloss gatefold sleeve and includes a 4-page booklet, all protected in a custom PVC sleeve with stickers.
Score recorded at: Lyndhurst Hall, Air Studios and Temple Church, London.
Score mixed at: Remote Control Productions, Santa Monica CA.
Published by Warner-Olive Music, LCC and Paramount Allegra Music (ASCAP)
℗ & © 2014 WaterTower Music. Motion Picture Artwork and Photography © Warner Bros. Entertainment Inc. and Paramount Pictures Corporation. Under exclusive license to Sony Music Entertainment. Manufactured and distributed by Music On Vinyl B.V. for Sony Music Entertainment. Made in the EU.
Tracktitles listed sequentially on release.
There are no credits for track D16 on release.
Side designation (A,B,C,D) written in Morse code on labels.
First part of runout stamped (11597 1C MOVATM 023), rest is etched.
Score recorded at: Lyndhurst Hall, Air Studios and Temple Church, London.
Score mixed at: Remote Control Productions, Santa Monica CA.
Published by Warner-Olive Music, LCC and Paramount Allegra Music (ASCAP)
℗ & © 2014 WaterTower Music. Motion Picture Artwork and Photography © Warner Bros. Entertainment Inc. and Paramount Pictures Corporation. Under exclusive license to Sony Music Entertainment. Manufactured and distributed by Music On Vinyl B.V. for Sony Music Entertainment. Made in the EU.
Tracktitles listed sequentially on release.
There are no credits for track D16 on release.
Side designation (A,B,C,D) written in Morse code on labels.
First part of runout stamped (11597 1C MOVATM 023), rest is etched.
Barcode (Text) – 8 718469 538058
Barcode (Scanned) – 8718469538058
Matrix / Runout (Side A runout - Variant 1) – 11597 1A MOVATM 023 THe eND OF THe eARTH..
Matrix / Runout (Side B runout - Variant 1) – 11597 1B MOVATM 023 ...WILL NOT Be THe eND OF US
Matrix / Runout (Side C runout - Variant 1) – 11597 1C MOVATM 023 MANKIND'S NeXT STeP...
Matrix / Runout (Side D runout - Variant 1) – 11597 1D MOVATM 023 ...WILL Be OuR GReATeST
Matrix / Runout (Side A runout - Variant 2) – 11597 1A MOVATM 023 THe eND OF THe eARTH..
Matrix / Runout (Side B runout - Variant 2) – 11597 1B MOVATM 023 ...WILL NOT Be THe eND OF uS B
Matrix / Runout (Side C runout - Variant 2) – 11597 1C MOVATM 023 MANKIND'S NeXT STeP...
Matrix / Runout (Side D runout - Variant 2) – 11597 1D MOVATM 023 ...WILL Be OuR GReATeST C
Rights Society – BIEM/STEMRA
Rights Society – ASCAP
Barcode (Scanned) – 8718469538058
Matrix / Runout (Side A runout - Variant 1) – 11597 1A MOVATM 023 THe eND OF THe eARTH..
Matrix / Runout (Side B runout - Variant 1) – 11597 1B MOVATM 023 ...WILL NOT Be THe eND OF US
Matrix / Runout (Side C runout - Variant 1) – 11597 1C MOVATM 023 MANKIND'S NeXT STeP...
Matrix / Runout (Side D runout - Variant 1) – 11597 1D MOVATM 023 ...WILL Be OuR GReATeST
Matrix / Runout (Side A runout - Variant 2) – 11597 1A MOVATM 023 THe eND OF THe eARTH..
Matrix / Runout (Side B runout - Variant 2) – 11597 1B MOVATM 023 ...WILL NOT Be THe eND OF uS B
Matrix / Runout (Side C runout - Variant 2) – 11597 1C MOVATM 023 MANKIND'S NeXT STeP...
Matrix / Runout (Side D runout - Variant 2) – 11597 1D MOVATM 023 ...WILL Be OuR GReATeST C
Rights Society – BIEM/STEMRA
Rights Society – ASCAP