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Cantatas 44: ►43 ►88 ►146 (Gott Fähret Auf Mit Jauchzen)
| Wir Müssen Durch Viel Trübsal In Das Reich Gottes Eingehen, BWV 146 (Kantate Zum Sonntag Jubilate, 12. Mai 1726?) | (37:75) | |
| 1 | 1. [Sinfonia] | 7:10 |
| 2 | 2. [Chorus]. Wir Müssen Durch Viel Trübsal In Das Reich Gottes Eingehen … | 5:55 |
| 3 | 3. Aria (Alto). Ich Will Nach Dem Himmel Zu … | 7:26 |
| 4 | 4. Recitativo (Soprano). Ach! Wer Doch Schon Im Himmel Wär! … | 1:49 |
| 5 | 5. Aria (Soprano). Ich Säe Meine Zähren … | 6:54 |
| 6 | 6. Recitativo (Tenore). Ich Bin Bereit … | 1:19 |
| 7 | 7. Duetto (Tenore, Basso). Wie Will Ich Mich Freuen … | 5:47 |
| 8 | 8. Choral. Freu Dich Sehr, O Meine Seele … | 0:57 |
| Siehe, Ich Will Viel Fischer Aussenden, BWV 88 (Kantate Zum 5. Sonntag nach Trinitatis, 21. Juli 1726) | (17:23) | |
| 9 | Prima Parte: 1. Aria (Basso). Siehe, Ich Will Viel Fischer Aussenden … | 5:50 |
| 10 | Prima Parte: 2. Recitativo (Tenore). Wie Leichtlich Könnte Doch Der Höchste … | 0:52 |
| 11 | Prima Parte: 3. Aria (Tenore). Nein, Gott Ist Allezeit Geflissen … | 3:14 |
| 12 | Seconda Parte: 4a. Recitativo (Tenore). Jesus Sprach Zu Simon … | 0:15 |
| 13 | Seconda Parte: 4b. Arioso (Basso). Fürchte Dich Nicht; Denn Von Nun An … | 1:33 |
| 14 | Seconda Parte: 5. Aria Duetto (Soprano, Alto). Beruft Gott Selbst, So Muss Der Segen … | 3:16 |
| 15 | Seconda Parte: 6. Recitativo (Soprano). Was Kann Dich Denn In Deinem Wandel Schrecken … | 1:24 |
| 16 | Seconda Parte: 7. Choral. Sing, Bet Und Geh Auf Gottes Wegen … | 0:48 |
| Gott Fähret Auf Mit Jauchzen, BWV 43 (Kantate Zum Himmelfahrtsfest, 30. Mai 1726) | (19:47) | |
| 17 | Prima Parte: 1. [Chorus]. Gott Fähret Auf Mit Jauchzen … | 3:30 |
| 18 | Prima Parte: 2. Recitativo (Tenore). Es Will Der Höchste Sich Ein Siegsgepräng Bereiten … | 0:43 |
| 19 | Prima Parte: 3. Aria (Tenore). Ja Tausend Mal Tausend Begleiten Den Wagen … | 2:19 |
| 20 | Prima Parte: 4. Recitativo (Soprano). Und Der Herr, Nachdem Er Mit Ihnen Geredet Hatte … | 0:23 |
| 21 | Prima Parte: 5. Aria (Soprano). Mein Jesus Hat Nunmehr … | 2:20 |
| 22 | Seconda Parte: 6. Recitativo (Basso). Es Kommt Der Helden Held … | 0:45 |
| 23 | Seconda Parte: 7. Aria (Basso). Er Ists, Der Ganz Allein … | 3:06 |
| 24 | Seconda Parte: 8. Recitativo (Alto). Der Vater Hat Ihm Ja … | 0:36 |
| 25 | Seconda Parte: 9. Aria (Alto). Ich Sehe Schon Im Geist … | 3:14 |
| 26 | Seconda Parte: 10. Recitativo (Soprano). Er Will Mir Neben Sich … | 0:41 |
| 27 | Seconda Parte: 11. Choral. Du Lebensfürst, Herr Jesu Christ … | 1:54 |
Alto Vocals – Hiroya Aoki
Alto Vocals – Tamaki Suzuki
Bass Vocals – Daisuke Fujii
Bass Vocals – Yusuke Watanabe
Bass Vocals, Soloist – Peter Kooij
Bassoon [Continuo] – Takako Kunugi
Composed By – Johann Sebastian Bach
Countertenor Vocals, Soloist, Alto Vocals – Robin Blaze
Directed By – Masaaki Suzuki
Edited By – Elisabeth Kemper
Edited By – Michaela Wiesbeck
Engineer, Mixed By – Matthias Spitzbarth
Executive-Producer – Robert von Bahr
Flute [Traverso Flute] – Kiyomi Suga
Harpsichord [Cembalo, Continuo] – Masato Suzuki (9 to 29)
Harpsichord [Cembalo, Continuo] – Naoko Imai (1 to 8)
Liner Notes – Klaus Hofmann
Liner Notes [English Translation] – Andrew Barnett
Liner Notes [French Translation] – Jean-Pascal Vachon
Oboe [Taille] – Atsuko Ozaki
Oboe, Oboe d'Amore [II] – Yukari Maehashi
Oboe, Oboe d'Amore [I] – Masamitsu San'nomiya
Orchestra, Chorus – Bach Collegium Japan
Organ [Continuo] – Naoko Imai (9 to 29)
Organ [Continuo], Soloist – Masato Suzuki (1 to 8)
Photography By – Koichi Miura
Photography By – Robert Workman
Photography By [Front Cover] – Marco Borggreve
Producer [Recording Producer], Mixed By – Marion Schwebel
Soprano Vocals – Minae Fujisaki
Soprano Vocals – Yoshie Hida
Soprano Vocals, Soloist – Rachel Nicholls
Technician [Tuner] – Akimi Hayashi
Tenor Vocals – Yosuke Taniguchi
Tenor Vocals – Yusuke Fujii
Tenor Vocals, Soloist – Gerd Türk
Timpani – Takaaki Kondo
Trumpet [Tromba III] – Ayako Murata
Trumpet [Tromba II] – Hidenori Saito
Trumpet [Tromba I], Horn [Corno I], Soloist – Toshio Shimada
Viola – Amiko Watabe
Viola – Yoshiko Morita
Violin [II] – Azumi Takada
Violin [II] – Kaori Toda
Violin [II] – Yuko Araki
Violin [I] – Paul Herrera
Violin [I] – Shiho Hiromi
Violin [I] – Yuko Takeshima
Violin [I], Leader – Natsumi Wakamatsu
Violoncello [Continuo] – Hidemi Suzuki
Violone [Continuo] – Takashi Konno
Alto Vocals – Tamaki Suzuki
Bass Vocals – Daisuke Fujii
Bass Vocals – Yusuke Watanabe
Bass Vocals, Soloist – Peter Kooij
Bassoon [Continuo] – Takako Kunugi
Composed By – Johann Sebastian Bach
Countertenor Vocals, Soloist, Alto Vocals – Robin Blaze
Directed By – Masaaki Suzuki
Edited By – Elisabeth Kemper
Edited By – Michaela Wiesbeck
Engineer, Mixed By – Matthias Spitzbarth
Executive-Producer – Robert von Bahr
Flute [Traverso Flute] – Kiyomi Suga
Harpsichord [Cembalo, Continuo] – Masato Suzuki (9 to 29)
Harpsichord [Cembalo, Continuo] – Naoko Imai (1 to 8)
Liner Notes – Klaus Hofmann
Liner Notes [English Translation] – Andrew Barnett
Liner Notes [French Translation] – Jean-Pascal Vachon
Oboe [Taille] – Atsuko Ozaki
Oboe, Oboe d'Amore [II] – Yukari Maehashi
Oboe, Oboe d'Amore [I] – Masamitsu San'nomiya
Orchestra, Chorus – Bach Collegium Japan
Organ [Continuo] – Naoko Imai (9 to 29)
Organ [Continuo], Soloist – Masato Suzuki (1 to 8)
Photography By – Koichi Miura
Photography By – Robert Workman
Photography By [Front Cover] – Marco Borggreve
Producer [Recording Producer], Mixed By – Marion Schwebel
Soprano Vocals – Minae Fujisaki
Soprano Vocals – Yoshie Hida
Soprano Vocals, Soloist – Rachel Nicholls
Technician [Tuner] – Akimi Hayashi
Tenor Vocals – Yosuke Taniguchi
Tenor Vocals – Yusuke Fujii
Tenor Vocals, Soloist – Gerd Türk
Timpani – Takaaki Kondo
Trumpet [Tromba III] – Ayako Murata
Trumpet [Tromba II] – Hidenori Saito
Trumpet [Tromba I], Horn [Corno I], Soloist – Toshio Shimada
Viola – Amiko Watabe
Viola – Yoshiko Morita
Violin [II] – Azumi Takada
Violin [II] – Kaori Toda
Violin [II] – Yuko Araki
Violin [I] – Paul Herrera
Violin [I] – Shiho Hiromi
Violin [I] – Yuko Takeshima
Violin [I], Leader – Natsumi Wakamatsu
Violoncello [Continuo] – Hidemi Suzuki
Violone [Continuo] – Takashi Konno
Recorded in September 2008 at the Kobe Shoin Women's University Chapel, Japan
© & ℗ 2009
Cantatas from Leipzig 1727.
Organ used in BWV 146: built by Marc Garnier in 1983 in the French classical style. 4 manuals, 31 registers
Organ used in the other cantatas: Positif Organ by Marc Garnier, 2001. 1 manual, 8'4'2'
Equipment: Neumann microphones; Audio-Technica AT4060 tube microphones; RME Octamic D microphone preamplifier and
high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones
The Bach Collegium Japan and this production are sponsored by NEC.
Special thanks to Kobe Shoin Women’s University
BIS gratefully acknowledges the loan of microphones
used on this recording from Audio-Technica Japan.
TT: 75'48
36 page digital booklet with liner notes in English, German and French, including the original sung text and the English Translation.
Originally released on SACD in July 2009,
© & ℗ 2009
Cantatas from Leipzig 1727.
Organ used in BWV 146: built by Marc Garnier in 1983 in the French classical style. 4 manuals, 31 registers
Organ used in the other cantatas: Positif Organ by Marc Garnier, 2001. 1 manual, 8'4'2'
Equipment: Neumann microphones; Audio-Technica AT4060 tube microphones; RME Octamic D microphone preamplifier and
high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones
The Bach Collegium Japan and this production are sponsored by NEC.
Special thanks to Kobe Shoin Women’s University
BIS gratefully acknowledges the loan of microphones
used on this recording from Audio-Technica Japan.
TT: 75'48
36 page digital booklet with liner notes in English, German and French, including the original sung text and the English Translation.
Originally released on SACD in July 2009,
Barcode – 7318599917917