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The Complete Works For Keyboard 3: In The French Style
| Label | Harmonia Mundi – HMM 902457.59 |
| Series | Johann Sebastian Bach The Complete Works For Keyboard – 3 |
| Format | 3 x CD, Box Set, Album, Clamshell Box |
| Barcode | 3149020940860 |
| Country | Europe |
| Released | 2020 |
| Genre | Classical |
| Style | Baroque |
| ‘À La Française’ | |||
| Ouverture (Suite) BWV 820 F Major = Fa majeur = F-Dur | |||
| 1-1 | 1. Ouverture | ||
| 1-2 | 2. Entrée | ||
| 1-3 | 3. Menuet - 4. Trio | ||
| 1-4 | 5. Bourrée | ||
| 1-5 | 6. Gigue | ||
| Suite BWV 823 F Minor / Fa Mineur = F-Moll | |||
| 1-6 | 1. Prélude | ||
| 1-7 | 2. Sarabande En Rondeau | ||
| 1-8 | 3. Gigue | ||
| 1-9 | Præludium (Harpeggiando) BWV 921 C Minor = Ut Mineur = C-Moll | ||
| Suite BWV 819 E-Flat Major = Mi Bémol Majeur = Es-Dur | |||
| 1-10 | 1. Allemande | ||
| 1-11 | 2. Courante | ||
| 1-12 | 3. Sarabande | ||
| 1-13 | 4. Bourrée | ||
| 1-14 | 5. Menuet I - 6. Menuet II (Trio) | ||
| 1-15 | Præludium VIII | ||
| 1-16 | Chaconne G Major = Sol Majeur = G-Dur | ||
| Drei Menuette Aus Dem Klavierbüchlein Für Wilhelm Friedemann Bach | |||
| 1-17 | Menuet I Bwv 841 G Major = Sol Majeur = G-Dur | ||
| 1-18 | Menuet II Bwv 842 G Minor = Sol Mineur = G-Moll | ||
| 1-19 | Menuet III Bwv 843 G Major = Sol Majeur = G-Dur | ||
| 1-20 | La Couperin E Minor = Mi Mineur = E-Moll | ||
| Suite Bwv 818a A Minor = la Mineur = A-Moll | |||
| 1-21 | 1. [Prélude] Fort Gai | ||
| 1-22 | 2. Allemande | ||
| 1-23 | 3. Courante | ||
| 1-24 | 4. Sarabande | ||
| 1-25 | 5. Menuet | ||
| 1-26 | 6. Gigue | ||
| 1-27 | Cinquième Prélude | ||
| Suite 1 Avec Prélude BWV 806a A Major = La Majeur = A-Dur (6 [English] Suites, Before 1720) | |||
| 1-28 | 1. [Prélude] | ||
| 1-29 | 2. Allemande | ||
| 1-30 | 3. Courante 1re | ||
| 1-31 | 4. Courante 2. - 4a. [Double] “Courante Precedent Avec la Basse Simple” | ||
| 1-32 | 5. Sarabande | ||
| 1-33 | 6. Bourrée | ||
| 1-34 | 7. Gigue | ||
| ‘Allein Gott In Der Höh Sei Ehr’ | |||
| 2-1 | Aria Nach François Couperin Bwv 587 F Major = Fa Majeur = F-Dur | ||
| 2-2 | ''Meine Seele Erhebt Den Herren''. Fuge über Das Magnificat Bwv 733 | ||
| 2-3 | Choral ''Herr Jesu Christ, Dich Zu Uns Wend'' BWV 709 | ||
| 2-4 | Trio Super ''Herr Jesu Christ, Dich Zu Uns Wend'' Bwv 655a (Weimarer Fassung) | ||
| 2-5 | Choral ''Herr Jesu Christ, Dich Zu Uns Wend'' Bwv 726 | ||
| 2-6 | Fuga Bwv 546/2 C Minor = Ut Mineur = C-Moll | ||
| 2-7 | Choral ''Allein Gott In Der Höh Sei Ehr'' BWV 711 (Bicinium) | ||
| 2-8 | Choral ''Allein Gott In Der Höh Sei Ehr'' BWV 717 | ||
| 2-9 | Choral ''Allein Gott In Der Höh Sei Ehr'' BWV 715 | ||
| 2-10 | Choral ''Allein Gott In Der Höh Sei Ehr'' BWV 663a (Weimarer Fassung) | ||
| 2-11 | Pièce D’Orgue BWV 572 G Major = Sol Majeur = G-Dur | ||
| 2-12 | Choral ''Nun Freut Euch, Lieben Christen Gmein'' BWV 734 | ||
| 2-13 | Pange Lingua, Récit Du Chant de L’Hymne Précédent | ||
| 2-14 | Christe (Trio En Passacaille) | ||
| 2-15 | Passacaglia BWV 582 C Minor = Ut Mineur = C-Moll | ||
| ‘La Suite de Danses’ | |||
| Suite 4 BWV 809 F Major = Fa Majeur = F-Dur (6 [English] Suites, Before 1720) | |||
| 3-1 | 1. Prélude | ||
| 3-2 | 2. Allemande | ||
| 3-3 | 3. Courante | ||
| 3-4 | 4. Sarabande | ||
| 3-5 | 5. Menuet I - 6. Menuet II | ||
| 3-6 | 7. Gigue | ||
| Suite 2 BWV 807 A Minor = La Mineur = A-Moll (6 [English] Suites, Before 1720) | |||
| 3-7 | 1. Prélude | ||
| 3-8 | 2. Allemande | ||
| 3-9 | 3. Courante | ||
| 3-10 | 4. Sarabande - 4a. Les agréments de la même Sarabande | ||
| 3-11 | 5. Bourrée I - 6. Bourrée II | ||
| 3-12 | 7. Gigue | ||
| Suite ‘Aufs Lauten Werck’ BWV 996 E Minor = Mi Mineur = E-Moll | |||
| 3-13 | 1. Præludio - Presto | ||
| 3-14 | 2. Allemande | ||
| 3-15 | 3. Courante | ||
| 3-16 | 4. Sarabande | ||
| 3-17 | 5. Bourrée | ||
| 3-18 | 6. Gigue | ||
Composed By – Johann Sebastian Bach
Edited By – Alban Moraud
Edited By – Aude Besnard
Harpsichord [Assas] – Benjamin Alard (1-1 to 1-34)
Harpsichord [Humeau] – Benjamin Alard (3-1 to 3-18)
Liner Notes – Peter Wollny
Liner Notes [Traduction] – Magali Pès Schmid
Liner Notes [Translation] – Charles Johnston
Liner Notes [Übersetzung] – Irène Weber-Froboese
Mastered By – Alexandra Evrard
Organ [Marmoutier] – Benjamin Alard (2-1 to 2-15)
Recorded By – Alban Moraud
Soprano Vocals – Gerlinde Sämann (3-2, 3-3, 3-5 to 3-18)
Technician [Tuning Harpsichords] – Jean-François Brun
Technician [Tuning Organ] – Quentin Blumenroeder
Edited By – Alban Moraud
Edited By – Aude Besnard
Harpsichord [Assas] – Benjamin Alard (1-1 to 1-34)
Harpsichord [Humeau] – Benjamin Alard (3-1 to 3-18)
Liner Notes – Peter Wollny
Liner Notes [Traduction] – Magali Pès Schmid
Liner Notes [Translation] – Charles Johnston
Liner Notes [Übersetzung] – Irène Weber-Froboese
Mastered By – Alexandra Evrard
Organ [Marmoutier] – Benjamin Alard (2-1 to 2-15)
Recorded By – Alban Moraud
Soprano Vocals – Gerlinde Sämann (3-2, 3-3, 3-5 to 3-18)
Technician [Tuning Harpsichords] – Jean-François Brun
Technician [Tuning Organ] – Quentin Blumenroeder
Total Playing Time: 4h 24m
Instruments:
Historical organ Andreas Silbermann, 1710, from Abbaye Saint-Étienne, Marmoutier (France).
Harpsichord Philippe Humeau, 1989, after Carl Conrad Fleischer, c. 1720.
Anonymous harpsichord at Château d’Assas, France.
Recording:
CD 1, May 2018, Château d’Assas, France
CD 2, May 2019, Abbaye Saint-Étienne de Marmoutier, France
CD 3, September 2019, Auditorium Antonin Artaud, Ivry, France
Instruments:
Historical organ Andreas Silbermann, 1710, from Abbaye Saint-Étienne, Marmoutier (France).
Harpsichord Philippe Humeau, 1989, after Carl Conrad Fleischer, c. 1720.
Anonymous harpsichord at Château d’Assas, France.
Recording:
CD 1, May 2018, Château d’Assas, France
CD 2, May 2019, Abbaye Saint-Étienne de Marmoutier, France
CD 3, September 2019, Auditorium Antonin Artaud, Ivry, France
Barcode – 3149020940709