John Metcalfe

Bassoon – Sarah Burnet (1,2,3,4,6)
Cello – Adrian Bradbury (1,2,3,4,6)
Cello – David Daniels (1,2,3,4,6)
Cello – Ian Burdge (1,2,3,4,6)
Cello – James Douglas (1,2,3,4,6)
Cello – Julia Graham (1,2,3,4,6)
Cello – Richard Harwood (1,2,3,4,6)
Cello – Sophie Harris (1,2,3,4,6)
Cello – Tony Woollard (1,2,3,4,6)
Cover – Marc Bessant
Double Bass – Lucy Shaw (1,2,3,4,6)
Double Bass – Richard Pryce (1,2,3,4,6)
Double Bass – Roger Linley (1,2,3,4,6)
Double Bass – Stacey Watton (1,2,3,4,6)
Engineer – Lewis Jones
Mastered By – Alex Wharton
Mixed By – Patrick Phillips
Oboe – Alun Derbyshire (1,2,3,4,6)
Score Editor – Dave Foster
Viola – Andy Parker (1,2,3,4,6)
Viola – Gillianne Haddow (1,2,3,4,6)
Viola – Kate Musker (1,2,3,4,6)
Viola – Peter Lale (1,2,3,4,6)
Viola – Rachel Robson (1,2,3,4,6)
Viola – Reiad Chibah (1,2,3,4,6)
Violin – Alison Dods (1,2,3,4,6)
Violin – Cathy Thompson (1,2,3,4,6)
Violin – Charles Mutter (1,2,3,4,6)
Violin – Charlie Brown (1,2,3,4,6)
Violin – Debbie Widdup (1,2,3,4,6)
Violin – Emil Chakalov (1,2,3,4,6)
Violin – Everton Nelson (1,2,3,4,6)
Violin – Louisa Fuller (1,2,3,4,6)
Violin – Marianne Haynes (1,2,3,4,6)
Violin – Natalia Bonner (1,2,3,4,6)
Violin – Oliver Langford (1,2,3,4,6)
Violin – Raja Halder (1,2,3,4,6)
Violin – Richard George (1,2,3,4,6)
Violin – Rick Koster (1,2,3,4,6)
Violin – Steve Morris (1,2,3,4,6)
Violin – Tom Pigott-Smith (1,2,3,4,6)
Written By, Producer, Performer, Mixed By – John Metcalfe

Tree is eight immersive compositions that take the listener through twenty-four hours in the life of one of nature’s most majestic creations

“The pieces I was writing were big and trying to be bigger, so I knew they had to be to do with something – and then I thought about one of the most profound experiences of my life.” He is referring to seeing Tāne Mahuta as an adult, the largest known living kauri tree in the world. Set in an ancient subtropical rainforest on the North Island of Aoreatoa / New Zealand, John had spent his early childhood living in that part of the world after his British father had "escaped there as a ten-pound Pom".

Having emigrated to England as a child, he went back to New Zealand with his wife when he was 26. He explains, “…we thought we’d tick something off the tourist list, and I thought we're going to see trees, which is great – but we weren’t prepared for what happened.”. They both cried when they found Tãne Mahuta, and Metcalfe is still amazed at the reaction he had: “… as an atheist, it was the closest I’ve ever got to a spiritual moment… there was something extraordinary about the atmosphere in the forest and the size of this tree, and the sense that it had been there a long time. It was about the protection it gave, and the sense of connection we had with that protection.”

Written for live players and recorded in Abbey Road Studios to convey human connection at scale, Tree imagines what it would be like to be sat completely still under a tree that you love, being alive to the ever-shifting interplay of light, colour, weather and sound. Shimmering pulsating layered tracks take the listener on a voyage that takes in the dawn chorus, depicted by conversations between chirruping woodwind and staccato strings, through to the solemnity of dusk and into the playful night. The album at times summons up the folkloric power of ancient forests through an emotional crescendo in emotion and sound, before bringing us back to sunrise, and a reflection on the journey we’ve taken.

Tree isn’t just about Tãne Mahuta, explains Metcalfe: “It could be about any tree – they’re all very magical.” This record isn’t a political statement, but it's clear to him that as science progresses, and as climate breakdown progresses, people are trying to find deeper ways to understand and cherish nature. "It’s about the music that people are trying to create to connect with things that are huge and beautiful and inexplicable around them."



Tree is John's beautiful, emotional attempt. "My album's about describing our relationship with something as every-day and extraordinary as a tree, and how it can be an incredibly important part of who we are.”

Barcode – 884108013106
Matrix / Runout – LPRW250-A 257432E1/A
Matrix / Runout – LPRW250-B 257432E2/A