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Karel Ančerl Live Recordings
| Má Vlast | (74:29) | |
| 1-1 | Vyšehrad | 13:52 |
| 1-2 | Vltava | 11:47 |
| 1-3 | Šárka | 9:57 |
| 1-4 | Z Českých Luhů A Hájů / From Bohemian Fields And Groves | 12:02 |
| 1-5 | Tábor | 12:28 |
| 1-6 | Blaník | 13:59 |
| 2-1 | Adagio In E Major For Violin And Orchestra / K. 261 | 7:12 |
| Violin Concerto No. 5 In A Major / K. 219 | (29:12) | |
| 2-2 | I. Allegro Aperto | 9:32 |
| 2-3 | II. Adagio | 10:10 |
| 2-4 | III. Rondeau. Tempo Di Menuetto | 9:19 |
| Concerto For Flute And Harp In C Major / K. 299 | (26:15) | |
| 2-5 | I. Allegro | 10:21 |
| 2-6 | II. Andantino | 6:39 |
| 2-7 | III. Rondo. Allegro | 9:05 |
| 2-8 | Scherzo Capriccioso / Op. 66 (B.131) | 13:42 |
| 3-1 | Coriolan Overture / Op. 62 | 8:33 |
| Triple Concerto For Violin, Cello, Piano And Orchestra In C Major / Op. 56 | (36:07) | |
| 3-2 | I. Allegro | 16:57 |
| 3-3 | II. Largo | 4:58 |
| 3-3 | III. Rondo Alla Polacca | 13:06 |
| Symphony No. 2 In D Major / Op. 36 | (31:36) | |
| 3-4 | I. Adagio Molto - Allegro Con Brio | 10:07 |
| 3-5 | II. Larghetto | 10:22 |
| 3-6 | III. Scherzo. Allegro | 3:49 |
| 3-7 | IV. Allegro Molto | 7:06 |
| Symphony No. 8 In F Major / Op. 93 | (25:16) | |
| 4-1 | I. Allegro Vivace E Con Brio | 9:37 |
| 4-2 | II. Allegretto Scherzando | 3:50 |
| 4-3 | III. Tempo Di Menuetto | 4:15 |
| 4-4 | IV. Allegro Vivace | 7:19 |
| Symphony No. 4 In A Major "Italian" / Op. 90 | (25:16) | |
| 4-5 | I. Allegro vivace | 7:43 |
| 4-6 | II. Andante Con Moto | 6:18 |
| 4-7 | III. Con Moto Moderato | 6:24 |
| 4-8 | IV. Saltarello. Presto | 5:46 |
| 4-9 | Don Juan / Op. 20 | 16:11 |
| Symphony No. 7 In D Minor / Op. 70 (B. 141) | (34:33) | |
| 5-1 | I. Allegro Maestoso | 10:14 |
| 5-2 | II. Poco Adagio | 10:14 |
| 5-3 | III. Scherzo. Vivace | 7:06 |
| 5-4 | IV. Finale. Allegro | 8:44 |
| Symphony No. 8 In G Major / Op. 88 (B. 163) | (35:55) | |
| 5-5 | I. Allegro Con Brio | 9:20 |
| 5-6 | II. Adagio | 10:08 |
| 5-7 | III. Allegretto Grazioso | 6:15 |
| 5-8 | IV. Allegro Ma Non Troppo | 9:56 |
| Biblical Songs / Op. 99 (B. 189) | (12:58) | |
| 6-1 | I. Oblak A Mrákota | 2:21 |
| 6-2 | II. Skrýše Má A Pavéza Má | 1:55 |
| 6-3 | III. Slyš, Ó, Bože! Slyš Modlitbu Mou | 3:04 |
| 6-4 | IV. Hospodin Jest Můj Pastýř | 2:09 |
| 6-5 | V. Bože, Bože, Pízeň Novou | 3:13 |
| Asrael Symphony In D Minor / Op. 27 | (58:58) | |
| 6-6 | I. Andante Sostenuto | 15:03 |
| 6-7 | II. Andante | 7:39 |
| 6-8 | III. Vivace | 11:26 |
| 6-9 | IV. Adagio | 10:09 |
| 6-10 | V. Adagio E Maestoso | 14:14 |
| 7-1 | Ripening, Op. 34 | 37:13 |
| Symphony No. 4 In C Minor "Easter Eve" / Op. 54 | (37:13) | |
| 7.2 | I. Molto Sostenuto | 11:26 |
| 7-3 | II. Allegro Deciso | 9:28 |
| 7.4 | III. Andante Sostenuto | 6:10 |
| 7-5 | IV. Lento Lugubre - Allegro Moderato | 9:43 |
| 8-1 | Variations On A Theme By Gustav Mahler | 18:56 |
| Autumn Symphony / Op. 62 | (62:07) | |
| 8-2 | I. Allegro Appasionato | 18:19 |
| 8-3 | II. Bacchanale | 16:48 |
| 8-4 | III. Adagio | 26:50 |
| Pan / Op. 43 | (44:50) | |
| 9-1 | I. Prolog / Prologue | 6:57 |
| 9-2 | II. Hary / Mountains | 7:54 |
| 9-3 | III. Moře / The Sea | 8:01 |
| 9-4 | IV. Les / The Forest | 8:10 |
| 9-5 | V. Žena / Woman | 13:36 |
| Songs And Dances Of Death | (19:50) | |
| 9-6 | I. Trepak | 4:27 |
| 9-7 | II. Lullaby | 4:21 |
| 9-8 | III. Serenade | 5:25 |
| 9-9 | IV. Field Marshal | 5:18 |
| La Mer | (22:08) | |
| 10-1 | I. De L'aube À Midi Sur La Mer | 8:22 |
| 10-2 | II. Jeux De Vagues | 6:18 |
| 10-3 | III. Dialogue Du Vent Et De La Mer | 7:18 |
| Nocturnes | (21:40) | |
| 10-4 | I. Nuages | 6:08 |
| 10-5 | II. Fêtes | 5:31 |
| 10-6 | III. Sirènes | 9:57 |
| Shéhérazade | (16:18) | |
| 10-7 | I. Asie | 9:29 |
| 10-8 | II. La Flûte Enchantée | 2:42 |
| 10-9 | III. L'indifférent | 5:44 |
| Rapsodie Espagnole | (14:00) | |
| 10-10 | I. Prélude À La Nuit. Très Modéré | 3:36 |
| 10-11 | II. Malagueña. Assez Vif | 2:08 |
| 10-12 | III. Habanera. Assez Lent Et D'un Rhythme Las | 2:23 |
| 10-13 | IV. Feria. Assez Animé | 5:44 |
| 11-1 | Introduction And Allegro For Strings / Op. 47 | 12:50 |
| 11-2 | Fantasia On A Theme By Thomas Tallis | 16:02 |
| 11-3 | Toccata For Orchestra | 8:09 |
| Scythian Suite / Op. 20 | (20:41) | |
| 11-4 | I. Invocation to Veles and Ala | 6:05 |
| 11-5 | II. The Evil God And The Dance Of The Pagan Monsters | 3:20 |
| 11-6 | III. Night | 5:21 |
| 11-7 | IV. Lolli's Pursuit Of The Evil God And The Sunrise | 5:40 |
| Musique Funèbre | (13:59) | |
| 11-8 | I. Prologue | 4:04 |
| 11-9 | II. Metamorphoses | 4:33 |
| 11-10 | III. Apogeum | 0:41 |
| 11-11 | IV. Epilogue | 4:39 |
| Concerto Grosso For Chamber Orchestra / H. 263 | (13:25) | |
| 12-1 | I. Allegro Ma Non Troppo | 4:11 |
| 12-2 | II. Adagio | 4:32 |
| 12-3 | III. Allegretto | 4:34 |
| Symphony No. 1 / H. 289 | (33:30) | |
| 12-4 | I. Moderato | 8:52 |
| 12-5 | II. Scherzo. Allegro | 7:32 |
| 12-6 | III. Largo | 7:00 |
| 12-7 | IV. Allegro Non Troppo | 9:44 |
| Concerto For Two Pianos And Orchestra | (28:06) | |
| 12-8 | I. Allegro | 11:19 |
| 12-09 | II. Andante | 7:16 |
| 12-10 | III. Allegro Molto | 9:24 |
| Symphony No. 1 In D | (24:15) | |
| 13-1 | I. Lento - Allegro Feroce | 7:09 |
| 13-2 | II. Scherzo | 3:53 |
| 13-3 | III. Allegro Moderato | 6:55 |
| 13-4 | IV. Finale. Allegro Vivo | 6:06 |
| Symphony No. 3 In D | (17:29) | |
| 13-5 | I. Allegro | 4:15 |
| 13-6 | II. Scherzino. Presto prestissimo | 2:10 |
| 13-7 | III. Aria. Allegro Moderato | 7:08 |
| 13-8 | IV. Molto Allegro | 3:37 |
| 13-9 | Phantasy For Piano And Orchestra | 16:35 |
| Concerto For Piano And Wind Instruments | (19:46) | |
| 13-10 | I. Largo - Allegro | 7:36 |
| 13-11 | II. Largo | 6:42 |
| 13-12 | III. Allegro | 5:23 |
| 14-1 | Phiharmonisches Konzert | 21:42 |
| 14-2 | Rhapsody For Orchestra | 20:13 |
| Symphony No. 5 In B Flat Minor, "Drammatica" | (39:37) | |
| 14-3 | I. Andante Patetico - Allegro | 11:19 |
| 14-4 | II. Presto | 6:57 |
| 14-5 | III. Adagio | 7:28 |
| 14-6 | IV. Andante - Allelgro | 13:37 |
| Concerto For Orchestra | (39:12) | |
| 15-1 | I. Introduzione. Andante - Allegro Vivace | 6:10 |
| 15-2 | II. Andante Non Troppo E Rubato | 9:40 |
| 15-3 | III. Allegro Scherzando | 7:39 |
| 15-4 | IV. Allegro Con Brio | 10:47 |
| The Communist Manifesto | (36:50) | |
| 15-5 | I. Je Svrchovaný Čas / Es Ist Hohe Zeit. Moderato | 6:10 |
| 15-6 | II. Naše Je Semě / Uns Die Erde. Allegro Ma Non Troppo | 15:12 |
| 15-7 | III. To Je Náš Cíl / Das Wollen Wir. Allegro Pesante | 11:44 |
| 15-8 | IV. Spojte Se! / Vereinigt Euch!. Marcia | 3:32 |
Booklet Editor – Daniela Bálková
Compilation Producer – Matouš Vičinský
Design – David E. Cígler
Liner Notes – Petr Kadlec
Remastered By – Jan Lžičař
Translated By – Hilda Hearne
Compilation Producer – Matouš Vičinský
Design – David E. Cígler
Liner Notes – Petr Kadlec
Remastered By – Jan Lžičař
Translated By – Hilda Hearne
The Czech Philharmonic Orchestra performs on all tracks save 13-9, and 13-10 to 13-12.
Recording Dates :
16-17/03/1949 [13-9; 22/10/1953 [14-2; 04/01/1956 [6-1 to 6-5; 27/09/1956 [11-1; 29/03/1957 [12-8 to 12-10, 13-1 to 13-4; 21/05/1957 [10-7 to 10-9; 23-25/10/1957 (?) [10-4 to 10-6; 02-03/10/1958 (?) [10-1 to 10-3; 05/03/1959 [2-2 to 2-4; 16/05/1959 [7-2 to 7-5; 21/01/1960 [11-8 to 11-11; 04/02/1960 [11-4 to 11-7; 11/02/1960 [5-5 to 5-8; 18/02/1960 [8-2 to 8-4; 03/03/1960 [4-1 to 4-4; 09/02/1961 [9-6 to 9-9; 27/4/1961 [14-3 to 14-6; 18/02/1962 [5-1 to 5-4, 11-2. 05/04/1962 [CD15, 17/10/1963 [12-4 to 12-7; 15/02/1964 [13-5 to 13-8; 23/04/1964 [14-1; 16/10/1964 [9-1 to 9-5, 12-1 to 12-3; 22/10/1964 [8-1; 24/10/1964 [3-2 to 3-4; 26/02/1965 [4-9, 10-10 to 10-13;
01/10/1965 [11-3; 27/10/1966 [3-1; 05/01/1967 [2-5 to 2-7; 06/04/1967 [6-6 to 6-10; 08/04/1967 [13-10 to 13-12; 01/02/1968 [3-5 to 3-8, 4-5 to 4-8; 12/05/1968 [1-1 to 1-6; 24/05/1968 [2-1, 7-1
Recording Venues : Smetana Hall of the Municipal House, Prague [CD1, 2-1, CD7, 8-2 to 8-4, 10-7 to 10-9, 14-1, CD15; Dvořák Hall of the Rudolfinum, Prague [2-2 to 2-8, CD3, CD4, CD5, CD6, 8-1, CD9, 10-1 to 10-6, 10-10 to 10-13, CD11, CD12, 13-1 to 13-8, 13-10 to 13-12, 14-2 to 14-6; Studio 1 of Prague Radio, Prague [13-9
Recording Directors : Frantiśek Vrána [1-1 to 1-6; 2-1; 6-1 to 6-5, 7-1, 8-1, 13-5 to 13-8, 15-1 to 15-8; Bohumil Čipera [2-2 to 2-4, 7-2 to 7-5, 9-6 to 9-9, 11-4 to 11-7, 12-8 to 12-10, 13-1 to 13-4, 14-2; Antonín Šatra [2-5 to 2-7, 3-1 to 3-4, 4-9, 10-10 to 10-13, 11-1, 11-3, 12-1 to 12-3; Gabriel Vágner [2-8, 4-1 tp 4-4, 14-1; Miroslav Juchelka [3-5 to 3-8, 4-5 to 4-8, 14-3 to 14-6; Květoslav Panuš [4-1 to 4-4, 5-5 to 5-8, 6-6 to 6-10, 10-7 to 10-9, 11-8 to 11-11, 12-4 to 12-7, 13-10 to13-12; Dagmar Šárová [9-1 to 9-5; Zdeněk Jonák [13-9
Recording Engineers : Josef Kettner [1-1 to 1-6, 2-1, 4-1 to 4-4, 5-5 to 5-8, 7-1; Ivan Veselý [2-2 to 2-7, 3-1, 3-5 to 3-8, 4-5 to 4-8, 6-6 to 6-10, 11-4 to 11-7, 13-10 to 13-12, 14-3 to 14-6, 15-1 to 15-5; Vladimir Kalnický [2-8, 9-1 to 9-5, 12-1 to 12-3, 13-5 to 13-8; Gustav Dostál [3-2 to 3-4, 11-8 to 11-11; Hanuš Silvera [6-1 to 6-5; Otakar Palír [8-2 to 8-4, 14-1; Frantiśek Srp [9-6 to 9-9; Jan Kindermann [10-7 to 10-9; Hloušková [13-9
Recording credits for unlisted tracks are unknown. All recordings are live.
All tracks Mono, except for CD1, 2-1 and 7-1.
Recording Dates :
16-17/03/1949 [13-9; 22/10/1953 [14-2; 04/01/1956 [6-1 to 6-5; 27/09/1956 [11-1; 29/03/1957 [12-8 to 12-10, 13-1 to 13-4; 21/05/1957 [10-7 to 10-9; 23-25/10/1957 (?) [10-4 to 10-6; 02-03/10/1958 (?) [10-1 to 10-3; 05/03/1959 [2-2 to 2-4; 16/05/1959 [7-2 to 7-5; 21/01/1960 [11-8 to 11-11; 04/02/1960 [11-4 to 11-7; 11/02/1960 [5-5 to 5-8; 18/02/1960 [8-2 to 8-4; 03/03/1960 [4-1 to 4-4; 09/02/1961 [9-6 to 9-9; 27/4/1961 [14-3 to 14-6; 18/02/1962 [5-1 to 5-4, 11-2. 05/04/1962 [CD15, 17/10/1963 [12-4 to 12-7; 15/02/1964 [13-5 to 13-8; 23/04/1964 [14-1; 16/10/1964 [9-1 to 9-5, 12-1 to 12-3; 22/10/1964 [8-1; 24/10/1964 [3-2 to 3-4; 26/02/1965 [4-9, 10-10 to 10-13;
01/10/1965 [11-3; 27/10/1966 [3-1; 05/01/1967 [2-5 to 2-7; 06/04/1967 [6-6 to 6-10; 08/04/1967 [13-10 to 13-12; 01/02/1968 [3-5 to 3-8, 4-5 to 4-8; 12/05/1968 [1-1 to 1-6; 24/05/1968 [2-1, 7-1
Recording Venues : Smetana Hall of the Municipal House, Prague [CD1, 2-1, CD7, 8-2 to 8-4, 10-7 to 10-9, 14-1, CD15; Dvořák Hall of the Rudolfinum, Prague [2-2 to 2-8, CD3, CD4, CD5, CD6, 8-1, CD9, 10-1 to 10-6, 10-10 to 10-13, CD11, CD12, 13-1 to 13-8, 13-10 to 13-12, 14-2 to 14-6; Studio 1 of Prague Radio, Prague [13-9
Recording Directors : Frantiśek Vrána [1-1 to 1-6; 2-1; 6-1 to 6-5, 7-1, 8-1, 13-5 to 13-8, 15-1 to 15-8; Bohumil Čipera [2-2 to 2-4, 7-2 to 7-5, 9-6 to 9-9, 11-4 to 11-7, 12-8 to 12-10, 13-1 to 13-4, 14-2; Antonín Šatra [2-5 to 2-7, 3-1 to 3-4, 4-9, 10-10 to 10-13, 11-1, 11-3, 12-1 to 12-3; Gabriel Vágner [2-8, 4-1 tp 4-4, 14-1; Miroslav Juchelka [3-5 to 3-8, 4-5 to 4-8, 14-3 to 14-6; Květoslav Panuš [4-1 to 4-4, 5-5 to 5-8, 6-6 to 6-10, 10-7 to 10-9, 11-8 to 11-11, 12-4 to 12-7, 13-10 to13-12; Dagmar Šárová [9-1 to 9-5; Zdeněk Jonák [13-9
Recording Engineers : Josef Kettner [1-1 to 1-6, 2-1, 4-1 to 4-4, 5-5 to 5-8, 7-1; Ivan Veselý [2-2 to 2-7, 3-1, 3-5 to 3-8, 4-5 to 4-8, 6-6 to 6-10, 11-4 to 11-7, 13-10 to 13-12, 14-3 to 14-6, 15-1 to 15-5; Vladimir Kalnický [2-8, 9-1 to 9-5, 12-1 to 12-3, 13-5 to 13-8; Gustav Dostál [3-2 to 3-4, 11-8 to 11-11; Hanuš Silvera [6-1 to 6-5; Otakar Palír [8-2 to 8-4, 14-1; Frantiśek Srp [9-6 to 9-9; Jan Kindermann [10-7 to 10-9; Hloušková [13-9
Recording credits for unlisted tracks are unknown. All recordings are live.
All tracks Mono, except for CD1, 2-1 and 7-1.
Barcode – 099925430825
Label Code – LC 00358
SPARS Code – AAD
Label Code – LC 00358
SPARS Code – AAD