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Maestro On Record
| Label | Sony Classical – 19658771072 |
| Format | 12 x CD, Compilation, Remastered, Stereo, Mono Box Set, Special Edition, 11'' x 11'' 224-page book edition in hardcover binding printed on artpaper |
| Barcode | 0196587710729 |
| Country | Worldwide |
| Released | 15 Sep 2023 |
| Genre | Classical, Stage & Screen |
| Style | Ballet, Choral, Oratorio, Classical, Musical, Romantic |
| CD 1 Orchestral Works I | |||
| Peer Gynt Suite No. 1 Op. 46 | |||
| 1-1 | I Morning Mood | ||
| 1-2 | II Åse’s Death | ||
| 1-3 | III Anitra’s Dance | ||
| 1-4 | IV In The Hall Of The Mountain King | ||
| 1-5 | L’Apprenti Sorcier | ||
| 1-6 | Valse Triste Op. 44/1 | ||
| 1-7 | Capriccio Italien Op. 45 | ||
| 1-8 | Pacific 231 | ||
| Symphony In C Major | |||
| 1-9 | I Allegro Vivo | ||
| 1-10 | II Adagio | ||
| 1-11 | III Scherzo. Allegro Vivace | ||
| 1-12 | IV Finale. Allegro Vivace | ||
| CD 2 Orchestral Works II | |||
| 2-1 | A Night On Bare Mountain | ||
| Le Sacre Du Printemps | |||
| 2-2 | Introduction | ||
| 2-3 | Les Augures Printaniers | ||
| 2-4 | Jeu Du Rapt | ||
| 2-5 | Rondes Printanières | ||
| 2-6 | Jeux Des Cités Rivales | ||
| 2-7 | Cortège Du Sage | ||
| 2-8 | Adoration de la Terre | ||
| 2-9 | Danse de la Terre | ||
| 2-10 | Introduction | ||
| 2-11 | Cercles Mystérieux Des Adolescentes | ||
| 2-12 | Glorification de L’Élue | ||
| 2-13 | Évocation Des Ancêtres | ||
| 2-14 | Action Rituelle Des Ancêtres | ||
| 2-15 | Danse Sacrale. L’Élue | ||
| 2-16 | Boléro M 81 | ||
| 2-17 | Le Martyre de Saint Sébastien L 124: No. 4: “Caesar, I refuse your lyre… | ||
| CD 3 Symphonies I | |||
| Symphony No. 86 In D Major Hob. I:86 | |||
| 3-1 | I Adagio – Allegro Spiritoso | ||
| 3-2 | II Capriccio. Largo | ||
| 3-3 | III Menuet. Allegretto – Trio | ||
| 3-4 | IV Finale. Allegro Con Spirito | ||
| Symphony No. 3 In E-flat Major “Eroica” Op. 55 | |||
| 3-5 | I Allegro Con Brio | ||
| 3-6 | II Marcia Funebre. Adagio Assai | ||
| 3-7 | III Scherzo. Allegro Vivace | ||
| 3-8 | IV Finale. Allegro Molto | ||
| CD 4 Symphonies II | |||
| Symphony No. 4 In A Major “Italian” Op. 90 | |||
| 4-1 | I Allegro Vivace | ||
| 4-2 | II Andante Con Moto | ||
| 4-3 | III Con Moto Moderato | ||
| 4-4 | IV Saltarello. Presto | ||
| Symphony No. 9 In E Minor “From The New World” Op. 95 | |||
| 4-5 | I Adagio – Allegro Molto | ||
| 4-6 | II Largo | ||
| 4-7 | III Scherzo. Molto Vivace | ||
| 4-8 | IV Allegro Con Fuoco | ||
| CD 5 Mahler I | |||
| Lieder Eines Fahrenden Gesellen | |||
| 5-1 | Wenn Mein Schatz Hochzeit Macht | ||
| 5-2 | Ging Heut’ Morgen übers Feld | ||
| 5-3 | Ich Hab’ Ein Glühend Messer In Meiner Brust | ||
| 5-4 | Die Zwei Blauen Augen von Meinem Schatz | ||
| 5-5 | Ich Bin Der Welt Abhanden Gekommen | ||
| 5-6 | Symphony No. 3 In D Minor: Part I I Kräftig. Entschieden | ||
| CD 6 Mahler II | |||
| Symphony No. 3 in D minor: Part II | |||
| 6-1 | II Tempo di Menuetto. Sehr Mäßig | ||
| 6-2 | III Comodo. Scherzando. Ohne Hast | ||
| 6-3 | IV Sehr Langsam. Misterioso | ||
| 6-4 | V Lustig Im Tempo Und Keck Im Ausdruck | ||
| 6-5 | VI Langsam. Ruhevoll. Empfunden | ||
| Symphony No. 5 | |||
| 6-6 | IV Adagietto. Sehr Langsam | ||
| CD 7 Concertos | |||
| Concerto For Piano And Orchestra No. 2 In B-flat Major Op. 19 | |||
| 7-1 | I Allegro Con Brio | ||
| 7-2 | II Adagio | ||
| 7-3 | III Rondo. Molto Allegro | ||
| Concerto For Piano And Orchestra No. 1 In E-flat Major S 124 | |||
| 7-4 | I Allegro Maestoso. Tempo Giusto | ||
| 7-5 | II Quasi Adagio – Allegretto Vivace | ||
| 7-6 | III Allegro Marziale Animato | ||
| Concerto For Violin And Orchestra In D Minor Op. 47 | |||
| 7-7 | I Allegro Moderato | ||
| 7-8 | II Adagio di Molto | ||
| 7-9 | III Allegro, Ma Non Tanto | ||
| CD 8 The American Album | |||
| 8-1 | Sensemayá | ||
| 8-2 | Rhapsody In Blue | ||
| 8-3 | An American In Paris | ||
| 8-4 | The Unanswered Question | ||
| 4 Dance Episodes From Rodeo | |||
| 8-5 | Buckaroo Holiday | ||
| 8-6 | Corral Nocturne | ||
| 8-7 | Saturday Night Waltz | ||
| 8-8 | Hoe-Down | ||
| 8-9 | Adagio For Strings | ||
| CD 9 Opera | |||
| Carmen Suite No. 1 | |||
| 9-1 | Les Toréadors | ||
| 9-2 | Prélude | ||
| 9-3 | Aragonaise | ||
| 9-4 | Intermezzo | ||
| 9-5 | Séguedille | ||
| 9-6 | Les Dragons D’Alcala | ||
| 9-7 | La Gioconda: Dance Of The Hours | ||
| 9-8 | Guillaume Tell: Overture | ||
| 9-9 | Falstaff: “Tutto Nel Mondo è Burla | ||
| 9-10 | Tannhäuser: Festive March | ||
| 9-11 | Tristan Und Isolde: Prelude And Liebestod | ||
| Der Rosenkavalier | |||
| 9-12 | “Marie Theres’!” – “Hab Mir’s Gelobt” | ||
| 9-13 | “Ist Ein Traum, Kann Nicht Wirklich Sein" | ||
| CD 10 The Composer I | |||
| The Age Of Anxiety – Symphony No. 2 | |||
| 10-1 | The Prologue | ||
| 10-2 | The Seven Ages. Variations 1–7 | ||
| 10-3 | The Seven Stages. Variations 8–14 | ||
| 10-4 | The Dirge | ||
| 10-5 | The Masque | ||
| 10-6 | The Epilogue | ||
| Serenade For Solo Violin, Strings, Harp And Percussion | |||
| 10-7 | I Phaedrus | ||
| 10-8 | II Aristophanes | ||
| 10-9 | III Eryximachus | ||
| 10-10 | IV Agathon | ||
| 10-11 | V Socrates | ||
| CD 11 The Composer II | |||
| 11-1 | Overture To Candide | ||
| Symphonic Dances From West Side Story | |||
| 11-2 | Prologue | ||
| 11-3 | “Somewhere” | ||
| 11-4 | Scherzo | ||
| 11-5 | Mambo | ||
| 11-6 | Cha-Cha (“Maria”) | ||
| 11-7 | Meeting Scene | ||
| 11-8 | “Cool” Fugue | ||
| 11-9 | Rumble | ||
| 11-10 | Finale | ||
| 3 Dance Episodes From On The Town | |||
| 11-11 | I The Great Lover Displays Himself | ||
| 11-12 | II Lonely Town (Pas de Deux) | ||
| 11-13 | III Times Square (Finale, Act I) | ||
| Symphonic Suite From On The Waterfront | |||
| 11-14 | Andante | ||
| 11-15 | Adagio | ||
| 11-16 | Andante Largamente | ||
| 11-17 | Moving Forward | ||
| 11-18 | Allegro Non Troppo, Molto Marcato | ||
| 11-19 | A Tempo | ||
| CD 12 The Pianist | |||
| Concerto For Piano And Orchestra No. 17 In G Major K 453 | |||
| 12-1 | I Allegro | ||
| 12-2 | II Andante | ||
| 12-3 | III Allegretto – Presto | ||
| Concerto For Piano And Orchestra No. 2 In F Major Op. 102 | |||
| 12-4 | I Allegro | ||
| 12-5 | II Andante | ||
| 12-6 | III Allegro | ||
| 7 Anniversaries | |||
| 12-7 | I For Aaron Copland | ||
| 12-8 | II For My Sister, Shirley | ||
| 12-9 | III In Memoriam: Alfred Eisner | ||
| 12-10 | IV For Paul Bowles | ||
| 12-11 | V In Memoriam: Nathalie Koussevitzky | ||
| 12-12 | VI For Serge Koussevitzky | ||
| 12-13 | VII For William Schuman | ||
Baritone Vocals – Dietrich Fischer-Dieskau (CD 5 [1-5])
Booklet Editor – Jochen Rudelt
Choir – Boys' Choir Of The Church Of The Transfiguration (CD 6)
Choir – The Choral Art Society (CD 2 [17])
Choir – Women's Chorus Of The Schola Cantorum (CD 6)
Co-producer – Craig Urquhart
Co-producer – Gabryel Smith
Co-producer – Heather Wallace
Co-producer – Jamie Bernstein
Conductor – Leonard Bernstein
Design – [ec:ko] Communications
Image Editor [Photo to Digital Image Conversion] – Che Williams
Liner Notes – Craig Urquhart
Liner Notes – David Gutman
Liner Notes – Gabryel Smith
Liner Notes – Jamie Bernstein
Liner Notes – Philippe Entremont
Mastered By – Andreas K. Meyer
Mastered By – Martin Kistner
Mastered By – Swan Studios NYC
Mastered By – b-sharp music & media solutions
Mezzo-soprano Vocals – Martha Lipton (CD 6)
Narrator – Felicia Montealegre (CD 2 [17])
Narrator – Fritz Weaver (CD 2 [17])
Oboe – Harold Gomberg (CD 1 [9-12])
Orchestra – Columbia Symphony Orchestra (CD 7 [1-3], 12 [1-3])
Orchestra – New York Philharmonic (CD 1-4, 5 [6], 6, 7 [4-9], 8 [1, 3-9])
Orchestra – Wiener Philharmoniker (CD 9 [9, 12/13])
Photography By – Art Mallet
Photography By – Bob Cato
Photography By – CRPS
Photography By – Don Hunstein
Photography By – Hank Parker
Photography By – Sandy Speiser
Piano – André Watts (CD 7 [4-6])
Piano – Glenn Gould (CD 7 [1-3])
Piano – Leonard Bernstein (CD 5 [1-5], 8 [2], 12)
Piano – Philippe Entremont (CD 10 [1-6])
Producer – Robert Russ
Production Manager – Miriam Rodriguez
Soprano Vocals – Adele Addison (CD 2 [17])
Trumpet – William Vacchiano (CD 8 [4])
Violin – Isaac Stern (CD 10 [7-11])
Violin – Zino Francescatti (CD 7 [7-9])
Booklet Editor – Jochen Rudelt
Choir – Boys' Choir Of The Church Of The Transfiguration (CD 6)
Choir – The Choral Art Society (CD 2 [17])
Choir – Women's Chorus Of The Schola Cantorum (CD 6)
Co-producer – Craig Urquhart
Co-producer – Gabryel Smith
Co-producer – Heather Wallace
Co-producer – Jamie Bernstein
Conductor – Leonard Bernstein
Design – [ec:ko] Communications
Image Editor [Photo to Digital Image Conversion] – Che Williams
Liner Notes – Craig Urquhart
Liner Notes – David Gutman
Liner Notes – Gabryel Smith
Liner Notes – Jamie Bernstein
Liner Notes – Philippe Entremont
Mastered By – Andreas K. Meyer
Mastered By – Martin Kistner
Mastered By – Swan Studios NYC
Mastered By – b-sharp music & media solutions
Mezzo-soprano Vocals – Martha Lipton (CD 6)
Narrator – Felicia Montealegre (CD 2 [17])
Narrator – Fritz Weaver (CD 2 [17])
Oboe – Harold Gomberg (CD 1 [9-12])
Orchestra – Columbia Symphony Orchestra (CD 7 [1-3], 12 [1-3])
Orchestra – New York Philharmonic (CD 1-4, 5 [6], 6, 7 [4-9], 8 [1, 3-9])
Orchestra – Wiener Philharmoniker (CD 9 [9, 12/13])
Photography By – Art Mallet
Photography By – Bob Cato
Photography By – CRPS
Photography By – Don Hunstein
Photography By – Hank Parker
Photography By – Sandy Speiser
Piano – André Watts (CD 7 [4-6])
Piano – Glenn Gould (CD 7 [1-3])
Piano – Leonard Bernstein (CD 5 [1-5], 8 [2], 12)
Piano – Philippe Entremont (CD 10 [1-6])
Producer – Robert Russ
Production Manager – Miriam Rodriguez
Soprano Vocals – Adele Addison (CD 2 [17])
Trumpet – William Vacchiano (CD 8 [4])
Violin – Isaac Stern (CD 10 [7-11])
Violin – Zino Francescatti (CD 7 [7-9])
Note on back cover:
Leonard Bernstein first signed with Columbia Masterworks in 1956, and up to 1979 he recorded over 500 compositions as conductor, pianist, and commentator for the label. Just a year before, legendary photographer Don Hunstein joined Columbia Records at a time when the company was under the direction of Goddard Lieberson, who thought it important to document in photographs the cultural history of the music of the time.
This 224-page book collects for the first time the photographic highlights – many of them previously unseen – from the Leonard Bernstein photo collection. It also contains twelve CDs with Bernstein’s legendary recordings of symphonic masterpieces, concertos, and vocal works, featuring him as conductor, composer, and pianist. This book is a tribute to the art of recording-studio photography in the heyday of the LP era. The newly retouched images show “Lenny” in the intimate moments of shared music-making and allow us to experience something of the secret inherent in music itself: its magical ability to touch and connect people in their hearts.
The reason why these precious photos are all still preserved lies in the middle of Manhattan: in a separate area of an art deco landmark, the Sony Music Photo Collection is located, one of the world’s most important photo archives, documenting the history of the recording industry from the 1950s up to today. The invaluable archives of roughly two and a half million film negatives, transparencies, and prints encompass recording-session, album-cover, publicity, and live-concert shoots – and more than 21,000 images related to Leonard Bernstein himself.
CD 1:
Recorded: New York City, Lincoln Center, Philharmonic Hall (now David Geffen Hall), January 10/31, 1967 [1–4; December 8, 1969 [6; October 31, 1962 [8; Manhattan Center, February 16, 1965 [5; May 27, 1963 [9–12; Brooklyn, Hotel St. George, February 16, 1960 [7
Producers: John McClure [1–4/8; Richard Killough [6; Howard Scott [7; Thomas Z. Shepard [9–12
(P) 1961/1964/1966/1968/1970/1973 Sony Music Entertainment
CD 2:
Recorded: New York City, Manhattan Center, Philharmonic Hall (now David Geffen Hall), February 16, 1965 [1; October 22, 1962 [17; Brooklyn, Hotel St. George, January 20, 1958 [2–15; Paris, Radio France, Studio 103, October 1, 1975 [16
Producers: John McClure [1/16/17; Howard Scott [2–15
(P) 1958/1966/1967/1978 Sony Music Entertainment
CD 3:
Recorded: New York City, Lincoln Center, Philharmonic Hall (now David Geffen Hall), March 7, 1967 [1–4; Manhattan Center, January 27, 1964 [5–8
Producer: John McClure
P 1966/1968 Sony Music Entertainment
CD 4:
Recorded: New York City, Brooklyn, Hotel St. George, January 13, 1958 [1–4; Manhattan Center, April 16, 1962 [5–8
Producer: John McClure
P 1962/1966 Sony Music Entertainment
CD 5/6:
Recorded: New York City, Columbia 30th Street Studio, November 4/5, 1968 [CD 5: 1–4; November 6, 1968 [CD 5: 1–5; Manhattan Center, April 3, 1961 [CD 5: 6 / CD 6: 1–5; St. Patrick’s Cathedral (live), June 8, 1968 [CD 6: 6
Producers: Richard Killough [CD 5: 1–5; John McClure [CD 5: 6 / CD 6; Thomas Z. Shepard [CD 6: 6
P 1962/1969/1971/1991 Sony Music Entertainment
CD 7:
Recorded: New York City, Columbia 30th Street Studio, April 9/10, 1957 [1–3; Lincoln Center, Philharmonic Hall (now David Geffen Hall), February 3, 1963 [4–6; January 15, 1963 [7–9
Producers: Howard H. Scott [1–3; John McClure [4–9
Recording Engineers: Fred Plaut & Raymond Moore [7–9
P 1957/1963/1965 Sony Music Entertainment
CD 8:
Recorded: New York City, Philharmonic Hall (now David Geffen Hall), February 6, 1963 [1; January 12,1971 [9; Hotel St. George, June 23, 1959 [2; December 21, 1958 [3; Manhattan Center, April 17, 1964 [4; May 2, 1960 [5–8
Producers: John McClure [1/4–9; Howard Scott [2; David Oppenheim [3
P 1959/1960/1963/1966/1971 Sony Music Entertainment
CD 9:
Recorded: New York City, Lincoln Center, Philharmonic Hall (now David Geffen Hall), May 15, 1967 [1–6; January 24, 1968 [7; October 26, 1967 [10; May 9/20, 1967 [11 Manhattan Center, December 2, 1963 [8; Vienna, Sofiensaal, March 18/22/23/26/29/30, 1966 [9; March 22–24/30 & April 1–10, 1971 [12/13
Producers: Richard Killough [1–6; John McClure [1–8/10/11; Erik Smith [9; John Culshaw & John Mordler [12/13
P 1965/1966/1970/1971/1973 Sony Music Entertainment
CD 10:
Recordings: New York City, Manhattan Center, July 19, 1965 [1–6; Columbia 30th Street Studio, April 19, 1956 [7–11
Producers: John McClure [1–6; Goddard Lieberson [7–11
P 1966/1968 Sony Music Entertainment
CD 11:
Recorded: New York City, Manhattan Center, September 28, 1960, May 20 & June 18, 1963 [1; March 6, 1961 [2–9; May 16, 1960 [14–19; Lincoln Center, Philharmonic Hall (now David Geffen Hall), June 18, 1963 [11–13
Producers: John McClure [1–13; Howard H. Scott [14–19
P 1961/1964 Sony Music Entertainment
CD 12:
Recorded: New York City, Columbia 30th Street Studio, May 4, 1956 [1–3; Hotel St. George, January 6, 1958 [4–6; RCA Studio 2, September 17, 1947 [4–10
Producers: David Oppenheim [1–3; John McClure [4–6; Richard Mohr [7–13
P 1956/1959/1955 Sony Music Entertainment
Produced by Robert Russ
in collaboration with Jamie Bernstein and The Leonard Bernstein Office,
Craig Urquhart, Senior Consultant, Heather Wallace, Digital Media and Promotions Manager,
and the New York Philharmonic Shelby White & Leon Levy Digital Archives,
Gabryel Smith, Director, Archives and Exhibitions
Special thanks to Philippe Entremont.
CDs 1–12 consist of previously released material
19658771072 · This compilation (P) & (C) 2023 Sony Music Entertainment
Distributed by Sony Music Entertainment · All trademarks and logos are protected
Made in the EU · Sony Classical and [Sony Classical logo are trademarks of Sony Music Entertainment
www.sonyclassical.com www.leonardbernstein.com
Leonard Bernstein first signed with Columbia Masterworks in 1956, and up to 1979 he recorded over 500 compositions as conductor, pianist, and commentator for the label. Just a year before, legendary photographer Don Hunstein joined Columbia Records at a time when the company was under the direction of Goddard Lieberson, who thought it important to document in photographs the cultural history of the music of the time.
This 224-page book collects for the first time the photographic highlights – many of them previously unseen – from the Leonard Bernstein photo collection. It also contains twelve CDs with Bernstein’s legendary recordings of symphonic masterpieces, concertos, and vocal works, featuring him as conductor, composer, and pianist. This book is a tribute to the art of recording-studio photography in the heyday of the LP era. The newly retouched images show “Lenny” in the intimate moments of shared music-making and allow us to experience something of the secret inherent in music itself: its magical ability to touch and connect people in their hearts.
The reason why these precious photos are all still preserved lies in the middle of Manhattan: in a separate area of an art deco landmark, the Sony Music Photo Collection is located, one of the world’s most important photo archives, documenting the history of the recording industry from the 1950s up to today. The invaluable archives of roughly two and a half million film negatives, transparencies, and prints encompass recording-session, album-cover, publicity, and live-concert shoots – and more than 21,000 images related to Leonard Bernstein himself.
CD 1:
Recorded: New York City, Lincoln Center, Philharmonic Hall (now David Geffen Hall), January 10/31, 1967 [1–4; December 8, 1969 [6; October 31, 1962 [8; Manhattan Center, February 16, 1965 [5; May 27, 1963 [9–12; Brooklyn, Hotel St. George, February 16, 1960 [7
Producers: John McClure [1–4/8; Richard Killough [6; Howard Scott [7; Thomas Z. Shepard [9–12
(P) 1961/1964/1966/1968/1970/1973 Sony Music Entertainment
CD 2:
Recorded: New York City, Manhattan Center, Philharmonic Hall (now David Geffen Hall), February 16, 1965 [1; October 22, 1962 [17; Brooklyn, Hotel St. George, January 20, 1958 [2–15; Paris, Radio France, Studio 103, October 1, 1975 [16
Producers: John McClure [1/16/17; Howard Scott [2–15
(P) 1958/1966/1967/1978 Sony Music Entertainment
CD 3:
Recorded: New York City, Lincoln Center, Philharmonic Hall (now David Geffen Hall), March 7, 1967 [1–4; Manhattan Center, January 27, 1964 [5–8
Producer: John McClure
P 1966/1968 Sony Music Entertainment
CD 4:
Recorded: New York City, Brooklyn, Hotel St. George, January 13, 1958 [1–4; Manhattan Center, April 16, 1962 [5–8
Producer: John McClure
P 1962/1966 Sony Music Entertainment
CD 5/6:
Recorded: New York City, Columbia 30th Street Studio, November 4/5, 1968 [CD 5: 1–4; November 6, 1968 [CD 5: 1–5; Manhattan Center, April 3, 1961 [CD 5: 6 / CD 6: 1–5; St. Patrick’s Cathedral (live), June 8, 1968 [CD 6: 6
Producers: Richard Killough [CD 5: 1–5; John McClure [CD 5: 6 / CD 6; Thomas Z. Shepard [CD 6: 6
P 1962/1969/1971/1991 Sony Music Entertainment
CD 7:
Recorded: New York City, Columbia 30th Street Studio, April 9/10, 1957 [1–3; Lincoln Center, Philharmonic Hall (now David Geffen Hall), February 3, 1963 [4–6; January 15, 1963 [7–9
Producers: Howard H. Scott [1–3; John McClure [4–9
Recording Engineers: Fred Plaut & Raymond Moore [7–9
P 1957/1963/1965 Sony Music Entertainment
CD 8:
Recorded: New York City, Philharmonic Hall (now David Geffen Hall), February 6, 1963 [1; January 12,1971 [9; Hotel St. George, June 23, 1959 [2; December 21, 1958 [3; Manhattan Center, April 17, 1964 [4; May 2, 1960 [5–8
Producers: John McClure [1/4–9; Howard Scott [2; David Oppenheim [3
P 1959/1960/1963/1966/1971 Sony Music Entertainment
CD 9:
Recorded: New York City, Lincoln Center, Philharmonic Hall (now David Geffen Hall), May 15, 1967 [1–6; January 24, 1968 [7; October 26, 1967 [10; May 9/20, 1967 [11 Manhattan Center, December 2, 1963 [8; Vienna, Sofiensaal, March 18/22/23/26/29/30, 1966 [9; March 22–24/30 & April 1–10, 1971 [12/13
Producers: Richard Killough [1–6; John McClure [1–8/10/11; Erik Smith [9; John Culshaw & John Mordler [12/13
P 1965/1966/1970/1971/1973 Sony Music Entertainment
CD 10:
Recordings: New York City, Manhattan Center, July 19, 1965 [1–6; Columbia 30th Street Studio, April 19, 1956 [7–11
Producers: John McClure [1–6; Goddard Lieberson [7–11
P 1966/1968 Sony Music Entertainment
CD 11:
Recorded: New York City, Manhattan Center, September 28, 1960, May 20 & June 18, 1963 [1; March 6, 1961 [2–9; May 16, 1960 [14–19; Lincoln Center, Philharmonic Hall (now David Geffen Hall), June 18, 1963 [11–13
Producers: John McClure [1–13; Howard H. Scott [14–19
P 1961/1964 Sony Music Entertainment
CD 12:
Recorded: New York City, Columbia 30th Street Studio, May 4, 1956 [1–3; Hotel St. George, January 6, 1958 [4–6; RCA Studio 2, September 17, 1947 [4–10
Producers: David Oppenheim [1–3; John McClure [4–6; Richard Mohr [7–13
P 1956/1959/1955 Sony Music Entertainment
Produced by Robert Russ
in collaboration with Jamie Bernstein and The Leonard Bernstein Office,
Craig Urquhart, Senior Consultant, Heather Wallace, Digital Media and Promotions Manager,
and the New York Philharmonic Shelby White & Leon Levy Digital Archives,
Gabryel Smith, Director, Archives and Exhibitions
Special thanks to Philippe Entremont.
CDs 1–12 consist of previously released material
19658771072 · This compilation (P) & (C) 2023 Sony Music Entertainment
Distributed by Sony Music Entertainment · All trademarks and logos are protected
Made in the EU · Sony Classical and [Sony Classical logo are trademarks of Sony Music Entertainment
www.sonyclassical.com www.leonardbernstein.com
Barcode – 196587710729
Label Code – LC 06868
Label Code – LC 06868