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A1 | Hang Loose | 4:45 |
A2 | Fencewalk | 5:28 |
A3 | Hágalo | 2:47 |
A4 | Don't Mess With People | 3:45 |
B1 | Polk Street Carnival | 6:03 |
B2 | Golden Stone | 7:17 |
B3 | Out With The Boys | 5:09 |
B4 | Moroccan Nights | 5:42 |
Art Direction – Ron Nackman
Bass, Acoustic Guitar, Percussion, Vocals – Fudgie Kae
Design [Cover] – David Krieger
Drums, Vocals – Neftali Santiago
Engineer – Dave Palmer (A2, A3, B1 to B4)
Engineer – Harry Maslin (A1, A4)
Engineer [Assistant] – Corky Stasiak (A1, A4)
Engineer [Assistant] – Dave Whitman (A2, A3, B1 to B4)
Engineer [Assistant] – Tom Brown (A1, A4)
Engineer [Assistant] – Tom Hummer (A2, A3, B1 to B4)
Lead Guitar, Percussion, Vocals – Omar Mesa
Management, Other [Special Thanks] – Beau Ray Fleming
Organ, Vibraphone, Clavinet, Piano, Synthesizer [Moog], Electric Piano [Fender Rhodes], Vocals, Percussion, Arranged By [Strings] – Claude "Coffee" Cave
Photography By [Cover] – Joel Brodsky
Photography By [Liner] – Constance Elizabeth
Photography By [Liner] – Maria Perez
Photography By [Liner] – Merrill Roberts
Photography By [Liner] – Peter Olwyler
Photography By [Liner] – Rod Bristow
Photography By [Liner] – Ronnie Brathwaite
Producer – Alfred V. Brown
Producer – Mandrill
Tenor Saxophone, Alto Saxophone, Percussion, Vocals – Ric "Doc" Wilson
Trombone, Flute, Alto Saxophone, Guitar, Timbales, Drums, Percussion, Vocals, Arranged By [Strings] – Carlos D. Wilson
Trumpet, Congas, Percussion, Vocals – "Sweet Lou" Wilson
Written-By, Arranged By – Mandrill
Bass, Acoustic Guitar, Percussion, Vocals – Fudgie Kae
Design [Cover] – David Krieger
Drums, Vocals – Neftali Santiago
Engineer – Dave Palmer (A2, A3, B1 to B4)
Engineer – Harry Maslin (A1, A4)
Engineer [Assistant] – Corky Stasiak (A1, A4)
Engineer [Assistant] – Dave Whitman (A2, A3, B1 to B4)
Engineer [Assistant] – Tom Brown (A1, A4)
Engineer [Assistant] – Tom Hummer (A2, A3, B1 to B4)
Lead Guitar, Percussion, Vocals – Omar Mesa
Management, Other [Special Thanks] – Beau Ray Fleming
Organ, Vibraphone, Clavinet, Piano, Synthesizer [Moog], Electric Piano [Fender Rhodes], Vocals, Percussion, Arranged By [Strings] – Claude "Coffee" Cave
Photography By [Cover] – Joel Brodsky
Photography By [Liner] – Constance Elizabeth
Photography By [Liner] – Maria Perez
Photography By [Liner] – Merrill Roberts
Photography By [Liner] – Peter Olwyler
Photography By [Liner] – Rod Bristow
Photography By [Liner] – Ronnie Brathwaite
Producer – Alfred V. Brown
Producer – Mandrill
Tenor Saxophone, Alto Saxophone, Percussion, Vocals – Ric "Doc" Wilson
Trombone, Flute, Alto Saxophone, Guitar, Timbales, Drums, Percussion, Vocals, Arranged By [Strings] – Carlos D. Wilson
Trumpet, Congas, Percussion, Vocals – "Sweet Lou" Wilson
Written-By, Arranged By – Mandrill
℗ 1973 Polydor Incorporated
Manufactured by Polydor Incorporated, New York, N.Y.
Recorded at Electric Lady Studios, N.Y., N.Y., winter 1972
[A1 and [A4 recorded at The Hit Factory, N.Y., N.Y., winter 1972
All songs published by Mandrill Music Inc. (ASCAP) Intersong U.S.A.
Chappell And Co. Sole Agent (ASCAP)
Hype-sticker on shrinkwrap:
180 gram
* Limited Edition Classic LP
* High Definition Premium Virgin Vinyl Pressing For Super Fidelity
* The Nicest Thing You Can Do For Your Stylus And Your Ears
The Ultimate Record:
The Way Music Was Meant To Be Heard And Great Enough For An Audiophile
Very similar version to [discogs# 3502566 but this version is marketed on release (sticker) as limited 180g edition.
cat# on labels: PD-5043 (2391 061)
cat# on front sleeve: PD5043, 2391061
cat# on spine: PD5043
There is no updated copyright date on this version.
Manufactured by Polydor Incorporated, New York, N.Y.
Recorded at Electric Lady Studios, N.Y., N.Y., winter 1972
[A1 and [A4 recorded at The Hit Factory, N.Y., N.Y., winter 1972
All songs published by Mandrill Music Inc. (ASCAP) Intersong U.S.A.
Chappell And Co. Sole Agent (ASCAP)
Hype-sticker on shrinkwrap:
180 gram
* Limited Edition Classic LP
* High Definition Premium Virgin Vinyl Pressing For Super Fidelity
* The Nicest Thing You Can Do For Your Stylus And Your Ears
The Ultimate Record:
The Way Music Was Meant To Be Heard And Great Enough For An Audiophile
Very similar version to [discogs# 3502566 but this version is marketed on release (sticker) as limited 180g edition.
cat# on labels: PD-5043 (2391 061)
cat# on front sleeve: PD5043, 2391061
cat# on spine: PD5043
There is no updated copyright date on this version.
Matrix / Runout (Label, side A) – PD 5043 A
Matrix / Runout (Label, side B) – PD 5043 B
Matrix / Runout (Runout, side A, etched) – 3972 - PD 5043 - 1(A) S-35962 RE 1
Matrix / Runout (Runout, side B, etched) – 3912 - PD 5043 - 1(B) S-35963 RE 2
Rights Society – ASCAP
Matrix / Runout (Label, side B) – PD 5043 B
Matrix / Runout (Runout, side A, etched) – 3972 - PD 5043 - 1(A) S-35962 RE 1
Matrix / Runout (Runout, side B, etched) – 3912 - PD 5043 - 1(B) S-35963 RE 2
Rights Society – ASCAP