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The Complete Recordings On Deutsche Grammophon
Label | Deutsche Grammophon – 00289 479 4647 |
Format | 48 x CD, Album, Reissue, Stereo, Mono Box Set, Compilation, Limited Edition |
Barcode | 0028947946472 |
Country | Europe |
Released | 04 Sep 2015 |
Genre | Classical |
Style | Baroque, Classical, Romantic, Impressionist, Modern, Contemporary |
Martha Argerich Spielt Chopin • Brahms • Liszt • Ravel • Prokofieff | |||
1-1 | Scherzo No. 3 In C Sharp Minor Op. 39 = Cis-Moll = En Ut Dièse Mineur: Presto Con Fuoco | ||
Two Rhapsodies Op. 79 | |||
No. 1 In B Minor = H-Moll = En Si Mineur: Agitato | |||
No. 2 In G Minor = G-Moll = En Sol Mineur: Molto Passionato, Ma Non Troppo Allegro | |||
1-4 | Toccata In D Minor Op. 11 = D-Moll = En Ré Mineur | ||
1-5 | Jeux D'Eau: Très Doux | ||
1-6 | Barcarole In F Sharp Major Op. 60 = Fis-Dur = En Fa Dièse Majeur: Allegretto | ||
1-7 | Hungarian Rhapsody No. 6 S 244/6 = Ungarische Rhapsodie Nr. 6 = Rhapsodie Hongroise N° 6: Tempo Giusto - Presto - Andante - Allegro - Presto | ||
Frédéric Chopin • Martha Argerich | |||
Piano Sonata No. 3 In B Minor, Op. 58 = H-Moll = En Si Mineur | |||
1. Allegro Maestoso | |||
2. Scherzo. Molto Vivace | |||
3. Largo | |||
4. Finale. Presto, Ma Non Tanto | |||
2-5 | Polonaise-Fantasie In A Flat Major Op. 61 = As-Dur = En La Bémol Majeur: Allegro Maestoso | ||
2-6 | Polonaise No. 6 In A Flat Major Op. 53 = As-Dur = En La Bémol Majeur: Maestoso | ||
3 Mazurkas Op. 59 | |||
No. 1 In A Minor = A-Moll = En La Mineur: Moderato | |||
No. 2 In A Flat Major = As-Dur = En La Bémol Majeur: Allegretto | |||
No. 3 In F Sharp Minor = Fis-Moll = En Fa Dièse Mineur: Vivace | |||
Prokofieff: Klavierkonzert Nr.3 C-Dur / Ravel: Klavierkonzert G-Dur | |||
Piano Concerto No. 3 In C Major Op. 26 = C-Dur = En Ut Majeur | |||
1. Andante - Allegro | |||
2. Thema: Andantino / Var. I. L'Istesso Tempo / Var. II. Allegro / Var. III. Allegro Moderato / Var. IV. Andantino Meditativo / Var. V. Allegro Giusto / Tema. L'Istesso Tempo | |||
3. Allegro Ma Non Troppo | |||
Piano Concerto In G Major = G-Dur = En Sol Majeur | |||
1. Allegremente | |||
2. Adagio Assai | |||
3. Presto | |||
Chopin: Klavierkonzert Nr. 1/ Liszt: Klavierkonzert Nr. 1 | |||
Piano Concerto No. 1 In E Minor Op. 11 = E-Moll = En Mi Mineur | |||
1. Allegro Maestoso | |||
2. Romance. Larghetto | |||
3. Rondo. Vivace | |||
Piano Concerto No. 1 In E Flat Major S 124 = Es-Dur = En Mi Bémol Majeur | |||
1. Allegro Maestoso | |||
2. Quasi Adagio / 3. Allegretto Vivace - Allegro Animato | |||
4. Allegro Marziale Animato | |||
Piano Concerto In G Major = G-Dur = En Sol Majeur | |||
1. Allegramente | |||
2. Adagio Assai | |||
3. Presto | |||
Klavierkonzert Nr.1 B-Moll = Piano Concerto No.1 In B Flat Minor | |||
Piano Concerto No. 1 In B Flat Minor Op. 23 = B-Moll = En Si Bémol Mineur | |||
1. Allegro Non Troppo E Molto Maestoso - Allegro Con Spirito | |||
2. Andantino Semplice - Prestissimo - Tempo I | |||
3. Allegro Con Fuoco | |||
Concerto For Violin, Piano And String Orchestra In D Minor = D-Moll = En Ré Mineur | |||
1. Allegro | |||
2. Adagio | |||
3. Allegro Molto | |||
Liszt: Sonate H-Moll (In B Minor) / Schumann: Sonate G-Moll (In G Minor) | |||
Piano Sonata In B Minor = H-Moll = En Si Mineur | |||
Lento Assai - Allegro Energico | |||
Grandioso - | |||
Cantando Espressivo | |||
Pesante - Recitativo | |||
Andante Sostenuto | |||
Quasi Adagio | |||
Allegro Energico | |||
Più Mosso | |||
Cantando Espressivo Senza Slentare - | |||
Stretta Quasi Presto - Presto - Prestissimo - | |||
Andante Sostenuto - Allegro Moderato - Lento Assai | |||
Piano Sonata No. 2 In G Minor Op. 22 = G-Moll = En Sol Mineur | |||
1. So Rasch Wie Möglich | |||
2. Andantino. Getragen | |||
3. Scherzo. Sehr Rasch Und Markiert - | |||
4. Rondo. Presto - Prestissimo. Quasi Cadenza | |||
Sonate B-Moll = In B Flat Minor • Scherzo B-Moll = In B Flat Minor • Andante Spianato Et Grande Polonaise | |||
Piano Sonata No. 2 In B Flat Minor Op. 35 = B-Moll = En Si Bémol Mineur | |||
1. Grave - Doppio Movimento | |||
2. Scherzo | |||
3. Marche Funèbre. Lento | |||
4. Finale. Presto | |||
7-5 | Andante Spianato Et Grande Polonaise Brillante Op. 22 In E Flat Major = Es-Dur = En Mi Bémol Majeur: Andante Spianato. Tranquillo - Polonaise. Allegro Molto | ||
7-6 | Scherzo No. 2 In B Flat Minor Op. 31 = B-Moll = En Si Bémol Mineur: Presto | ||
Gaspard De La Nuit • Sonatine • Valses Nobles Et Sentimentales | |||
Gaspard De La Nuit: Trois Poèmes Pour Piano D'Après Aloysius Bertrand | |||
1. Ondine | |||
2. Le Gibet | |||
3. Scarbo | |||
Sonatine | |||
1. Modéré | |||
2. Mouvement De Menuet | |||
3. Animé | |||
Valses Nobles Et Sentimentales | |||
1. Modéré - Très Franc | |||
2. Assez Lent - Avec Une Expression Intense | |||
3. Modéré | |||
4. Assez Animé | |||
5. Presque Lent - Dans Un Sentiment Intime | |||
6. Vif | |||
7. Moins Vif | |||
8. Épilogue. Lent | |||
24 Préludes Op.28 / Préludes, Nr.25 Op.45 / Nr.26 Op. Posth. | |||
24 Préludes Op. 28 | |||
No. 1 In C Major. Agitato = C-Dur = En Ut Majeur | |||
No. 2 In A Minor. Lento = A-Moll = En La Mineur | |||
No. 3 In G Major. Vivace = G-Dur = En Sol Majeur | |||
No. 4 In E Minor. Largo = E-Moll = En Mi Mineur | |||
No. 5 In D Major. Allegro Molto = D-Dur = En Ré Majeur | |||
No. 6 In B Minor. Lento Assai = H-Moll = En Si Mineur | |||
No. 7 In A Major. Andantino = A-Dur = En La Majeur | |||
No. 8 In F Sharp Minor. Molto Agitato = Fis-Moll = En Fa Dièse Mineur | |||
No. 9 In E Major. Largo = E-Dur = En Mi Majeur | |||
No. 10 In C Sharp Minor. Allegro Molto = Cis-Moll = En Ut Dièse Mineur | |||
No. 11 In B Major. Vivace = H-Dur = En Si Majeur | |||
No. 12 In G Sharp Minor. Presto = Gis-Moll = En Sol Dièse Mineur | |||
No. 13 In F Sharp Minor. Lento = Fis-Moll = En Fa Dièse Mineur | |||
No. 14 In E Flat Minor. Allegro = Es-Moll = En Mi Bémol Mineur | |||
No. 15 In D Flat Major. Sostenuto = Des-Dur = En Ré Bémol Majeur | |||
No. 16 In B Flat Minor. Presto Con Fuoco = B-Moll = En Si Bémol Mineur | |||
No. 17 In A Flat Major. Allegretto = As-Dur = En La Bémol Majeur | |||
No. 18 In F Minor. Allegro Molto = F-Moll = En Fa Mineur | |||
No. 19 In E Flat Major. Vivace = Es-Dur = En Mi Bémol Majeur | |||
No. 20 In C Minor. Largo = C-Moll = En Ut Mineur | |||
No. 21 In B Flat Major. Cantabile = B-Dur = En Si Bémol Majeur | |||
No. 22 In G Minor. Molto Agitato = G-Moll = En Sol Mineur | |||
No. 23 In F Major. Moderato = F-Dur = En Fa Majeur | |||
No. 24 In D Minor. Allegro Appassionato = D-Moll = En Ré Mineur | |||
9-25 | Prélude In C Sharp Minor Op. 45 = Cis-Moll = En Ut Dièse Mineur: Sostenuto | ||
9-26 | Prélude In A Flat Major Op. Posth. = As-Dur = En La Bémol Majeur: Presto Con Leggierezza | ||
Les Noces | |||
Les Noces: Scènes Chorégraphiques Russes Avec Chant Et Musique = The Wedding. Russian Choreographic Scenes With Song And Music = Bauernhochzeit. Russische Choreografische Szenen Mit Gesang Und Musik) | |||
Première Partie = Part One = Erster Teil | |||
Premier Tableau : La Tresse = The Tresses = Bei Der Braut | |||
Deuxième Tableau : Chez Le Marié = At The Bridegroom's Room = Beim Bräutigam | |||
Troisième Tableau : Le Départ De La Mariée = The Departure Of The Bride = Das Brautgeleit | |||
Seconde Partie = Part Two = Zweiter Teil | |||
Quatrième Tableau : Le Repas De Noces = The Wedding Feast = Der Hochzeitsschmaus | |||
Concerto For Two Pianos, Percussion And Orchestra Sz 115 | |||
1. Assai Lento - Allegro Molto | |||
2. Lento Ma Non Troppo | |||
3. Allegro Ma Non Troppo | |||
Bartók: Concerto For 2 Pianos, Percussion, And Orchestra / Kodály: Dances Of Galánta | |||
Sonata For Two Pianos And Percussion SZ 119 | |||
1. Assai Lento - Allegro Molto | |||
2. Lento Ma Non Troppo | |||
3. Allegro Non Troppo | |||
Andante And Five Variations In G Major For Piano Four Hands K 501 | |||
Tema. Andante | |||
Var. I | |||
Var. II | |||
Var. III | |||
Var. IV | |||
Var. V | |||
En Blanc Et Noir (For Two Pianos) | |||
1. Avec Emportement | |||
2. Lent. Sombre | |||
3. Scherzando | |||
Out Of Doors Sz 81 = Im Freien = En Plein Air | |||
1. With Drums And Pipes = Mit Trommein Und Pfeifen = Avec Tambours Et Fifres | |||
2. Barcarolla | |||
3. Musettes | |||
4. The Night's Music = Klänge Der Nacht = Musiques Nocturnes | |||
5. The Chase = Hetzjagd = Poursuite | |||
Sonatina Sz 55 | |||
1. Bagpipes. Allegretto = Dudelsackpfeifer = Les Joueurs De Cornemuse | |||
2. Bear Dance. Moderato = Bärentanz = Dance De L'Ours | |||
3. Finale. Allegro Vivace | |||
Schumann: Klavierkonzert = Piano Concerto / Chopin: Klavierkonzert No.2 = Piano Concerto No.2 | |||
Piano Concerto In A Minor Op. 54 = A-Moll = En La Mineur | |||
1. Allegro Affettuoso | |||
2. Intermezzo. Andantino Grazioso | |||
3. Allegro Vivace | |||
Piano Concerto No. 2 In F Minor Op. 21 = F-Moll = En Fa Mineur | |||
1. Maestoso | |||
2. Larghetto | |||
3. Allegro Vivace | |||
Toccata BWV911 • Partita BWV826 • Englische Suite No. 2 BWV807 | |||
13-1 | Toccata In C Minor BWV 911 = C-Moll = En Ut Mineur | ||
Partita No. 2 In C Minor BWV 826 | |||
1. Sinfonia | |||
2. Allemande | |||
3. Courante | |||
4. Sarabande | |||
5. Rondeau | |||
6. Capriccio | |||
English Suite No. 2 In A Minor BWV 807 = A-Moll = En La Mineur | |||
1. Prélude | |||
2. Allemande | |||
3. Courante | |||
4. Sarabande | |||
5. Bourrée I/II | |||
6. Gigue | |||
Chopin: Sonate Op.65 • Polonaise Op.3 / Schumann: Adagio & Allegro Op.70 | |||
Sonata For Cello And Piano In G Minor Op. 65 = G-Moll = En Sol Mineur | |||
1. Allegro Moderato | |||
2. Scherzo. Allegro Con Brio | |||
3. Largo | |||
4. Finale. Allegro | |||
Introduction Et Polonaise Brillante Op. 3 | |||
Introduction. Lento - Alla Polacca. Allegro | |||
Adagio Und Allegro Op. 70 | |||
Langsam, Mit Innigem Ausdruck - Rasch Und Feurig | |||
On 2 Pianos = An 2 Klavieren (Rachmaninoff: Suite Op.17 No.2 / Ravel: "La Valse" / Lutoslawski: Paganini Variations) | |||
Suite No. 2 For Two Pianos Op. 17 | |||
1. Introduction. Alla Marcia | |||
2. Valse. Presto | |||
3. Romance. Andantino | |||
4. Tarantella. Presto | |||
15-5 | La Valse (Poème Chorégraphique / Version For Two Pianos): Mouvement De Valse Viennoise - Un Peu Plus Modéré - 1er Mouvement - Assez Animé | ||
15-6 | Variations On A Theme Of Paganini (For 2 Pianos) | ||
Rachmaninoff 3 • Tchaikovsky 1 (Live Recording) | |||
Piano Concerto No. 3 In D Minor Op. 30 = D-Moll = En Ré Mineur | |||
1. Allegro Ma Non Tanto | |||
2. Intermezzo. Adagio | |||
3. Finale. Alla Breve | |||
Piano Concerto No. 1 In B Flat Minor Op. 23 = B-Moll = En Si Bémol Mineur | |||
1. Allegro Non Troppo E Molto Maestoso - Allegro Con Spirito | |||
2. Andantino Simplice - Prestissimo - Tempo I | |||
3. Allegro Con Fuoco | |||
Tchaikovsky: "The Nutcracker = Der Nußknacker" Suite / Rachmaninov: Symphonic Dances = Symphonische Tänze Op.45 (Versions For 2 Pianos = Fassungen Für 2 Klaviere) | |||
Symphonic Dances Op. 45 (Version For Two Pianos) | |||
1. Non Allegro | |||
2. Andante Con Moto (Tempo Di Valse) | |||
3. Lento Assai - Allegro Vivace | |||
The Nutcracker (Suite From The Ballet) | |||
1. Ouverture Miniature. Allegro Giusto | |||
2. Danses Caractéristiques: a. Marche. Tempo Di Marcia Viva | |||
2. Danses Caractéristiques: b. Danse De La Fée Dragée. Andante Non Troppo | |||
2. Danses Caractéristiques: c. Danse Russe Trépak. Tempo Di Trepak, Molto Vivace | |||
2. Danses Caractéristiques: d. Danse Arabe. Allegretto | |||
2. Danses Caractéristiques: e. Danse Chinoise. Allegro Moderato | |||
2. Danses Caractéristiques: f. Danse Des Mirlitons. Moderato Assai | |||
3. Valse Des Fleurs. Tempo Di Valse | |||
Kinderszenen • Kreisleriana | |||
Kinderszenen = Scenes From Childhood = Scènes D'Enfants | |||
1. Von Fremden Ländern Und Menschen = About Foreign Lands And Peoples = Des Gens Et Des Pays Étrangers | |||
2. Kuriose Geschichte = Curious Story = Curieuse Histoire | |||
3. Hasche-Mann = Catch Me If You Can = Colin-Maillard | |||
4. Bittendes Kind = Pleading Child = L'Enfant Supplie | |||
5. Glückes Genug = Happiness = Bonheur Parfait | |||
6. Wichtige Begebenheit = Important Event = Événement Important | |||
7. Träumerei = Dreaming = Rêverie | |||
8. Am Kamin = At The Fireside = Au Coin Du Feu | |||
9. Ritter Vom Steckenpferd = Knight Of The Hobby-Horse = Sur Le Cheval De Bois | |||
10. Fast Zu Ernst = Almost Too Serious = Preque Trop Sérieux | |||
11. Fürchtenmachen = Frightening = Croque-Mitaine | |||
12. Kind Im Einschlummern = Child Falling Asleep = L'Enfant S'Endort | |||
13. Der Dichter Spricht = The Poets Speaks = Le Poète Parle | |||
Kreisleriana Op. 16 | |||
1. Äußerst Bewegt. Agitatissimo | |||
2. Sehr Innig Und Nicht Zu Rasch. Con Molta Espressione, Non Troppo Presto | |||
3. Sehr Aufgeregt. Molto Agitato | |||
4. Sehr Langsam. Lento Assai | |||
5. Sehr Lebhaft. Vivace Assai | |||
6. Sehr Langsam. Lento Assai | |||
7. Sehr Rasch. Molto Presto | |||
8. Schnell Und Spielend. Vivace E Scherzando | |||
Sonata For Arpeggione / Fantasiestücke Op. 73 | |||
Sonata For Arpeggione And Piano In A Minor D 821 = A-Moll = En La Mineur | |||
1. Allegro Moderato | |||
2. Adagio | |||
3. Allegretto | |||
Drei Fantasiestücke Op. 73 | |||
1. Zart Und Mit Ausdruck | |||
2. Lebhaft, Leicht | |||
3. Rasch Und Mit Feuer | |||
Fünf Stücke Im Volkston Op. 102 | |||
1. "Vanitas Vanitatum". Mit Humor | |||
2. Langsam | |||
3. Nicht Schnell, Mit Viel Ton Zu Spielen | |||
4. Nicht Zu Rasch | |||
5. Stark Und Markiert | |||
Violinsonaten Nos.1-3 = Violin Sonatas = Sonates Pour Violon | |||
Sonata No. 1 In D Major Op. 12 No. 1 = D-Dur = En Ré Majeur | |||
1. Allegro Con Brio | |||
2. Tema Con Variazioni. Andante Con Moto | |||
3. Rondo. Allegro | |||
Sonata No. 2 In A Major Op. 12 No. 2 = A-Dur = En La Majeur | |||
1. Allegro Vivace | |||
2. Andante Più Tosto Allegretto | |||
3. Allegro Piacevole | |||
Sonata No. 3 In E Flat Major, Op. 12 No. 3 = Es-Dur = En Mi Bémol Majeur | |||
1. Allegro Con Spirito | |||
2. Adagio Con Molt'Espressione | |||
3. Rondo. Allegro Molto | |||
Cello-Sonaten = Cello Sonatas = Sonates Pour Violoncelle BW 1027-1029 | |||
Sonata No. 1 In G Major BWV 1027 = G-Dur = En Sol Majeur | |||
1. Adagio | |||
2. Allegro Ma Non Tanto | |||
3. Andante | |||
4. Allegro Moderato | |||
Sonata No. 2 In D Major BWV 1028 = D-Dur = En Ré Majeur | |||
1. Adagio | |||
2. Allegro | |||
3. Andante | |||
4. Allegro | |||
Sonata No. 3 In G Minor BWV 1029 = G-Moll = En Sol Mineur | |||
1. Vivace | |||
2. Adagio | |||
3. Allegro | |||
Saint-Saëns: Carnaval Des Animaux / Alan Ridout: Ferdinand • Little Sad Sound / Frieder Meschwitz: Tiergebete | |||
Le Carnaval Des Animaux = The Carnival Of The Animals = Der Karneval Der Tiere | |||
Introduction Et Marche Royale Du Lion = Introduction And Royal March Of The Lion = Introduktion Und Königlicher Marsch Des Löwen | |||
Poules Et Coqs = Hens And Roosters = Hühner Und Hähne | |||
Hémiones = Wild Asses = Halbesel | |||
Tortues = Tortoises = Schildkröten | |||
L'Eléphant = The Elephant = Der Elefant | |||
Kangourous = Kangaroos = Kängurus | |||
Aquarium | |||
Personnages À Longues Oreilles = Persons With Long Ears = Persönlichtkeiten Mit Langen Ohren | |||
Le Coucou Au Fond Des Bois = The Cuckoo In The Depths Of The Woods = Der Kuckuck In Der Tiefe Des Waldes | |||
Volière = Avairy = Das Vogelhaus | |||
Pianistes = Pianists = Pianisten | |||
Fossiles = Fossils = Fossilien | |||
Le Cygne = The Swan = Der Schwan | |||
Finale | |||
22-15 | Ferdinand (For Speaker And Solo Violin) | ||
Tier-Gebete = Animals' Prayers (For Speaker And Piano) | |||
1. Gebet Des Ochsen = The Prayer Of The Ox = Prière Du Bœuf | |||
2. Gebet Der Maus = The Prayer Of The Mouse = Prière De La Souris | |||
3. Gebet Der Katze = The Prayer Of The Cat = Prière Du Chat | |||
4. Gebet Des Hundes = The Prayer Of The Dog = Prière Du Chien | |||
5. Gebet Der Ameise = The Prayer Of The Ant = Prière De La Fourmi | |||
6. Gebet Der Elefanten = The Prayer Of The Elephant = Prière Du L'Eléphant | |||
7. Gebet Der Schildkröte = The Prayer Of The Tortoise = Prière De La Tortue | |||
8. Gebet Der Giraffe = The Prayer Of The Giraffe = Prière De La Girafe | |||
9. Gebet Des Affen = The Prayer Of The Monkey = Prière Du Singe | |||
10. Gebet Des Hahnes = The Prayer Of The Cockerel = Prière Du Coq | |||
11. Gebet Des Alten Gaules = The Prayer Of The Old Horse = Prière Du Vieux Cheval | |||
12. Gebet Des Schmetterlings = The Prayer Of The Butterfly = Prière Du Papillon | |||
22-28 | Little Sad Sound (A Melodrama For Speaker And Double Bass) | ||
Klavierkonzerte Nos. 1 & 2 = Piano Concertos = Concertos Pour Piano | |||
Piano Concerto No. 1 In C Major Op. 15 = C-Dur = En Ut Majeur | |||
1. Allegro Con Brio | |||
2. Largo | |||
3. Rondo. Allegro | |||
Piano Concerto No. 2 In B Flat Major Op. 19 = B-Dur = En Si Bémol Majeur | |||
1. Allegro Con Brio | |||
2. Adagio | |||
3. Rondo. Molto Allegro | |||
Violinsonaten Nos. 1 & 2 = Violin Sonatas = Sonates Pour Violon Op. 105 & Op. 121 | |||
Sonata For Violin And Piano No. 1 In A Minor Op. 105 = A-Moll = En La Mineur | |||
1. Mit Leidenschaftlichem Ausdruck | |||
2. Allegretto | |||
3. Lebhaft | |||
Sonata For Violin And Piano No. 2 In D Minor Op. 121 = D-Moll = En Ré Mineur | |||
1. Ziemlich Langsam - Lebhaft | |||
2. Sehr Lebhaft | |||
3. Leise, Einfach | |||
4. Bewegt | |||
Violinsonaten = Violin Sonatas Nos. 4 & 5 »Frühlings-Sonate = Spring = Le Printemps« | |||
Sonata For Piano And Violin No. 4 In A Minor Op. 23 = A-Moll = En La Mineur | |||
1. Presto | |||
2. Andante Scherzoso Più Allegretto | |||
3. Allegro Molto | |||
Sonata For Piano And Violin No. 5 In F Major Op. 24 "Spring" = F-Dur »Frühlingssonate« = En Fa Majeur « Le Printemps » | |||
1. Allegro | |||
2. Adagio Molto Espressivo | |||
3. Scherzo. Allegro Molto | |||
4. Rondo. Allegro Ma Non Troppo | |||
Violinsonaten = Violin Sonatas / Thema Und Variationen | |||
Sonata For Violin And Piano No. 1 Sz 75 | |||
1. Allegro Appassionato | |||
2. Adagio | |||
3. Allegro | |||
Sonata For Violin And Piano | |||
1. Con Moto | |||
2. Ballada. Con Moto | |||
3. Allegretto | |||
4. Adagio | |||
Theme And Variations For Violin And Piano | |||
Thème. Modéré | |||
Var. I. Modéré | |||
Var. II. Un Peu Moins Modéré | |||
Var. III. Modéré, Avec Éclat | |||
Var. IV. Vif Et Passionné | |||
Var. V. Très Modéré | |||
Cellosonaten Op. 5 / Variationen | |||
12 Variations On "Ein Mädchen Oder Weibchen" From Mozart's Opera "The Magic Flute" Op. 66 In F Major = F-Dur = En Fa Majeur | |||
Theme. Allegretto | |||
Var. I | |||
Var. II | |||
Var. III | |||
Var. IV | |||
Var. V | |||
Var. VI | |||
Var. VII | |||
Var. VIII | |||
Var. IX | |||
Var. X. Adagio | |||
Var. XI. Poco Adagio Quasi Andante | |||
Var. XII. Allegro | |||
Sonata For Piano And Cello No. 1 In F Major Op. 5 No. 1 = F-Dur = En Fa Majeur | |||
1. Adagio Sostenuto | |||
Allegro - | |||
Adagio - Presto - Tempo Primo | |||
2. Rondo. Allegro Vivace | |||
Sonata For Piano And Cello No. 2 In G Minor Op. 5 No. 2 = G-Moll = En Sol Mineur | |||
1. Adagio Sostenuto Ed Espressivo - | |||
Allegro Molto Più Tosto Presto | |||
2. Rondo. Allegro | |||
Seven Variations On "Bei Männern, Welche Liebe Fühlen" From Mozart's Opera "The Magic Flute" WoO 46 In E Flat Major = Es-Dur = En Mi Bémol Majeur | |||
Theme. Andante | |||
Var. I | |||
Var. II | |||
Var. III | |||
Var. IV | |||
Var. V. Si Prenda Il Tempo Un Poco Più Vivace | |||
Var. VI. Adagio | |||
Var. VII. Allegro, Ma Non Troppo | |||
Violinsonaten / 5 Melodien | |||
Sonata For Violin And Piano No. 1 In F Minor Op. 80 = F-Moll = En Fa Mineur | |||
1. Andante Assai | |||
2. Allegro Brusco | |||
3. Andante | |||
4. Allegrissimo - Andante Assai, Come Prima | |||
Five Melodies For Violin And Piano Op. 35bis | |||
1. Andante | |||
2. Lento, Ma Non Troppo | |||
3. Animato, Ma Non Allegro | |||
4. Allegretto Leggero E Scherzando | |||
5. Andante Non Troppo | |||
Sonata For Violin And Piano No. 2 In D Major Op. 94a = D-Dur = En Ré Majeur | |||
1. Moderato | |||
2. Scherzo. Presto | |||
3. Andante | |||
4. Allegro Con Brio | |||
Cellosonaten Op. 69 & 102 / Variationen | |||
Sonata For Piano And Cello No. 3 In A Major Op. 69 = A-Dur = En La Majeur | |||
1. Allegro Ma Non Tanto | |||
2. Scherzo. Allegro Molto | |||
3. Adagio Cantabile | |||
4. Allegro Vivace | |||
Sonata For Piano And Cello No. 4 In C Major Op. 102 No. 1 = C-Dur = En Ut Majeur | |||
1. Andante - | |||
Allegro Vivace | |||
2. Adagio - Tempo D'Andante - | |||
Allegro Vivace | |||
Sonata For Piano And Cello No. 5 In D Major Op. 102 No. 2 = D-Dur = En Ré Majeur | |||
1. Allegro Con Brio | |||
2. Adagio Con Molto Sentimento D'Affetto - | |||
3. Allegro - Allegro Fugato | |||
Twelve Variations On A Theme From Handel's Oratorio "Judas Maccabaeus" Wo0 45 In G Major = G-Dur = En Sol Majeur | |||
Thema. Allegretto | |||
Var. I | |||
Var. II | |||
Var. III | |||
Var. IV | |||
Var. V | |||
Var. VI | |||
Var. VII | |||
Var. VIII | |||
Var. IX | |||
Var. X. Allegro | |||
Var. XI. Adagio | |||
Var. XII. Allegro | |||
Shostakovich: Piano Concerto No.1 / Haydn: Piano Concerto No.11 | |||
Concerto For Piano, Trumpet And String Orchestra Op. 35 | |||
1. Allegro Moderato | |||
2. Lento | |||
3. Moderato | |||
4. Allegro Con Brio | |||
Piano Concerto In D Major Hob. XVIII:11 = D-Dur = En Ré Majeur | |||
1. Vivace | |||
2. Un Poco Adagio | |||
3. Rondo All'Ungarese. Allegro Assai | |||
Piano Concerto No. 1 In B Flat Minor Op. 23 = B-Moll = En Si Bémol Mineur | |||
1. Allegro Non Troppo E Molto Maestoso - Allegro Con Spirito | |||
2. Andantino Semplice - Prestissimo - Tempo I | |||
3. Allegro Con Fuoco | |||
Bartók: Sonate Für 2 Klaviere Und Schlagzeug = Sonata For 2 Pianos And Percussion / Ravel: Rapsodie Espagnole • Ma Mère L'Oye | |||
Sonata For Two Pianos And Percussion Sz 110 | |||
1. Assai Lento - Allegro Molto | |||
2. Lento, Ma Non Troppo | |||
3. Allegro Non Troppo | |||
Ma Mère L'Oye = Mother Goose = Mutter Gans (For Two Pianos And Percussion) | |||
1. Pavane De La Belle Au Bois Dormant. Lent = Pavan Of The Sleeping Beauty. Lent = Dornröschens Pavane | |||
2. Petit Poucet. Très Modéré = Tom Thumb = Kleiner Däumling | |||
3. Laideronnette, Impératrice Des Pagodes. Mouvement De Marche = Laideronnette, Empress Of The Pagodas = Laideronnette, Kaiserin Der Pagoden | |||
4. Les Entretiens De La Belle Et De La Bête. Mouvement De Valse Très Modéré = Conversations Of Beauty And The Beast = Gespr äch Der Schönen Mit Dem Untier | |||
Le Jardin Féerique. Lent Et Grave = The Fairy Garden = Der Zaubergarten | |||
Rapsodie Espagnole (For Two Pianos And Percussion) | |||
1. Prélude À La Nuit: Modéré | |||
2. Malagueña: Assez Vif | |||
3. Habanera: En Demi-Teinte Et D'Un Rhythme Las | |||
4. Feria: Assez Vif | |||
Violinsonaten Nos. 6-8 = Violin Sonatas = Sonates Pour Violin | |||
Sonata No. 6 In A Major Op. 30 No. 1 = A-Dur = En La Majeur | |||
1. Allegro | |||
2. Adagio Molto Espressivo | |||
3. Allegretto Con Variazioni (I-VI) | |||
Sonata No. 7 In C Minor Op. 30 No. 2 = C-Moll = En Ut Mineur | |||
1. Allegro Con Brio | |||
2. Adagio Cantabile | |||
3. Scherzo. Allegro | |||
4. Finale. Allegro - Presto | |||
Sonata No. 8 In G Major Op. 30 No. 3 = G-Dur = En Sol Majeur | |||
1. Allegro Assai | |||
2. Tempo Di Minuetto, Ma Molto Moderato E Grazioso | |||
3. Allegro Vivace | |||
Violinsonaten Nos. 9 "Kreutzer" & 10 = Violin Sonatas = Sonates Pour Violin | |||
Sonata For Piano And Violin No. 9 In A Major Op. 47 "Kreutzer" = A-Dur »Kreutzer-Sonate« = En La Majeur « À Kreutzer » | |||
1. Adagio Sostenuto - Presto | |||
2. Andante Con Variazioni (I-IV) | |||
3. Presto | |||
Sonata For Piano And Violin No. 10 In G Major Op. 96 = G-Dur = En Sol Majeur | |||
1. Allegro Moderato | |||
2. Adagio Espressivo | |||
3. Scherzo. Allegro | |||
4. Poco Allegretto - Adagio Espressivo - Tempo I - Allegro - Poco Adagio - Presto | |||
Trios | |||
34-1 | Applause | ||
Trio For Piano, Violin And Violoncello No. 2 In E Minor Op. 67 = E-Moll = En Mi Mineur | |||
1. Andante - Moderato - Poco Più Mosso | |||
2. Allegro Con Brio | |||
3. Largo | |||
4. Allegretto - Adagio | |||
Trio For Piano, Violin And Violoncello In A Minor Op. 50 = A-Moll = En La Mineur | |||
1. Pezzo Elegiaco: Moderato Assai - Allegro Giusto - In Tempo Molto Sostenuto - Adagio Con Duolo E Ben Sostenuto - Moderato Assai - Allegro Gusto | |||
2. Tema Con Variazioni. Andante Con Moto | |||
Var. I | |||
Var. II: Più Mosso | |||
Var. III: Allegro Moderato | |||
Var. IV: L'Istesso Tempo (Allegro Moderato) | |||
Var. V: L'Istesso Tempo | |||
Var. VI: Tempo Di Valse | |||
Var. VII: Allegro Moderato | |||
Var. VIII: Fuga (Allegro Moderato) | |||
Var. IX: Andante Flebile, Ma Non Tanto | |||
Var. X: Tempo Di Mazurka | |||
Var. XI: Moderato | |||
Variazioni Finale E Coda: Allegro Risoluto E Con Fuoco | |||
[Coda] Andante Con Moto - Lugubre | |||
Encore | |||
34-21 | Tango Pathétique | ||
Stücke Im Volkston • Adagio Und Allegro • Fantasiestücke • Romanze • Märchenbild | |||
Adagio Und Allegro Op. 70 | |||
Lansam, Mit Innigem Ausdruck | |||
Rasch Und Feurig | |||
Drei Fantasiestücke Op. 73 | |||
1. Zart Und Mit Ausdruck | |||
2. Lebhaft, Leicht | |||
3. Rasch Und Mit Feuer | |||
35-6 | Romanze Op. 94 No. 1: Nicht Schnell | ||
Fünf Stücke Im Volkston Op. 102 | |||
1. "Vanitas Vanitatum", Mit Humor | |||
2. Langsam | |||
3. Nicht Schnell, Mit Viel Ton Zu Spielen | |||
4. Nicht Zu Rasch | |||
5. Stark Und Markiert | |||
35-12 | Märchenbilder Op. 113 No. 1: Nicht Schnell | ||
Sonata For Piano And Violin No. 9 In A Major Op. 47 "Kreutzer" = A-Dur »Kreutzer-Sonate« = En La Majeur « À Kreutzer » | |||
1. Adagio Sostenuto - Presto | |||
2. Andante Con Variazioni (I-IV) | |||
3. Presto | |||
Piano Concertos Nos. 2 & 3 | |||
Piano Concerto No. 3 In C Minor Op. 37 = C-Moll = En Ut Mineur | |||
1. Allegro Con Brio | |||
2. Largo | |||
3. Rondo. Allegro | |||
Piano Concerto No. 2 In B Flat Major Op. 19 = B-Dur = En Si Bémol Majeur | |||
1. Allegro Con Brio | |||
2. Adagio | |||
3. Rondo. Molto Allegro | |||
Live In Japan | |||
37-1 | Applause | ||
Sonata For Cello And Piano In G Minor Op. 65 = G-Moll = En Sol Mineur | |||
1. Allegro Moderato | |||
2. Scherzo (Allegro Con Brio) | |||
3. Largo | |||
4. Finale (Allegro) | |||
Sonata For Violin And Piano In A Major (Played On The Cello) = A-Dur = En La Majeur | |||
1. Allegretto Moderato | |||
2. Allegro - Quasi Lento - Tempo 1 | |||
3. Recitativo-Fantasia. Moderato | |||
4. Allegretto Poco Mosso | |||
Sonata For Cello And Piano In D Minor = D-Moll = En Ré Mineur | |||
1. Prologue. Lent | |||
2. Sérénade. Modérément Animé | |||
3. Finale. Animé | |||
Introduction Et Polonaise Brillante Op. 3 | |||
Introduction. Lento | |||
Alla Polacca. Allegro | |||
Brahms: Klavierquartett Op. 25 / Schumann: Fantasiestücke Op. 88 | |||
Piano Quartet No. 1 In G Minor Op. 25 = G-Moll = En Sol Mineur | |||
1. Allegro | |||
2. Intermezzo. Allegro Ma Non Troppo - Trio. Animato | |||
3. Andante Con Moto | |||
4. Rondo Alla Zingarese | |||
Fantasiestücke Op. 88 (For Piano, Violin And Cello) | |||
1. Romanze. Nicht Schnell, Mit Innigem Ausdruck | |||
2. Humoreske. Lebhaft | |||
3. Duett. Langsam Und Mit Ausdruck | |||
4. Finale. Im Marschtempo | |||
In Concert | |||
39-1 | Applause | ||
Suite Italienne | |||
1. Introduzione. Allegro Moderato | |||
2. Serenata. Larghetto | |||
3. Aria. Allegro All Breve - Largo | |||
4. Tarantella. Vivace | |||
5. Minuetto E Finale. Moderato - Molto Vivace | |||
39-7 | Applause | ||
Sonata For Cello And Piano In C Major Op. 119 = C-Dur = En Ut Majeur | |||
1. Andante Grave | |||
2. Moderato | |||
3. Allegro, Ma Non Troppo | |||
39-11 | Applause | ||
Sonata For Cello And Piano In D Minor Op. 40 = D-Moll = En Ré Mineur | |||
1. Allegro Non Troppo | |||
2. Allegro | |||
3. Largo | |||
4. Allegro | |||
39-16 | Applause | ||
39-17 | Waltz From The Ballet The Stone Flower = Walzer Aus Dem Ballett Das Märchen Von Der SteinernenBlume | ||
39-18 | Applause | ||
Prokofiev: Cinderella Suite / Ravel: Ma Mère L'Oye | |||
Cinderella = Aschenbrödel = Cendrillon (Suite From The Ballet) | |||
Introduction. Andante Dolce | |||
Quarrel = Streit = Querelle. Allegretto | |||
Winter = L'Hiver. Adagio - Allegro Moderato | |||
Spring = Frühling = Le Printemps. Vivace Con Brio - Moderato - Presto | |||
Cinderella's Waltz = Walzer Des Aschenbrödels = Valse De Cendrillon. Andante - Allegretto - Poco Piὺ Animato - Piὺ Animato - Meno Mosso | |||
Gavotte. Allegretto | |||
Gallop. Presto - Andantino - Presto | |||
Valse Lente. Adagio - Poco Piὺ Animato - Assai Piὺ Mosso - Poco Piὺ Animato - Meno Mosso (Piὺ Animato Dell'Adagio) | |||
Finale. Allegro Moderato - Allegro Espressivo - Presto - Allegro Moderato - Andante | |||
Ma Mère L'Oye = Mother Goose = Mutteer Gans (For Piano Four Hands) | |||
1. Pavane De La Belle Au Bois Dormant. Lent = Pavane Of The Sleeping Beauty = Dornröschens Pavane | |||
2. Petit Poucet. - Très Modéré = Tom Thumb = Kleiner Däumling | |||
3. Laideronnette, Impératrice Des Pagodes. Mouvement De Marche = Laideronnette, Empress Of The Pagodas = Laideronnette, Kaiserin Der Pagoden | |||
4. Les Entretiens De La Belle Et De La Bête. Mouvement De Valse Très Modéré = Conversations Of Beauty And The Beast = Gespräch Der Schönen Mit Dem Untier | |||
5. Le Jardin Féerique. Lent Et Grave = The Fairy Garden = Der Zaubergarten | |||
Salzburg | |||
Variations On A Theme By Joseph Haydn Op. 56b (Version For Two Pianos) | |||
Chorale St. Antoni. Andante | |||
Var. I: Andante Con Moto | |||
Var. II: Vivace | |||
Var. III: Con Moto | |||
Var. IV: Andante | |||
Var. V: Poco Presto | |||
Var. VI: Vivace | |||
Var. VII: Grazioso | |||
Var. VIII: Poco Presto | |||
Finale. Andante | |||
Symphonic Dances Op. 45 (Version For Two Pianos) | |||
1. Non Allegro | |||
2. Andante Con Moto (Tempo Di Valse) | |||
3. Lento Assai - Allegro Vivace | |||
41-14 | Rondo In A Major D 951 "Grand Rondeau" (For Piano Four Hands): Allegretto Quasi Andantino | ||
41-15 | La Valse (Poème Chorégraphique) (Version For Two Pianos): Mouvement De Valse Viennoise - Un Peu Plus Modéré - 1er Mouvement - Assez Animé | ||
Piano Concertos K 503 & K 466 | |||
Piano Concerto No. 25 In C Major K 503 = C-Dur = En Ut Majeur | |||
1. Allegro Maestoso | |||
2. Andante | |||
3. Allegretto | |||
Piano Concerto No. 20 In D Minor, K.466 | |||
1. Allegro Cadenza | |||
2. Romance | |||
3. Rondo. Allegro Assai | |||
Piano Duos | |||
Sonata For Two Pianos In D Major K 448 (375a) = D-Dur = En Ré Majeur | |||
1. Allegro Con Spirito | |||
2. Andante | |||
3. Molto Allegro | |||
43-4 | Variations On A Original Theme In A Flat Major D813 = Variationen Über Ein Eigenes Thema = Variations Sur Un Théme Original: = As-Dur = En La Bémol Majeur: Tema - Var. I-VIII | ||
Le Sacre Du Printemps (Tableaux De La Russie Païenne En Deux Parties - Reduction Pour Piano À Quatre Mains) = The Rite Of Spring (Scenes Of Pagan Russia In Two Parts - Version For Piano Four Hands) = Die Frühlingsweihe (Bilder Aus Dem Heidnischen Russland In Zwei Teilen – Fassung Für Klavier Zu Vier Händen | |||
I. L'Adoration De La Terre = The Adoration Of The Earth = Die Anbetung Der Erde / Introduction / Les Augurs Of Spring (Danses Des Adolescentes) = The Augurs Of Spring (Dances Of The Young Girls) = Die Vorboten Des Frühlings (Tänze Der Jungen Mädchen) / Jeu Du Rapt = Game Of Abduction = Gespielte Entführung / Rondes Printanières = Spring Rounds = Frühlingsreigen / Jeaux Des Rivalés = Ritual Of The Rival Tribes = Spiele Der Streitenden Stämme / Cortège Du Sage = Procession Of The Sage = Zug Des Weisen Alten / Le Sage - Danse De La Terre = The Sage - Dance Of The Earth = Der Weise Alte - Erdentanz | |||
II. Le Sacrifice = The Sacrifice = Das Opfer / Introduction / Cercles Mystérieux Des Adolescentes = Mystic Circles Of The Young Girls = Mystischer Reigen Der Jungen Mädchen / Glorification De L'Élue = Glorification Of The Chosen One = Verherrlichung Der Auserwählten /Évocation Des Ancêtres = Evocation Of The Ancestors =Anrufung Der Ahnen /Action Rituelle Ritual Des Ancêtres = Action Of The Ancestors = Weihetanz Der Ahnen / Danse Sacrale (L'Élue) = Sacrificial Dance (The Chosen One) = Opfertanz (Die Auserwählte) | |||
Lugano Concertos I | |||
Piano Concerto No. 1 In C Major Op. 15 = C-Dur = En Ut Majeur | |||
1. Allegro Con Brio | |||
2. Largo | |||
3. Rondo. Allegro | |||
Concerto For Two Pianos In D Minor FP 61 = D-Moll = En Ré Mineur | |||
1. Allegro Ma Non Troppo | |||
2. Larghetto | |||
3. Finale. Allegro Molto | |||
Concerto For Three Pianos In F Major K 242 "Lodron" = F-Dur » Lodron-Konzert« = En Fa Majeur « Lodron » | |||
1. Allegro | |||
2. Adagio | |||
3. Rondeau. Tempo Di Menuetto | |||
Lugano Concertos II | |||
Piano Concerto In A Minor Op. 54 = A-Moll = En La Mineur | |||
1. Allegro Affettuoso | |||
2. Intermezzo. Andantino Grazioso | |||
3. Allegro Vivace | |||
Piano Concerto No. 1 In D Flat Major Op. 10 = Des-Dur = En Ré Bémol Majeur | |||
1. Allegro Brioso | |||
2. Andante Assai | |||
3. Allegro Scherzando | |||
Piano Concerto No. 3 In C Major Op. 26 = C-Dur = En Ut Majeur | |||
1. Andante - Allegro | |||
2. Tema. Andantino / Var. 1. L'Istesso Tempo - Var. II. Allegro - Var. III. Allegro Moderato / Var. IV. Andantino Meditativo - Var. V. Allegro Giusto / Tema. L'Istesso Tempo | |||
3. Allegro Ma Non Troppo | |||
Lugano Concertos III | |||
Piano Concerto No. 2 In B Flat Major Op. 19 = B-Dur = En Si Bémol Majeur | |||
1. Allegro Con Brio Cadenza | |||
2. Adagio | |||
3. Rondo. Molto Allegro | |||
Piano Concerto No. 1 In E Flat Major = Es-Dur = En Mi Bémol Majeur | |||
1. Allegro Maestoso | |||
2. Quasi Adagio - 3. Allegretto Vivace - Allegro Animato | |||
4. Allegro Marziale Animato | |||
Piano Concerto No. 3 Sz 119 | |||
1. Allegretto | |||
2. Adagio Religioso | |||
3. Allegro Vivace | |||
46-10 | Andante And Five Variations In G Major For Piano Four Hands K 501 = G-Dur = En Sol Majeur: Tema. Andante - Var. 1 - Var. II - Var. III - Var. IV - Var. V | ||
Lugano Concertos IV | |||
Divertissement À La Hongroise In G Minor For Piano Four Hands D 818 = G-Moll = En Sol Mineur | |||
1. Andante | |||
2. Marcia. Andante Con Moto | |||
3. Allegretto | |||
Liebeslieder Op. 52 = Love Songs = Chants D'Amour (Waltzes For Choir And Piano Four Hands) | |||
1. Rede, Mädchen, Allzu Liebes | |||
2. Am Gesteine Rauscht Die Flut | |||
3. O Die Frauen | |||
4. Wie Des Abends Schöne Röte | |||
5. Die Grüne Hopfenranke | |||
6. Ein Kleiner, Hübscher Vogel | |||
7. Wohl Schön Bewandt | |||
8. Wenn So Lind Dein Auge Mir | |||
9. Am Donaustrande | |||
10. O Wie Sanft Die Quelle Sich | |||
11. Nein, Es Ist Nicht Auszukommen | |||
12. Schlosser Auf Und Mache Schlösser | |||
13. Vögelein Durchrauscht Die Luft | |||
14. Sieh, Wie Ist Die Welle Klar | |||
15. Nachtigall, Sie Singt So Schön | |||
16. Ein Dunkeler Schacht Ist Liebe | |||
17. Nicht Wandle, Mein Licht, Dort Außen | |||
18. Es Bebet Das Gesträuche | |||
Les Noces (Scènes Chorégraphiques Russes Avec Chant Et Musique) = The Wedding. Russian Choreographic Scenes With Song And Music = Bauernhochzeit. Russische Choreografische Szenen Mit Gesang Und Musik) | |||
Première Partie = Part One = Erster Teil | |||
Premier Tableau: La Tresse = The Tresses = Bei Der Braut | |||
Deuxième Tableau: Chez Le Marié = At The Bridegroom's House = Beim Bräutigam | |||
Troisième Tableau: Le Départ De La Mariée = The Departure Of The Bride = Das Brautgeleit | |||
Seconde Partie = Part Two = Zweiter Teil | |||
Quatrième Tableau: Le Repas De Noces = The Wedding Feast = Der Hochzeitsschmaus | |||
Scaramouche Op. 165b (Suite For Two Pianos) | |||
1. Vif | |||
2. Modéré | |||
3. Brazileira (Mouvement De Samba) | |||
Argerich Plays Chopin | |||
48-1 | Ballade No. 1 In G Minor Op. 23 = G-Moll = En Sol Mineur | ||
48-2 | Étude In C Sharp Minor Op. 10 No. 4 = Cis-Moll = En Ut Dièse Mineur | ||
48-3 | Mazurka In C Sharp Minor Op. 41 No. 4 = Cis-Moll = En Ut Dièse Mineur | ||
48-4 | Mazurka In E Minor Op. 41 No. 1 = E-Moll = En Mi Mineur | ||
48-5 | Mazurka In C Major Op. 24 No. 2 = C-Dur = En Ut Majeur | ||
48-6 | Mazurka In F Minor Op. 63 No. 2 = F-Moll = En Fa Mineur | ||
48-7 | Mazurka In D Major Op. 33 No. 2 = D-Dur = En Ré Majeur | ||
48-8 | Nocturne In F Major Op. 15 No. 1 = F-Dur = En Fa Majeur | ||
48-9 | Nocturne In E Flat Major Op. 55 No. 2 = Es-Dur = En Mi Bémol Majeur | ||
Three Mazurkas Op. 59 | |||
No. 1 In A Minor = A-Moll = En La Mineur - Moderato | |||
No. 2 In A Flat Major = As-Dur = En La Bémol Majeur - Allegretto | |||
No. 3 In F Sharp Minor = Fis-Moll = En Fa Dièse Mineur - Vivace | |||
Piano Sonata No. 3 In B Minor Op. 58 = H-Moll = En Si Mineur | |||
1. Allegro Maestoso | |||
2. Scherzo. Molto Vivace | |||
3. Largo | |||
4. Finale. Presto, Ma Non Tanto |
Art Direction – Franz Neuß (CDs 20, 21)
Art Direction – Hartmut Pfeiffer (CDs 13, 14, 23)
Art Direction – Lutz Bode (CDs 24, 25)
Art Direction – Merle Kersten
Art Direction – Peter Schuppe (CD 18)
Booklet Editor – Jens Schünemeyer
Booklet Editor – Texthouse
Co-producer – Ewald Markl (CD 38)
Design – Hil Boelhouwer (CD 15)
Edited By [Editing] – Uta Ruscher (46-7 to 46-9)
Engineer [Assistant Engineer] – Claus Behrens (30-1 to 30-7)
Engineer [Assistant Engineer] – Jürgen Bulgrin (30-8 to 30-10; CDs 31 to 33)
Engineer [Assistant Engineer] – Nicolas de Beco (CD 39)
Engineer [Assistant Engineer] – Rainer Maillard (CD 40)
Engineer [Assistant Engineer] – Reinhard Lagemann (CD 29; 30-8 to 30-10)
Engineer [Assistant Engineer] – Wolf-Dieter Karwatky (36-4 to 36-6; CD 41)
Engineer [Assistant Engineer] – Yujiro Saitoh (CD 34)
Engineer [Balance Engineer] – Wilhelm Hellweg (CD 22)
Engineer [Post-Production Engineer (DG)] – Ingmar Haas (36-1 to 36-3)
Engineer [Recording Engineer (EBS)] – Stephan Flock (CD 42)
Engineer [Recording Engineer (SRF)] – Ueli Würth (CD 42)
Engineer [Recording Engineer (Tonmeister)] – Andrew Wedman (CDs 29, 31)
Engineer [Recording Engineer (Tonmeister)] – Cees Heijkoop (10-5 to 10-7; CDs 15, 19)
Engineer [Recording Engineer (Tonmeister)] – Gernot Von Schultzendorff (CDs 27, 28; 30-8 to 30-10)
Engineer [Recording Engineer (Tonmeister)] – Gregor Zielinsky (CDs 32, 33)
Engineer [Recording Engineer (Tonmeister)] – Hans-Peter Schweigmann (10-1 to 10-4)
Engineer [Recording Engineer (Tonmeister)] – Heinz Wildhagen (CDs 1 to 3; 4-1 to 4-6, 5-1 to 5-3; CDs 6 to 9, 13)
Engineer [Recording Engineer (Tonmeister)] – Jonathan Stokes (35-1 to 35-12)
Engineer [Recording Engineer (Tonmeister)] – Karl-August Naegler (CDs 12, 14, 21, 24)
Engineer [Recording Engineer (Tonmeister)] – Klaus Behrens (26-8 to 26-13)
Engineer [Recording Engineer (Tonmeister)] – Klaus Hiemann (4-7 to 4-9; CD 23)
Engineer [Recording Engineer (Tonmeister)] – Klaus Scheibe (CD 24)
Engineer [Recording Engineer (Tonmeister)] – Onno Scholtze (CD 22)
Engineer [Recording Engineer (Tonmeister)] – Peter Laenger (5-4 to 5-6)
Engineer [Recording Engineer (Tonmeister)] – Rainer Maillard (30-1 to 30-7, 35-13 to 35-15; CD 38, 40)
Engineer [Recording Engineer (Tonmeister)] – Roger de Schot (CD 22)
Engineer [Recording Engineer (Tonmeister)] – Stephan Flock (CDs 39, 41)
Engineer [Recording Engineer (Tonmeister)] – Stephan Schellmann (5-4 to 5-6)
Engineer [Recording Engineer (Tonmeister)] – Takashi Sakurai (CD 34, 37)
Engineer [Recording Engineer (Tonmeister)] – Ulrich Vette (36-4 to 36-6)
Engineer [Recording Engineer (Tonmeister)] – Wolfgang Mitlehner (CDs 17, 18, 20; 26-1 to 26-7)
Engineer [Sound Engineer (RAI-Radio 3)] – Marco Galli (36-1 to 36-3)
Engineer [Sound Engineer] – René Möller (CD 43)
Engineer [Technischer Aufnahmeleiter] – Aulenkamp (48-10 to 48-12)
Engineer [Toningenieur] – Gert Bazin (48-2 to 48-9)
Engineer [Toningenieur] – Heinz Opitz (48-13 to 48-16)
Engineer [Toningenieur] – Klaus Kiehn (48-1)
Engineer [Tonmeister] – Dorothee Ehrensberger (48-13 to 48-16)
Engineer [Tonmeister] – Helge Jörns (48-2 to 48-9)
Engineer [Tonmeister] – Hermann Reuschel (48-1)
Engineer [Tonmeister] – Siegfried Spittler (48-10 to 48-12)
Executive-Producer – Angelika Meissner (CD 42)
Executive-Producer – Christian Leins (35-13 to 35-15; CD 41)
Executive-Producer – Christopher Alder (30-8 to 30-10)
Executive-Producer – Cord Garben (CD 12)
Executive-Producer – Dr. Rudolf Werner (CDs 12, 13)
Executive-Producer – Prof. Elsa Schiller (CD 1)
Executive-Producer – Ewald Markl (CD 34; 35-1 to 35-12; CDs 37, 39)
Executive-Producer – Günther Breest (CD 6, 10-1 to 10-4)
Executive-Producer – Hanno Rinke (4-7 to 4-9, 5-4 to 5-6; CDs 17, 18, 20, 21, 23 to 26)
Executive-Producer – Oepen (48-10 to 48-12)
Executive-Producer – Karl Faust (4-1 to 4-6, 5-1 to 5-3)
Executive-Producer – Martin T:son Engstroem (CDs 37, 38)
Executive-Producer – Otto Gerdes (CDs 2 to 4)
Executive-Producer – Rainer Brock (4-7 to 4-9; CD 9)
Executive-Producer – Robert Fäustle (CD 22)
Executive-Producer – Dr. Steven Paul (5-4 to 5-6)
Executive-Producer – Ute Fesquet (CD 42)
Executive-Producer [DG] – Christopher Adler (36-1 to 36-3)
Executive-Producer [Deutsche Grammophon] – Ute Fesquet (CD 43)
Executive-Producer [EuroArts] – Jan Bremme (CD 43)
Illustration [Cover Illustration / Based On A Photo By Klaus Hennch] – Fred Münzmaier
Illustration [Cover Illustration] – Steffen Bergemann (CD 40)
Illustration [Illustrations], Design – Fred Münzmaier
Liner Notes – Alan Blyth (CD 8)
Liner Notes – Anthony Burton (CDs 20, 25)
Liner Notes – Dieter Rexroth (CD 21)
Liner Notes – Dietmar Polaczek (CDs 8, 9)
Liner Notes – Fred Ritzel (CD 6)
Liner Notes – Gilles Cantagrel (CD 21)
Liner Notes – Gregor Willmes
Liner Notes – Hanno Rinke (CD 17)
Liner Notes – Hans-Werner Küthen (CD 23)
Liner Notes – Heinrich Lindlar (CD 3)
Liner Notes – Horst-Peter Hesse (CDs 20, 25)
Liner Notes – Ingo Harden (CDs 12, 13)
Liner Notes – Jacob Siskind (CD 12)
Liner Notes – Jean-Claude Poyet (CD 25)
Liner Notes – Jean-Jacques Velly (CD 24)
Liner Notes – Joan Chissell (CDs 19, 24)
Liner Notes – John Warrack (CD 18)
Liner Notes – Jürgen Meyer-Josten (CD 2)
Liner Notes – Karl Schumann (CD 4)
Liner Notes – Knut Franke (CD 14)
Liner Notes – Max Harrison (CD 15)
Liner Notes – Michael Struck (CD 18)
Liner Notes – Peter Nitsche (CD 7)
Liner Notes – Siegmar Keil (CD 24)
Liner Notes – Uwe Kraemer (CD 5)
Liner Notes – Wilhelm Pfannkuch (CD 19)
Liner Notes – William Drabkin (CD 23)
Liner Notes [Traduction De] – J. Fournier (CD 7)
Liner Notes [Traduction] – Carole Boudreault (CD 23)
Liner Notes [Traduction] – Claude Hermann (CD 19)
Liner Notes [Traduction] – Daniel Henry (CDs 8, 10, 18)
Liner Notes [Traduction] – Jacques Fournier (CDs 12, 14, 17, 20)
Liner Notes [Traduction] – Jerg Trescher (CD 13)
Liner Notes [Traduction] – Raoul Precht (CD 20)
Liner Notes [Traduzione] – Gabriele Cervone (CDs 14, 18)
Liner Notes [Traduzione] – Gianmario Borio (CDs 23 to 25)
Liner Notes [Traduzione] – Mirella Noack-Rofena (CDs 12, 13, 21)
Liner Notes [Translation By] – J. Coombs (CD 7)
Liner Notes [Translation] – Alan Newcombe (CD 17)
Liner Notes [Translation] – John Coombs (CDs 9, 10, 13, 14)
Liner Notes [Translation] – CD 21
Photography By – Studio Cantzler, Hamburg (CD 14)
Photography By – Christian Steiner (CDs 12, 13)
Photography By – Erich Auerbach (CDs 3, 4)
Photography By – Klaus Hennch (CDs 6, 9, 15)
Photography By [Artist Photos / Booklet] – Adriano Heitmann
Photography By [Artist Photos / Booklet] – Brüder Basch
Photography By [Artist Photos / Booklet] – Burt Mulder
Photography By [Artist Photos / Booklet] – Holger Kettner
Photography By [Artist Photos / Booklet] – Klaus Hennch
Photography By [Artist Photos / Booklet] – Klaus Zimmermann
Photography By [Artist Photos / Booklet] – Marco Caselli Nirmal
Photography By [Artist Photos / Booklet] – Rainer Maillard
Photography By [Artist Photos / Booklet] – Stéphanie Argerich
Photography By [Artist Photos / Booklet] – Susesch Bayat
Photography By [Artist Photos / Booklet] – Werner Neumeister
Photography By [Back Cover Photo] – Ilse Buhs (CD 42)
Photography By [Cover And Back Cover Photo] – Holger Kettner (CD 43)
Photography By [Cover And Back Cover Photo] – Werner Neumeister (CD 48)
Photography By [Cover Photo] – Adriano Heitmann (CDs 44 to 47)
Photography By [Cover Photo] – Clive Barda (CD 23)
Photography By [Cover Photo] – Decca (CD 16)
Photography By [Cover Photo] – Hans Baumann (CD 24)
Photography By [Cover Photo] – Johan Jacobs (CD 39)
Photography By [Cover Photo] – Klaus Rudolph (CD 32)
Photography By [Cover Photo] – Marco Caselli Nirmal (CD 36)
Photography By [Cover Photo] – Priska Ketterer (CD 42)
Photography By [Cover Photo] – Reinhart Wolf (CD 20)
Photography By [Cover Photo] – Stéphanie Argerich (CD 34)
Photography By [Cover Photo] – Stephanie Argerich (CDs 35, 37)
Photography By [Cover Photo] – Susesch Bayat (CDs 17, 18, 20, 21, 28, 30)
Photography By [Cover] – Fritz Fenzl (CD 5)
Photography By [Cover] – Werner Neumeister (CDs 7, 8)
Photography By [Foto] – Julius, Hannover (CD 1)
Photography By [Photo] – Anthony Crickmay (CD 10)
Photography By [Photo] – Werner Neumeister (CD 2)
Photography By [Photos] – KássKara (CD 38)
Photography By [Photos] – Wolfgang Lienbacher (CD 41)
Piano – Martha Argerich (1-1 to 11-12, 12-1 to 22-14, 23-1 to 48-16)
Producer – Christian Gansch (CD 40)
Producer – Christopher Adler (36-4 to 36-6)
Producer – Cord Garben (CDs 12, 14)
Producer – Hans Weber (10-1 to 10-4)
Producer – Hans-Rudolf Müller (CD 6)
Producer – Heinz Wildhagen (9-25, 9-26)
Producer – Helmut Mühle (CD 34)
Producer – Karl-Heinz Schneider (CD 1)
Producer – Rainer Brock (CDs 2, 3; 5-1 to 5-3, 7-1 to 9-24)
Producer – Sid McLauchlan (CDs 35, 37 to 39, 41)
Producer – Vittorio Negri (11-1 to 11-12)
Producer – Volker Straus (10-5 to 10-7, 11-13 to 11-20; CD 19)
Producer – Wilhelm Hellweg (CD 15)
Producer – Wolf Erichson (5-4 to 5-6)
Producer – Wolfgang Stengel (CDs 17, 18, 20, 21, 23 to 33)
Producer [Associate Producer] – Martin T:son Engstroem (36-4 to 36-6; CD 40)
Producer [Audio Producer (RAI-Radio 3)] – Elfride Foroni (36-1 to 36-3)
Producer [DG] – Sid McLauchlan (CD 42)
Producer [Recording Producer] – Friedemann Engelbrecht (CD 43)
Producer [Recording Producer] – Wilhelm Hellweg (CD 22)
Product Manager [Project Manager], Liner Notes, Compilation Producer – David Butchart
Project Manager [Progetto], Project Manager [Artistic Project Director] – Martha Argerich (CDs 44 to 47)
Project Manager [Project Director] – Carlo Piccardi (CDs 44 to 47)
Recorded By – Teldex Studio Berlin (CD 43)
Recorded By [Recording], Edited By [Editing], Mastered By [Mastering] – Michael Rast (45-1 to 45-3, 47-26 to 47-28)
Recorded By [Recording], Edited By [Editing], Mastered By [Mastering] – Ulrich Ruscher (45-7 to 45-9, 46-7 to 47-28)
Recorded By [Recording], Edited By [Editing], Mastered By [Mastering] – Wolfgang Müller (CD 44; 45-4 to 45-6, 46-1 to 46-6)
Recorded By, Mastered By – Emil Berliner Studios (CD 42)
Technician [Piano Technician] – Serge Poulin (CD 31)
Typography [Typo Design] – Werner Koberstein (CDs 24, 25)
Art Direction – Hartmut Pfeiffer (CDs 13, 14, 23)
Art Direction – Lutz Bode (CDs 24, 25)
Art Direction – Merle Kersten
Art Direction – Peter Schuppe (CD 18)
Booklet Editor – Jens Schünemeyer
Booklet Editor – Texthouse
Co-producer – Ewald Markl (CD 38)
Design – Hil Boelhouwer (CD 15)
Edited By [Editing] – Uta Ruscher (46-7 to 46-9)
Engineer [Assistant Engineer] – Claus Behrens (30-1 to 30-7)
Engineer [Assistant Engineer] – Jürgen Bulgrin (30-8 to 30-10; CDs 31 to 33)
Engineer [Assistant Engineer] – Nicolas de Beco (CD 39)
Engineer [Assistant Engineer] – Rainer Maillard (CD 40)
Engineer [Assistant Engineer] – Reinhard Lagemann (CD 29; 30-8 to 30-10)
Engineer [Assistant Engineer] – Wolf-Dieter Karwatky (36-4 to 36-6; CD 41)
Engineer [Assistant Engineer] – Yujiro Saitoh (CD 34)
Engineer [Balance Engineer] – Wilhelm Hellweg (CD 22)
Engineer [Post-Production Engineer (DG)] – Ingmar Haas (36-1 to 36-3)
Engineer [Recording Engineer (EBS)] – Stephan Flock (CD 42)
Engineer [Recording Engineer (SRF)] – Ueli Würth (CD 42)
Engineer [Recording Engineer (Tonmeister)] – Andrew Wedman (CDs 29, 31)
Engineer [Recording Engineer (Tonmeister)] – Cees Heijkoop (10-5 to 10-7; CDs 15, 19)
Engineer [Recording Engineer (Tonmeister)] – Gernot Von Schultzendorff (CDs 27, 28; 30-8 to 30-10)
Engineer [Recording Engineer (Tonmeister)] – Gregor Zielinsky (CDs 32, 33)
Engineer [Recording Engineer (Tonmeister)] – Hans-Peter Schweigmann (10-1 to 10-4)
Engineer [Recording Engineer (Tonmeister)] – Heinz Wildhagen (CDs 1 to 3; 4-1 to 4-6, 5-1 to 5-3; CDs 6 to 9, 13)
Engineer [Recording Engineer (Tonmeister)] – Jonathan Stokes (35-1 to 35-12)
Engineer [Recording Engineer (Tonmeister)] – Karl-August Naegler (CDs 12, 14, 21, 24)
Engineer [Recording Engineer (Tonmeister)] – Klaus Behrens (26-8 to 26-13)
Engineer [Recording Engineer (Tonmeister)] – Klaus Hiemann (4-7 to 4-9; CD 23)
Engineer [Recording Engineer (Tonmeister)] – Klaus Scheibe (CD 24)
Engineer [Recording Engineer (Tonmeister)] – Onno Scholtze (CD 22)
Engineer [Recording Engineer (Tonmeister)] – Peter Laenger (5-4 to 5-6)
Engineer [Recording Engineer (Tonmeister)] – Rainer Maillard (30-1 to 30-7, 35-13 to 35-15; CD 38, 40)
Engineer [Recording Engineer (Tonmeister)] – Roger de Schot (CD 22)
Engineer [Recording Engineer (Tonmeister)] – Stephan Flock (CDs 39, 41)
Engineer [Recording Engineer (Tonmeister)] – Stephan Schellmann (5-4 to 5-6)
Engineer [Recording Engineer (Tonmeister)] – Takashi Sakurai (CD 34, 37)
Engineer [Recording Engineer (Tonmeister)] – Ulrich Vette (36-4 to 36-6)
Engineer [Recording Engineer (Tonmeister)] – Wolfgang Mitlehner (CDs 17, 18, 20; 26-1 to 26-7)
Engineer [Sound Engineer (RAI-Radio 3)] – Marco Galli (36-1 to 36-3)
Engineer [Sound Engineer] – René Möller (CD 43)
Engineer [Technischer Aufnahmeleiter] – Aulenkamp (48-10 to 48-12)
Engineer [Toningenieur] – Gert Bazin (48-2 to 48-9)
Engineer [Toningenieur] – Heinz Opitz (48-13 to 48-16)
Engineer [Toningenieur] – Klaus Kiehn (48-1)
Engineer [Tonmeister] – Dorothee Ehrensberger (48-13 to 48-16)
Engineer [Tonmeister] – Helge Jörns (48-2 to 48-9)
Engineer [Tonmeister] – Hermann Reuschel (48-1)
Engineer [Tonmeister] – Siegfried Spittler (48-10 to 48-12)
Executive-Producer – Angelika Meissner (CD 42)
Executive-Producer – Christian Leins (35-13 to 35-15; CD 41)
Executive-Producer – Christopher Alder (30-8 to 30-10)
Executive-Producer – Cord Garben (CD 12)
Executive-Producer – Dr. Rudolf Werner (CDs 12, 13)
Executive-Producer – Prof. Elsa Schiller (CD 1)
Executive-Producer – Ewald Markl (CD 34; 35-1 to 35-12; CDs 37, 39)
Executive-Producer – Günther Breest (CD 6, 10-1 to 10-4)
Executive-Producer – Hanno Rinke (4-7 to 4-9, 5-4 to 5-6; CDs 17, 18, 20, 21, 23 to 26)
Executive-Producer – Oepen (48-10 to 48-12)
Executive-Producer – Karl Faust (4-1 to 4-6, 5-1 to 5-3)
Executive-Producer – Martin T:son Engstroem (CDs 37, 38)
Executive-Producer – Otto Gerdes (CDs 2 to 4)
Executive-Producer – Rainer Brock (4-7 to 4-9; CD 9)
Executive-Producer – Robert Fäustle (CD 22)
Executive-Producer – Dr. Steven Paul (5-4 to 5-6)
Executive-Producer – Ute Fesquet (CD 42)
Executive-Producer [DG] – Christopher Adler (36-1 to 36-3)
Executive-Producer [Deutsche Grammophon] – Ute Fesquet (CD 43)
Executive-Producer [EuroArts] – Jan Bremme (CD 43)
Illustration [Cover Illustration / Based On A Photo By Klaus Hennch] – Fred Münzmaier
Illustration [Cover Illustration] – Steffen Bergemann (CD 40)
Illustration [Illustrations], Design – Fred Münzmaier
Liner Notes – Alan Blyth (CD 8)
Liner Notes – Anthony Burton (CDs 20, 25)
Liner Notes – Dieter Rexroth (CD 21)
Liner Notes – Dietmar Polaczek (CDs 8, 9)
Liner Notes – Fred Ritzel (CD 6)
Liner Notes – Gilles Cantagrel (CD 21)
Liner Notes – Gregor Willmes
Liner Notes – Hanno Rinke (CD 17)
Liner Notes – Hans-Werner Küthen (CD 23)
Liner Notes – Heinrich Lindlar (CD 3)
Liner Notes – Horst-Peter Hesse (CDs 20, 25)
Liner Notes – Ingo Harden (CDs 12, 13)
Liner Notes – Jacob Siskind (CD 12)
Liner Notes – Jean-Claude Poyet (CD 25)
Liner Notes – Jean-Jacques Velly (CD 24)
Liner Notes – Joan Chissell (CDs 19, 24)
Liner Notes – John Warrack (CD 18)
Liner Notes – Jürgen Meyer-Josten (CD 2)
Liner Notes – Karl Schumann (CD 4)
Liner Notes – Knut Franke (CD 14)
Liner Notes – Max Harrison (CD 15)
Liner Notes – Michael Struck (CD 18)
Liner Notes – Peter Nitsche (CD 7)
Liner Notes – Siegmar Keil (CD 24)
Liner Notes – Uwe Kraemer (CD 5)
Liner Notes – Wilhelm Pfannkuch (CD 19)
Liner Notes – William Drabkin (CD 23)
Liner Notes [Traduction De] – J. Fournier (CD 7)
Liner Notes [Traduction] – Carole Boudreault (CD 23)
Liner Notes [Traduction] – Claude Hermann (CD 19)
Liner Notes [Traduction] – Daniel Henry (CDs 8, 10, 18)
Liner Notes [Traduction] – Jacques Fournier (CDs 12, 14, 17, 20)
Liner Notes [Traduction] – Jerg Trescher (CD 13)
Liner Notes [Traduction] – Raoul Precht (CD 20)
Liner Notes [Traduzione] – Gabriele Cervone (CDs 14, 18)
Liner Notes [Traduzione] – Gianmario Borio (CDs 23 to 25)
Liner Notes [Traduzione] – Mirella Noack-Rofena (CDs 12, 13, 21)
Liner Notes [Translation By] – J. Coombs (CD 7)
Liner Notes [Translation] – Alan Newcombe (CD 17)
Liner Notes [Translation] – John Coombs (CDs 9, 10, 13, 14)
Liner Notes [Translation] – CD 21
Photography By – Studio Cantzler, Hamburg (CD 14)
Photography By – Christian Steiner (CDs 12, 13)
Photography By – Erich Auerbach (CDs 3, 4)
Photography By – Klaus Hennch (CDs 6, 9, 15)
Photography By [Artist Photos / Booklet] – Adriano Heitmann
Photography By [Artist Photos / Booklet] – Brüder Basch
Photography By [Artist Photos / Booklet] – Burt Mulder
Photography By [Artist Photos / Booklet] – Holger Kettner
Photography By [Artist Photos / Booklet] – Klaus Hennch
Photography By [Artist Photos / Booklet] – Klaus Zimmermann
Photography By [Artist Photos / Booklet] – Marco Caselli Nirmal
Photography By [Artist Photos / Booklet] – Rainer Maillard
Photography By [Artist Photos / Booklet] – Stéphanie Argerich
Photography By [Artist Photos / Booklet] – Susesch Bayat
Photography By [Artist Photos / Booklet] – Werner Neumeister
Photography By [Back Cover Photo] – Ilse Buhs (CD 42)
Photography By [Cover And Back Cover Photo] – Holger Kettner (CD 43)
Photography By [Cover And Back Cover Photo] – Werner Neumeister (CD 48)
Photography By [Cover Photo] – Adriano Heitmann (CDs 44 to 47)
Photography By [Cover Photo] – Clive Barda (CD 23)
Photography By [Cover Photo] – Decca (CD 16)
Photography By [Cover Photo] – Hans Baumann (CD 24)
Photography By [Cover Photo] – Johan Jacobs (CD 39)
Photography By [Cover Photo] – Klaus Rudolph (CD 32)
Photography By [Cover Photo] – Marco Caselli Nirmal (CD 36)
Photography By [Cover Photo] – Priska Ketterer (CD 42)
Photography By [Cover Photo] – Reinhart Wolf (CD 20)
Photography By [Cover Photo] – Stéphanie Argerich (CD 34)
Photography By [Cover Photo] – Stephanie Argerich (CDs 35, 37)
Photography By [Cover Photo] – Susesch Bayat (CDs 17, 18, 20, 21, 28, 30)
Photography By [Cover] – Fritz Fenzl (CD 5)
Photography By [Cover] – Werner Neumeister (CDs 7, 8)
Photography By [Foto] – Julius, Hannover (CD 1)
Photography By [Photo] – Anthony Crickmay (CD 10)
Photography By [Photo] – Werner Neumeister (CD 2)
Photography By [Photos] – KássKara (CD 38)
Photography By [Photos] – Wolfgang Lienbacher (CD 41)
Piano – Martha Argerich (1-1 to 11-12, 12-1 to 22-14, 23-1 to 48-16)
Producer – Christian Gansch (CD 40)
Producer – Christopher Adler (36-4 to 36-6)
Producer – Cord Garben (CDs 12, 14)
Producer – Hans Weber (10-1 to 10-4)
Producer – Hans-Rudolf Müller (CD 6)
Producer – Heinz Wildhagen (9-25, 9-26)
Producer – Helmut Mühle (CD 34)
Producer – Karl-Heinz Schneider (CD 1)
Producer – Rainer Brock (CDs 2, 3; 5-1 to 5-3, 7-1 to 9-24)
Producer – Sid McLauchlan (CDs 35, 37 to 39, 41)
Producer – Vittorio Negri (11-1 to 11-12)
Producer – Volker Straus (10-5 to 10-7, 11-13 to 11-20; CD 19)
Producer – Wilhelm Hellweg (CD 15)
Producer – Wolf Erichson (5-4 to 5-6)
Producer – Wolfgang Stengel (CDs 17, 18, 20, 21, 23 to 33)
Producer [Associate Producer] – Martin T:son Engstroem (36-4 to 36-6; CD 40)
Producer [Audio Producer (RAI-Radio 3)] – Elfride Foroni (36-1 to 36-3)
Producer [DG] – Sid McLauchlan (CD 42)
Producer [Recording Producer] – Friedemann Engelbrecht (CD 43)
Producer [Recording Producer] – Wilhelm Hellweg (CD 22)
Product Manager [Project Manager], Liner Notes, Compilation Producer – David Butchart
Project Manager [Progetto], Project Manager [Artistic Project Director] – Martha Argerich (CDs 44 to 47)
Project Manager [Project Director] – Carlo Piccardi (CDs 44 to 47)
Recorded By – Teldex Studio Berlin (CD 43)
Recorded By [Recording], Edited By [Editing], Mastered By [Mastering] – Michael Rast (45-1 to 45-3, 47-26 to 47-28)
Recorded By [Recording], Edited By [Editing], Mastered By [Mastering] – Ulrich Ruscher (45-7 to 45-9, 46-7 to 47-28)
Recorded By [Recording], Edited By [Editing], Mastered By [Mastering] – Wolfgang Müller (CD 44; 45-4 to 45-6, 46-1 to 46-6)
Recorded By, Mastered By – Emil Berliner Studios (CD 42)
Technician [Piano Technician] – Serge Poulin (CD 31)
Typography [Typo Design] – Werner Koberstein (CDs 24, 25)
This edition (P) 2015 Deutsche Grammophon GmbH, Berlin.
(C) 2015 Deutsche Grammophon GmbH, Berlin.
Made in the EU.
Packaged in a hard cardboard box with CDs in separate, facsimile LP/CD replica of the original release, sleeves and a 154-page booklet.
CD1
CD2
CD3
CD4
CD5
CD6
CD7
CD8
CD9
CD10
CD11
CD12
CD13
CD14
CD15
CD16
CD17
CD18
CD19
CD20
CD21
CD22 (Correct version)
CD22 (Missprint/Mispress version on some boxes)
CD23
CD24
CD25
CD26
CD27
CD28
CD29
CD30
CD31
CD32
CD33
CD34
CD35
CD36
CD37
CD38
CD39
CD40
CD41
CD42
CD43
CD44
CD45
CD46
CD47
CD48
The box cover all recordings made by Deutsche Grammophon and Philips labels (1960-2014).
(C) 2015 Deutsche Grammophon GmbH, Berlin.
Made in the EU.
Packaged in a hard cardboard box with CDs in separate, facsimile LP/CD replica of the original release, sleeves and a 154-page booklet.
CD1
CD2
CD3
CD4
CD5
CD6
CD7
CD8
CD9
CD10
CD11
CD12
CD13
CD14
CD15
CD16
CD17
CD18
CD19
CD20
CD21
CD22 (Correct version)
CD22 (Missprint/Mispress version on some boxes)
CD23
CD24
CD25
CD26
CD27
CD28
CD29
CD30
CD31
CD32
CD33
CD34
CD35
CD36
CD37
CD38
CD39
CD40
CD41
CD42
CD43
CD44
CD45
CD46
CD47
CD48
The box cover all recordings made by Deutsche Grammophon and Philips labels (1960-2014).
Barcode (Scanned UPC-A) – 028947946472
Barcode (Text) – 0 28947 94647 2
Label Code – LC 0173
SPARS Code (CDs 1 to 10 to 14, 16, 22, 48) – ADD
SPARS Code (CDs 4, 5, 10, 15, 17 to 47) – DDD
Rights Society (CDs 1, 10, 11, 15, 22, 26, 28, 30, 31, 34, 39, 40, 43 to 47) – BIEM / SDRM
Rights Society (CDs 2 to 9, 12 to 14, 16 to 21, 23 to 25, 27, 29, 32, 33, 35 to 38, 41, 42, 48) – D. P.
Other (Boxed separately) – G B48
Other (CD 1 Catalog #) – 00289 479 5122
Other (CD 2 Catalog #) – 00289 479 5123
Other (CD 3 Catalog #) – 00289 479 5124
Other (CD 4 Catalog #) – 00289 479 5125
Other (CD 5 Catalog #) – 00289 479 5126
Other (CD 6 Catalog #) – 00289 479 5127
Other (CD 7 Catalog #) – 00289 479 5128
Other (CD 8 Catalog #) – 00289 479 5129
Other (CD 9 Catalog #) – 00289 479 5130
Other (CD 10 Catalog #) – 00289 479 5131
Other (CD 10 Catalog #) – 00289 479 5132
Other (CD 12 Catalog #) – 00289 479 5133
Other (CD 13 Catalog #) – 00289 479 5134
Other (CD 14 Catalog #) – 00289 479 5135
Other (CD 15 Catalog #) – 00289 479 5136
Other (CD 16 Catalog #) – 00289 479 5137
Other (CD 17 Catalog #) – 00289 479 5138
Other (CD 18 Catalog #) – 00289 479 5139
Other (CD 19 Catalog #) – 00289 479 5140
Other (CD 20 Catalog #) – 00289 479 5141
Other (CD 21 Catalog #) – 00289 479 5142
Other (CD 22 Catalog #) – 00289 479 5143
Other (CD 23 Catalog #) – 00289 479 5144
Other (CD 24 Catalog #) – 00289 479 5145
Other (CD 25 Catalog #) – 00289 479 5146
Other (CD 26 Catalog #) – 00289 479 5147
Other (CD 27 Catalog #) – 00289 479 5148
Other (CD 28 Catalog #) – 00289 479 5149
Other (CD 29 Catalog #) – 00289 479 5150
Other (CD 30 Catalog #) – 00289 479 5151
Other (CD 31 Catalog #) – 00289 479 5152
Other (CD 32 Catalog #) – 00289 479 5153
Other (CD 33 Catalog #) – 00289 479 5154
Other (CD 34 Catalog #) – 00289 479 5155
Other (CD 35 Catalog #) – 00289 479 5156
Other (CD 36 Catalog #) – 00289 479 5157
Other (CD 37 Catalog #) – 00289 479 5158
Other (CD 38 Catalog #) – 00289 479 5159
Other (CD 39 Catalog #) – 00289 479 5160
Other (CD 40 Catalog #) – 00289 479 5161
Other (CD 41 Catalog #) – 00289 479 5162
Other (CD 42 Catalog #) – 00289 479 5163
Other (CD 43 Catalog #) – 00289 479 5164
Other (CD 44 Catalog #) – 00289 479 5165
Other (CD 45 Catalog #) – 00289 479 5166
Other (CD 46 Catalog #) – 00289 479 5167
Other (CD 47 Catalog #) – 00289 479 5168
Other (CD 48 Catalog #) – 00289 479 5169
Matrix / Runout (Outer circle CDs 1 to 48) – [Universal logo x4]
Matrix / Runout (Inner circle CDs 1 to 34, 36 to 38, 40 to 48) – MADE IN GERMANY BY EDC A
Matrix / Runout (Inner circle CDs 35, 39) – MADE IN GERMANY BY EDC B
Matrix / Runout (CD 1) – 00289 479 512-2 01 ❋ 53757108
Matrix / Runout (CD 2) – 00289 479 512-3 01 ❋ 53757110
Matrix / Runout (CD 3) – 00289 479 512-4 01 ❋ 53757132
Matrix / Runout (CD 4) – 00289 479 512-5 01 ❋ 53757134
Matrix / Runout (CD 5) – 00289 479 512-6 01 ❋ 53757136
Matrix / Runout (CD 6) – 00289 479 512-7 01 ❋ 53757138
Matrix / Runout (CD 7) – 00289 479 512-8 01 ❋ 53757140
Matrix / Runout (CD 8) – 00289 479 512-9 01 # 53757142
Matrix / Runout (CD 9) – 00289 479 513-0 01 # 53757144
Matrix / Runout (CD 10) – 00289 479 513-1 01 # 53757146
Matrix / Runout (CD 11) – 00289 479 513-2 01 # 53757148
Matrix / Runout (CD 12) – 00289 479 513-3 01 # 53757150
Matrix / Runout (CD 13) – 00289 479 513-4 01 # 53757152
Matrix / Runout (CD 14) – 00289 479 513-5 01 # 53757154
Matrix / Runout (CD 15) – 00289 479 513-6 01 # 53757156
Matrix / Runout (CD 16) – 00289 479 513-7 01 # 53757158
Matrix / Runout (CD 17) – 00289 479 513-8 01 # 53757160
Matrix / Runout (CD 18) – 00289 479 513-9 01 # 53757162
Matrix / Runout (CD 19) – 00289 479 514-0 01 # 53757296
Matrix / Runout (CD 20) – 00289 479 514-1 01 + 53757298
Matrix / Runout (CD 21) – 00289 479 514-2 01 + 53757164
Matrix / Runout (CD 22) – 00289 479 514-3 01 # 53757166
Matrix / Runout (CD 23) – 00289 479 514-4 01 # 53757219
Matrix / Runout (CD 24) – 00289 479 514-5 01 # 53757222
Matrix / Runout (CD 25) – 00289 479 514-6 01 + 53757224
Matrix / Runout (CD 26) – 00289 479 514-7 01 + 53757226
Matrix / Runout (CD 27) – 00289 479 514-8 01 + 53757228
Matrix / Runout (CD 28) – 00289 479 514-9 01 + 53757230
Matrix / Runout (CD 29) – 00289 479 515-0 01 # 53757232
Matrix / Runout (CD 30) – 00289 479 515-1 01 # 53757300
Matrix / Runout (CD 31) – 00289 479 515-2 01 # 53757234
Matrix / Runout (CD 32) – 00289 479 515-3 01 # 53757236
Matrix / Runout (CD 33) – 00289 479 515-4 01 # 53757238
Matrix / Runout (CD 34) – 00289 479 515-5 01 # 53757240
Matrix / Runout (CD 35) – 00289 479 515-6 01 + 53757243
Matrix / Runout (CD 36) – 00289 479 515-7 01 # 53757245
Matrix / Runout (CD 37) – 00289 479 515-8 01 # 53757247
Matrix / Runout (CD 38) – 00289 479 515-9 01 # 53757249
Matrix / Runout (CD 39) – 00289 479 516-0 01 # 53757251
Matrix / Runout (CD 40) – 00289 479 516-1 01 # 53757253
Matrix / Runout (CD 41) – 00289 479 516-2 01 ❋ 53757255
Matrix / Runout (CD 42) – 00289 479 516-8 01 # 53757292
Matrix / Runout (CD 43) – 00289 479 516-4 01 # 53757259
Matrix / Runout (CD 44) – 00289 479 516-5 01 # 53757286
Matrix / Runout (CD 45) – 00289 479 516-6 01 ❋ 53757288
Matrix / Runout (CD 46) – 00289 479 516-7 01 ❋ 53757290
Matrix / Runout (CD 47) – 00289 479 516-8 01 ❋ 53757292
Matrix / Runout (CD 48) – 00289 479 516-9 01 + 53757294
Mastering SID Code (CDs 1 to 7, 41, 45 to 47) – IFPI LV26
Mastering SID Code (CDs 8 to 19, 22 to 24, 29 to 34, 36 to 40, 43, 44) – IFPI LZ87
Mastering SID Code (CDs 20, 21, 25 to 28, 35, 48) – Mastering SID Code: IFPI LV27
Mould SID Code (CDs 1, 11, 16, 33, 41, 46, 48) – IFPI 0118
Mould SID Code (CDs 2, 18, 34, 45) – IFPI 0125
Mould SID Code (CDs 3, 9) – IFPI 0126
Mould SID Code (CDs 4, 15, 31, 40) – IFPI 0121
Mould SID Code (CDs 5, 6, 8) – IFPI 0144
Mould SID Code (CDs 7, 20, 37, 44) – IFPI 0117
Mould SID Code (CD 10) – IFPI 0143
Mould SID Code (CDs 12, 13) – IFPI 0157
Mould SID Code (CDs 14, 21, 25, 29, 38) – IFPI 0160
Mould SID Code (CDs 17, 24, 30) – IFPI 0129
Mould SID Code (CDs 19, 23, 36) – IFPI 0138
Mould SID Code (CDs 22, 28, 32, 42, 47) – IFPI 0142
Mould SID Code (CDs 26, 27, 39) – IFPI 0115
Mould SID Code (CDs 35, 43) – IFPI 0135
Barcode (Text) – 0 28947 94647 2
Label Code – LC 0173
SPARS Code (CDs 1 to 10 to 14, 16, 22, 48) – ADD
SPARS Code (CDs 4, 5, 10, 15, 17 to 47) – DDD
Rights Society (CDs 1, 10, 11, 15, 22, 26, 28, 30, 31, 34, 39, 40, 43 to 47) – BIEM / SDRM
Rights Society (CDs 2 to 9, 12 to 14, 16 to 21, 23 to 25, 27, 29, 32, 33, 35 to 38, 41, 42, 48) – D. P.
Other (Boxed separately) – G B48
Other (CD 1 Catalog #) – 00289 479 5122
Other (CD 2 Catalog #) – 00289 479 5123
Other (CD 3 Catalog #) – 00289 479 5124
Other (CD 4 Catalog #) – 00289 479 5125
Other (CD 5 Catalog #) – 00289 479 5126
Other (CD 6 Catalog #) – 00289 479 5127
Other (CD 7 Catalog #) – 00289 479 5128
Other (CD 8 Catalog #) – 00289 479 5129
Other (CD 9 Catalog #) – 00289 479 5130
Other (CD 10 Catalog #) – 00289 479 5131
Other (CD 10 Catalog #) – 00289 479 5132
Other (CD 12 Catalog #) – 00289 479 5133
Other (CD 13 Catalog #) – 00289 479 5134
Other (CD 14 Catalog #) – 00289 479 5135
Other (CD 15 Catalog #) – 00289 479 5136
Other (CD 16 Catalog #) – 00289 479 5137
Other (CD 17 Catalog #) – 00289 479 5138
Other (CD 18 Catalog #) – 00289 479 5139
Other (CD 19 Catalog #) – 00289 479 5140
Other (CD 20 Catalog #) – 00289 479 5141
Other (CD 21 Catalog #) – 00289 479 5142
Other (CD 22 Catalog #) – 00289 479 5143
Other (CD 23 Catalog #) – 00289 479 5144
Other (CD 24 Catalog #) – 00289 479 5145
Other (CD 25 Catalog #) – 00289 479 5146
Other (CD 26 Catalog #) – 00289 479 5147
Other (CD 27 Catalog #) – 00289 479 5148
Other (CD 28 Catalog #) – 00289 479 5149
Other (CD 29 Catalog #) – 00289 479 5150
Other (CD 30 Catalog #) – 00289 479 5151
Other (CD 31 Catalog #) – 00289 479 5152
Other (CD 32 Catalog #) – 00289 479 5153
Other (CD 33 Catalog #) – 00289 479 5154
Other (CD 34 Catalog #) – 00289 479 5155
Other (CD 35 Catalog #) – 00289 479 5156
Other (CD 36 Catalog #) – 00289 479 5157
Other (CD 37 Catalog #) – 00289 479 5158
Other (CD 38 Catalog #) – 00289 479 5159
Other (CD 39 Catalog #) – 00289 479 5160
Other (CD 40 Catalog #) – 00289 479 5161
Other (CD 41 Catalog #) – 00289 479 5162
Other (CD 42 Catalog #) – 00289 479 5163
Other (CD 43 Catalog #) – 00289 479 5164
Other (CD 44 Catalog #) – 00289 479 5165
Other (CD 45 Catalog #) – 00289 479 5166
Other (CD 46 Catalog #) – 00289 479 5167
Other (CD 47 Catalog #) – 00289 479 5168
Other (CD 48 Catalog #) – 00289 479 5169
Matrix / Runout (Outer circle CDs 1 to 48) – [Universal logo x4]
Matrix / Runout (Inner circle CDs 1 to 34, 36 to 38, 40 to 48) – MADE IN GERMANY BY EDC A
Matrix / Runout (Inner circle CDs 35, 39) – MADE IN GERMANY BY EDC B
Matrix / Runout (CD 1) – 00289 479 512-2 01 ❋ 53757108
Matrix / Runout (CD 2) – 00289 479 512-3 01 ❋ 53757110
Matrix / Runout (CD 3) – 00289 479 512-4 01 ❋ 53757132
Matrix / Runout (CD 4) – 00289 479 512-5 01 ❋ 53757134
Matrix / Runout (CD 5) – 00289 479 512-6 01 ❋ 53757136
Matrix / Runout (CD 6) – 00289 479 512-7 01 ❋ 53757138
Matrix / Runout (CD 7) – 00289 479 512-8 01 ❋ 53757140
Matrix / Runout (CD 8) – 00289 479 512-9 01 # 53757142
Matrix / Runout (CD 9) – 00289 479 513-0 01 # 53757144
Matrix / Runout (CD 10) – 00289 479 513-1 01 # 53757146
Matrix / Runout (CD 11) – 00289 479 513-2 01 # 53757148
Matrix / Runout (CD 12) – 00289 479 513-3 01 # 53757150
Matrix / Runout (CD 13) – 00289 479 513-4 01 # 53757152
Matrix / Runout (CD 14) – 00289 479 513-5 01 # 53757154
Matrix / Runout (CD 15) – 00289 479 513-6 01 # 53757156
Matrix / Runout (CD 16) – 00289 479 513-7 01 # 53757158
Matrix / Runout (CD 17) – 00289 479 513-8 01 # 53757160
Matrix / Runout (CD 18) – 00289 479 513-9 01 # 53757162
Matrix / Runout (CD 19) – 00289 479 514-0 01 # 53757296
Matrix / Runout (CD 20) – 00289 479 514-1 01 + 53757298
Matrix / Runout (CD 21) – 00289 479 514-2 01 + 53757164
Matrix / Runout (CD 22) – 00289 479 514-3 01 # 53757166
Matrix / Runout (CD 23) – 00289 479 514-4 01 # 53757219
Matrix / Runout (CD 24) – 00289 479 514-5 01 # 53757222
Matrix / Runout (CD 25) – 00289 479 514-6 01 + 53757224
Matrix / Runout (CD 26) – 00289 479 514-7 01 + 53757226
Matrix / Runout (CD 27) – 00289 479 514-8 01 + 53757228
Matrix / Runout (CD 28) – 00289 479 514-9 01 + 53757230
Matrix / Runout (CD 29) – 00289 479 515-0 01 # 53757232
Matrix / Runout (CD 30) – 00289 479 515-1 01 # 53757300
Matrix / Runout (CD 31) – 00289 479 515-2 01 # 53757234
Matrix / Runout (CD 32) – 00289 479 515-3 01 # 53757236
Matrix / Runout (CD 33) – 00289 479 515-4 01 # 53757238
Matrix / Runout (CD 34) – 00289 479 515-5 01 # 53757240
Matrix / Runout (CD 35) – 00289 479 515-6 01 + 53757243
Matrix / Runout (CD 36) – 00289 479 515-7 01 # 53757245
Matrix / Runout (CD 37) – 00289 479 515-8 01 # 53757247
Matrix / Runout (CD 38) – 00289 479 515-9 01 # 53757249
Matrix / Runout (CD 39) – 00289 479 516-0 01 # 53757251
Matrix / Runout (CD 40) – 00289 479 516-1 01 # 53757253
Matrix / Runout (CD 41) – 00289 479 516-2 01 ❋ 53757255
Matrix / Runout (CD 42) – 00289 479 516-8 01 # 53757292
Matrix / Runout (CD 43) – 00289 479 516-4 01 # 53757259
Matrix / Runout (CD 44) – 00289 479 516-5 01 # 53757286
Matrix / Runout (CD 45) – 00289 479 516-6 01 ❋ 53757288
Matrix / Runout (CD 46) – 00289 479 516-7 01 ❋ 53757290
Matrix / Runout (CD 47) – 00289 479 516-8 01 ❋ 53757292
Matrix / Runout (CD 48) – 00289 479 516-9 01 + 53757294
Mastering SID Code (CDs 1 to 7, 41, 45 to 47) – IFPI LV26
Mastering SID Code (CDs 8 to 19, 22 to 24, 29 to 34, 36 to 40, 43, 44) – IFPI LZ87
Mastering SID Code (CDs 20, 21, 25 to 28, 35, 48) – Mastering SID Code: IFPI LV27
Mould SID Code (CDs 1, 11, 16, 33, 41, 46, 48) – IFPI 0118
Mould SID Code (CDs 2, 18, 34, 45) – IFPI 0125
Mould SID Code (CDs 3, 9) – IFPI 0126
Mould SID Code (CDs 4, 15, 31, 40) – IFPI 0121
Mould SID Code (CDs 5, 6, 8) – IFPI 0144
Mould SID Code (CDs 7, 20, 37, 44) – IFPI 0117
Mould SID Code (CD 10) – IFPI 0143
Mould SID Code (CDs 12, 13) – IFPI 0157
Mould SID Code (CDs 14, 21, 25, 29, 38) – IFPI 0160
Mould SID Code (CDs 17, 24, 30) – IFPI 0129
Mould SID Code (CDs 19, 23, 36) – IFPI 0138
Mould SID Code (CDs 22, 28, 32, 42, 47) – IFPI 0142
Mould SID Code (CDs 26, 27, 39) – IFPI 0115
Mould SID Code (CDs 35, 43) – IFPI 0135