You have no items in your shopping cart.
The Robot Woman Trilogy
| Robot Woman 1 | |||
| 1-1 | Disco At The End Of The World | 5:17 | |
| 1-2 | Robot Woman | 4:06 | |
| 1-3 | Machine Song | 4:14 | |
| 1-4 | The Sea | 3:34 | |
| 1-5 | Searching The Airwaves | 6:33 | |
| 1-6 | Billi Bunker's Blues | 2:36 | |
| 1-7 | Military Procession | 1:39 | |
| 1-8 | Customs Man - Rapist | 4:42 | |
| 1-9 | Fire | 1:49 | |
| 1-10 | Red Alert | 3:14 | |
| 1-11 | Stars | 5:35 | |
| 1-12 | Australia | 3:16 | |
| Robot Woman 2 | |||
| 2-1 | Suggestive Station | 4:38 | |
| 2-2 | This Train | 4:53 | |
| 2-3 | I Wanna Be With You | 5:23 | |
| 2-4 | The Moving Walkway | 1:57 | |
| 2-5 | The Upwardly Mobile Song | 1:26 | |
| 2-6 | Tigers Or Elephants | 3:24 | |
| 2-7 | Mirror | 3:03 | |
| 2-8 | You Can Touch The Sky | 4:44 | |
| 2-9 | 1999 | 4:44 | |
| 2-10 | Crazy Town | 3:10 | |
| 2-11 | Angry Song | 6:02 | |
| 2-12 | Looking For | 2:20 | |
| 2-13 | Leotards | 3:17 | |
| Robot Woman 3 | |||
| 3-1 | It's You And Me Baby | 6:41 | |
| 3-2 | Faces Of A Woman | 4:25 | |
| 3-3 | Desire, War | 3:32 | |
| 3-4 | Children's Song | 3:31 | |
| 3-5 | Lady's Song | 3:29 | |
| 3-6 | Woman Of Streams | 3:55 | |
| 3-7 | I'm Sorry | 1:20 | |
| 3-8 | Men Cry | 2:48 | |
| 3-9 | Solutions | 6:28 | |
| 3-10 | Magenta Part One | 3:33 | |
| Robot Woman Xtra - Unknown And Hidden Extras - Demos & Rarities | |||
| 4-1 | Trepidance | 5:22 | |
| 4-2 | Disco At The End Of The World - Demo | 3:21 | |
| 4-3 | Harry - A Future | 0:51 | |
| 4-4 | Robot Woman Live At KCMO | 5:51 | |
| 4-5 | Rat Rock Instrumental | 2:22 | |
| 4-6 | Slow Slither | 1:03 | |
| 4-7 | Searching The Airwaves And Today's Army | 3:50 | |
| 4-8 | Machine Song - Dub Remix | 4:52 | |
| 4-9 | Customs Demo | 4:56 | |
| 4-10 | Australia Intrumental Dub | 3:00 | |
| 4-11 | War Is Over - Armageddon - Wassillissa Flute | 4:28 | |
| 4-12 | Tigers | 0:32 | |
| 4-13 | Chinese Puzzle | 3:14 | |
| 4-14 | 1999 Dub | 3:25 | |
| 4-15 | Is It Real Or Am I Dreaming? - Magic Land | 3:26 | |
| 4-16 | Flying Through The Machine | 4:38 | |
| 4-17 | Gliss With Matthew Arnold | 3:37 | |
| 4-18 | Magenta - 100 Years Old With Life After Life | 7:44 | |
Artwork – Peter Woolley
Bass – Dane Cranenberg (1-1, 1-2, 1-5, 1-7 to 1-12, 2-1 to 2-5, 2-8, 2-9, 2-11, 2-12)
Bass, Synth – Harry Williamson (2-6, 2-7, 2-10)
Design, Illustration – Christine Sawyer
Drums, Percussion – Guy Evans (1-1, 1-2, 1-5, 1-7 to 1-12, 2-1 to 2-3, 2-5 to 2-12)
Graphics [Hand Separated Graphics for the Cover of Volume 2] – Tasmin Smyth
Guitar – Yan Emeric (1-1, 1-2, 1-5, 1-7 to 1-12)
Instruments [Boobong], Bells [Alibells], Shaker, Conch – Dave Sawyer (2-6, 2-7, 2-10)
Liner Notes – Gilli Smyth
Liner Notes – Harry Williamson
Liner Notes – Rick Chafen
Mastered By – Pete J Reynolds
Painting [Cover of Volume 3] – Lali Shepherd
Painting [Cover of Volume 3] – Phil Shepherd
Photography By – Craig Shankster
Photography By – Dave Thurston
Photography By – Justin Krause
Photography By – Steve Bayfield
Recorded By, Mixed By, Technician [Remixing, Re-syncing] – Harry Williamson
Saxophone [Sax's], Flute – Didier Malherbe (1-1, 1-2, 1-5, 1-7 to 1-12, 2-1 to 2-3, 2-5, 2-8, 2-9, 2-11, 2-12)
Synth – Mo Vickerage (, 2-1 to 2-3, 2-5, to 2-12)
Synthesizer [ARP Solo] – Mo Vickerage (2-6, 2-7, 2-10)
Vocals, Guitar – Harry Williamson (1-1, 1-2, 1-5, 1-7 to 1-12)
Vocals, Voice [Space Whisper] – Gilli Smyth (1-1 to 1-3, 1-5, 1-7 to 1-12, 2-1 to 2-3, 2-5 to 2-12)
Bass – Dane Cranenberg (1-1, 1-2, 1-5, 1-7 to 1-12, 2-1 to 2-5, 2-8, 2-9, 2-11, 2-12)
Bass, Synth – Harry Williamson (2-6, 2-7, 2-10)
Design, Illustration – Christine Sawyer
Drums, Percussion – Guy Evans (1-1, 1-2, 1-5, 1-7 to 1-12, 2-1 to 2-3, 2-5 to 2-12)
Graphics [Hand Separated Graphics for the Cover of Volume 2] – Tasmin Smyth
Guitar – Yan Emeric (1-1, 1-2, 1-5, 1-7 to 1-12)
Instruments [Boobong], Bells [Alibells], Shaker, Conch – Dave Sawyer (2-6, 2-7, 2-10)
Liner Notes – Gilli Smyth
Liner Notes – Harry Williamson
Liner Notes – Rick Chafen
Mastered By – Pete J Reynolds
Painting [Cover of Volume 3] – Lali Shepherd
Painting [Cover of Volume 3] – Phil Shepherd
Photography By – Craig Shankster
Photography By – Dave Thurston
Photography By – Justin Krause
Photography By – Steve Bayfield
Recorded By, Mixed By, Technician [Remixing, Re-syncing] – Harry Williamson
Saxophone [Sax's], Flute – Didier Malherbe (1-1, 1-2, 1-5, 1-7 to 1-12, 2-1 to 2-3, 2-5, 2-8, 2-9, 2-11, 2-12)
Synth – Mo Vickerage (, 2-1 to 2-3, 2-5, to 2-12)
Synthesizer [ARP Solo] – Mo Vickerage (2-6, 2-7, 2-10)
Vocals, Guitar – Harry Williamson (1-1, 1-2, 1-5, 1-7 to 1-12)
Vocals, Voice [Space Whisper] – Gilli Smyth (1-1 to 1-3, 1-5, 1-7 to 1-12, 2-1 to 2-3, 2-5 to 2-12)
Robot Woman 1 2 3 + Xtras
An evolutionary tale
Cartoon + Unheard tunes + Mystery
Many photos + Aidememoire
Original manuscripts
Hilarious stories tall and true
Released in 64 page hardback book
Stated by retailers to be a limited edition of 1500 copies, but nothing like that appears on the release itself.
There are many track titles differences in several parts of the books.
CD4 is titled "Robot Woman Xtras" on disc face, "Unknown And Hidden Extras" in book for the track-by-track details, and "Demos & Rarities" in book in the page with tracklistings.
CD 1 previously issued as
CD 2 previously issued as
CD 3 previously issued as
4-1 : Listed as 'Evidance', opening number at Glastonbury '81, which is a mistake; the track is actually 'Trepidance', taken from the cassette-only album by .
4-2 : the backing track was recorded in a green pyramid tent in a field in Mid Wales during a festival in 1976. This was used for the demo of 'Disco at the end of the world', and later became the backing for 'The Moving Walkway' on .
4-4 : audience recording of a minimalist show in Kansas City Missouri in 1981, with backing track recorded at Foel Studio.
4-5 : comes from The Pied Piper recorded in 1978. Extracted from .
4-7 : demo version as used on the US tour.
4-8 : recorded as a B-side to .
4-9 : first version of Custom Man. The second part is a sound collage by Harry using Dave Sawyer's paper drum and other odd percussion.
4-10 : another fun late nigth rework of the final track from the first volume.
4-11 : 'War is over': Tasmin Smyth came to stay for a while and was inspired to write some tunes on the topic. These were not included in the eventual release — 'Armageddon': Tom The Poet improvises a chilling scenario — 'Wassillissa Flute': little flute piece from .
4-12 : there were no tiger recording available in Devon. This is a recording of a geese being aggro, and slowed down several octaves.
4-13 : track developped during the Robot Woman period, but never used. Tasmin sings [Note : a different version sung by Harry Williamson and Gilli Smyth was released on
4-14 : a rare dub mix of the demo recorded at Foel Studio in 1979 and later used on the US tour.
4-15 : a peek into what was involved rehearsing with the youngster + a little out-take and some paper drum soloed leading to a excerpt.
4-16 : this is the solo that started with Foel studio snowed-in and ended with blooming daffodils, birdsong and sunshine and melting icicles.
4-17 : previously unreleased glissando and violin improvisation recorded in St Kilda.
4-18 : final part of Gilli's lifetime meditation 'Magenta' [can be found on , blended with 'Life After Life' taken from the 'Street Art' cassette.
An evolutionary tale
Cartoon + Unheard tunes + Mystery
Many photos + Aidememoire
Original manuscripts
Hilarious stories tall and true
Released in 64 page hardback book
Stated by retailers to be a limited edition of 1500 copies, but nothing like that appears on the release itself.
There are many track titles differences in several parts of the books.
CD4 is titled "Robot Woman Xtras" on disc face, "Unknown And Hidden Extras" in book for the track-by-track details, and "Demos & Rarities" in book in the page with tracklistings.
CD 1 previously issued as
CD 2 previously issued as
CD 3 previously issued as
4-1 : Listed as 'Evidance', opening number at Glastonbury '81, which is a mistake; the track is actually 'Trepidance', taken from the cassette-only album by .
4-2 : the backing track was recorded in a green pyramid tent in a field in Mid Wales during a festival in 1976. This was used for the demo of 'Disco at the end of the world', and later became the backing for 'The Moving Walkway' on .
4-4 : audience recording of a minimalist show in Kansas City Missouri in 1981, with backing track recorded at Foel Studio.
4-5 : comes from The Pied Piper recorded in 1978. Extracted from .
4-7 : demo version as used on the US tour.
4-8 : recorded as a B-side to .
4-9 : first version of Custom Man. The second part is a sound collage by Harry using Dave Sawyer's paper drum and other odd percussion.
4-10 : another fun late nigth rework of the final track from the first volume.
4-11 : 'War is over': Tasmin Smyth came to stay for a while and was inspired to write some tunes on the topic. These were not included in the eventual release — 'Armageddon': Tom The Poet improvises a chilling scenario — 'Wassillissa Flute': little flute piece from .
4-12 : there were no tiger recording available in Devon. This is a recording of a geese being aggro, and slowed down several octaves.
4-13 : track developped during the Robot Woman period, but never used. Tasmin sings [Note : a different version sung by Harry Williamson and Gilli Smyth was released on
4-14 : a rare dub mix of the demo recorded at Foel Studio in 1979 and later used on the US tour.
4-15 : a peek into what was involved rehearsing with the youngster + a little out-take and some paper drum soloed leading to a excerpt.
4-16 : this is the solo that started with Foel studio snowed-in and ended with blooming daffodils, birdsong and sunshine and melting icicles.
4-17 : previously unreleased glissando and violin improvisation recorded in St Kilda.
4-18 : final part of Gilli's lifetime meditation 'Magenta' [can be found on , blended with 'Life After Life' taken from the 'Street Art' cassette.
Barcode – 636551809726
Label Code – LC 01701
Matrix / Runout (CD1) – SMACD1097 AJ58125-01 manufactured by optimal media GmbH
Matrix / Runout (CD2) – SMACD1097 AJ58125-02 manufactured by optimal media GmbH
Matrix / Runout (CD3) – SMACD1097 AJ58125-03 manufactured by optimal media GmbH
Matrix / Runout (CD4) – SMACD1097 AJ58125-04 manufactured by optimal media GmbH
Mastering SID Code (CD1, CD3, CD4) – IFPI L576
Mastering SID Code (CD2) – IFPI L577
Mould SID Code (CD1 to CD4) – IFPI 9755
Label Code – LC 01701
Matrix / Runout (CD1) – SMACD1097 AJ58125-01 manufactured by optimal media GmbH
Matrix / Runout (CD2) – SMACD1097 AJ58125-02 manufactured by optimal media GmbH
Matrix / Runout (CD3) – SMACD1097 AJ58125-03 manufactured by optimal media GmbH
Matrix / Runout (CD4) – SMACD1097 AJ58125-04 manufactured by optimal media GmbH
Mastering SID Code (CD1, CD3, CD4) – IFPI L576
Mastering SID Code (CD2) – IFPI L577
Mould SID Code (CD1 to CD4) – IFPI 9755