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Black Composers Series 1974-1978
Label | Sony Classical – 19075862152 |
Series | Black Composers Series |
Format | 10 x CD, Reissue, Remastered, Stereo Box Set, Compilation |
Barcode | 0190758621524 |
Country | USA, Canada & Europe |
Released | 04 Jan 2019 |
Genre | Classical, Folk, World, & Country |
Style | Classical, Romantic, Modern, Contemporary, Gospel |
Black Composers Series Vol. 1 | |||
– Joseph Boulogne, Chevalier De Saint-Georges | Symphony No. 1 In G Major, Op. 11/1 | ||
1-1 | I Allegro | 5:45 | |
1-2 | II Andante | 4:38 | |
1-3 | III Allegro Assai | 3:55 | |
– Joseph Boulogne, Chevalier De Saint-Georges | String Quartet No. 1 In C Major, Op. 1/1 | ||
1-4 | I Allegro | 6:37 | |
1-5 | II Rondeau. Tempo Di Minuetto — Grazioso | 2:51 | |
– Joseph Boulogne, Chevalier De Saint-Georges | Symphonie Concertante In G Major For Two Violins And Orchestra, Op. 13 | ||
1-6 | I Allegro | 9:46 | |
1-7 | II Rondeau | 5:39 | |
1-8 | – Joseph Boulogne, Chevalier De Saint-Georges | Scene From Ernestine | 6:12 |
Black Composers Series Vol. 2 | |||
– William Grant Still | Afro-American Symphony | ||
2-1 | I Moderato Assai | 7:05 | |
2-2 | II Adagio | 5:07 | |
2-3 | III Animato | 3:28 | |
2-4 | IV Lento Con Risoluzione | 8:33 | |
– William Grant Still | Two Arias From Highway 1, U.S.A. | ||
2-5 | What Does He Know Of Dreams? | 1:51 | |
2-6 | You're Wonderful, Mary | 1:54 | |
2-7 | – Samuel Coleridge-Taylor | Onaway! Awake, Beloved (From Hiawatha's Wedding Feast) | 6:18 |
2-8 | – Samuel Coleridge-Taylor | Danse Nègre (For Orchestra) Op. 35/4 (From African Suite) | 6:04 |
Black Composers Series Vol. 3 | |||
3-1 | – Ulysses Kay | Markings (Symphonic Essay) | 19:19 |
– George Walker | Concerto For Trombone And Orchestra | ||
3-2 | I Allegro | 8:25 | |
3-3 | II Grave | 4:16 | |
3-4 | III Allegro | 3:50 | |
Black Composers Series Vol. 4 | |||
– Roque Cordero | Concerto For Violin And Orchestra | ||
4-1 | I Largo — Allegro Strepitoso — Allegro Moderato | 14:13 | |
4-2 | II Lento | 8:16 | |
4-3 | III Allegro Vigoroso | 9:20 | |
– Roque Cordero | Eight Miniatures For Small Orchestra | ||
4-4 | I Marcha Grotesca | 0:59 | |
4-5 | II Meditación | 0:47 | |
4-6 | III Pasillo | 0:29 | |
4-7 | IV Danzonete | 1:05 | |
4-8 | V Nocturno | 1:28 | |
4-9 | VI Mejorana | 2:55 | |
4-10 | VII Plegaria | 2:23 | |
4-11 | VIII Allegro Final | 2:25 | |
Black Composers Series Vol. 5 | |||
– José Mauricio Nunes Garcia | Requiem Mass | ||
5-1 | I Introit (Requiem Aeternam) | 4:48 | |
5-2 | II Kyrie Eleison | 2:05 | |
5-3 | III Gradual (Requiem Aeternam) | 4:53 | |
5-4 | IV Sequence (Dies Irae — Ingemisco — Inter Oves) | 12:31 | |
5-5 | V Offertorio (Domine Jesu Christe) | 4:30 | |
5-6 | VI Sanctus — Benedictus | 3:05 | |
5-7 | VII Agnes Dei | 2:06 | |
5-8 | VIII Communio (Lux Aeternam) | 1:44 | |
Black Composers Series Vol. 6 | |||
– José White Lafitte | Concerto For Violin And Orchestra | ||
6-1 | I Allegro | 12:16 | |
6-3 | II Adagio Ma Non Troppo | 4:44 | |
6-3 | III Allegro Moderato | 4:49 | |
– David Baker | Sonata For Cello And Piano | ||
6-4 | I Fast | 5:12 | |
6-5 | II Blues | 7:43 | |
6-6 | III Fast | 5:28 | |
Black Composers Series Vol. 7 | |||
7-1 | – William Grant Still | Sahdji (Ballet For Orchestra & Chorus) | 20:40 |
– Fela Sowande | Music From "African Suite" For String Orchestra (Selections) | ||
7-2 | I Joyful Day | 7:41 | |
7-3 | II Nostalgia | 3:42 | |
7-4 | III Akinla | 3:23 | |
7-5 | – George Walker | Lyric For Strings | 5:52 |
Black Composers Series Vol. 8 | |||
8-1 | – Olly Wilson | Akwan (For Piano, Electric Piano, Amplified Strings And Orchestra) | 16:28 |
8-2 | – Thomas Jefferson Anderson | Squares (An Essay For Orchestra) | 7:34 |
8-3 | – Talib Rasul Hakim | Visions Of Ishwara | 8:59 |
Black Composers Series Vol. 9 | |||
– George Walker | Piano Concerto | ||
9-1 | I ♩ = 72 | 11:41 | |
9-2 | II ♩ = 63 | 6:54 | |
9-3 | III ♩ = 120 | 5:53 | |
9-4 | – Adolphus Hailstork | Celebration | 3:21 |
9-5 | – Hale Smith | Ritual And Incantations | 15:05 |
Bonus: Symphonic Spirituals | |||
10-1 | – Hale Smith | Lift Every Voice And Sing | 3:55 |
10-2 | – Hale Smith | Jesus, Lay Your Head In The Window | 4:03 |
10-3 | – Donald Erb | Honor, Honor | 2:42 |
10-4 | – William Brown | He Never Said A Mumballin’ Word | 3:30 |
10-5 | – Hale Smith | A Change Has Got To Come | 3:56 |
10-6 | – Frederick Tillis | Swing Low, Sweet Chariot | 2:13 |
10-7 | – Morton Gould | Gospel Train | 2:41 |
10-8 | – Hale Smith | Let Us Break Bread Together | 3:12 |
10-9 | – Hale Smith | Witness | 3:03 |
10-10 | – Morton Gould | The Revival | 6:45 |
10-11 | – Hale Smith | This Little Light Of Mine | 3:35 |
10-12 | – Frederick Tillis | Deep River | 2:22 |
Artwork [Cover Art] – Reynold Ruffins
Booklet Editor – Jochen Rudelt
Booklet Editor – Texthouse
Cello – Janos Starker (6-4 to 6-6)
Choir – Morgan State College Choir (5-1 to 5-8, 7-1)
Chorus Master [Choir Director] – Nathan Carter (5-1 to 5-8, 7-1)
Co-producer – Tom Laskey
Compilation Producer – Robert Russ
Conductor – Paul Freeman (1-1 to 1-3, 1-6 to 1-8, 2-1 to 2-8, 3-1 to 3-4, 4-1 to 4-11, 5-1 to 5-8, 6-1 to 6-3, 7-1 to 7-5, 8-1 to 8-3, 9-1 to 9-5, 10-1 to 10-12)
Design – Ed Lee
Design – [ec:ko] Communications
Engineer – Arthur Kendy (9-1 to 9-5)
Engineer – Bob Auger (10-1 to 10-12)
Engineer – Bud Graham (8-1 to 8-3, 9-1 to 9-5)
Engineer – Ed Michalski (6-1 to 6-6)
Engineer – Hellmuth Kolbe (5-1 to 5-8)
Engineer – Michael Gray (1-1 to 1-8, 2-1 to 2-8, 3-1 to 3-4, 7-1 to 7-5)
Engineer – Mike Ross-Trevor (1-1 to 1-8, 2-1 to 2-8, 3-1 to 3-4, 6-1 to 6-6, 7-1 to 7-5)
Engineer – Ray Moore (6-1 to 6-6, 8-1 to 8-3)
Engineer – Robert Gooch (1-1 to 1-8, 2-1 to 2-8, 3-1 to 3-4, 6-1 to 6-6, 7-1 to 7-5)
Engineer – Roy Emerson (1-1 to 1-8, 2-1 to 2-8, 3-1 to 3-4)
Engineer – Russ Payne (9-1 to 9-5, 10-1 to 10-12)
Engineer – Stan Tonkel (6-1 to 6-6)
Ensemble – Juilliard String Quartet (1-4, 1-5)
Illustration – Walter Velez
Liner Notes – Terrance McKnight
Mastered By – Martin Kistner
Mastered By – Matthias Erb
Narrator – Barbara Jordan (10-1 to 10-12)
Orchestra – Baltimore Symphony Orchestra (8-1 to 8-3)
Orchestra – Detroit Symphony Orchestra (4-1 to 4-11, 9-1 to 9-5)
Orchestra – Helsinki Philharmonic Orchestra (5-1 to 5-8)
Orchestra – London Symphony Orchestra (1-1 to 1-3, 1-6 to 1-8, 2-1 to 2-8, 3-1 to 3-4, 6-1 to 6-3, 7-1 to 7-5)
Orchestra – Royal Philharmonic Orchestra (10-1 to 10-12)
Photography By [Paul Freeman, CDs 1-4] – Watal Asanuma
Photography By [Paul Freeman, CDs 7-8] – Sandy Speiser
Piano – Alain Planès (6-4 to 6-6)
Producer – George Butler (10-1 to 10-12)
Producer – Jay David Saks (1-4, 1-5, 4-1 to 4-11)
Producer – John Snashall (6-1 to 6-3, 7-1 to 7-4)
Producer – Larry Morton (6-4 to 6-6, 8-1 to 8-3, 9-1 to 9-5)
Producer – Paul Myers (1-1 to 1-3, 1-6 to 1-8, 2-1 to 2-8, 3-1 to 3-4, 5-1 to 5-8, 7-5)
Research [Document Research] – Michael Panico
Research [Tape Research] – Anthony Fountain
Solo Vocal, Bass Vocals [Bass-Baritone] – Matti Tuloisela (5-1 to 5-8)
Solo Vocal, Mezzo-soprano Vocals – Betty Allen (5-1 to 5-8)
Solo Vocal, Soprano Vocals – Doralene Davis (5-1 to 5-8)
Solo Vocal, Soprano Vocals – Faye Robinson (1-8)
Solo Vocal, Tenor Vocals – William Brown (2-5 to 2-7, 5-1 to 5-8, 10-1 to 10-12)
Soloist, Piano – Natalie Hinderas (9-1 to 9-3)
Soloist, Piano, Electric Piano – Richard Bunger (8-1)
Soloist, Trombone – Denis Wick (3-2 to 3-4)
Soloist, Violin – Aaron Rosand (6-1 to 6-3)
Soloist, Violin – Jaime Laredo (1-6, 1-7)
Soloist, Violin – Miriam Fried (1-6, 1-7)
Soloist, Violin – Sanford Allen (4-1 to 4-3)
Transferred By [Analogue Tape Transfers By] – Brett Zinn
Words By [Narration Written By] – Richard M. Scott (10-1 to 10-12)
Booklet Editor – Jochen Rudelt
Booklet Editor – Texthouse
Cello – Janos Starker (6-4 to 6-6)
Choir – Morgan State College Choir (5-1 to 5-8, 7-1)
Chorus Master [Choir Director] – Nathan Carter (5-1 to 5-8, 7-1)
Co-producer – Tom Laskey
Compilation Producer – Robert Russ
Conductor – Paul Freeman (1-1 to 1-3, 1-6 to 1-8, 2-1 to 2-8, 3-1 to 3-4, 4-1 to 4-11, 5-1 to 5-8, 6-1 to 6-3, 7-1 to 7-5, 8-1 to 8-3, 9-1 to 9-5, 10-1 to 10-12)
Design – Ed Lee
Design – [ec:ko] Communications
Engineer – Arthur Kendy (9-1 to 9-5)
Engineer – Bob Auger (10-1 to 10-12)
Engineer – Bud Graham (8-1 to 8-3, 9-1 to 9-5)
Engineer – Ed Michalski (6-1 to 6-6)
Engineer – Hellmuth Kolbe (5-1 to 5-8)
Engineer – Michael Gray (1-1 to 1-8, 2-1 to 2-8, 3-1 to 3-4, 7-1 to 7-5)
Engineer – Mike Ross-Trevor (1-1 to 1-8, 2-1 to 2-8, 3-1 to 3-4, 6-1 to 6-6, 7-1 to 7-5)
Engineer – Ray Moore (6-1 to 6-6, 8-1 to 8-3)
Engineer – Robert Gooch (1-1 to 1-8, 2-1 to 2-8, 3-1 to 3-4, 6-1 to 6-6, 7-1 to 7-5)
Engineer – Roy Emerson (1-1 to 1-8, 2-1 to 2-8, 3-1 to 3-4)
Engineer – Russ Payne (9-1 to 9-5, 10-1 to 10-12)
Engineer – Stan Tonkel (6-1 to 6-6)
Ensemble – Juilliard String Quartet (1-4, 1-5)
Illustration – Walter Velez
Liner Notes – Terrance McKnight
Mastered By – Martin Kistner
Mastered By – Matthias Erb
Narrator – Barbara Jordan (10-1 to 10-12)
Orchestra – Baltimore Symphony Orchestra (8-1 to 8-3)
Orchestra – Detroit Symphony Orchestra (4-1 to 4-11, 9-1 to 9-5)
Orchestra – Helsinki Philharmonic Orchestra (5-1 to 5-8)
Orchestra – London Symphony Orchestra (1-1 to 1-3, 1-6 to 1-8, 2-1 to 2-8, 3-1 to 3-4, 6-1 to 6-3, 7-1 to 7-5)
Orchestra – Royal Philharmonic Orchestra (10-1 to 10-12)
Photography By [Paul Freeman, CDs 1-4] – Watal Asanuma
Photography By [Paul Freeman, CDs 7-8] – Sandy Speiser
Piano – Alain Planès (6-4 to 6-6)
Producer – George Butler (10-1 to 10-12)
Producer – Jay David Saks (1-4, 1-5, 4-1 to 4-11)
Producer – John Snashall (6-1 to 6-3, 7-1 to 7-4)
Producer – Larry Morton (6-4 to 6-6, 8-1 to 8-3, 9-1 to 9-5)
Producer – Paul Myers (1-1 to 1-3, 1-6 to 1-8, 2-1 to 2-8, 3-1 to 3-4, 5-1 to 5-8, 7-5)
Research [Document Research] – Michael Panico
Research [Tape Research] – Anthony Fountain
Solo Vocal, Bass Vocals [Bass-Baritone] – Matti Tuloisela (5-1 to 5-8)
Solo Vocal, Mezzo-soprano Vocals – Betty Allen (5-1 to 5-8)
Solo Vocal, Soprano Vocals – Doralene Davis (5-1 to 5-8)
Solo Vocal, Soprano Vocals – Faye Robinson (1-8)
Solo Vocal, Tenor Vocals – William Brown (2-5 to 2-7, 5-1 to 5-8, 10-1 to 10-12)
Soloist, Piano – Natalie Hinderas (9-1 to 9-3)
Soloist, Piano, Electric Piano – Richard Bunger (8-1)
Soloist, Trombone – Denis Wick (3-2 to 3-4)
Soloist, Violin – Aaron Rosand (6-1 to 6-3)
Soloist, Violin – Jaime Laredo (1-6, 1-7)
Soloist, Violin – Miriam Fried (1-6, 1-7)
Soloist, Violin – Sanford Allen (4-1 to 4-3)
Transferred By [Analogue Tape Transfers By] – Brett Zinn
Words By [Narration Written By] – Richard M. Scott (10-1 to 10-12)
Box set that collects all 9 volumes of the Columbia Masterworks Series plus LP JC 36267
CD 1 — 45:35
Original LP: M 32781 Released March 8, 1974
Recordings: London, CBS Studio No. 1, June 27/28 & Abbey Road,
EMI Studio No. 1, June 30, 1973 [1–3/6–8; New York City,
Columbia 30th Street Studio, November 21, 1973 [4/5
LP Matrix Nos.: AL 32781 [1–5; BL 32781 [6–8
℗ 1974 Sony Music Entertainment
CD 2 — 40:54
Original LP: M 32782 Released March 8, 1974
Recordings: London, Abbey Road, EMI Studio No. 1 June 30 &
December 12, 1973 [1–7; CBS Studios, June 27/28, 1973 [8
LP Matrix Nos.: AL 32782 [1–4; BL 32782 [5–8
℗ 1974 Sony Music Entertainment
CD 3 — 35:57
Original LP: M 32783 Released March 8, 1974
Recordings: London, CBS Studio No. 1, June 27/28, 1973
& Abbey Road, EMI Studio No. 1, June 30, 1973 [1;
London, Abbey Road, EMI Studios, September 5–7, 1973 [2–4
LP Matrix Nos.: AL 32783 [1; BL 32783 [2–4
℗ 1974 Sony Music Entertainment
CD 4 — 44:26
Original LP: M 32784 Released March 8, 1974
Recording: Detroit, Ford Auditorium, November 26, 1973
LP Matrix Nos.: AL 32784 [1–2; BL 32784 [3–11
℗ 1974 Sony Music Entertainment
CD 5 — 35:43
Original LP: M 33431 Released June 1975
Recording: Helsinki, October 24/25, 1974
LP Matrix Nos.: AL 33431 [1–4; BL 33431 [4–8
℗ 1975 Sony Music Entertainment
CD 6 — 40:18
Original LP: M 33432 Released June 1975
Recordings: London, Abbey Road, EMI Studio No. 1,
November 1/2, 1974 [1–3; New York City, Columbia 30th Street Studio, March 1, 1975 [4–6
LP Matrix Nos.: AL 33432 [1–3; BL 33432 [4–6
℗ 1975 Sony Music Entertainment
CD 7 — 41:31
Original LP: M 33433 Released June 1975
Recordings: London, Abbey Road, EMI Studio No. 1, November 1/2, 1974 [1–4; December 12, 1973 [5
LP Matrix Nos.: AL 33433 [1; BL 33433 [2–5
℗ 1975 Sony Music Entertainment
CD 8 — 33:12
Original LP: M 33434 Released June 1975
Recording: Towson, Goucher College, Kraushaar Auditorium, December 9, 1974
LP Matrix Nos.: AL 33434 [1; BL 33434 [2/3
℗ 1975 Sony Music Entertainment
CD 9 — 43:06
Original LP: M 34556 Released January 1978
Recording: Detroit, Ford Auditorium, February 23, 1976
LP Matrix Nos.: AL 34556 [1–3; BL 34556 [4/5
℗ 1978 Sony Music Entertainment
Note: Unfortunately, the original master tape and also the safety copies contained some noise which could not be completely removed during the mastering process.
CD 10 — 42:00
Original LP: JC 36267 Released 1979
Recording: London, Tooting, All Saints Church & Olympic Studios, June 19/20, 1978
LP Matrix Nos.: AL 36267 [1–6; BL 36267 [7–12
℗ 1979 Sony Music Entertainment
Analogue Tape Transfers: Iron Mountain Digital Services
Mastering: b-sharp music & media solutions, using 24 bit / 192 kHz technology
This compilation ℗ & © 2018 Sony Music Entertainment
Distributed by Sony Music Entertainment
Sony Classical and [Sony Classical logo are trademarks of Sony Music Entertainment
Made in the EU
Sony Music Entertainment International Services GmbH, PO Box 510, 33311 Gütersloh, Germany.
CD 1 — 45:35
Original LP: M 32781 Released March 8, 1974
Recordings: London, CBS Studio No. 1, June 27/28 & Abbey Road,
EMI Studio No. 1, June 30, 1973 [1–3/6–8; New York City,
Columbia 30th Street Studio, November 21, 1973 [4/5
LP Matrix Nos.: AL 32781 [1–5; BL 32781 [6–8
℗ 1974 Sony Music Entertainment
CD 2 — 40:54
Original LP: M 32782 Released March 8, 1974
Recordings: London, Abbey Road, EMI Studio No. 1 June 30 &
December 12, 1973 [1–7; CBS Studios, June 27/28, 1973 [8
LP Matrix Nos.: AL 32782 [1–4; BL 32782 [5–8
℗ 1974 Sony Music Entertainment
CD 3 — 35:57
Original LP: M 32783 Released March 8, 1974
Recordings: London, CBS Studio No. 1, June 27/28, 1973
& Abbey Road, EMI Studio No. 1, June 30, 1973 [1;
London, Abbey Road, EMI Studios, September 5–7, 1973 [2–4
LP Matrix Nos.: AL 32783 [1; BL 32783 [2–4
℗ 1974 Sony Music Entertainment
CD 4 — 44:26
Original LP: M 32784 Released March 8, 1974
Recording: Detroit, Ford Auditorium, November 26, 1973
LP Matrix Nos.: AL 32784 [1–2; BL 32784 [3–11
℗ 1974 Sony Music Entertainment
CD 5 — 35:43
Original LP: M 33431 Released June 1975
Recording: Helsinki, October 24/25, 1974
LP Matrix Nos.: AL 33431 [1–4; BL 33431 [4–8
℗ 1975 Sony Music Entertainment
CD 6 — 40:18
Original LP: M 33432 Released June 1975
Recordings: London, Abbey Road, EMI Studio No. 1,
November 1/2, 1974 [1–3; New York City, Columbia 30th Street Studio, March 1, 1975 [4–6
LP Matrix Nos.: AL 33432 [1–3; BL 33432 [4–6
℗ 1975 Sony Music Entertainment
CD 7 — 41:31
Original LP: M 33433 Released June 1975
Recordings: London, Abbey Road, EMI Studio No. 1, November 1/2, 1974 [1–4; December 12, 1973 [5
LP Matrix Nos.: AL 33433 [1; BL 33433 [2–5
℗ 1975 Sony Music Entertainment
CD 8 — 33:12
Original LP: M 33434 Released June 1975
Recording: Towson, Goucher College, Kraushaar Auditorium, December 9, 1974
LP Matrix Nos.: AL 33434 [1; BL 33434 [2/3
℗ 1975 Sony Music Entertainment
CD 9 — 43:06
Original LP: M 34556 Released January 1978
Recording: Detroit, Ford Auditorium, February 23, 1976
LP Matrix Nos.: AL 34556 [1–3; BL 34556 [4/5
℗ 1978 Sony Music Entertainment
Note: Unfortunately, the original master tape and also the safety copies contained some noise which could not be completely removed during the mastering process.
CD 10 — 42:00
Original LP: JC 36267 Released 1979
Recording: London, Tooting, All Saints Church & Olympic Studios, June 19/20, 1978
LP Matrix Nos.: AL 36267 [1–6; BL 36267 [7–12
℗ 1979 Sony Music Entertainment
Analogue Tape Transfers: Iron Mountain Digital Services
Mastering: b-sharp music & media solutions, using 24 bit / 192 kHz technology
This compilation ℗ & © 2018 Sony Music Entertainment
Distributed by Sony Music Entertainment
Sony Classical and [Sony Classical logo are trademarks of Sony Music Entertainment
Made in the EU
Sony Music Entertainment International Services GmbH, PO Box 510, 33311 Gütersloh, Germany.
Barcode – 1 90758 62152 4
Barcode (Scanned) – 190758621524
Label Code – LC 06868
Rights Society – ASCAP
Rights Society – BMI
Other (Catalog Number, CD 1) – 19075862152-01
Other (Catalog Number, CD 2) – 19075862152-02
Other (Catalog Number, CD 3) – 19075862152-03
Other (Catalog Number, CD 4) – 19075862152-04
Other (Catalog Number, CD 5) – 19075862152-05
Other (Catalog Number, CD 6) – 19075862152-06
Other (Catalog Number, CD 7) – 19075862152-07
Other (Catalog Number, CD 8) – 19075862152-08
Other (Catalog Number, CD 9) – 19075862152-09
Other (Catalog Number, CD 10) – 19075862152-10
Matrix / Runout (CD 1) – [Sony Music logo] 57506321/19075862152-1 21
Mastering SID Code (CD 1) – IFPI LB 45
Mould SID Code (CD 1) – IFPI 0767
Matrix / Runout (CD 2) – [Sony Music logo] 57506324/19075862152-2 21
Mastering SID Code (CD 2) – IFPI LB 45
Mould SID Code (CD 2) – IFPI 0767
Matrix / Runout (CD 3) – [Sony Music logo] 57506357/19075862152-3 21
Mastering SID Code (CD 3) – IFPI LB 45
Mould SID Code (CD 3) – IFPI 0767
Other (CD 4) – [Sony Music logo] 57506360/19075862152-4 21
Mastering SID Code (CD 4) – IFPI LB47
Mould SID Code (CD 4) – IFPI 0767
Matrix / Runout (CD 5) – [Sony Music logo] 57506363/19075862152-5 21
Mastering SID Code (CD 5) – IFPI LP 73
Mould SID Code (CD 5) – IFPI 0767
Matrix / Runout (CD 6) – [Sony Music logo] 57506380/19075862152-6 21
Mastering SID Code (CD 6) – IFPI LB 45
Mould SID Code (CD 6) – IFPI 0767
Matrix / Runout (CD 7) – [Sony Music logo] 57506377/19075862152-7 21
Mastering SID Code (CD 7) – IFPI LP 73
Mould SID Code (CD 7) – IFPI 0767
Matrix / Runout (CD 8) – [Sony Music logo] 57506374/19075862152-8 21
Mastering SID Code (CD 8) – IFPI LB47
Mould SID Code (CD 8) – IFPI 0767
Matrix / Runout (CD 9) – [Sony Music logo] 57506371/19075862152-9 21
Mastering SID Code (CD 9) – IFPI LB 45
Mould SID Code (CD 9) – IFPI 0767
Matrix / Runout (CD 10) – [Sony Music logo] 57506368/19075862152-10 21
Mastering SID Code (CD 10) – IFPI LB 45
Mould SID Code (CD 10) – IFPI 0767
Barcode (Scanned) – 190758621524
Label Code – LC 06868
Rights Society – ASCAP
Rights Society – BMI
Other (Catalog Number, CD 1) – 19075862152-01
Other (Catalog Number, CD 2) – 19075862152-02
Other (Catalog Number, CD 3) – 19075862152-03
Other (Catalog Number, CD 4) – 19075862152-04
Other (Catalog Number, CD 5) – 19075862152-05
Other (Catalog Number, CD 6) – 19075862152-06
Other (Catalog Number, CD 7) – 19075862152-07
Other (Catalog Number, CD 8) – 19075862152-08
Other (Catalog Number, CD 9) – 19075862152-09
Other (Catalog Number, CD 10) – 19075862152-10
Matrix / Runout (CD 1) – [Sony Music logo] 57506321/19075862152-1 21
Mastering SID Code (CD 1) – IFPI LB 45
Mould SID Code (CD 1) – IFPI 0767
Matrix / Runout (CD 2) – [Sony Music logo] 57506324/19075862152-2 21
Mastering SID Code (CD 2) – IFPI LB 45
Mould SID Code (CD 2) – IFPI 0767
Matrix / Runout (CD 3) – [Sony Music logo] 57506357/19075862152-3 21
Mastering SID Code (CD 3) – IFPI LB 45
Mould SID Code (CD 3) – IFPI 0767
Other (CD 4) – [Sony Music logo] 57506360/19075862152-4 21
Mastering SID Code (CD 4) – IFPI LB47
Mould SID Code (CD 4) – IFPI 0767
Matrix / Runout (CD 5) – [Sony Music logo] 57506363/19075862152-5 21
Mastering SID Code (CD 5) – IFPI LP 73
Mould SID Code (CD 5) – IFPI 0767
Matrix / Runout (CD 6) – [Sony Music logo] 57506380/19075862152-6 21
Mastering SID Code (CD 6) – IFPI LB 45
Mould SID Code (CD 6) – IFPI 0767
Matrix / Runout (CD 7) – [Sony Music logo] 57506377/19075862152-7 21
Mastering SID Code (CD 7) – IFPI LP 73
Mould SID Code (CD 7) – IFPI 0767
Matrix / Runout (CD 8) – [Sony Music logo] 57506374/19075862152-8 21
Mastering SID Code (CD 8) – IFPI LB47
Mould SID Code (CD 8) – IFPI 0767
Matrix / Runout (CD 9) – [Sony Music logo] 57506371/19075862152-9 21
Mastering SID Code (CD 9) – IFPI LB 45
Mould SID Code (CD 9) – IFPI 0767
Matrix / Runout (CD 10) – [Sony Music logo] 57506368/19075862152-10 21
Mastering SID Code (CD 10) – IFPI LB 45
Mould SID Code (CD 10) – IFPI 0767