You have no items in your shopping cart.
Turn On...
| Label | Ugly Things Records – UTCD-2205 |
| Format | CD, |
| Barcode | 2090502863065 |
| Country | US |
| Released | 2007 |
| Genre | Rock |
| Style | Psychedelic Rock, Garage Rock, Acid Rock |
THE LIGHT was a dynamic, multi-talented supergroup from California's Inland Empire. Formed early 1967, the group united the brightest talents from two of the areas most popular garage bands, the Bush and the Northside Moss. After attracting the attention of Music Machine producer Brian Ross they recorded a single for A&M Records, a Jekyll & Hyde pairing featuring a gorgeous Left-Banke-style A-side "Music Box" and a fuzz-guitar monster flipside, "Back Up." By the end of the summer they had evolved into an incendiary West Coast psychedelic rock ensemble comparable to the Buffalo Springfield or Moby Grape, but with the dual lead guitar firepower of the Beck-Page Yardbirds. Turn on THE LIGHT is the first ever collection of the Lights music. It includes their sole 45 release plus 23 previously unreleased live and studio cuts. The full-color CD packaging includes a 16-page booklet with rare band photos plus track-by-track liner notes by the bands own Greg Eckler.
| 1 | Back Up | |
| 2 | Music Box | |
| 3 | Every Day | |
| 4 | What You Need (Is Me) (live) | |
| 5 | Somebody Touch Me | |
| 6 | Good Inside | |
| 7 | Got To Have You | |
| 8 | Just Like The Last Time (live) | |
| 9 | Tobacco Road (live) | |
| 10 | Somebody Touch Me (live) | |
| 11 | I Feel Free (live) | |
| 12 | Good Inside (live) | |
| 13 | Can't You Hear Me (live) | |
| 14 | Got To Have You (live) | |
| 15 | Got A Good Reason (live) | |
| 16 | Just Like The Last Time (instr.) | |
| 17 | Can't You Hear Me | |
| 18 | Tell Me, Tell Me (version 1) | |
| 19 | She's Not There (live) | |
| 20 | Milk Cow Blues (live) | |
| 21 | I Need Love | |
| 22 | When I Look At Her | |
| 23 | Tell Me, Tell Me (version 2) | |
| 24 | It's All Over | |
| 25 | Die Another Day |
Backing Vocals, Bass [8-string Bass] – Phil Kelley (25)
Coordinator [Coordinated By], Research [Researched By] – Greg Eckler
Coordinator [Coordinated By], Research [Researched By] – Mike Stax
Drums – Brent Cartwright (18, 21 to 23)
Graphic Design – Mike Stax
Lead Guitar – Joe Casados (5 to 17)
Lead Guitar, Vocals – Bob Anglin (1 to 24)
Liner Notes – Greg Eckler
Liner Notes – Mike Stax
Mastered By [Mastering By] – Mike Kamoo
Producer – Brian Ross (1 to 3, 25)
Restoration [Sound Restoration By] – Sound Mastering Ltd (21 to 23)
Rhythm Guitar, Vocals, Drums – Greg Eckler
Transferred By [Transfer By] – Alec Palao (21 to 23)
Transferred By [Transfer], Restoration [Sound Restoration] – Greg Russo (18)
Transferred By [Transfer], Restoration [Sound Restoration] – Mike Kamoo (5 to 7, 16, 17)
Transferred By [Transfers By] – Allen Henninger (4, 8 to 15, 19, 20, 25)
Transferred By [Transfers By] – Greg Eckler (4, 8 to 15, 19, 20, 25)
Vocals, Bass – Pete Samson
Vocals, Rhythm Guitar – Steve Hoard (1 to 17, 19, 20, 24)
Coordinator [Coordinated By], Research [Researched By] – Greg Eckler
Coordinator [Coordinated By], Research [Researched By] – Mike Stax
Drums – Brent Cartwright (18, 21 to 23)
Graphic Design – Mike Stax
Lead Guitar – Joe Casados (5 to 17)
Lead Guitar, Vocals – Bob Anglin (1 to 24)
Liner Notes – Greg Eckler
Liner Notes – Mike Stax
Mastered By [Mastering By] – Mike Kamoo
Producer – Brian Ross (1 to 3, 25)
Restoration [Sound Restoration By] – Sound Mastering Ltd (21 to 23)
Rhythm Guitar, Vocals, Drums – Greg Eckler
Transferred By [Transfer By] – Alec Palao (21 to 23)
Transferred By [Transfer], Restoration [Sound Restoration] – Greg Russo (18)
Transferred By [Transfer], Restoration [Sound Restoration] – Mike Kamoo (5 to 7, 16, 17)
Transferred By [Transfers By] – Allen Henninger (4, 8 to 15, 19, 20, 25)
Transferred By [Transfers By] – Greg Eckler (4, 8 to 15, 19, 20, 25)
Vocals, Bass – Pete Samson
Vocals, Rhythm Guitar – Steve Hoard (1 to 17, 19, 20, 24)
Issued in a clear jewel case with a 16-page booklet.
1 to 3, 24: Recorded: RCA Hollywood, Summer 1967
4, 19, 20: Live at the Mystic Eye, Riverside, CA. Summer 1967
5 to 7, 16, 17: Recorded: Unknown studio, San Bernardino, CA. Late 1967
8 to 15: Live at the Mystic Eye, Riverside. Late 1967
18: Recorded: Unknown studio, ca. March/April 1967
21 to 23: Recorded: Capitol Records, Hollywood, CA. April 10, 1967
25: Recorded: Sound Sync Studio, Riverside, CA. Late 1970.
[Booklet p. 15:
Track 26 is a post-LIGHT recording [...
Tracks 1-3, 25: From original master tapes, produced by Brian Ross. Licensed from Brian Ross Productions.
Tracks 4, 8-15, 19, 20: Live recordings from 1/4-inch tape. [...
Tracks 5-7, 16, 17: The original master tape could not be located, so this is taken from a 2nd generation 1/4-inch tape. [...
Track 18: From 2nd generation master. Transfer and sound restoration [... Courtesy of Crossfire Publications.
Tracks 21-23: From Capitol Records acetate.
Track 25: From original 1/4-inch master.
[Tray card rear:
All tracks recorded 1967, except [25 1970.
1 to 3, 24: Recorded: RCA Hollywood, Summer 1967
4, 19, 20: Live at the Mystic Eye, Riverside, CA. Summer 1967
5 to 7, 16, 17: Recorded: Unknown studio, San Bernardino, CA. Late 1967
8 to 15: Live at the Mystic Eye, Riverside. Late 1967
18: Recorded: Unknown studio, ca. March/April 1967
21 to 23: Recorded: Capitol Records, Hollywood, CA. April 10, 1967
25: Recorded: Sound Sync Studio, Riverside, CA. Late 1970.
[Booklet p. 15:
Track 26 is a post-LIGHT recording [...
Tracks 1-3, 25: From original master tapes, produced by Brian Ross. Licensed from Brian Ross Productions.
Tracks 4, 8-15, 19, 20: Live recordings from 1/4-inch tape. [...
Tracks 5-7, 16, 17: The original master tape could not be located, so this is taken from a 2nd generation 1/4-inch tape. [...
Track 18: From 2nd generation master. Transfer and sound restoration [... Courtesy of Crossfire Publications.
Tracks 21-23: From Capitol Records acetate.
Track 25: From original 1/4-inch master.
[Tray card rear:
All tracks recorded 1967, except [25 1970.
Matrix / Runout – RPP-CA CR53552 UTCD-2205 TURN ON...