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| 1 | La Muerte Del Angel (arr. T. Cotik For Violin And Piano) | 2:56 |
| 2 | I. Bordel 1900 | 3:58 |
| 3 | Ii. Cafe 1930 | 6:46 |
| 4 | Iii. Nightclub 1960 | 5:04 |
| 5 | Iv. Concert D'aujourd'hui | 2:34 |
| 6 | Melodia In A Minor (arr. T. Cotik For Violin And Piano) | 2:54 |
| 7 | 2 Piezas Breves: No. 1. Tanguango (arr. For Violin And Piano) | 3:15 |
| 8 | Milonga Sin Palabras (arr. For Violin And Piano) | 5:14 |
| 9 | Maria de Buenos Aires: Fuga y Misterio (arr. T. Cotik For Violin And Piano) | 3:23 |
| 10 | Tanti Anni Prima (arr. For Violin And Piano) | 4:05 |
| 11 | Maria de Buenos Aires: Yo Soy Maria (arr. T. Cotik For 2 Violins And Piano) | 3:06 |
| 12 | Oblivion (arr. T. Cotik For 2 Violins And Piano) | 3:32 |
| 13 | Aire de la Zamba Nina (arr. T. Cotik For Violin And Piano) | 2:36 |
| 14 | Le Grand Tango (arr. S. Gubaidulina For Violin And Piano) | 7:32 |
| 15 | Libertango (arr. T. Cotik For Violin And Piano) | 1:50 |
The tangos of legendary performer and composer Astor Piazzolla are informed by a multicultural upbringing which saw him introducing the influences of Classical, Jazz, Rock and Klezmer music into a unique Nuevo Tango style which still sounds fresh and modern today. Histoire du Tango sums up the genre’s entire evolution, Le Grand Tango is a virtuoso show-stopper, while Melodía en la menor expresses deep personal turmoil. Renowned Argentinian violinist Tomas Cotik’s special arrangements also include Oblivion and Libertango, two of Piazzolla’s most popular and enduring pieces.
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