Institute of Sonology 1959-1969
Label | Sub Rosa – SRV164 |
Series | Early Electronic Series |
Format | 2 x Vinyl, LP, Compilation, Reissue, Remastered |
Barcode | 5411867331643 |
Country | Belgium |
Released | 2019 |
Genre | Electronic |
Style | Abstract, Noise, Experimental, Musique Concrète |
Early electronic music from 1959 to 1969 produced by the Institute Of Sonology (Instituut Voor Sonologie) in Utrecht, Holland. These electronic works were composed by DickRaaymakers, Frits Weiland, Ton Bruynel, Konrad Boehmer, Gottfried Michael Koenig and Rainer Riehn. Raw material -we need to reflect on this period- a real revolution: music produced by machines designed to construct a new era. Officially founded on September 1, 1960, at the instigation of several people representing cultural institutions, the Institute For Sonology had already taken initiatives in the field of electroacoustic music since 1954. A large complex of studios (initially under the name STEM = STudio voor Electronische Muziek) was set up under the patronage of the Utrecht University in an old house on the Plompetorengracht in Utrecht. SIDE 1:1. Dick Raaijmakers - Piano-Forte/1959-60 2. Frits Weiland - Studie In Lage Impulsen/1961 3. Ton Bruynel - Reflexen/1961SIDE 2:1. Konrad Boehmer - Aspekt/1965-67 SIDE 3:1. Gottfried Michael Koenig - Funktion Orange/1968 2. Rainer Riehn - Chants De Maldoror First Part/1965-69SIDE 4:1. Rainer Riehn - Chants De Maldoror Second Part/1965-69
A1 | – Dick Raaijmakers | Piano-Forte | 4:57 |
A2 | – Frits Weiland | Studie In Lagen Impulsen | 4:50 |
A3 | – Ton Bruynel | Reflexen | 4:36 |
B | – Konrad Boehmer | Aspekt | 15:14 |
C1 | – Gottfried Michael Koenig | Funktion Orange | 17:21 |
C2 | – Rainer Riehn | Chants De Maldoror First Part | 5:52 |
D | – Rainer Riehn | Chants de Maldoror Second Part | 20:32 |
Design – Mountain
Piano-Forte, composed 1959-1960.
Studie In Lagen En Impulsen, composed 1961.
Reflexen, composed 1961.
Aspekt, composed 1966-1968.
Funktion Orange, composed 1968.
Chants De Maldoror, composed 1965-66, revisited 1968-69.