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Eat The Elephant
| A1 | Eat The Elephant | |
| A2 | Disillusioned | |
| A3 | The Contrarian | |
| B1 | The Doomed | |
| B2 | So Long, And Thanks For All The Fish | |
| B3 | Talktalk | |
| C1 | By And Down The River | |
| C2 | Delicious | |
| C3 | DLB | |
| D1 | Hourglass | |
| D2 | Feathers | |
| D3 | Get The Lead Out |
Bass [A Perfect Circle Live], Keyboards [A Perfect Circle Live] – Matt McJunkins
Booking [For WME] – David Bradley
Booking [For WME] – John Branigan
Booking [For WME] – Rob Markus
Design [Octoheart Design] – Meats Meier
Design [Package Design], Layout – Randall Leddy
Drums [A Perfect Circle Live], Percussion [A Perfect Circle Live] – Jeff Friedl
Drums [The APC Drum Orchestra] – Isaac Carpenter
Drums [The APC Drum Orchestra] – Jeff Friedl
Drums [The APC Drum Orchestra] – Matt Chamberlain
Drums [The APC Drum Orchestra], Producer, Mixed By – D. Sardy
Engineer – Jim Monti
Engineer [2nd Engineer], Engineer [Additional Engineering] – Cameron Barton
Engineer [Additional Engineering] – Justin McGrath
Engineer [Additional Engineering] – Smiley Sean
Engineer [Assistant Engineer] – Geoff Neal
Engineer [Assistant Engineer] – Jeremy Tomlinson
Engineer [Assistant Engineer] – Zack Zajdel
Engineer [Vocals Engineer] – Mat Mitchell
Guitar [A Perfect Circle Live], Keyboards [A Perfect Circle Live] – James Iha
Lacquer Cut By – CB
Legal [For King, Holmes, Paterno, and Soriano LLP] – Peter Paterno
Management – Dino Paredes
Management [Business Management] – Bill Vyulsteke
Management [Business Management] – Martha Liermann
Management [Marketing For BMG] – Jason Hradil
Mastered By – Stephen Marcussen
Photography By [Cover And Gatefold Photos] – Steven Sebring
Photography By [Interior Photo] – J Whitaker
Producer, Design [Octoheart Design] – MJ Keenan
Producer, Engineer [Additional Engineering], Guitar [A Perfect Circle Live], Bass [A Perfect Circle Live], Vocals [A Perfect Circle Live], Keyboards [A Perfect Circle Live], Sounds [A Perfect Circle Live], Performer [All Instruments Performed By, Except As Noted] – Billy Howerdel
Public Relations [Publicity For Speakeasy PR] – Monica Seide
Vocals [A Perfect Circle Live] – Maynard James Keenan
Booking [For WME] – David Bradley
Booking [For WME] – John Branigan
Booking [For WME] – Rob Markus
Design [Octoheart Design] – Meats Meier
Design [Package Design], Layout – Randall Leddy
Drums [A Perfect Circle Live], Percussion [A Perfect Circle Live] – Jeff Friedl
Drums [The APC Drum Orchestra] – Isaac Carpenter
Drums [The APC Drum Orchestra] – Jeff Friedl
Drums [The APC Drum Orchestra] – Matt Chamberlain
Drums [The APC Drum Orchestra], Producer, Mixed By – D. Sardy
Engineer – Jim Monti
Engineer [2nd Engineer], Engineer [Additional Engineering] – Cameron Barton
Engineer [Additional Engineering] – Justin McGrath
Engineer [Additional Engineering] – Smiley Sean
Engineer [Assistant Engineer] – Geoff Neal
Engineer [Assistant Engineer] – Jeremy Tomlinson
Engineer [Assistant Engineer] – Zack Zajdel
Engineer [Vocals Engineer] – Mat Mitchell
Guitar [A Perfect Circle Live], Keyboards [A Perfect Circle Live] – James Iha
Lacquer Cut By – CB
Legal [For King, Holmes, Paterno, and Soriano LLP] – Peter Paterno
Management – Dino Paredes
Management [Business Management] – Bill Vyulsteke
Management [Business Management] – Martha Liermann
Management [Marketing For BMG] – Jason Hradil
Mastered By – Stephen Marcussen
Photography By [Cover And Gatefold Photos] – Steven Sebring
Photography By [Interior Photo] – J Whitaker
Producer, Design [Octoheart Design] – MJ Keenan
Producer, Engineer [Additional Engineering], Guitar [A Perfect Circle Live], Bass [A Perfect Circle Live], Vocals [A Perfect Circle Live], Keyboards [A Perfect Circle Live], Sounds [A Perfect Circle Live], Performer [All Instruments Performed By, Except As Noted] – Billy Howerdel
Public Relations [Publicity For Speakeasy PR] – Monica Seide
Vocals [A Perfect Circle Live] – Maynard James Keenan
Track C3, DLB, is listed on hype sticker and as track 9 both side C and D labels. It does actually play on both sides, but on side D, it is more of an intro into "Hourglass" and has no banding separating it from the next track.
Side D has a locked groove which repeats the last few seconds of “Get The Lead Out”.
Side D has a locked groove which repeats the last few seconds of “Get The Lead Out”.
Barcode (Text) – 4 050538 374315
Barcode (Scanned) – 4050538374315
Matrix / Runout (Side A, stamped, [538374310-A CB] etched) – 10-84450/538374310-A 170616E1/A 538374310-A 538374310-A CB
Matrix / Runout (Side B, stamped, [538374310-B CB] etched) – 10-84450/538374310-B 170616E2/A1 538374310-B 538374310-B CB
Matrix / Runout (Side C, stamped, [538374310-C CB] etched) – 10-84450/538374310-C 170616E3/A 538374310-C CB
Matrix / Runout (Side D, stamped, [538374310-D CB] etched) – 10-84450/538374310-D 170616E4/A1 538374310-D CB
Barcode (Scanned) – 4050538374315
Matrix / Runout (Side A, stamped, [538374310-A CB] etched) – 10-84450/538374310-A 170616E1/A 538374310-A 538374310-A CB
Matrix / Runout (Side B, stamped, [538374310-B CB] etched) – 10-84450/538374310-B 170616E2/A1 538374310-B 538374310-B CB
Matrix / Runout (Side C, stamped, [538374310-C CB] etched) – 10-84450/538374310-C 170616E3/A 538374310-C CB
Matrix / Runout (Side D, stamped, [538374310-D CB] etched) – 10-84450/538374310-D 170616E4/A1 538374310-D CB