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Brandenburg Concertos, Orchestral Suites
| Six Brandenburg Concertos, BWS 1046-51 (Dedicated to Christian Ludwig, Margrave Of Brandenburg, On 24th March 1721) | |||
| Concerto No. 1 In F Major, BWV 1046 | (20:22) | ||
| 1-1 | I. [No Tempo Indication] | 4:00 | |
| 1-2 | II. Adagio | 3:45 | |
| 1-3 | III. Allegro | 4:07 | |
| 1-4 | IV. Menuet - Trio - Menuet - Polonaise - Menuet - Trio - Menuet | 8:25 | |
| Concerto No. 2 In F Major, BWV 1047 | (12:04) | ||
| 1-5 | I. [No Tempo Indication] | 5:19 | |
| 1-6 | II. Andante | 3:43 | |
| 1-7 | III. Allegro | 2:59 | |
| Concerto No. 3 In G Major, BWV 1048 | (14:29) | ||
| 1-8 | I. [No Tempo Indication] | 5:42 | |
| 1-9 | II. Adagio | 4:28 | |
| 1-10 | III. Allegro | 4:19 | |
| Concerto No. 4 In G Major, BWV 1049 | (15:08) | ||
| 1-11 | I. Allegro | 6:58 | |
| 1-12 | II. Andante | 3:38 | |
| 1-13 | III. Presto | 4:31 | |
| Concerto No. 5 In D Major, BWV 1050 | (20:01) | ||
| 2-1 | I. Allegro | 9:31 | |
| 2-2 | II. Affetuoso | 5:19 | |
| 2-3 | III. Allegro | 5:04 | |
| Concerto No. 6 In B Flat Majot, BWV 1051 | (17:15) | ||
| 2-4 | I. [No Tempo Indication] | 6:37 | |
| 2-5 | II. Adagio Ma Non Tanto | 5:03 | |
| 2-6 | III. Allegro | 5:31 | |
| Four Orchestra Suites, BWV 1066-69 | |||
| Suite No.4 in D Major, BWV 1069 | (24:01) | ||
| 2-7 | I. Overture | 12:21 | |
| 2-8 | II. Bourrée I / II | 2:55 | |
| 2-9 | III. Gavotte | 1:57 | |
| 2-10 | IV. Menuet I / II | 4:11 | |
| 2-11 | V. Réjouissance | 2:31 | |
| Suite No. 3 In D Major, BWV 1068 | (23:29) | ||
| 3-1 | I. Ouverture | 10:19 | |
| 3-2 | II. Air | 4:41 | |
| 3-3 | III. Gavotte I / II | 4:26 | |
| 3-4 | IV. Bourrée | 1:10 | |
| 3-5 | V. Gigue | 2:48 | |
| Suite No. 1 In C Major, BWV 1066 | (26:42) | ||
| 3-6 | I. Ouverture | 10:01 | |
| 3-7 | II. Courante | 2:21 | |
| 3-8 | III. Gavotte I / II | 3:48 | |
| 3-9 | IV. Forlane | 1:19 | |
| 3-10 | V. Menuet I / II | 3:27 | |
| 3-11 | VI. Bourrée I / II | 2:32 | |
| 3-12 | VII. Passepied I / II | 3:06 | |
| Suite No. 2 In B Minor, BWV 1067 | (24:14) | ||
| 3-13 | I. Ouverture | 10:41 | |
| 3-14 | II. Rondeau | 1:52 | |
| 3-15 | III. Sarabande | 2:53 | |
| 3-16 | IV. Bourrée I / II | 2:05 | |
| 3-17 | V. Polonaise – Double | 3:52 | |
| 3-18 | VI. Menuet | 1:17 | |
| 3-19 | VII. Badinerie | 1:23 | |
Bassoon – Kiyotaka Dohsaka (1 to 4, 20 to 43)
Composed By – Johann Sebastian Bach
Directed By – Masaaki Suzuki (20 to 43)
Edited By – Andreas Ruge (20 to 43)
Edited By – Bastian Schick (1 to 19)
Edited By – Christian Starke (20 to 43)
Edited By – Elisabeth Kemper (1 to 19)
Engineer – Dirk Lüdemann (1 to 19)
Engineer – Rita Hermeyer (1 to 19)
Engineer – Thore Brinkmann (20 to 43)
Executive-Producer – Robert Stuff
Executive-Producer – Robert von Bahr
Flute – Akimasa Mukae (11 to 13)
Flute – Shigeharu Yamaoka (5 to 7, 11 to 13)
Flute [Traverso] – Kiyomi Suga (14 to 16)
Harpsichord [Cembalo Continuo] – Masaaki Suzuki (1 to 13, 20 to 43)
Harpsichord [Soloist] – Masaaki Suzuki (14 to 19)
Horn [Corno Da Caccia I, II] – Olivier Darbellay (1 to 4)
Horn [Corno Da Caccia I, II] – Thomas Müller (1 to 4)
Liner Notes – Klaus Hofmann (20 to 43)
Liner Notes – Masaaki Suzuki (1 to 19)
Liner Notes – Michael Marissen (1 to 19)
Liner Notes [English Translation], Layout, Typography [Typesetting] – Andrew Barnett
Liner Notes [French Translation] – Arlette Lemieux-Chené
Liner Notes [French Translation] – Jean-Pascal Vachon
Liner Notes [German Translation] – Anna Lamberti
Liner Notes [German Translation] – Horst A. Scholz
Oboe – Atsuko Ozaki (1 to 4, 20 to 43)
Oboe – Masamitsu San'nomiya (1 to 8, 20 to 43)
Oboe – Yukari Maehashi (1 to 4, 20 to 43)
Orchestra – Bach Collegium Japan
Painting [Front Cover] – Henk Helmantel
Photography By – Akira Kinoshita
Photography By – Hidehiro Katou
Photography [Front Cover] – artevisite.com
Producer – Jens Braun (20 to 43)
Producer – Thore Brinkmann (1 to 19)
Technician [Tuning] – Akimi Hayashi
Timpani – Kjartan Guðnason (20 to 43)
Trumpet [Tromba I, II, III] – Ayako Murata (20 to 43)
Trumpet [Tromba I, II, III] – Graham Nicholson (20 to 43)
Trumpet [Tromba I, II, III] – Toshio Shimada (20 to 43)
Trumpet [Tromba], Soloist – Toshio Shimada (5 to 7)
Viola – Hiroshi Narita (5 to 10, 20 to 43)
Viola – Mika Akiha (8 to 10)
Viola – Yoshiko Morita (1 to 4, 8 to 10, 14 to 16, 20 to 43)
Viola [I, II] – François Fernandez (17 to 19)
Viola [I, II] – Natsumi Wakamatsu (17 to 19)
Viola da Gamba [I, II] – Hiroshi Fukuzawa (17 to 19)
Viola da Gamba [I, II] – Shuhei Takezawa (17 to 19)
Violin – Mika Akiha (14 to 16)
Violin [I, II] – Azumi Takada (8 to 10)
Violin [I, II] – Natsumi Wakamatsu (8 to 10, 14 to 16)
Violin [I, II] – Paul Herrera (8 to 13)
Violin [II] – Azumi Takada (20 to 43)
Violin [II] – Dmitry Badiarov (1 to 4)
Violin [II] – Mika Akiha (5 to 7)
Violin [II] – Paul Herrera (1 to 4)
Violin [II] – Yukie Yamaguchi (20 to 43)
Violin [II] – Yuko Araki (20 to 43)
Violin [I] – Azumi Takada (1 to 7, 11 to 13)
Violin [I] – Mika Akiha (1 to 4)
Violin [I] – Paul Herrera (20 to 43)
Violin [I] – Yuko Takeshima (20 to 43)
Violin [I], Leader – Natsumi Wakamatsu (20 to 43)
Violin [Soloist] – Natsumi Wakamatsu (5 to 7, 11 to 13)
Violin [Soloist] – Ryo Terakado (14 to 16)
Violino Piccolo – Ryo Terakado (1 to 4)
Violoncello [Continuo] – Hidemi Suzuki (20 to 43)
Violoncello [Continuo] – Takashi Kaketa (20 to 43)
Violoncello [Spalla] – Dmitry Badiarov (5 to 10)
Violoncello [Spalla] – François Fernandez (8 to 13)
Violoncello [Spalla] – Ryo Terakado (8 to 10, 17 to 19)
Violoncello, Soloist – Hidemi Suzuki (1 to 4, 14 to 16)
Violone [16' Continuo] – Seiji Nishizawa (1 to 4)
Violone [8'] – Seiji Nishizawa (5 to 19)
Violone [Continuo] – Shigeru Sakurai (20 to 43)
Composed By – Johann Sebastian Bach
Directed By – Masaaki Suzuki (20 to 43)
Edited By – Andreas Ruge (20 to 43)
Edited By – Bastian Schick (1 to 19)
Edited By – Christian Starke (20 to 43)
Edited By – Elisabeth Kemper (1 to 19)
Engineer – Dirk Lüdemann (1 to 19)
Engineer – Rita Hermeyer (1 to 19)
Engineer – Thore Brinkmann (20 to 43)
Executive-Producer – Robert Stuff
Executive-Producer – Robert von Bahr
Flute – Akimasa Mukae (11 to 13)
Flute – Shigeharu Yamaoka (5 to 7, 11 to 13)
Flute [Traverso] – Kiyomi Suga (14 to 16)
Harpsichord [Cembalo Continuo] – Masaaki Suzuki (1 to 13, 20 to 43)
Harpsichord [Soloist] – Masaaki Suzuki (14 to 19)
Horn [Corno Da Caccia I, II] – Olivier Darbellay (1 to 4)
Horn [Corno Da Caccia I, II] – Thomas Müller (1 to 4)
Liner Notes – Klaus Hofmann (20 to 43)
Liner Notes – Masaaki Suzuki (1 to 19)
Liner Notes – Michael Marissen (1 to 19)
Liner Notes [English Translation], Layout, Typography [Typesetting] – Andrew Barnett
Liner Notes [French Translation] – Arlette Lemieux-Chené
Liner Notes [French Translation] – Jean-Pascal Vachon
Liner Notes [German Translation] – Anna Lamberti
Liner Notes [German Translation] – Horst A. Scholz
Oboe – Atsuko Ozaki (1 to 4, 20 to 43)
Oboe – Masamitsu San'nomiya (1 to 8, 20 to 43)
Oboe – Yukari Maehashi (1 to 4, 20 to 43)
Orchestra – Bach Collegium Japan
Painting [Front Cover] – Henk Helmantel
Photography By – Akira Kinoshita
Photography By – Hidehiro Katou
Photography [Front Cover] – artevisite.com
Producer – Jens Braun (20 to 43)
Producer – Thore Brinkmann (1 to 19)
Technician [Tuning] – Akimi Hayashi
Timpani – Kjartan Guðnason (20 to 43)
Trumpet [Tromba I, II, III] – Ayako Murata (20 to 43)
Trumpet [Tromba I, II, III] – Graham Nicholson (20 to 43)
Trumpet [Tromba I, II, III] – Toshio Shimada (20 to 43)
Trumpet [Tromba], Soloist – Toshio Shimada (5 to 7)
Viola – Hiroshi Narita (5 to 10, 20 to 43)
Viola – Mika Akiha (8 to 10)
Viola – Yoshiko Morita (1 to 4, 8 to 10, 14 to 16, 20 to 43)
Viola [I, II] – François Fernandez (17 to 19)
Viola [I, II] – Natsumi Wakamatsu (17 to 19)
Viola da Gamba [I, II] – Hiroshi Fukuzawa (17 to 19)
Viola da Gamba [I, II] – Shuhei Takezawa (17 to 19)
Violin – Mika Akiha (14 to 16)
Violin [I, II] – Azumi Takada (8 to 10)
Violin [I, II] – Natsumi Wakamatsu (8 to 10, 14 to 16)
Violin [I, II] – Paul Herrera (8 to 13)
Violin [II] – Azumi Takada (20 to 43)
Violin [II] – Dmitry Badiarov (1 to 4)
Violin [II] – Mika Akiha (5 to 7)
Violin [II] – Paul Herrera (1 to 4)
Violin [II] – Yukie Yamaguchi (20 to 43)
Violin [II] – Yuko Araki (20 to 43)
Violin [I] – Azumi Takada (1 to 7, 11 to 13)
Violin [I] – Mika Akiha (1 to 4)
Violin [I] – Paul Herrera (20 to 43)
Violin [I] – Yuko Takeshima (20 to 43)
Violin [I], Leader – Natsumi Wakamatsu (20 to 43)
Violin [Soloist] – Natsumi Wakamatsu (5 to 7, 11 to 13)
Violin [Soloist] – Ryo Terakado (14 to 16)
Violino Piccolo – Ryo Terakado (1 to 4)
Violoncello [Continuo] – Hidemi Suzuki (20 to 43)
Violoncello [Continuo] – Takashi Kaketa (20 to 43)
Violoncello [Spalla] – Dmitry Badiarov (5 to 10)
Violoncello [Spalla] – François Fernandez (8 to 13)
Violoncello [Spalla] – Ryo Terakado (8 to 10, 17 to 19)
Violoncello, Soloist – Hidemi Suzuki (1 to 4, 14 to 16)
Violone [16' Continuo] – Seiji Nishizawa (1 to 4)
Violone [8'] – Seiji Nishizawa (5 to 19)
Violone [Continuo] – Shigeru Sakurai (20 to 43)
℗ 2005 & 2009; © 2009, BIS Records AB, Åkersberga.
Recorded
June 2008 at the Muza Kawasaki Symphony Hall, Japan (Brandenburg Concertos).
28 May 2000 and 2 June 2000 at the Kobe Shoin Women's University Chapel, Japan (Orchestral Suites).
Equipment: Audio-Technica AT4050SM and Neumann microphones; RME Octamic D microphone preamplifier and high
resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers;
STAX headphones (Brandenburg Concertos); Neumann microphones; Studer 961 mixer;
DIGI 002 & Pro Tools HD recording; Stax headphones (Orchestral Suites)
TT: 201'02
Front cover painting: 'Schelpje' by Henk Helmantel, 1977 (photograph: artrevisited.com)
"Special thanks to MUZA Kawasaki Symphony Hall and to Kobe Shoin Women’s University.
BIS gratefully acknowledges the loan of microphones used on this recording from Audio-Technica Japan"
96-page digital booklet with notes in English, German and French.
The inlay of the associated SACD included.
Back Cover:
These hybrid discs play on both CD & SACD players
SACD SURROUND/SACD STEREO/CD STEREO.
Originally released:
Brandenburg Concertos: BIS-CD-1151/52 - in May 2001 - see
Overtures (4 Orchestra Suites): BIS-1431 SACD - in August 2005
Recorded
June 2008 at the Muza Kawasaki Symphony Hall, Japan (Brandenburg Concertos).
28 May 2000 and 2 June 2000 at the Kobe Shoin Women's University Chapel, Japan (Orchestral Suites).
Equipment: Audio-Technica AT4050SM and Neumann microphones; RME Octamic D microphone preamplifier and high
resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers;
STAX headphones (Brandenburg Concertos); Neumann microphones; Studer 961 mixer;
DIGI 002 & Pro Tools HD recording; Stax headphones (Orchestral Suites)
TT: 201'02
Front cover painting: 'Schelpje' by Henk Helmantel, 1977 (photograph: artrevisited.com)
"Special thanks to MUZA Kawasaki Symphony Hall and to Kobe Shoin Women’s University.
BIS gratefully acknowledges the loan of microphones used on this recording from Audio-Technica Japan"
96-page digital booklet with notes in English, German and French.
The inlay of the associated SACD included.
Back Cover:
These hybrid discs play on both CD & SACD players
SACD SURROUND/SACD STEREO/CD STEREO.
Originally released:
Brandenburg Concertos: BIS-CD-1151/52 - in May 2001 - see
Overtures (4 Orchestra Suites): BIS-1431 SACD - in August 2005
Barcode (Reader) – 7318591721222
Barcode (Text) – 7 318591 721222
Rights Society – BIEM
Rights Society – NCB
Matrix / Runout (Disc 1, Layer A) – Sony DADC A0101318033-A911 26 A00
Mastering SID Code (Disc 1, Layer A) – IFPI L556
Matrix / Runout (Disc 1, Layer B [mirrored]) – Sony DADC A0101318033-B911 15 [A00]
Mastering SID Code (Disc 1, Layer B) – IFPI L555
Mould SID Code (Disc 1) – IFPI 94B1
Matrix / Runout (Disc 2, Layer A) – Sony DADC A0101318035-A911 16 A00
Mastering SID Code (Disc 2, Layer A) – IFPI L556
Matrix / Runout (Disc 2, Layer B [mirrored]) – Sony DADC A0101318035-B911 25 [A02]
Mastering SID Code (Disc 2, Layer B) – IFPI L555
Mould SID Code (Disc 2) – IFPI 94B1
Matrix / Runout (Disc 3, Layer A) – Sony DADC A0100621654-A912 16 A04
Mastering SID Code (Disc 3, Layer A) – IFPI L556
Matrix / Runout (Disc 3, Layer B [mirrored]) – Sony DADC A0100621654-B912 28 [A03]
Mastering SID Code (Disc 3, Layer B) – IFPI L558
Mould SID Code (Disc 3) – IFPI 94B1
Barcode (Text) – 7 318591 721222
Rights Society – BIEM
Rights Society – NCB
Matrix / Runout (Disc 1, Layer A) – Sony DADC A0101318033-A911 26 A00
Mastering SID Code (Disc 1, Layer A) – IFPI L556
Matrix / Runout (Disc 1, Layer B [mirrored]) – Sony DADC A0101318033-B911 15 [A00]
Mastering SID Code (Disc 1, Layer B) – IFPI L555
Mould SID Code (Disc 1) – IFPI 94B1
Matrix / Runout (Disc 2, Layer A) – Sony DADC A0101318035-A911 16 A00
Mastering SID Code (Disc 2, Layer A) – IFPI L556
Matrix / Runout (Disc 2, Layer B [mirrored]) – Sony DADC A0101318035-B911 25 [A02]
Mastering SID Code (Disc 2, Layer B) – IFPI L555
Mould SID Code (Disc 2) – IFPI 94B1
Matrix / Runout (Disc 3, Layer A) – Sony DADC A0100621654-A912 16 A04
Mastering SID Code (Disc 3, Layer A) – IFPI L556
Matrix / Runout (Disc 3, Layer B [mirrored]) – Sony DADC A0100621654-B912 28 [A03]
Mastering SID Code (Disc 3, Layer B) – IFPI L558
Mould SID Code (Disc 3) – IFPI 94B1