Je hebt geen items in je winkelwagen.
Nun Danket Alle Gott! 53 Cantatas
| 41 • Der Friede Sei Mit Dir (Solo Cantatas) | |||
| Ich Will Den Kreuzstab Gerne Tragen, BWV 56 - Kantate Zum 19. Sonntag Nach Trinitatis (27. Oktober 1726) | (17:52) | ||
| 1-1 | 1. Aria. Ich Will Den Kreuzstab Gerne Tragen … | 6:42 | |
| 1-2 | 2. Recitativo. Mein Wandel Auf Der Welt … | 1:43 | |
| 1-3 | 3. Aria. Endlich, Endlich Wird Mein Joch … | 6:33 | |
| 1-4 | 4. Recitativo. Ich Stehe Fertig Und Bereit … | 1:30 | |
| 1-5 | 5. Choral. Komm, O Tod, Du Schlafes Bruder … | 1:19 | |
| Ich Habe Genung, BWV 82 (Soprano Version In E Minor) - Kantate Zum Fest Mariae Reinigung (2. Februar 1727) | (21:16) | ||
| 1-6 | 1. Aria. Ich Habe Genung … | 6:35 | |
| 1-7 | 2. Recitativo. Ich Habe Genung … | 1:05 | |
| 1-8 | 3. Aria. Schlummert Ein, Ihr Matten Augen … | 9:28 | |
| 1-9 | 4. Recitativo. Mein Gott! Wenn Kömmt Das Schöne: Nun! … | 0:46 | |
| 1-10 | 5. Aria. Ich Freue Mich Auf Meinen Tod … | 3:16 | |
| Der Friede Sei Mit Dir, BWV 158 - Kantate Zum 3. Ostertag? (Première / Uraufführung: ?) | (9:40) | ||
| 1-11 | 1. Recitativo (Basso). Der Friede Sei Mit Dir … | 1:38 | |
| 1-12 | 2. Aria Con Corale (Basso, Soprano). Welt, Ade, Ich Bin Dein Müde … | 5:44 | |
| 1-13 | 3. Recitativo (Basso). Nun, Herr, Regiere Meinen Sinn … | 1:19 | |
| 1-14 | 4. Choral. Hier Ist Das Rechte Osterlamm … | 0:59 | |
| Ich Bin Vergnügt Mit Meinem Glücke, BWV 84 - Kantate Zum Septuagesimae (9. Februar 1727) | (13:58) | ||
| 1-15 | 1. Aria. Ich Bin Vergnügt Mit Meinem Glücke … | 6:15 | |
| 1-16 | 2. Recitativo. Gott Ist Mir Ja Nichts Schuldig … | 1:27 | |
| 1-17 | 3. Aria. Ich Esse Mit Freuden Mein Weniges Brot … | 4:15 | |
| 1-18 | 4. Recitativo. Im Schweiße Meines Angesichts … | 1:00 | |
| 1-19 | 5. Choral. Ich Leb Indes In Dir Vergnüget … | 0:56 | |
| 42 • Herr Gott, Dich Loben Wir (Leipzig 1726) | |||
| Alles Nur Nach Gottes Willen, BWV 72 - Kantate Zum 3. Sonntag Nach Epiphanias (27. Januar 1726) | (15:07) | ||
| 2-1 | 1. [Chorus]. Alles Nur Nach Gottes Willen … | 3:18 | |
| 2-2 | 2. Recitativo (Alto). O Selger Christ, Der Allzeit Seinen Willen … | 2:01 | |
| 2-3 | 3. Aria (Alto). Mit Allem, Was Ich Hab Und Bin … | 4:06 | |
| 2-4 | 4. Recitativo (Basso). So Glaube Nun! … | 0:59 | |
| 2-5 | 5. Aria (Soprano). Mein Jesus Will Es Tun … | 3:28 | |
| 2-6 | 6. Choral. Was Mein Gott Will, Das G'scheh Allzeit … | 1:07 | |
| Liebster Jesu, Mein Verlangen, BWV 32 - Concerto In Dialogo - Kantate Zum 1. Sonntag Nach Epiphanias (13. Januar 1726) | (22:46) | ||
| 2-7 | 1. Aria (Soprano). Liebster Jesu, Mein Verlangen … | 6:43 | |
| 2-8 | 2. Recitativo (Basso). Was Ists, Dass Du Mich Gesuchet? … | 0:25 | |
| 2-9 | 3. Aria (Basso). Hier, In Meines Vaters Stätte … | 6:32 | |
| 2-10 | 4. Recitativo (Soprano, Basso). Ach! Heiliger Und Großer Gott … | 2:23 | |
| 2-11 | 5. Aria Duetto (Soprano, Basso). Nun Verschwinden Alle Plagen … | 5:33 | |
| 2-12 | 6. Choral. Mein Gott, Öffne Mir Die Pforten … | 1:01 | |
| Meine Seufzer, Meine Tränen, BWV 13 - Concerto Da Chiesa - Kantate Zum 2. Sonntag Nach Epiphanias (20. Januar 1726) | (20:11) | ||
| 2-13 | 1. Aria (Tenore). Meine Seufzer, Meine Tränen … | 7:39 | |
| 2-14 | 2. Recitativo (Alto). Mein Liebster Gott Lässt Mich Annoch … | 1:03 | |
| 2-15 | 3. Choral (Alto). Der Gott, Der Mir Hat Versprochen … | 2:37 | |
| 2-16 | 4. Recitativo (Soprano). Mein Kummer Nimmet Zu … | 1:17 | |
| 2-17 | 5. Aria (Basso). Ächzen Und Erbärmlich Weinen … | 6:42 | |
| 2-18 | 6. Choral. So Sei Nun, Seele, Deine … | 0:42 | |
| Herr Gott, Dich Loben Wir BWV 16 - Kantate Zum Neujahr (1. Januar 1726) | (15:51) | ||
| 2-19 | 1. [Chorus]. Herr Gott, Dich Loben Wir … | 1:42 | |
| 2-20 | 2. Recitativo (Basso). So Stimmen Wir … | 1:16 | |
| 2-21 | 3. Aria Tutti (Basso). Lasst Uns Jauchzen, Lasst Uns Freuen … | 3:44 | |
| 2-22 | 4. Recitativo (Alto). Ach Treuer Hort … | 1:19 | |
| 2-23 | 5. Aria (Tenore). Geliebter Jesu, Du Allein … | 6:42 | |
| 2-24 | 6. Choral. All Solch Dein Güt Wir Preisen … | 0:58 | |
| 43 • Unser Mund Sei Voll Lachens (Leipzig 1725) | |||
| Unser Mund Sei Voll Lachens, BWV 110 - Kantate Zum 1. Weihnachtstag (25. Dezember 1725) | (22:16) | ||
| 3-1 | 1. [Chorus]. Unser Mund Sei Voll Lachens Und Unsre Zunge … | 6:17 | |
| 3-2 | 2. Aria (Tenore). Ihr Gedanken Und Ihr Sinnen … | 3:30 | |
| 3-3 | 3. Recitativo (Basso). Dir, Herr, Ist Niemand Gleich … | 0:30 | |
| 3-4 | 4. Aria (Alto). Ach Herr, Was Ist Ein Menschenkind … | 3:49 | |
| 3-5 | 5. Duetto (Soprano, Tenore). Ehre Sei Gott In Der Höhe Und Friede Auf … | 3:23 | |
| 3-6 | 6. Aria (Basso). Wacht Auf, Ihr Adern Und Ihr Glieder … | 3:45 | |
| 3-7 | 7. Choral. Alleluja! Gelobt Sei Gott … | 0:40 | |
| Selig Ist Der Mann, BWV 57 - Dialogus - Kantate Zum 2. Weihnachtstag (26. Dezember 1725) | (22:40) | ||
| 3-8 | 1. Aria (Basso). Selig Ist Der Mann, Der Die Anfechtung Erduldet … | 3:46 | |
| 3-9 | 2. Recitativo (Soprano). Ach! Dieser Süße Trost … | 1:19 | |
| 3-10 | 3. Aria (Soprano). Ich Wünschte Mir Den Tod, Den Tod … | 5:46 | |
| 3-11 | 4. Recitativo (Basso, Soprano). Ich Reiche Dir Die Hand … | 0:25 | |
| 3-12 | 5. Aria (Basso). Ja, Ja, Ich Kann Die Feinde Schlagen … | 4:57 | |
| 3-13 | 6. Recitativo (Basso, Soprano). In Meiner Schoß Liegt Ruh Und Leben … | 1:32 | |
| 3-14 | 7. Aria (Soprano). Ich Ende Behände Mein Irdisches Leben … | 3:53 | |
| 3-15 | 8. Choral. Richte Dich, Liebste, Nach Meinem Gefallen Und Gläube … | 0:43 | |
| Süßer Trost, Mein Jesus Kömmt, BWV 151 - Kantate Zum 3. Weihnachtstag (27. Dezember 1725) | (16:22) | ||
| 3-16 | 1. Aria (Soprano). Süßer Trost, Mein Jesus Kömmt … | 8:26 | |
| 3-17 | 2. Recitativo (Basso). Erfreue Dich, Mein Herz … | 1:04 | |
| 3-18 | 3. Aria (Alto). In Jesu Demut Kann Ich Trost … | 5:20 | |
| 3-19 | 4. Recitativo (Tenore). Du Teurer Gottessohn … | 0:50 | |
| 3-20 | 5. Choral. Heut Schleußt Er Wieder Auf Die Tür … | 0:36 | |
| 44 • Gott Fähret Auf Mit Jauchzen (Leipzig 1726) | |||
| Wir Müssen Durch Viel Trübsal In Das Reich Gottes Eingehen, BWV 146 - Kantate Zum Sonntag Jubilate (12. Mai 1726?) | (37:35) | ||
| 4-1 | 1. [Sinfonia] | 7:10 | |
| 4-2 | 2. [Chorus]. Wir Müssen Durch Viel Trübsal In Das Reich Gottes Eingehen … | 5:55 | |
| 4-3 | 3. Aria (Alto). Ich Will Nach Dem Himmel Zu … | 7:26 | |
| 4-4 | 4. Recitativo (Soprano). Ach! Wer Doch Schon Im Himmel Wär! … | 1:49 | |
| 4-5 | 5. Aria (Soprano). Ich Säe Meine Zähren … | 6:54 | |
| 4-6 | 6. Recitativo (Tenore). Ich Bin Bereit … | 1:19 | |
| 4-7 | 7. Duetto (Tenore, Basso). Wie Will Ich Mich Freuen … | 5:47 | |
| 4-8 | 8. Choral. Freu Dich Sehr, O Meine Seele … | 0:57 | |
| Siehe, Ich Will Viel Fischer Aussenden, BWV 88 - Kantate Zum 5. Sonntag nach Trinitatis (21. Juli 1726) | |||
| Prima Parte / Erster Teil | |||
| 4-9 | 1. Aria (Basso). Siehe, Ich Will Viel Fischer Aussenden … | 5:00 | |
| 4-10 | 2. Recitativo (Tenore). Wie Leichtlich Könnte Doch Der Höchste … | 0:52 | |
| 4-11 | 3. Aria (Tenore). Nein, Gott Ist Allezeit Geflissen … | 3:14 | |
| Seconda Parta / Zweiter Teil | |||
| 4-12 | 4a. Recitativo (Tenore). Jesus Sprach Zu Simon … | 0:15 | |
| 4-13 | 4b. Arioso (Basso). Fürchte Dich Nicht; Denn Von Nun An … | 1:33 | |
| 4-14 | 5. Aria Duetto (Soprano, Alto). Beruft Gott Selbst, So Muss Der Segen … | 3:16 | |
| 4-15 | 6. Recitativo (Soprano). Was Kann Dich Denn In Deinem Wandel Schrecken … | 1:24 | |
| 4-16 | 7. Choral. Sing, Bet Und Geh Auf Gottes Wegen … | 0:48 | |
| Gott Fähret Auf Mit Jauchzen, BWV 43 - Kantate Zum Himmelfahrtsfest (30. Mai 1726) | |||
| Prima Parte / Erster Teil | |||
| 4-17 | 1. [Chorus]. Gott Fähret Auf Mit Jauchzen … | 3:30 | |
| 4-18 | 2. Recitativo (Tenore). Es Will Der Höchste Sich Ein Siegsgepräng Bereiten … | 0:43 | |
| 4-19 | 3. Aria (Tenore). Ja Tausend Mal Tausend Begleiten Den Wagen … | 2:19 | |
| 4-20 | 4. Recitativo (Soprano). Und Der Herr, Nachdem Er Mit Ihnen Geredet Hatte … | 0:23 | |
| 4-21 | 5. Aria (Soprano). Mein Jesus Hat Nunmehr … | 2:20 | |
| Seconda Parta / Zweiter Teil | |||
| 4-22 | 6. Recitativo (Basso). Es Kommt Der Helden Held … | 0:45 | |
| 4-23 | 7. Aria (Basso). Er Ists, Der Ganz Allein … | 3:06 | |
| 4-24 | 8. Recitativo (Alto). Der Vater Hat Ihm Ja … | 0:36 | |
| 4-25 | 9. Aria (Alto). Ich Sehe Schon Im Geist … | 3:14 | |
| 4-26 | 10. Recitativo (Soprano). Er Will Mir Neben Sich … | 0:41 | |
| 4-27 | 11. Choral. Du Lebensfürst, Herr Jesu Christ … | 1:54 | |
| 45 • Gelobet Sei Der Herr (Leipzig 1726) | |||
| Brich Dem Hungrigen Dein Brot, BWV 39 - Kantate zum 1. Sonntag Nach Trinitatis (23. Juni 1726) | |||
| Prima Parte / Erster Teil | |||
| 5-1 | 1. [Chorus]. Brich Dem Hungrigen Dein Brot … | 7:05 | |
| 5-2 | 2. Recitativo (Bass). Der Reiche Gott Wirft Seinen Überfluss … | 1:27 | |
| 5-3 | 3. Aria (Alto). Seinem Schöpfer Nach Auf Erden … | 3:26 | |
| Seconda Parte / Zweiter Teil | |||
| 5-4 | 4. [Aria] (Basso). Wohlzutun Und Mitzuteilen Vergesset Nicht … | 2:37 | |
| 5-5 | 5. Aria (Soprano). Höchster, Was Ich Habe … | 1:58 | |
| 5-6 | 6. Recitativo (Alto). Wie Soll Ich Dir, O Herr, Denn Sattsamlich Vergelten … | 1:34 | |
| 5-7 | 7. Choral. Selig Sind, Die Aus Erbarmen … | 1:02 | |
| Es Wartet Alles Auf Dich, BWV 187 - Kantate Zum 7. Sonntag Nach Trinitatis (4. August 1726) | |||
| Prima Parte / Erster Teil | |||
| 5-8 | 1. [Chorus]. Es Wartet Alles Auf Dich … | 5:44 | |
| 5-9 | 2. Recitativo (Basso). Was Kreaturen Hält … | 0:56 | |
| 5-10 | 3. Aria (Alto). Du Herr, Du Krönst Allein Das Jahr Mit Deinem Gut … | 3:41 | |
| Seconda Parte / Zweiter Teil | |||
| 5-11 | 4. Aria (Basso). Darum Sollt Ihr Nicht Sorgen Noch Sagen … | 2:25 | |
| 5-12 | 5. Aria (Soprano). Gott Versorget Alles Leben … | 3:50 | |
| 5-13 | 6. Recitativo (Soprano). Halt Ich Nur Fest An Ihm … | 1:19 | |
| 5-14 | 7. Choral. Gott Hat Die Erde Zugericht' … | 1:57 | |
| Gelobet Sei Der Herr, BWV 129 - Kantate Zum Trinitatisfest (8. Juni 1727) | (17:28) | ||
| 5-15 | 1. [Chorus]. Gelobet Sei Der Herr … | 3:57 | |
| 5-16 | 2. Aria (Basso). Gelobet Sei Der Herr … | 3:23 | |
| 5-17 | 3. Aria (Soprano). Gelobet Sei Der Herr … | 3:55 | |
| 5-18 | 4. Aria (Alto). Gelobet Sei Der Herr … | 4:36 | |
| 5-19 | 5. Chorale. Dem Wir Das Heilig Itzt … | 1:29 | |
| 5-20 | Sinfonia D-Dur Für Violine Und Orchester, BWV 1045 | 6:28 | |
| 46 • Herr, Deine Augen Sehen (Leipzig 1726) | |||
| Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102 - Kantate Zum 10. Sonntag Nach Trinitatis (25. August 1726) | |||
| Parte Prima | |||
| 6-1 | 1. [Chorus]. Herr, Deine Augen Sehen Nach Dem Glauben! … | 5:36 | |
| 6-2 | 2. Recitativo (Basso). Wo Ist Das Ebenbild, Das Gott Uns Eingepräget … | 0:58 | |
| 6-3 | 3. Aria (Alto). Weh Der Seele, Die Den Schaden … | 5:17 | |
| 6-4 | 4. Arioso (Basso). Verachtest Du Den Reichtum Seiner Gnade … | 2:48 | |
| Parte Seconda | |||
| 6-5 | 5. Aria (Tenore). Erschrecke Doch … | 3:21 | |
| 6-6 | 6. Recitativo (Alto). Beim Warten Ist Gefahr … | 1:06 | |
| 6-7 | 7. Choral. Heut Lebst Du, Heut Bekehre Dich … | 1:25 | |
| Es Ist Dir Gesagt, Mensch, Was Gut Ist, BWV 45 - Kantate Zum 8. Sonntag Nach Trinitatis (11. August 1726) | |||
| Parte Prima | |||
| 6-8 | 1. [Chorus]. Es Ist Dir Gesagt, Mensch, Was Gut Ist … | 5:19 | |
| 6-9 | 2. Recitativo (Tenore). Der Höchste Lässt Mich Seinen Willen Wissen … | 0:56 | |
| 6-10 | 3. Aria (Tenore). Weiß Ich Gottes Rechte … | 3:24 | |
| Parte Seconda | |||
| 6-11 | 4. Arioso (Basso). Es Werden Viele Zu Mir Sagen An Jenem Tage … | 2:37 | |
| 6-12 | 5. Aria (Alto). Wer Gott Bekennt … | 3:11 | |
| 6-13 | 6. Recitativo (Alto). So Wird Denn Herz Und Mund … | 0:55 | |
| 6-14 | 7. Choral. Gib, Dass Ich Tu Mit Fleiß … | 0:56 | |
| Wer Dank Opfert, Der Preiset Mich, BWV 17 - Kantate Zum 14. Sonntag Nach Trinitatis (22. September 1726) | |||
| Parte Prima | |||
| 6-15 | 1. [Chorus]. Wer Dank Opfert, Der Preiset Mich … | 4:07 | |
| 6-16 | 2. Recitativo (Alto). Es Muss Die Ganze Welt Ein Stummer Zeuge Werden … | 0:59 | |
| 6-17 | 3. Aria (Soprano). Herr, Deine Güte Reicht, So Weit Der Himmel Ist … | 3:05 | |
| Parte Seconda | |||
| 6-18 | 4. Recitativo (Tenore). Einer Aber Unter Ihnen, Da Er Sahe … | 0:41 | |
| 6-19 | 5. Aria (Tenore). Welch Übermaß Der Güte … | 3:11 | |
| 6-20 | 6. Recitativo (Basso). Sieh Meinen Willen An, Ich Kenne, Was Ich Bin … | 1:10 | |
| 6-21 | 7. Choral. Wie Sich Ein Vater Erbarmet | 1:45 | |
| Es Erhub Sich Ein Streit, BWV 19 - Kantate Zum Michaelis (29. September 1726) | (17:57) | ||
| 6-22 | 1. [Chorus]. Es Erhub Sich Ein Streit … | 4:08 | |
| 6-23 | 2. Recitativo (Basso). Gottlob! Der Drache Liegt … | 0:55 | |
| 6-24 | 3. Aria (Soprano). Gott Schickt Uns Mahanaim Zu … | 3:38 | |
| 6-25 | 4. Recitativo (Tenore). Was Ist Der Schnöde Mensch, Das Erdenkind? … | 0:49 | |
| 6-26 | 5. Aria (Tenore). Bleibt, Ihr Engel, Bleibt Bei Mir! … | 6:10 | |
| 6-27 | 6. Recitativo (Soprano). Lasst Uns Das Angesicht … | 0:37 | |
| 6-28 | 7. Choral. Lass Dein' Engel Mit Mir Fahren … | 1:21 | |
| Appendix: From Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102 | |||
| 6-29 | 5. Aria (Tenore). Erschrecke Doch … (Traverso Version) | 3:24 | |
| 47 • Schwingt Freudig Euch Empor (Leipzig 1726) | |||
| Schwingt Freudig Euch Empor, BWV 36 (Engültige Fassung / Final Version) - Kantate Zum 1. Advent (2nd December 1726 - Revised Version Of A Work From 1725-26) | |||
| [Prima Parte] | |||
| 7-1 | 1. Chorus. Schwingt Freudig Euch Empor Zu Den Erhabnen Sternen … | 3:53 | |
| 7-2 | 2. Choral (Soprano, Alto). Nun Komm, Der Heiden Heiland … | 3:26 | |
| 7-3 | 3. Aria (Tenore). Die Liebe Zieht Mit Sanften Schritten … | 5:47 | |
| 7-4 | 4. Chorale. Zwingt Die Saiten In Cythara … | 1:09 | |
| Secunda Parte | |||
| 7-5 | 5. Aria (Basso). Willkommen, Werter Schatz! … | 3:23 | |
| 7-6 | 6. Chorale (Tenore). Der Du Bist Dem Vater Gleich … | 1:36 | |
| 7-7 | 7. Aria (Soprano). Auch Mit Gedämpften, Schwachen Stimmen … | 8:01 | |
| 7-8 | 8. Chorale. Lob Sei Gott, Dem Vater, Ton … | 0:36 | |
| Wer Sich Selbst Erhöhet, Der Soll Erniedriget Werden, BWV 47 - Kantate Zum 17. Sonntag Nach Trinitatis (13th October 1726) | (20:22) | ||
| 7-9 | 1. [Chorus]. Wer Sich Selbst Erhöhet … | 5:31 | |
| 7-10 | 2. Aria (Soprano). Wer Ein Wahrer Christ Will Heißen … | 8:29 | |
| 7-11 | 3. Recitativo (Basso). Der Mensch Ist Kot, Staub, Asch Und Erde … | 1:44 | |
| 7-12 | 4. Aria (Basso). Jesu, Beuge Doch Mein Herze … | 3:49 | |
| 7-13 | 5. Choral. Der Zeitlichen Ehrn Will Ich Gern Entbehren … | 0:44 | |
| Wer Weiß, Wie Nahe Mir Mein Ende, BWV 27 - Kantate Zum 16. Sonntag Nach Trinitatis (6th October 1726) | (14:34) | ||
| 7-14 | 1. [Choral E Recitativi (S, A, T)]. Wer Weiß, Wie Nahe Mir Mein Ende? … | 4:27 | |
| 7-15 | 2. Recitativo (Tenore). Mein Leben Hat Kein Ander Ziel … | 0:55 | |
| 7-16 | 3. Aria (Alto). Willkommen! Will Ich Sagen … | 3:49 | |
| 7-17 | 4. Recitativo (Soprano). Ach, Wer Doch Schon Im Himmel Wär! … | 0:46 | |
| 7-18 | 5. Aria (Basso). Gute Nacht, Du Weltgetümmel! … | 3:21 | |
| 7-19 | 6. Choral. Welt, Ade,! Ich Bin Dein Müde … | 1:09 | |
| Appendix: From Wer Weiß, Wie Nahe Mir Mein Ende, BWV 27 | |||
| 7-20 | 3. Aria (Alto). Willkommen! Will Ich Sagen … (Organ Version) | 3:53 | |
| 48 • O Ewiges Feuer (Leipzig 1727-29) | |||
| O Ewiges Feuer, O Ursprung Der Liebe, BWV 34 - Kantate Zum 1. Pfingstfesttag (6th March 1727) | (16:14) | ||
| 8-1 | 1. [Chorus]. O Ewiges Feuer, O Ursprung Der Liebe … | 7:02 | |
| 8-2 | 2. Recitativo (Tenore). Herr, Unsre Herzen Halten Dir … | 0:45 | |
| 8-3 | 3. Aria (Alto). Wohl Euch, Ihr Auserwählten Seelen … | 5:34 | |
| 8-4 | 4. Recitativo (Basso). Erwählt Sich Gott Die Heilgen Hütten … | 0:33 | |
| 8-5 | 5. Tutti. Friede Über Israel … | 2:15 | |
| Sei Lob Und Ehr Dem Höchsten Gut, BWV 117 - Bestimmung Unbekannt | (21:19) | ||
| 8-6 | 1. [Chorus]. Sei Lob Und Ehr Dem Höchsten Gut … | 3:55 | |
| 8-7 | 2. Recitativo (Basso). Es Danken Dir Die Himmelsheer … | 1:09 | |
| 8-8 | 3. Aria (Tenore). Was Unser Gott Geschaffen Hat … | 2:45 | |
| 8-9 | 4. [Choral]. Ich Rief Dem Herrn In Meiner Not … | 0:54 | |
| 8-10 | 5. Recitativo (Alto). Der Herr Ist Noch Und Nimmer Nicht … | 1:20 | |
| 8-11 | 6. [Aria] (Basso). Wenn Trost Und Hülf Ermangeln Muss … | 3:06 | |
| 8-12 | 7. [Aria] (Alto). Ich Will Dich All Mein Leben Lang … | 3:26 | |
| 8-13 | 8. Recitativo (Tenore). Ihr, Die Ihr Christi Namen Nennt … | 0:44 | |
| 8-14 | 9. [Chorus]. So Kommet Vor Sein Angesicht … | 3:52 | |
| Was Gott Tut, Das Ist Wohlgetan (I), BWV 98 - Kantate Zum 21. Sonntag Nach Trinitatis (10th November 1726) | (13:27) | ||
| 8-15 | 1. [Chorus]. Was Gott Tut, Das Ist Wohlgetan … | 3:50 | |
| 8-16 | 2. Recitativo (Tenore). Ach Gott! Wenn Wirst Du Mich Einmal … | 1:04 | |
| 8-17 | 3. Aria (Soprano). Hört, Ihr Augen, Auf Zu Weinen! … | 3:48 | |
| 8-18 | 4. Recitativo (Alto). Gott Hat Ein Herz, Das Des Erbarmens Überfluss … | 1:02 | |
| 8-19 | 5. Aria (Basso). Meinen Jesum Lass Ich Nicht … | 3:38 | |
| Gott, Man Lobet Dich In Der Stille Zu Zion, BWV 120 - Kantate Zum Ratswechsel (1728-29 or 1742?) | (20:07) | ||
| 8-20 | 1. [Aria] (Alto). Gott, Man Lobet Dich In Der Stille Zu Zion … | 5:24 | |
| 8-21 | 2. Chorus. Jauchzet, Ihr Erfreuten Stimmen … | 6:10 | |
| 8-22 | 3. Recitativo (Basso). Auf! Du Geliebte Lindenstadt … | 1:15 | |
| 8-23 | 4. Aria (Soprano). Heil Und Segen … | 5:24 | |
| 8-24 | 5. Recitativo (Tenore). Nun, Herr, So Weihe Selbst Das Regiment … | 0:46 | |
| 8-25 | 6. Choral. Nun Hilf Uns, Herr, Den Dienern Dein … | 1:05 | |
| 49 • Ich Habe Meine Zuversicht (Leipzig 1727-29) | |||
| Ich Habe Meine Zuversicht, BWV 188 - Kantate Zum 21. Sonntag Nach Trinitatis (17. Oktober 1728) | (24:15) | ||
| 9-1 | 1. Sinfonia | 7:50 | |
| 9-2 | 2. Aria (Tenore). Ich Habe Meine Zuversicht … | 6:38 | |
| 9-3 | 3. Recitativo (Basso). Gott Meint Es Gut Mit Jedermann … | 1:59 | |
| 9-4 | 4. Aria (Alto). Unerforschlich Ist Die Weise … | 6:05 | |
| 9-5 | 5. Recitativo (Soprano). Die Macht Der Welt Verlieret Sich … | 0:44 | |
| 9-6 | 6. Choral. Auf Meinen Lieben Gott … | 0:48 | |
| Ich Steh Mit Einem Fuß Im Grabe, BWV 156 - Kantate Zum 3. Sonntag Nach Epiphanias (23. Januar 1729) | (16:41) | ||
| 9-7 | 1. Sinfonia | 2:47 | |
| 9-8 | 2. Aria (Tenore, Soprano). Ich Steh Mit Einem Fuß Im Grabe … | 6:11 | |
| 9-9 | 3. Recitativo (Basso). Mein Angst Und Not … | 1:32 | |
| 9-10 | 4. Aria (Alto). Herr, Was Du Willst, Soll Mir Gefallen … | 4:00 | |
| 9-11 | 5. Recitativo (Basso). Und Willst Du, Dass Ich Nicht Soll Kranken … | 1:04 | |
| 9-12 | 6. Choral. Herr, Wie Du Willst, So Schicks Mit Mir … | 0:58 | |
| Sehet, Wir Gehn Hinauf Gen Jerusalem, BWV 159 - Kantate Zum Sonntag Estomihi (27. Februar 1729) | (14:57) | ||
| 9-13 | 1. Arioso E Recitativo (Basso, Alto). Sehet / Komm, Schaue Doch… | 2:34 | |
| 9-14 | 2. Duetto (Alto, Soprano). Ich Folge Dir Nach … | 4:17 | |
| 9-15 | 3. Recitativo (Tenore). Nun Will Ich Mich … | 0:57 | |
| 9-16 | 4. Aria (Basso). Es Ist Vollbracht … | 5:50 | |
| 9-17 | 5. Choral. Jesu, Deine Passion … | 1:11 | |
| Gott, Wie Dein Name, So Ist Auch Dein Ruhm, BWV 171 - Kantate Zum Neujahr (1. Januar 1729) | (14:46) | ||
| 9-18 | 1. [Chorus]. Gott, Wie Dein Name … | 1:56 | |
| 9-19 | 2. Aria (Tenore). Herr, So Weit Die Wolken Gehen … | 3:53 | |
| 9-20 | 3. Recitativo (Alto). Du Süßer Jesus-Name Du … | 1:01 | |
| 9-21 | 4. Aria (Soprano). Jesus Soll Mein Erstes Wort … | 4:07 | |
| 9-22 | 5. Recitativo (Basso). Und Da Du, Herr, Gesagt … | 1:44 | |
| 9-23 | 6. Choral. Lass Uns Das Jahr Vollbringen … | 1:58 | |
| 50 • Man Singet Mit Freuden (Leipzig 1726-29) | |||
| Man Singet Mit Freuden Vom Sieg, BWV 149 - Kantate Zum Michaelis (29. September 1728) | (18:58) | ||
| 10-1 | 1. Coro. Man Singet Mit Freuden Vom Sieg … | 4:31 | |
| 10-2 | 2. Aria (Basso). Kraft Und Stärke Sei Gesungen … | 2:40 | |
| 10-3 | 3. Recitativo (Alto). Ich Fürchte Mich … | 0:41 | |
| 10-4 | 4. Aria (Soprano). Gottes Engel Weichen Nie … | 5:19 | |
| 10-5 | 5. Recitativo (Tenore). Ich Danke Dir … | 0:37 | |
| 10-6 | 6. Aria (Alto, Tenore). Seid Wachsam, Ihr Heiligen Wächter … | 3:21 | |
| 10-7 | 7. Chorale. Ach Herr, Lass Dein Lieb Engelein … | 1:32 | |
| Ich Lebe, Mein Herze, Zu Deinem Ergötzen, BWV 145 - Kantate Zum 3. Ostertag (19. April 1729) | (9:17) | ||
| 10-8 | 1. Duetto (Tenore, Soprano). Ich Lebe, Mein Herze, Zu Deinem Ergötzen … | 3:15 | |
| 10-9 | 2. Recitativo (Tenore). Nun Fordre, Moses, Wie Du Willst … | 1:01 | |
| 10-10 | 3. Aria (Basso). Merke, Mein Herze, Beständig Nur Dies … | 3:23 | |
| 10-11 | 4. Recitativo (Soprano). Mein Jesus Lebt … | 0:52 | |
| 10-12 | 5. Choral. Drum Wir Auch Billig Fröhlich Sein … | 0:37 | |
| Ich Liebe Den Höchsten Von Ganzem Gemüte, BWV 174 - Kantate Zum 2. Pfingstfesttag (6. Juni 1729) | (20:57) | ||
| 10-13 | 1. Sinfonia | 5:49 | |
| 10-14 | 2. Aria (Alto). Ich Liebe Den Höchsten Von Ganzem Gemüte … | 8:19 | |
| 10-15 | 3. Recitativo (Tenore). O Liebe, Welcher Keine Gleich! … | 1:20 | |
| 10-16 | 4. Aria (Basso). Greifet Zu … | 3:48 | |
| 10-17 | 5. Choral. Herzlich Lieb Hab Ich Dich, O Herr … | 1:25 | |
| Ich Geh Und Suche Mit Verlangen, BWV 49 - Kantate Zum 20. Sonntag Nach Trinitatis (3. November 1726) | (24:21) | ||
| 10-18 | 1. Sinfonia | 6:09 | |
| 10-19 | 2. Aria (Basso). Ich Geh Und Suche Mit Verlangen … | 5:26 | |
| 10-20 | 3. Recitativo (Soprano, Basso). Mein Mahl Ist Zubereit' … | 1:58 | |
| 10-21 | 4. Aria (Soprano). Ich Bin Herrlich, Ich Bin Schön … | 4:31 | |
| 10-22 | 5. Recitativo (Soprano, Basso). Mein Glaube Hat Mich Selbst So Angezogen … | 1:23 | |
| 10-23 | 6. Duetto [E Choral] (Soprano, Basso). Dich Hab Ich Je Und Je Geliebet … | 4:38 | |
| 51 • Nun Danket Alle Gott (Leipzig 1727-32) | |||
| Dem Gerechten Muss Das Licht Immer Wieder Aufgehen, BWV 195 - Kantate Zur Trauung (1748/49, Frühfassung c. 1742, Gleichnamige Trauungskantate c. 1727-32) | (18:35) | ||
| 11-1 | 1. [Chorus]. Dem Gerechten Muss Das Licht Immer Wieder Aufgehen … | 4:37 | |
| 11-2 | 2. Recitativo (Basso). Dem Freudenlicht Gerechter Frommen … | 1:07 | |
| 11-3 | 3. Aria (Basso). Rühmet Gottes Güt Und Treu … | 4:50 | |
| 11-4 | 4. Recitativo (Soprano). Wohlan, So Knüpfet Denn Ein Band … | 1:08 | |
| 11-5 | 5. Chorus. Wir Kommen, Deine Heiligkeit … | 6:05 | |
| Post Copulationem - After The Wedding | |||
| 11-6 | 6. Choral. Nun Danket All Und Bringet Ehr … | 0:43 | |
| Nun Danket Alle Gott, BWV 192 - Kantate, Bestimmung Unbekannt (1730-31?) | (10:49) | ||
| 11-7 | 1. Chorus. Nun Danket Alle Gott … | 4:53 | |
| 11-8 | 2. [Duetto] (Soprano, Basso). Der Ewig Reiche Gott … | 2:56 | |
| 11-9 | 3. [Chorus]. Lob, Ehr Und Preis Sei Gott … | 2:57 | |
| Ich Lasse Dich Nicht, Du Segnest Mich Denn, BWV 157 - Kantate Für Eine Trauerfeier (6. Februar 1727) Bzw. Zum Fest Mariae Reinigung | (19:29) | ||
| 11-10 | 1. Duetto (Tenore, Basso). Ich Lasse Dich Nicht, Du Segnest Mich Denn! | 4:48 | |
| 11-11 | 2. Aria (Tenore). Ich Halte Meinen Jesum Fest … | 6:44 | |
| 11-12 | 3. Recitativo (Tenore). Mein Lieber Jesu Du … | 1:20 | |
| 11-13 | 4. Aria [E Recitativo E Arioso] (Basso). Ja, Ja, Ich Halte Jesum Fest … | 5:48 | |
| 11-14 | 5. Choral. Meinen Jesum Lass Ich Nicht … | 0:46 | |
| Herr Gott, Beherrscher Aller Dinge, BWV 120a - Kantate Zur Trauung (c. 1729) | |||
| Prima Parte • Part One | |||
| 11-15 | 1. [Chorus]. Herr Gott, Beherrscher Aller Dinge … | 6:18 | |
| 11-16 | 2. Recitativo [E Chorus] (Basso, Tenore). Wie Wunderbar, O Gott … | 2:56 | |
| 11-17 | 3. Aria (Soprano). Leit, O Gott, Durch Deine Liebe … | 6:08 | |
| Secunda Parte (Post Copulationem) • Part Two (After The Wedding) | |||
| 11-18 | 4. Sinfonia | 3:33 | |
| 11-19 | 5. Recitativo [E Chorus] (Tenore). Herr Zebaoth … | 1:20 | |
| 11-20 | 6. Aria (Duetto) (Alto, Tenore). Herr, Fange An Und Sprich Den Segen … | 7:03 | |
| 11-21 | 7. Recitativo (Basso). Der Herr, Herr Unser Gott, Sei So Mit Euch … | 1:25 | |
| 11-22 | 8. Choral. Lobe Den Herren, Der Deinen Stand Sichtbar Gesegnet … | 1:18 | |
| 52 • Wachet Auf, Ruft Uns Die Stimme (Leipzig 1730s-40s (I)) | |||
| Wachet Auf, Ruft Uns Die Stimme, BWV 140 - Kantate Zum 27. Sonntag Nach Trinitatis (25. November 1731) | (26:09) | ||
| 12-1 | 1. Chorale. Wachet Auf, Ruft Uns Die Stimme … | 6:51 | |
| 12-2 | 2. Recitativo (Tenore). Er Kommt, Er Kommt … | 1:03 | |
| 12-3 | 3. Aria Duetto (Soprano, Basso). Wenn Kömmst Du, Mein Heil? … | 5:57 | |
| 12-4 | 4. Chorale (Tenore). Zion Hört Die Wächter Singen … | 3:53 | |
| 12-5 | 5. Recitativo (Basso). So Geh Herein Zu Mir … | 1:23 | |
| 12-6 | 6. Aria Duetto (Soprano, Basso). Mein Freund Ist Mein … | 5:23 | |
| 12-7 | 7. Choral. Gloria Sei Dir Gesungen … | 1:29 | |
| Der Herr Ist Mein Getreuer Hirt, BWV 112 - Kantate Zum Sonntag Misericordias Domini (8. April 1731) | (12:59) | ||
| 12-8 | 1. [Chorus]. Der Herr Ist Mein Getreuer Hirt … | 2:35 | |
| 12-9 | 2. Aria (Alto). Zum Reinen Wasser Er Mich Weist … | 3:58 | |
| 12-10 | 3. Recitativo (Basso). Und Ob Ich Wandert Im Finstern Tal … | 1:37 | |
| 12-11 | 4. [Duetto] (Soprano, Tenore). Du Bereitest Für Mir Einen Tisch … | 3:45 | |
| 12-12 | 5. Choral. Gutes Und Die Barmherzigkeit … | 0:59 | |
| Wir Danken Dir, Gott, Wir Danken Dir, BWV 29 - Kantate Zum Ratswechsel, Leipzig 1731 (27. August) | (23:27) | ||
| 12-13 | 1. Sinfonia | 3:37 | |
| 12-14 | 2. Chorus. Wir Danken Dir, Gott, Wir Danken Dir … | 3:11 | |
| 12-15 | 3. Aria (Tenore). Halleluja, Stärk Und Macht … | 5:38 | |
| 12-16 | 4. Recitativo (Basso). Gott Lob! Es Geht Uns Wohl! … | 0:58 | |
| 12-17 | 5. Aria (Soprano). Gedenk An Uns Mit Deiner Liebe … | 5:49 | |
| 12-18 | 6. Recitativo [E Chorus] (Alto). Vergiss Es Ferner Nicht, Mit Deiner Hand … | 0:29 | |
| 12-19 | 7. Arioso (Alto). Halleluja, Stärk Und Macht … | 1:49 | |
| 12-20 | 8. Choral. Sei Lob Und Preis Mit Ehren … | 1:47 | |
| 53 • Ich Ruf Zu Dir, Herr Jesu Christ (Leipzig 1730s-40s) | |||
| In Allen Meinen Taten, BWV 97 - Bestimmung Unbekannt | (25:05) | ||
| 13-1 | 1. [Chorus]. In Allen Meinen Taten … | 3:55 | |
| 13-2 | 2. Versus 2. Aria (Basso). Nichts Ist Es Spat Und Frühe … | 3:19 | |
| 13-3 | 3. Versus 3. Recitativo (Tenore). Es Kann Mir Nichts Geschehen … | 0:33 | |
| 13-4 | 4. Versus 4. Aria (Tenore). Ich Traue Seiner Gnaden … | 6:07 | |
| 13-5 | 5. Versus 5. Recitativo (Alto). Er Wolle Meiner Sünden … | 0:41 | |
| 13-6 | 6. Versus 6. Aria (Alto). Leg Ich Mich Späte Nieder … | 2:56 | |
| 13-7 | 7. Versus 7. Duetto (Soprano, Basso). Hat Er Es Denn Beschlossen … | 3:14 | |
| 13-8 | 8. Versus 8. [Aria] (Soprano). Ihm Hab Ich Mich Ergeben … | 3:21 | |
| 13-9 | 9. Versus Ultimus. Choral. So Sein Nun, Seele, Deine … | 0:43 | |
| Ich Ruf Zu Dir, Herr Jesu Christ, BWV 177 - Kantate Zum 4. Sonntag Nach Trinitatis (6. Juli 1732) | (23:01) | ||
| 13-10 | 1. Chorus. Ich Ruf Zu Dir, Herr Jesu Christ … | 6:11 | |
| 13-11 | 2. Versus 2. [Aria] (Alto). Ich Bitt Noch Mehr, O Herre Gott … | 5:33 | |
| 13-12 | 3. Versus 3. [Aria] (Soprano). Verleih, Dass Ich Aus Herzensgrund … | 5:46 | |
| 13-13 | 4. Versus 4. [Aria] (Tenore). Lass Mich Kein Lust Noch Furcht Von Dir … | 4:20 | |
| 13-14 | 5. Versus 5. [Choral]. Ich Lieg Im Streit Und Widerstreb … | 1:02 | |
| Es Ist Das Heil Uns Kommen Her, BWV 9 - Kantate Zum 6. Sonntag Nach Trinitatis (20. Juli 1732?) | (18:28) | ||
| 13-15 | 1. [Chorus]. Es Ist Das Heil Uns Kommen Her … | 4:37 | |
| 13-16 | 2. Recitativo (Basso). Gott Gab Uns Ein Gesetz … | 1:09 | |
| 13-17 | 3. Aria (Tenore). Wir Waren Schon Zu Tief Gesunken … | 4:01 | |
| 13-18 | 4. Recitativo (Basso). Doch Musste Das Gesetz Erfüllet Werden … | 1:15 | |
| 13-19 | 5. Aria (Soprano, Alto). Herr, Du Siehst Statt Guter Werke … | 5:10 | |
| 13-20 | 6. Recitativo (Basso). Wenn Wir Die Sünd' Aus Dem Gesetz Erkennen … | 1:21 | |
| 13-21 | 7. Choral. Ob Sich's Anließ, Als Wollt' Er Nicht … | 0:51 | |
| 54 • Ehre Sei Gott In Der Höhe (Leipzig 1730s-40s) | |||
| Was Gott Tut, Das Ist Wohlgetan, BWV 100 - Ohne Bestimmung / Unspecified Occasion (c. 1734/35) | (20:08) | ||
| 14-1 | Versus 1 [Chorus]. Was Gott Tut, Das Ist Wohlgetan … | 4:27 | |
| 14-2 | Versus 2 Duetto (Alto, Tenore). Was Gott Tut, Das Ist Wohlgetan … | 2:55 | |
| 14-3 | Versus 3 [Aria] (Soprano). Was Gott Tut, Das Ist Wohlgetan … | 4:45 | |
| 14-4 | Versus 4 [Aria] (Basso). Was Gott Tut, Das Ist Wohlgetan … | 3:20 | |
| 14-5 | Versus 5 [Aria] (Alto). Was Gott Tut, Das Ist Wohlgetan … | 2:49 | |
| 14-6 | Versus Ultimus [Choral]. Was Gott Tut, Das Ist Wohlgetan … | 1:48 | |
| Wär Gott Nicht Mit Uns Diese Zeit, BWV 14 - Kantate Zum 4. Sonntag Nach Epiphanias (30. Januar 1735) | (14:39) | ||
| 14-7 | 1. [Chorus]. Wär Gott Nicht Mit Uns Diese Zeit … | 5:01 | |
| 14-8 | 2. Aria (Soprano). Unsre Stärke Heißt Zu Schwach … | 4:10 | |
| 14-9 | 3. Recitativo (Tenore). Ja, Hätt Es Gott Nur Zugegeben … | 0:45 | |
| 14-10 | 4. Aria (Basso). Gott, Bei Deinem Starken Schützen … | 3:46 | |
| 14-11 | 5. Choral. Gott Lob Und Dank, Der Nicht Zugab … | 0:54 | |
| Gott Ist Unsre Zuversicht, BWV 197 - Trauung / Wedding (1736/37?) | |||
| [Erster Teil / Part One] | |||
| 14-12 | 1. [Chorus]. Gott Ist Unsre Zuversicht … | 5:56 | |
| 14-13 | 2. Recitativo (Basso). Gott Ist Und Bleibt Der Beste Sorger … | 1:13 | |
| 14-14 | 3. Aria (Alto). Schläfert Allen Sorgenkummer … | 7:07 | |
| 14-15 | 4. Recitativo (Basso). Drum Folget Gott Und Seinem Triebe … | 0:44 | |
| 14-16 | 5. Choral. Du Süße Lieb, Schenk Uns Deine Gunst … | 0:56 | |
| Post Copulationem [Zweiter Teil / Part Two] | |||
| 14-17 | 6. Aria (Basso). O Du Angenehmes Paar … | 5:23 | |
| 14-18 | 7. Recitativo (Soprano). So Wie Es Gott Mit Dir … | 1:27 | |
| 14-19 | 8. Aria (Soprano). Vergnügen Und Lust … | 4:01 | |
| 14-20 | 9. Recitativo (Basso). Und Dieser Frohe Lebenslauf … | 0:47 | |
| 14-21 | 10. Choral. So Wandelt Froh Auf Gottes Wegen … | 0:53 | |
| Ehre Sei Gott In Der Höhe, BWV 197a (Fragment) - Kantate Zum 1. Weihnachtstag (Uraufführung: 25. Dezember 1728?) | (11:30) | ||
| 14-22 | 4. Aria (Alto). O! Du Angenehmer Schatz … | 5:17 | |
| 14-23 | 5. Recitativo (Basso). Das Kind Ist Mein … | 1:23 | |
| 14-24 | 6. Aria (Basso). Ich Lasse Dich Nicht … | 3:51 | |
| 14-25 | 7. Choral. Wohlan! So Will Ich Mich … | 0:57 | |
| 55 • Freue Dich, Erlöste Schar (Leipzig 1730s-40s) | |||
| Lobe Den Herrn, Meine Seele, BWV 69 - Kantate Zum Ratswechsel (Probably 26th August 1748) | (19:05) | ||
| 15-1 | 1. [Chorus]. Lobe Den Herrn, Meine Seele … | 4:56 | |
| 15-2 | 2. Recitativo (Soprano). Wie Groß Ist Gottes Güte Doch! … | 1:15 | |
| 15-3 | 3. Aria (Alto). Meine Seele … | 5:58 | |
| 15-4 | 4. Recitativo (Tenore). Der Herr Hat Große Ding An Uns Getan … | 2:12 | |
| 15-5 | 5. Aria (Basso). Mein Erlöser Und Erhalter … | 3:16 | |
| 15-6 | 6. Choral. Es Danke, Gott, Und Lobe Dich … | 1:23 | |
| Freue Dich, Erlöste Schar, BWV 30 - Kantate Zum Johannis (24th June 1738?) | |||
| Prima Pars / Part One | |||
| 15-7 | 1. Chorus. Freue Dich, Erlöste Schar … | 3:59 | |
| 15-8 | 2. Recitativo (Basso). Wir Haben Rast … | 0:54 | |
| 15-9 | 3. Aria (Basso). Gelobet Sei Gott, Gelobet Sein Name … | 4:33 | |
| 15-10 | 4. Recitativo (Alto). Der Herold Kömmt Und Meldt Den König An … | 0:44 | |
| 15-11 | 5. Aria (Alto). Kommt, Ihr Angefochtnen Sünder … | 5:19 | |
| 15-12 | 6. Choral. Eine Stimme Lässt Sich Hören … | 1:12 | |
| Secunda Pars / Part Two | |||
| 15-13 | 7. Recitativo (Basso). So Bist Du Denn, Mein Heil, Bedacht … | 0:57 | |
| 15-14 | 8. Aria (Basso). Ich Will Nun Hassen … | 5:38 | |
| 15-15 | 9. Recitativo (Soprano). Und Ob Wohl Sonst Der Unbestand … | 0:56 | |
| 15-16 | 10. Aria (Soprano). Eilt, Ihr Stunden, Kommt Herbei … | 4:29 | |
| 15-17 | 11. Recitativo (Tenore). Geduld, Der Angenehme Tag … | 1:14 | |
| 15-18 | 12. Chorus. Freue Dich, Erlöste Schar … | 2:02 | |
| Gloria In Excelsis Deo, BWV 191 - Festmusik Zum 1. Weihnachtstag (25th December c. 1743-46) Or Festmusik Zum Friedensvertrag Des Dresdner Friedens (25h December 1745) | (14:19) | ||
| 15-19 | 1. [Chorus]. Gloria In Excelsis Deo … | 6:13 | |
| Post Orationem | |||
| 15-20 | 2. [Duetto] (Soprano, Tenore). Gloria Patri Et Filio Et Spiritui Sancto. | 4:04 | |
| 15-21 | 3. [Chorus]. Sicut Erat In Principio Et Nunc Et Semper … | 4:00 | |
Alto Vocals [Chorus] – Aki Matsui (8-1 to 8-25)
Alto Vocals [Chorus] – Chiharu Takahashi (11-1 to 12-20)
Alto Vocals [Chorus] – Damien Guillon (11-1 to 11-22, 14-1 to 14-25)
Alto Vocals [Chorus] – Hiroya Aoki (2-1 to 10-23, 12-1 to 15-21)
Alto Vocals [Chorus] – Naoko Fuse (15-1 to 15-21)
Alto Vocals [Chorus] – Robin Blaze (2-1 to 10-23, 12-1 to 13-21, 15-1 to 15-21)
Alto Vocals [Chorus] – Sumihito Uesugi (11-1 to 11-22)
Alto Vocals [Chorus] – Tamaki Suzuki (2-1 to 15-21)
Alto Vocals [Chorus] – Yumi Nakamura (14-1 to 14-25)
Bass Vocals [Chorus] – Chiyuki Urano (7-1 to 11-22, 13-1 to 15-21)
Bass Vocals [Chorus] – Daisuke Fujii (2-1 to 10-23, 12-1 to 15-21)
Bass Vocals [Chorus] – Naoki Sasaki (6-1 to 6-29, 12-1 to 12-20)
Bass Vocals [Chorus] – Peter Kooij (2-1 to 15-21)
Bass Vocals [Chorus] – Toru Kaku (11-1 to 12-20, 14-1 to 14-25)
Bass Vocals [Chorus] – Yusuke Watanabe (2-1 to 5-20, 8-1 to 8-25, 11-1 to 11-22, 15-1 to 15-21)
Bassoon – Takako Kunugi (3-1 to 3-20)
Bassoon – Yukiko Murakami (10-1 to 10-23, 13-1 to 13-21)
Bassoon [Continuo] – Takako Kunugi (4-1 to 5-20)
Bassoon [Continuo] – Yukiko Murakami (1-1 to 1-5, 1-15 to 2-24, 6-1 to 9-23, 11-1 to 12-20, 14-1 to 15-21)
Composed By – Bach
Directed By – Masaaki Suzuki
Edited By [Digital Editing] – Andreas Ruge (2-1 to 2-24)
Edited By [Digital Editing] – Christian Starke (1-11 to 1-14)
Edited By [Digital Editing] – Eunjee Jang (3-1 to 3-20)
Edited By [Digital Editing] – Piotr Furmanczyk (1-1 to 1-10, 1-15 to 1-19)
Edited By [Editing] – Bastian Schick (5-1 to 5-20, 9-1 to 9-23)
Edited By [Editing] – Christian Starke (6-1 to 6-29, 10-1 to 10-23)
Edited By [Editing] – Elisabeth Kemper (4-1 to 4-27, 8-1 to 8-25, 10-1 to 10-23, 12-1 to 12-20)
Edited By [Editing] – Jens Braun (14-1 to 14-25)
Edited By [Editing] – Michaela Wiesbeck (4-1 to 4-27, 6-1 to 6-29)
Edited By [Editing] – Nora Brandenburg (11-1 to 11-22)
Edited By [Editing] – Rita Hermeyer (7-1 to 7-20)
Edited By [Editing] – Thore Brinkmann (15-1 to 15-21)
Engineer [Sound Engineer] – Andreas Ruge (1-11 to 1-14, 3-1 to 3-20, 5-1 to 5-20, 7-1 to 7-20, 9-1 to 9-23, 13-1 to 14-25)
Engineer [Sound Engineer] – Emma Laín (13-1 to 13-21)
Engineer [Sound Engineer] – Hans Kipfer (1-1 to 1-10, 1-15 to 1-19)
Engineer [Sound Engineer] – Hans Kipfer (13-1 to 13-21)
Engineer [Sound Engineer] – Jens Braun (10-1 to 10-23, 15-1 to 15-21)
Engineer [Sound Engineer] – Marion Schwebel (11-1 to 11-22)
Engineer [Sound Engineer] – Matthias Spitzbarth (2-1 to 2-24, 4-1 to 4-27, 8-1 to 8-25)
Engineer [Sound Engineer] – Thore Brinkmann (6-1 to 6-29, 12-1 to 12-20)
Ensemble – Bach Collegium Japan
Executive-Producer – Robert von Bahr
Flute [Flauto Traverso II] – Kanae Kikuchi (8-1 to 8-25, 14-1 to 14-25)
Flute [Flauto Traverso II] – Liliko Maeda (3-1 to 3-20, 6-1 to 6-29, 11-1 to 11-22, 15-1 to 15-21)
Flute [Flauto Traverso I] – Kiyomi Suga (3-1 to 4-27, 6-1 to 6-29, 11-1 to 11-22, 13-1 to 13-21, 15-1 to 15-21)
Flute [Flauto Traverso I] – Liliko Maeda (8-1 to 8-25)
Flute [Flauto Traverso] – Kiyomi Suga (1-6 to 1-10, 5-1 to 5-20, 10-1 to 10-23, 14-1 to 14-25)
Harpsichord [Continuo] – Masaaki Suzuki (8-6 to 9-6)
Harpsichord [Continuo] – Masato Suzuki (1-1 to 1-5, 1-11 to 3-20, 4-9 to 7-20, 9-7 to 15-21)
Harpsichord [Continuo] – Mizuho Doi (8-6 to 8-25)
Harpsichord [Continuo] – Naoko Imai (4-1 to 4-8)
Horn [Corno Da Caccia] – Toshio Shimada (2-1 to 2-24)
Horn [Corno II] – Sayuri Iijima (4-1 to 4-27)
Horn [Corno] – Takeshi Hidaka (7-1 to 7-20)
Libretto By [Text Possibly Adapted By] – Christian Friedrich Henrici (7-1 to 7-8)
Libretto By [Text] – Ahasverus Fritsch (3-15)
Libretto By [Text] – Anon. (1-1 to 1-4, 1-6 to 1-11, 1-13, 4-1, 4-3 to 4-7, 4-10, 4-11, 4-14, 4-15, 4-18, 4-19, 4-21 to 4-26, 6-2, 6-3, 6-5, 6-6, 6-22 to 6-28, 7-15, 7-17, 7-18, 8-1 to 8-5, 8-15 to 8-19, 8-21 to 8-24, 10-18 to 10-22, 11-2 to 11-5, 11-15 to 11-17, 11-20, 11-21, 12-2, 12-3, 12-5, 12-6, 12-15 to 12-19, 13-16 to 13-20, 14-8 to 14-10, 14-12 to 14-4, 14-6 to 14-20, 15-2 to 15-5)
Libretto By [Text] – Caspar Ziegler (14-25)
Libretto By [Text] – Christian Friedrich Henrici (1-15 to 1-18, 9-1 to 9-5, 9-7, 9-9 to 9-11, 9-15, 9-16, 9-19 to 9-22, 10-2 to 10-6, 10-8 to 10-11, 10-13 to 10-16, 11-11 to 11-13, 14-22 to 14-24)
Libretto By [Text] – Christian Keymann (11-14)
Libretto By [Text] – David Denicke (5-7)
Libretto By [Text] – Erasmus Alber (7-13)
Libretto By [Text] – Erdmann Neumeister (7-16)
Libretto By [Text] – Georg Christian Lehms (2-7 to 2-11, 2-13, 2-14, 2-16, 2-17, 2-19 to 2-23, 3-2, 3-4, 3-9 to 3-14, 3-16 to 3-19)
Libretto By [Text] – Georg Neumark (4-16, 14-21)
Libretto By [Text] – H. Vogel (5-14)
Libretto By [Text] – Herzog Albrecht Von Preußen (2-6)
Libretto By [Text] – Joachim Neander (11-22)
Libretto By [Text] – Johann Agricola (13-10 to 13-14)
Libretto By [Text] – Johann Franck (1-5)
Libretto By [Text] – Johann Friedrich Helbig (7-10 to 7-12)
Libretto By [Text] – Johann Georg Albinus (1-12, 7-19)
Libretto By [Text] – Johann Gramann (6-20, 12-20)
Libretto By [Text] – Johann Heerman (2-15, 6-7, 6-14)
Libretto By [Text] – Johann Hermann Schein (9-8)
Libretto By [Text] – Johann Jakob Schütz (8-6 to 8-14)
Libretto By [Text] – Johann Rist (4-27)
Libretto By [Text] – Johannes Herman (9-23)
Libretto By [Text] – Johannes Olearius (5-15 to 5-19, 15-12)
Libretto By [Text] – Kaspar Bieneman (9-12)
Libretto By [Text] – Kaspar Füger (3-7)
Libretto By [Text] – Martin Luther (1-14, 7-2, 7-6, 7-8, 8-25, 11-19, 14-7, 14-11, 14-16, 15-6)
Libretto By [Text] – Martin Rinckart (11-7 to 11-9)
Libretto By [Text] – Martin Schalling (10-7, 10-17)
Libretto By [Text] – Nikolaus Herman (3-20, 10-12)
Libretto By [Text] – Paul Eber (2-24)
Libretto By [Text] – Paul Fleming (2-18, 13-1 to 13-9)
Libretto By [Text] – Paul Gerhardt (2-12, 9-14, 11-6)
Libretto By [Text] – Paul Speratus (13-15, 13-21)
Libretto By [Text] – Paul Stockmann (9-17)
Libretto By [Text] – Philipp Nicolai (7-4, 10-23, 12-1, 12-4, 12-7)
Libretto By [Text] – Picander (1-15 to 1-18, 9-1 to 9-5, 9-7, 9-9 to 9-11, 9-15, 9-16, 9-19 to 9-22, 10-2 to 10-6, 10-8 to 10-11, 10-13 to 10-16, 11-11 to 11-13, 14-22 to 14-24)
Libretto By [Text] – Salomon Franck (2-1 to 2-5)
Libretto By [Text] – Samuel Rodigast (14-1 to 14-6)
Libretto By [Text] – Wolfgang Meuslin (12-8 to 12-12)
Libretto By [Text] – Ämilie Juliane Von Schwarzburg-Rudolstadt (1-19, 7-14)
Liner Notes [Cover Texts] – Klaus Hofmann
Liner Notes [Cover Texts] – Masaki Suzuki (4-1 to 4-27, 6-1 to 11-22, 13-1 to 15-21)
Liner Notes [English Translations - Masaaki Suzuki's Introduction] – Irene Ramejkis (15-1 to 15-21)
Liner Notes [English Translations - Masaaki Suzuki's Introduction] – Noriko Ogawa (15-1 to 15-21)
Liner Notes [English Translations] – Andrew Barnett
Liner Notes [French Translations] – Jean-Pascal Vachon
Liner Notes [German Translations] – Anna Lamberti (6-1 to 9-23)
Liner Notes [German Translations] – Horst A. Scholz (10-1 to 11-22, 13-1 to 15-21)
Mixed By – Andreas Ruge (7-1 to 7-20)
Mixed By – Hans Kipfer (10-1 to 10-23, 13-1 to 13-21)
Mixed By – Ingo Petry (5-1 to 5-20, 11-1 to 11-22)
Mixed By – Jens Braun (10-1 to 10-23, 12-1 to 12-20, 14-1 to 15-21)
Mixed By – Marion Schwebel (4-1 to 4-27, 6-1 to 6-29)
Mixed By – Matthias Spitzbarth (4-1 to 4-27, 8-1 to 8-25)
Mixed By – Thore Brinkmann (6-1 to 6-29, 8-1 to 9-23, 12-1 to 12-20)
Oboe – Masamitsu San'nomiya (1-11 to 1-14)
Oboe [III] – Atsuko Ozaki (15-1 to 15-21)
Oboe [III], Oboe Da Caccia – Atsuko Ozaki (3-1 to 3-20)
Oboe [III], Oboe d'Amore [II] – Atsuko Ozaki (10-1 to 10-23)
Oboe [II] – Atsuko Ozaki (6-1 to 6-7, 6-29, 13-1 to 13-21)
Oboe [II] – Ayaka Mori (1-1 to 1-5, 1-15 to 1-19, 9-1 to 9-6, 9-18 to 10-23)
Oboe [II] – Yukari Maehashi (2-1 to 3-20, 5-1 to 5-20, 8-1 to 8-5, 8-15 to 8-19, 15-1 to 15-21)
Oboe [II], Oboe d'Amore [II] – Atsuko Ozaki (14-1 to 14-25)
Oboe [II], Oboe d'Amore [II] – Yukari Maehashi (6-1 to 7-20, 12-1 to 12-12)
Oboe [I] – Masamitsu San'nomiya (1-1 to 1-5, 1-15 to 1-19, 9-1 to 9-23)
Oboe [I], Oboe Da Caccia – Masamitsu San'nomiya (2-1 to 2-24)
Oboe [I], Oboe d'Amore – Masamitsu San'nomiya (3-1 to 3-20, 5-1 to 5-20, 15-1 to 15-21)
Oboe [I], Oboe d'Amore [I] – Masamitsu San'nomiya (6-1 to 6-29, 8-1 to 8-25, 10-1 to 12-20, 14-1 to 14-25)
Oboe [I], Oboe d'Amore [I], Oboe Da Caccia – Masamitsu San'nomiya (7-1 to 7-20)
Oboe [I], Oboe d'Amore, Oboe Da Caccia – Masamitsu San'nomiya (13-1 to 13-21)
Oboe [Taille, Oboe II] – Atsuko Ozaki (8-6 to 8-25, 12-1 to 12-7, 12-13 to 12-20)
Oboe [Taille] – Akemi Sugimoto (1-1 to 1-5, 1-15 to 1-19)
Oboe [Taille] – Atsuko Ozaki (4-1 to 4-27, 6-22 to 6-28, 9-1 to 9-6)
Oboe, Oboe d'Amore [II] – Atsuko Ozaki (11-1 to 11-22)
Oboe, Oboe d'Amore [II] – Yukari Maehashi (4-1 to 4-27)
Oboe, Oboe d'Amore [I] – Masamitsu San'nomiya (4-1 to 4-27)
Organ [Continuo] – Masaaki Suzuki (1-6 to 1-10)
Organ [Continuo] – Masato Suzuki (4-1 to 4-8)
Organ [Continuo] – Naoko Imai (1-1 to 1-5, 1-11 to 3-20, 4-9 to 8-25, 9-7 to 15-21)
Organ [Organo Obbligato] – Masaaki Suzuki (10-18 to 10-23, 12-13 to 12-20)
Organ [Organo Obbligato] – Masato Suzuki (9-1 to 9-6)
Photography By [Carolyn Sampson] – Johnny Greig (1-1 to 1-19)
Photography By [Christoph Genz] – Nancy Horowitz (11-1 to 11-22)
Photography By [Gerd Türk] – Koichi Miura (2-1 to 4-27, 9-1 to 10-23, 12-1 to 15-21)
Photography By [Hana Blažíková] – Ludék Sojka (6-1 to 8-25, 10-1 to 15-21)
Photography By [Masaaki Suzuki] – Marco Borggreve
Photography By [Peter Koiij] – Marco Borggreve
Photography By [Robin Blaze] – Robert Workman (2-1 to 8-25)
Photography By [Robin Blaze] – Will Unwin (9-1 to 10-23, 12-1 to 13-21, 15-1 to 15-21)
Photography By [Satoshi Mizukoshi] – Olarenska (7-1 to 8-25)
Photography By [Yukari Nonoshita] – Mariko Kubo (5-1 to 5-20)
Producer – Hans Kipfer (10-1 to 10-23, 13-1 to 13-21)
Producer – Ingo Petry (5-1 to 5-20, 11-1 to 11-22)
Producer – Jens Braun (12-1 to 12-20, 14-1 to 14-25)
Producer – Marion Schwebel (4-1 to 4-27, 6-1 to 6-29)
Producer – Rita Hermeyer (7-1 to 7-20)
Producer – Thore Brinkmann (8-1 to 9-23, 15-1 to 15-21)
Producer [Recording Producer] – Andreas Ruge (2-1 to 2-24)
Producer [Recording Producer] – Hans Kipfer (1-11 to 1-14, 3-1 to 3-20)
Producer [Recording Producer] – Ingo Petry (1-1 to 1-10, 1-15 to 1-19)
Recorder [Flauto Dolce II] – Akimasa Mukae (2-1 to 2-24, 5-1 to 5-20)
Recorder [Flauto Dolce I] – Shigeharu Yamaoka (2-1 to 2-24, 5-1 to 5-20)
Solo Vocal, Alto Vocals – Hiroya Aoki (1-1 to 1-10, 1-15 to 1-19)
Solo Vocal, Alto Vocals – Robin Blaze (1-11 to 1-14)
Solo Vocal, Bass Vocals – Peter Kooij
Solo Vocal, Countertenor Vocals – Damien Guillon (11-1 to 11-22, 14-1 to 14-25)
Solo Vocal, Countertenor Vocals – Robin Blaze (2-1 to 10-23, 12-1 to 13-21, 15-1 to 15-21)
Solo Vocal, Soprano Vocals – Carolyn Sampson (1-1 to 1-10, 1-15 to 1-19)
Solo Vocal, Soprano Vocals – Hana Blažíková (1-11 to 1-14, 3-1 to 3-20, 6-1 to 8-25, 10-1 to 15-21)
Solo Vocal, Soprano Vocals – Rachel Nicholls (2-1 to 2-24, 4-1 to 4-27, 9-1 to 9-23)
Solo Vocal, Soprano Vocals – Yukari Nonoshita (5-1 to 5-20)
Solo Vocal, Tenor Vocals – Christoph Genz (11-1 to 11-22)
Solo Vocal, Tenor Vocals – Gerd Türk (1-11 to 1-14, 2-1 to 4-27, 6-1 to 6-29, 9-1 to 10-23, 12-1 to 15-21)
Solo Vocal, Tenor Vocals – Satoshi Mizukoshi (7-1 to 8-25)
Solo Vocal, Tenor Vocals – Yusuke Fujii (1-1 to 1-10, 1-15 to 1-19)
Soloist, Bassoon – Yukiko Murakami (10-1 to 10-23, 13-1 to 14-25)
Soloist, Flute [Flauto Traverso] – Kiyomi Suga (1-1 to 1-19, 3-1 to 6-29, 11-1 to 11-22, 13-1 to 15-21)
Soloist, Flute [Flauto Traverso] – Liliko Maeda (8-1 to 8-25)
Soloist, Horn [Corno Da Caccia] – Toshio Shimada (2-1 to 2-24)
Soloist, Oboe – Masamitsu San'nomiya (1-1 to 1-19, 8-1 to 10-23, 12-1 to 13-21)
Soloist, Oboe d'Amore – Masamitsu San'nomiya (5-1 to 7-20, 11-1 to 12-20, 14-1 to 15-21)
Soloist, Oboe, Oboe Da Caccia – Masamitsu San'nomiya (2-1 to 3-20)
Soloist, Organ – Masaaki Suzuki (10-1 to 10-23)
Soloist, Organ – Masato Suzuki (4-1 to 4-27, 9-1 to 9-23, 12-1 to 12-20)
Soloist, Organ – Naoko Imai (11-1 to 11-22)
Soloist, Trumpet – Jean-François Madeuf (14-1 to 14-25)
Soloist, Trumpet – Toshio Shimada (3-1 to 4-27)
Soloist, Violin – Natsumi Wakamatsu (1-1 to 3-20, 5-1 to 5-20, 7-1 to 9-23, 12-1 to 14-25)
Soloist, Violin – Ryo Terakado (15-1 to 15-21)
Soloist, Violin, Viola d'Amore – Natsumi Wakamatsu (11-1 to 11-22)
Soloist, Violin, Violoncello [Violoncello Da Spalla] – Ryo Terakado (10-1 to 10-23)
Soloist, Violino Piccolo – Natsumi Wakamatsu (6-1 to 6-29, 12-1 to 12-20)
Soprano Vocals [Chorus] – Aki Matsui (5-1 to 5-20, 8-1 to 8-25, 11-1 to 12-20, 14-1 to 14-25)
Soprano Vocals [Chorus] – Eri Sawae (11-1 to 11-22)
Soprano Vocals [Chorus] – Hana Blažíková (3-1 to 3-20, 6-1 to 8-25, 10-1 to 14-25)
Soprano Vocals [Chorus] – Kristen Witmer (5-1 to 5-20)
Soprano Vocals [Chorus] – Minae Fujisaki (2-1 to 4-27, 6-1 to 10-23, 12-1 to 14-25)
Soprano Vocals [Chorus] – Rachel Nicholls (2-1 to 2-24, 4-1 to 4-27, 9-1 to 9-23)
Soprano Vocals [Chorus] – Yoshie Hida (2-1 to 14-25)
Soprano Vocals [Chorus] – Yukari Nonoshita (5-1 to 5-20)
Soprano Vocals [Soprano I - Chorus] – Hana Blažíková (15-1 to 15-21)
Soprano Vocals [Soprano I - Chorus] – Naho Kashiwabara (15-1 to 15-21)
Soprano Vocals [Soprano I - Chorus] – Yoshie Hida (15-1 to 15-21)
Soprano Vocals [Soprano II - Chorus] – Aki Matsui (15-1 to 15-21)
Soprano Vocals [Soprano II - Chorus] – Eri Sawae (15-1 to 15-21)
Soprano Vocals [Soprano II - Chorus] – Minae Fujisaki (15-1 to 15-21)
Technician [Tuner - Organ] – Matthieu Garnier (9-1 to 9-6, 10-18 to 10-23, 11-18, 12-13 to 12-20)
Technician [Tuner - Positive Organ & Cembalo] – Akimi Hayashi (9-1 to 9-23)
Technician [Tuner] – Akimi Hayashi (1-1 to 8-25, 10-1 to 15-21)
Tenor Vocals [Chorus] – Christoph Genz (11-1 to 11-22)
Tenor Vocals [Chorus] – Gerd Türk (2-1 to 4-27, 6-1 to 6-29, 9-1 to 10-23, 12-1 to 15-21)
Tenor Vocals [Chorus] – Hiroto Ishikawa (2-1 to 2-24, 5-1 to 5-20, 8-1 to 8-25, 10-1 to 12-20)
Tenor Vocals [Chorus] – Katsuhiko Nakashima (12-1 to 12-20)
Tenor Vocals [Chorus] – Satoshi Mizukoshi (6-1 to 9-23, 12-1 to 12-20, 14-1 to 15-21)
Tenor Vocals [Chorus] – Yosuke Taniguchi (2-1 to 11-22, 13-1 to 15-21)
Tenor Vocals [Chorus] – Yusuke Fujii (3-1 to 5-20, 7-1 to 8-25, 11-1 to 11-22, 13-1 to 15-21)
Timpani – Atsushi Sugahara (5-1 to 5-20, 12-1 to 12-20)
Timpani – Rizumu Sugishita (14-1 to 14-25)
Timpani – Robert Howes (8-1 to 8-25, 10-1 to 10-23)
Timpani – Shoichi Kubo (6-1 to 6-29, 9-1 to 9-23, 11-1 to 11-22)
Timpani – Takaaki Kondo (3-1 to 3-20)
Timpani – Thomas Holzinger (15-1 to 15-21)
Trumpet [Tromba Da Tirarsi] – Jean-François Madeuf (12-1 to 12-7)
Trumpet [Tromba III] – Ayako Murata (3-1 to 6-29, 8-1 to 9-23)
Trumpet [Tromba III] – Hidenori Saito (12-1 to 12-20, 14-1 to 15-21)
Trumpet [Tromba III] – Jean-Charles Denis (10-1 to 10-23)
Trumpet [Tromba III], Horn [Corno II] – Graham Nicholson (11-1 to 11-22)
Trumpet [Tromba II] – Gilles Rapin (10-1 to 10-23)
Trumpet [Tromba II] – Hidenori Saito (3-1 to 6-29, 8-1 to 9-23)
Trumpet [Tromba II] – Jean-Charles Denis (15-1 to 15-21)
Trumpet [Tromba II] – Philippe Genestier (11-1 to 11-22)
Trumpet [Tromba II], Horn [Corno II] – Gilles Rapin (14-1 to 14-25)
Trumpet [Tromba II], Horn [Corno II] – Graham Nicholson (12-1 to 12-20)
Trumpet [Tromba I] – Guy Ferber (6-1 to 6-29, 9-1 to 9-23)
Trumpet [Tromba I] – Jean-François Madeuf (10-1 to 10-23, 15-1 to 15-21)
Trumpet [Tromba I] – Toshio Shimada (3-1 to 3-20, 8-1 to 8-25)
Trumpet [Tromba I], Horn [Corno I] – Jean-François Madeuf (11-1 to 12-20, 14-1 to 14-25)
Trumpet [Tromba I], Horn [Corno I] – Toshio Shimada (4-1 to 5-20)
Typography [Typesetting], Layout – Andrew Barnett (1-1 to 4-27, 6-1 to 15-21)
Typography [Typesetting], Layout – Compact Design Ltd.
Viola – Amiko Watabe (1-1 to 1-5, 1-15 to 5-20, 7-1 to 7-20)
Viola – Hiroshi Narita (7-1 to 7-20, 9-1 to 15-21)
Viola – Mika Akiha (6-1 to 6-29, 8-1 to 8-25, 11-1 to 11-22, 14-1 to 15-21)
Viola – Mina Fukazawa (6-1 to 6-29, 8-1 to 8-25, 12-1 to 12-20)
Viola – Yoshiko Morita (1-6 to 1-10, 1-11 to 1-14, 2-1 to 5-20, 9-1 to 10-23, 13-1 to 13-21)
Violin [Violino II] – Ayaka Yamauchi (12-1 to 12-20, 14-1 to 14-25)
Violin [Violino II] – Azumi Takada (1-11 to 1-14, 2-1 to 9-23, 11-1 to 12-20, 14-1 to 14-25)
Violin [Violino II] – Kaori Toda (1-6 to 1-10, 2-1 to 4-27, 7-1 to 7-20)
Violin [Violino II] – Mika Akiha (9-1 to 9-23)
Violin [Violino II] – Natsumi Wakamatsu (10-1 to 10-23, 15-1 to 15-21)
Violin [Violino II] – Shiho Hiromi (5-1 to 6-29, 8-1 to 8-25, 13-1 to 13-21)
Violin [Violino II] – Yukie Yamaguchi (1-1 to 1-5, 1-15 to 1-19, 10-1 to 14-25)
Violin [Violino II] – Yuko Araki (1-1 to 1-5, 1-15 to 11-22, 13-1 to 13-21, 15-1 to 15-21)
Violin [Violino II] – Yuko Takeshima (15-1 to 15-21)
Violin [Violino I] – Ayaka Yamauchi (9-1 to 9-23)
Violin [Violino I] – Azumi Takada (10-1 to 10-23, 15-1 to 15-21)
Violin [Violino I] – Mika Akiha (10-1 to 10-23)
Violin [Violino I] – Paul Herrera (1-1 to 1-5, 1-15 to 5-20, 7-1 to 7-20, 11-1 to 11-22, 13-1 to 14-25)
Violin [Violino I] – Shiho Hiromi (4-1 to 4-27, 10-1 to 10-23)
Violin [Violino I] – Yukie Yamaguchi (6-1 to 6-29, 8-1 to 9-23, 15-1 to 15-21)
Violin [Violino I] – Yuko Araki (12-1 to 12-20)
Violin [Violino I] – Yuko Takeshima (1-1 to 1-5, 1-15 to 8-25, 11-1 to 14-25)
Violin [Violino I], Leader – Natsumi Wakamatsu (1-6 to 1-14, 2-1 to 9-23, 11-1 to 14-25)
Violin [Violino I], Leader – Ryo Terakado (10-1 to 10-23, 15-1 to 15-21)
Violino Piccolo – Natsumi Wakamatsu (6-1 to 6-29)
Violoncello [Continuo] – Hidemi Suzuki (1-6 to 1-14, 2-1 to 15-21)
Violoncello [Continuo] – Koji Takahashi (10-13 to 10-17)
Violoncello [Continuo] – Takashi Kaketa (10-1 to 10-23)
Violone [Continuo] – Seiji Nishizawa (2-1 to 2-24, 7-1 to 7-20, 13-1 to 15-21)
Violone [Continuo] – Shigeru Sakurai (10-1 to 10-23)
Violone [Continuo] – Takashi Konno (1-6 to 1-14, 3-1 to 6-29, 8-1 to 9-23, 11-1 to 12-20)
Alto Vocals [Chorus] – Chiharu Takahashi (11-1 to 12-20)
Alto Vocals [Chorus] – Damien Guillon (11-1 to 11-22, 14-1 to 14-25)
Alto Vocals [Chorus] – Hiroya Aoki (2-1 to 10-23, 12-1 to 15-21)
Alto Vocals [Chorus] – Naoko Fuse (15-1 to 15-21)
Alto Vocals [Chorus] – Robin Blaze (2-1 to 10-23, 12-1 to 13-21, 15-1 to 15-21)
Alto Vocals [Chorus] – Sumihito Uesugi (11-1 to 11-22)
Alto Vocals [Chorus] – Tamaki Suzuki (2-1 to 15-21)
Alto Vocals [Chorus] – Yumi Nakamura (14-1 to 14-25)
Bass Vocals [Chorus] – Chiyuki Urano (7-1 to 11-22, 13-1 to 15-21)
Bass Vocals [Chorus] – Daisuke Fujii (2-1 to 10-23, 12-1 to 15-21)
Bass Vocals [Chorus] – Naoki Sasaki (6-1 to 6-29, 12-1 to 12-20)
Bass Vocals [Chorus] – Peter Kooij (2-1 to 15-21)
Bass Vocals [Chorus] – Toru Kaku (11-1 to 12-20, 14-1 to 14-25)
Bass Vocals [Chorus] – Yusuke Watanabe (2-1 to 5-20, 8-1 to 8-25, 11-1 to 11-22, 15-1 to 15-21)
Bassoon – Takako Kunugi (3-1 to 3-20)
Bassoon – Yukiko Murakami (10-1 to 10-23, 13-1 to 13-21)
Bassoon [Continuo] – Takako Kunugi (4-1 to 5-20)
Bassoon [Continuo] – Yukiko Murakami (1-1 to 1-5, 1-15 to 2-24, 6-1 to 9-23, 11-1 to 12-20, 14-1 to 15-21)
Composed By – Bach
Directed By – Masaaki Suzuki
Edited By [Digital Editing] – Andreas Ruge (2-1 to 2-24)
Edited By [Digital Editing] – Christian Starke (1-11 to 1-14)
Edited By [Digital Editing] – Eunjee Jang (3-1 to 3-20)
Edited By [Digital Editing] – Piotr Furmanczyk (1-1 to 1-10, 1-15 to 1-19)
Edited By [Editing] – Bastian Schick (5-1 to 5-20, 9-1 to 9-23)
Edited By [Editing] – Christian Starke (6-1 to 6-29, 10-1 to 10-23)
Edited By [Editing] – Elisabeth Kemper (4-1 to 4-27, 8-1 to 8-25, 10-1 to 10-23, 12-1 to 12-20)
Edited By [Editing] – Jens Braun (14-1 to 14-25)
Edited By [Editing] – Michaela Wiesbeck (4-1 to 4-27, 6-1 to 6-29)
Edited By [Editing] – Nora Brandenburg (11-1 to 11-22)
Edited By [Editing] – Rita Hermeyer (7-1 to 7-20)
Edited By [Editing] – Thore Brinkmann (15-1 to 15-21)
Engineer [Sound Engineer] – Andreas Ruge (1-11 to 1-14, 3-1 to 3-20, 5-1 to 5-20, 7-1 to 7-20, 9-1 to 9-23, 13-1 to 14-25)
Engineer [Sound Engineer] – Emma Laín (13-1 to 13-21)
Engineer [Sound Engineer] – Hans Kipfer (1-1 to 1-10, 1-15 to 1-19)
Engineer [Sound Engineer] – Hans Kipfer (13-1 to 13-21)
Engineer [Sound Engineer] – Jens Braun (10-1 to 10-23, 15-1 to 15-21)
Engineer [Sound Engineer] – Marion Schwebel (11-1 to 11-22)
Engineer [Sound Engineer] – Matthias Spitzbarth (2-1 to 2-24, 4-1 to 4-27, 8-1 to 8-25)
Engineer [Sound Engineer] – Thore Brinkmann (6-1 to 6-29, 12-1 to 12-20)
Ensemble – Bach Collegium Japan
Executive-Producer – Robert von Bahr
Flute [Flauto Traverso II] – Kanae Kikuchi (8-1 to 8-25, 14-1 to 14-25)
Flute [Flauto Traverso II] – Liliko Maeda (3-1 to 3-20, 6-1 to 6-29, 11-1 to 11-22, 15-1 to 15-21)
Flute [Flauto Traverso I] – Kiyomi Suga (3-1 to 4-27, 6-1 to 6-29, 11-1 to 11-22, 13-1 to 13-21, 15-1 to 15-21)
Flute [Flauto Traverso I] – Liliko Maeda (8-1 to 8-25)
Flute [Flauto Traverso] – Kiyomi Suga (1-6 to 1-10, 5-1 to 5-20, 10-1 to 10-23, 14-1 to 14-25)
Harpsichord [Continuo] – Masaaki Suzuki (8-6 to 9-6)
Harpsichord [Continuo] – Masato Suzuki (1-1 to 1-5, 1-11 to 3-20, 4-9 to 7-20, 9-7 to 15-21)
Harpsichord [Continuo] – Mizuho Doi (8-6 to 8-25)
Harpsichord [Continuo] – Naoko Imai (4-1 to 4-8)
Horn [Corno Da Caccia] – Toshio Shimada (2-1 to 2-24)
Horn [Corno II] – Sayuri Iijima (4-1 to 4-27)
Horn [Corno] – Takeshi Hidaka (7-1 to 7-20)
Libretto By [Text Possibly Adapted By] – Christian Friedrich Henrici (7-1 to 7-8)
Libretto By [Text] – Ahasverus Fritsch (3-15)
Libretto By [Text] – Anon. (1-1 to 1-4, 1-6 to 1-11, 1-13, 4-1, 4-3 to 4-7, 4-10, 4-11, 4-14, 4-15, 4-18, 4-19, 4-21 to 4-26, 6-2, 6-3, 6-5, 6-6, 6-22 to 6-28, 7-15, 7-17, 7-18, 8-1 to 8-5, 8-15 to 8-19, 8-21 to 8-24, 10-18 to 10-22, 11-2 to 11-5, 11-15 to 11-17, 11-20, 11-21, 12-2, 12-3, 12-5, 12-6, 12-15 to 12-19, 13-16 to 13-20, 14-8 to 14-10, 14-12 to 14-4, 14-6 to 14-20, 15-2 to 15-5)
Libretto By [Text] – Caspar Ziegler (14-25)
Libretto By [Text] – Christian Friedrich Henrici (1-15 to 1-18, 9-1 to 9-5, 9-7, 9-9 to 9-11, 9-15, 9-16, 9-19 to 9-22, 10-2 to 10-6, 10-8 to 10-11, 10-13 to 10-16, 11-11 to 11-13, 14-22 to 14-24)
Libretto By [Text] – Christian Keymann (11-14)
Libretto By [Text] – David Denicke (5-7)
Libretto By [Text] – Erasmus Alber (7-13)
Libretto By [Text] – Erdmann Neumeister (7-16)
Libretto By [Text] – Georg Christian Lehms (2-7 to 2-11, 2-13, 2-14, 2-16, 2-17, 2-19 to 2-23, 3-2, 3-4, 3-9 to 3-14, 3-16 to 3-19)
Libretto By [Text] – Georg Neumark (4-16, 14-21)
Libretto By [Text] – H. Vogel (5-14)
Libretto By [Text] – Herzog Albrecht Von Preußen (2-6)
Libretto By [Text] – Joachim Neander (11-22)
Libretto By [Text] – Johann Agricola (13-10 to 13-14)
Libretto By [Text] – Johann Franck (1-5)
Libretto By [Text] – Johann Friedrich Helbig (7-10 to 7-12)
Libretto By [Text] – Johann Georg Albinus (1-12, 7-19)
Libretto By [Text] – Johann Gramann (6-20, 12-20)
Libretto By [Text] – Johann Heerman (2-15, 6-7, 6-14)
Libretto By [Text] – Johann Hermann Schein (9-8)
Libretto By [Text] – Johann Jakob Schütz (8-6 to 8-14)
Libretto By [Text] – Johann Rist (4-27)
Libretto By [Text] – Johannes Herman (9-23)
Libretto By [Text] – Johannes Olearius (5-15 to 5-19, 15-12)
Libretto By [Text] – Kaspar Bieneman (9-12)
Libretto By [Text] – Kaspar Füger (3-7)
Libretto By [Text] – Martin Luther (1-14, 7-2, 7-6, 7-8, 8-25, 11-19, 14-7, 14-11, 14-16, 15-6)
Libretto By [Text] – Martin Rinckart (11-7 to 11-9)
Libretto By [Text] – Martin Schalling (10-7, 10-17)
Libretto By [Text] – Nikolaus Herman (3-20, 10-12)
Libretto By [Text] – Paul Eber (2-24)
Libretto By [Text] – Paul Fleming (2-18, 13-1 to 13-9)
Libretto By [Text] – Paul Gerhardt (2-12, 9-14, 11-6)
Libretto By [Text] – Paul Speratus (13-15, 13-21)
Libretto By [Text] – Paul Stockmann (9-17)
Libretto By [Text] – Philipp Nicolai (7-4, 10-23, 12-1, 12-4, 12-7)
Libretto By [Text] – Picander (1-15 to 1-18, 9-1 to 9-5, 9-7, 9-9 to 9-11, 9-15, 9-16, 9-19 to 9-22, 10-2 to 10-6, 10-8 to 10-11, 10-13 to 10-16, 11-11 to 11-13, 14-22 to 14-24)
Libretto By [Text] – Salomon Franck (2-1 to 2-5)
Libretto By [Text] – Samuel Rodigast (14-1 to 14-6)
Libretto By [Text] – Wolfgang Meuslin (12-8 to 12-12)
Libretto By [Text] – Ämilie Juliane Von Schwarzburg-Rudolstadt (1-19, 7-14)
Liner Notes [Cover Texts] – Klaus Hofmann
Liner Notes [Cover Texts] – Masaki Suzuki (4-1 to 4-27, 6-1 to 11-22, 13-1 to 15-21)
Liner Notes [English Translations - Masaaki Suzuki's Introduction] – Irene Ramejkis (15-1 to 15-21)
Liner Notes [English Translations - Masaaki Suzuki's Introduction] – Noriko Ogawa (15-1 to 15-21)
Liner Notes [English Translations] – Andrew Barnett
Liner Notes [French Translations] – Jean-Pascal Vachon
Liner Notes [German Translations] – Anna Lamberti (6-1 to 9-23)
Liner Notes [German Translations] – Horst A. Scholz (10-1 to 11-22, 13-1 to 15-21)
Mixed By – Andreas Ruge (7-1 to 7-20)
Mixed By – Hans Kipfer (10-1 to 10-23, 13-1 to 13-21)
Mixed By – Ingo Petry (5-1 to 5-20, 11-1 to 11-22)
Mixed By – Jens Braun (10-1 to 10-23, 12-1 to 12-20, 14-1 to 15-21)
Mixed By – Marion Schwebel (4-1 to 4-27, 6-1 to 6-29)
Mixed By – Matthias Spitzbarth (4-1 to 4-27, 8-1 to 8-25)
Mixed By – Thore Brinkmann (6-1 to 6-29, 8-1 to 9-23, 12-1 to 12-20)
Oboe – Masamitsu San'nomiya (1-11 to 1-14)
Oboe [III] – Atsuko Ozaki (15-1 to 15-21)
Oboe [III], Oboe Da Caccia – Atsuko Ozaki (3-1 to 3-20)
Oboe [III], Oboe d'Amore [II] – Atsuko Ozaki (10-1 to 10-23)
Oboe [II] – Atsuko Ozaki (6-1 to 6-7, 6-29, 13-1 to 13-21)
Oboe [II] – Ayaka Mori (1-1 to 1-5, 1-15 to 1-19, 9-1 to 9-6, 9-18 to 10-23)
Oboe [II] – Yukari Maehashi (2-1 to 3-20, 5-1 to 5-20, 8-1 to 8-5, 8-15 to 8-19, 15-1 to 15-21)
Oboe [II], Oboe d'Amore [II] – Atsuko Ozaki (14-1 to 14-25)
Oboe [II], Oboe d'Amore [II] – Yukari Maehashi (6-1 to 7-20, 12-1 to 12-12)
Oboe [I] – Masamitsu San'nomiya (1-1 to 1-5, 1-15 to 1-19, 9-1 to 9-23)
Oboe [I], Oboe Da Caccia – Masamitsu San'nomiya (2-1 to 2-24)
Oboe [I], Oboe d'Amore – Masamitsu San'nomiya (3-1 to 3-20, 5-1 to 5-20, 15-1 to 15-21)
Oboe [I], Oboe d'Amore [I] – Masamitsu San'nomiya (6-1 to 6-29, 8-1 to 8-25, 10-1 to 12-20, 14-1 to 14-25)
Oboe [I], Oboe d'Amore [I], Oboe Da Caccia – Masamitsu San'nomiya (7-1 to 7-20)
Oboe [I], Oboe d'Amore, Oboe Da Caccia – Masamitsu San'nomiya (13-1 to 13-21)
Oboe [Taille, Oboe II] – Atsuko Ozaki (8-6 to 8-25, 12-1 to 12-7, 12-13 to 12-20)
Oboe [Taille] – Akemi Sugimoto (1-1 to 1-5, 1-15 to 1-19)
Oboe [Taille] – Atsuko Ozaki (4-1 to 4-27, 6-22 to 6-28, 9-1 to 9-6)
Oboe, Oboe d'Amore [II] – Atsuko Ozaki (11-1 to 11-22)
Oboe, Oboe d'Amore [II] – Yukari Maehashi (4-1 to 4-27)
Oboe, Oboe d'Amore [I] – Masamitsu San'nomiya (4-1 to 4-27)
Organ [Continuo] – Masaaki Suzuki (1-6 to 1-10)
Organ [Continuo] – Masato Suzuki (4-1 to 4-8)
Organ [Continuo] – Naoko Imai (1-1 to 1-5, 1-11 to 3-20, 4-9 to 8-25, 9-7 to 15-21)
Organ [Organo Obbligato] – Masaaki Suzuki (10-18 to 10-23, 12-13 to 12-20)
Organ [Organo Obbligato] – Masato Suzuki (9-1 to 9-6)
Photography By [Carolyn Sampson] – Johnny Greig (1-1 to 1-19)
Photography By [Christoph Genz] – Nancy Horowitz (11-1 to 11-22)
Photography By [Gerd Türk] – Koichi Miura (2-1 to 4-27, 9-1 to 10-23, 12-1 to 15-21)
Photography By [Hana Blažíková] – Ludék Sojka (6-1 to 8-25, 10-1 to 15-21)
Photography By [Masaaki Suzuki] – Marco Borggreve
Photography By [Peter Koiij] – Marco Borggreve
Photography By [Robin Blaze] – Robert Workman (2-1 to 8-25)
Photography By [Robin Blaze] – Will Unwin (9-1 to 10-23, 12-1 to 13-21, 15-1 to 15-21)
Photography By [Satoshi Mizukoshi] – Olarenska (7-1 to 8-25)
Photography By [Yukari Nonoshita] – Mariko Kubo (5-1 to 5-20)
Producer – Hans Kipfer (10-1 to 10-23, 13-1 to 13-21)
Producer – Ingo Petry (5-1 to 5-20, 11-1 to 11-22)
Producer – Jens Braun (12-1 to 12-20, 14-1 to 14-25)
Producer – Marion Schwebel (4-1 to 4-27, 6-1 to 6-29)
Producer – Rita Hermeyer (7-1 to 7-20)
Producer – Thore Brinkmann (8-1 to 9-23, 15-1 to 15-21)
Producer [Recording Producer] – Andreas Ruge (2-1 to 2-24)
Producer [Recording Producer] – Hans Kipfer (1-11 to 1-14, 3-1 to 3-20)
Producer [Recording Producer] – Ingo Petry (1-1 to 1-10, 1-15 to 1-19)
Recorder [Flauto Dolce II] – Akimasa Mukae (2-1 to 2-24, 5-1 to 5-20)
Recorder [Flauto Dolce I] – Shigeharu Yamaoka (2-1 to 2-24, 5-1 to 5-20)
Solo Vocal, Alto Vocals – Hiroya Aoki (1-1 to 1-10, 1-15 to 1-19)
Solo Vocal, Alto Vocals – Robin Blaze (1-11 to 1-14)
Solo Vocal, Bass Vocals – Peter Kooij
Solo Vocal, Countertenor Vocals – Damien Guillon (11-1 to 11-22, 14-1 to 14-25)
Solo Vocal, Countertenor Vocals – Robin Blaze (2-1 to 10-23, 12-1 to 13-21, 15-1 to 15-21)
Solo Vocal, Soprano Vocals – Carolyn Sampson (1-1 to 1-10, 1-15 to 1-19)
Solo Vocal, Soprano Vocals – Hana Blažíková (1-11 to 1-14, 3-1 to 3-20, 6-1 to 8-25, 10-1 to 15-21)
Solo Vocal, Soprano Vocals – Rachel Nicholls (2-1 to 2-24, 4-1 to 4-27, 9-1 to 9-23)
Solo Vocal, Soprano Vocals – Yukari Nonoshita (5-1 to 5-20)
Solo Vocal, Tenor Vocals – Christoph Genz (11-1 to 11-22)
Solo Vocal, Tenor Vocals – Gerd Türk (1-11 to 1-14, 2-1 to 4-27, 6-1 to 6-29, 9-1 to 10-23, 12-1 to 15-21)
Solo Vocal, Tenor Vocals – Satoshi Mizukoshi (7-1 to 8-25)
Solo Vocal, Tenor Vocals – Yusuke Fujii (1-1 to 1-10, 1-15 to 1-19)
Soloist, Bassoon – Yukiko Murakami (10-1 to 10-23, 13-1 to 14-25)
Soloist, Flute [Flauto Traverso] – Kiyomi Suga (1-1 to 1-19, 3-1 to 6-29, 11-1 to 11-22, 13-1 to 15-21)
Soloist, Flute [Flauto Traverso] – Liliko Maeda (8-1 to 8-25)
Soloist, Horn [Corno Da Caccia] – Toshio Shimada (2-1 to 2-24)
Soloist, Oboe – Masamitsu San'nomiya (1-1 to 1-19, 8-1 to 10-23, 12-1 to 13-21)
Soloist, Oboe d'Amore – Masamitsu San'nomiya (5-1 to 7-20, 11-1 to 12-20, 14-1 to 15-21)
Soloist, Oboe, Oboe Da Caccia – Masamitsu San'nomiya (2-1 to 3-20)
Soloist, Organ – Masaaki Suzuki (10-1 to 10-23)
Soloist, Organ – Masato Suzuki (4-1 to 4-27, 9-1 to 9-23, 12-1 to 12-20)
Soloist, Organ – Naoko Imai (11-1 to 11-22)
Soloist, Trumpet – Jean-François Madeuf (14-1 to 14-25)
Soloist, Trumpet – Toshio Shimada (3-1 to 4-27)
Soloist, Violin – Natsumi Wakamatsu (1-1 to 3-20, 5-1 to 5-20, 7-1 to 9-23, 12-1 to 14-25)
Soloist, Violin – Ryo Terakado (15-1 to 15-21)
Soloist, Violin, Viola d'Amore – Natsumi Wakamatsu (11-1 to 11-22)
Soloist, Violin, Violoncello [Violoncello Da Spalla] – Ryo Terakado (10-1 to 10-23)
Soloist, Violino Piccolo – Natsumi Wakamatsu (6-1 to 6-29, 12-1 to 12-20)
Soprano Vocals [Chorus] – Aki Matsui (5-1 to 5-20, 8-1 to 8-25, 11-1 to 12-20, 14-1 to 14-25)
Soprano Vocals [Chorus] – Eri Sawae (11-1 to 11-22)
Soprano Vocals [Chorus] – Hana Blažíková (3-1 to 3-20, 6-1 to 8-25, 10-1 to 14-25)
Soprano Vocals [Chorus] – Kristen Witmer (5-1 to 5-20)
Soprano Vocals [Chorus] – Minae Fujisaki (2-1 to 4-27, 6-1 to 10-23, 12-1 to 14-25)
Soprano Vocals [Chorus] – Rachel Nicholls (2-1 to 2-24, 4-1 to 4-27, 9-1 to 9-23)
Soprano Vocals [Chorus] – Yoshie Hida (2-1 to 14-25)
Soprano Vocals [Chorus] – Yukari Nonoshita (5-1 to 5-20)
Soprano Vocals [Soprano I - Chorus] – Hana Blažíková (15-1 to 15-21)
Soprano Vocals [Soprano I - Chorus] – Naho Kashiwabara (15-1 to 15-21)
Soprano Vocals [Soprano I - Chorus] – Yoshie Hida (15-1 to 15-21)
Soprano Vocals [Soprano II - Chorus] – Aki Matsui (15-1 to 15-21)
Soprano Vocals [Soprano II - Chorus] – Eri Sawae (15-1 to 15-21)
Soprano Vocals [Soprano II - Chorus] – Minae Fujisaki (15-1 to 15-21)
Technician [Tuner - Organ] – Matthieu Garnier (9-1 to 9-6, 10-18 to 10-23, 11-18, 12-13 to 12-20)
Technician [Tuner - Positive Organ & Cembalo] – Akimi Hayashi (9-1 to 9-23)
Technician [Tuner] – Akimi Hayashi (1-1 to 8-25, 10-1 to 15-21)
Tenor Vocals [Chorus] – Christoph Genz (11-1 to 11-22)
Tenor Vocals [Chorus] – Gerd Türk (2-1 to 4-27, 6-1 to 6-29, 9-1 to 10-23, 12-1 to 15-21)
Tenor Vocals [Chorus] – Hiroto Ishikawa (2-1 to 2-24, 5-1 to 5-20, 8-1 to 8-25, 10-1 to 12-20)
Tenor Vocals [Chorus] – Katsuhiko Nakashima (12-1 to 12-20)
Tenor Vocals [Chorus] – Satoshi Mizukoshi (6-1 to 9-23, 12-1 to 12-20, 14-1 to 15-21)
Tenor Vocals [Chorus] – Yosuke Taniguchi (2-1 to 11-22, 13-1 to 15-21)
Tenor Vocals [Chorus] – Yusuke Fujii (3-1 to 5-20, 7-1 to 8-25, 11-1 to 11-22, 13-1 to 15-21)
Timpani – Atsushi Sugahara (5-1 to 5-20, 12-1 to 12-20)
Timpani – Rizumu Sugishita (14-1 to 14-25)
Timpani – Robert Howes (8-1 to 8-25, 10-1 to 10-23)
Timpani – Shoichi Kubo (6-1 to 6-29, 9-1 to 9-23, 11-1 to 11-22)
Timpani – Takaaki Kondo (3-1 to 3-20)
Timpani – Thomas Holzinger (15-1 to 15-21)
Trumpet [Tromba Da Tirarsi] – Jean-François Madeuf (12-1 to 12-7)
Trumpet [Tromba III] – Ayako Murata (3-1 to 6-29, 8-1 to 9-23)
Trumpet [Tromba III] – Hidenori Saito (12-1 to 12-20, 14-1 to 15-21)
Trumpet [Tromba III] – Jean-Charles Denis (10-1 to 10-23)
Trumpet [Tromba III], Horn [Corno II] – Graham Nicholson (11-1 to 11-22)
Trumpet [Tromba II] – Gilles Rapin (10-1 to 10-23)
Trumpet [Tromba II] – Hidenori Saito (3-1 to 6-29, 8-1 to 9-23)
Trumpet [Tromba II] – Jean-Charles Denis (15-1 to 15-21)
Trumpet [Tromba II] – Philippe Genestier (11-1 to 11-22)
Trumpet [Tromba II], Horn [Corno II] – Gilles Rapin (14-1 to 14-25)
Trumpet [Tromba II], Horn [Corno II] – Graham Nicholson (12-1 to 12-20)
Trumpet [Tromba I] – Guy Ferber (6-1 to 6-29, 9-1 to 9-23)
Trumpet [Tromba I] – Jean-François Madeuf (10-1 to 10-23, 15-1 to 15-21)
Trumpet [Tromba I] – Toshio Shimada (3-1 to 3-20, 8-1 to 8-25)
Trumpet [Tromba I], Horn [Corno I] – Jean-François Madeuf (11-1 to 12-20, 14-1 to 14-25)
Trumpet [Tromba I], Horn [Corno I] – Toshio Shimada (4-1 to 5-20)
Typography [Typesetting], Layout – Andrew Barnett (1-1 to 4-27, 6-1 to 15-21)
Typography [Typesetting], Layout – Compact Design Ltd.
Viola – Amiko Watabe (1-1 to 1-5, 1-15 to 5-20, 7-1 to 7-20)
Viola – Hiroshi Narita (7-1 to 7-20, 9-1 to 15-21)
Viola – Mika Akiha (6-1 to 6-29, 8-1 to 8-25, 11-1 to 11-22, 14-1 to 15-21)
Viola – Mina Fukazawa (6-1 to 6-29, 8-1 to 8-25, 12-1 to 12-20)
Viola – Yoshiko Morita (1-6 to 1-10, 1-11 to 1-14, 2-1 to 5-20, 9-1 to 10-23, 13-1 to 13-21)
Violin [Violino II] – Ayaka Yamauchi (12-1 to 12-20, 14-1 to 14-25)
Violin [Violino II] – Azumi Takada (1-11 to 1-14, 2-1 to 9-23, 11-1 to 12-20, 14-1 to 14-25)
Violin [Violino II] – Kaori Toda (1-6 to 1-10, 2-1 to 4-27, 7-1 to 7-20)
Violin [Violino II] – Mika Akiha (9-1 to 9-23)
Violin [Violino II] – Natsumi Wakamatsu (10-1 to 10-23, 15-1 to 15-21)
Violin [Violino II] – Shiho Hiromi (5-1 to 6-29, 8-1 to 8-25, 13-1 to 13-21)
Violin [Violino II] – Yukie Yamaguchi (1-1 to 1-5, 1-15 to 1-19, 10-1 to 14-25)
Violin [Violino II] – Yuko Araki (1-1 to 1-5, 1-15 to 11-22, 13-1 to 13-21, 15-1 to 15-21)
Violin [Violino II] – Yuko Takeshima (15-1 to 15-21)
Violin [Violino I] – Ayaka Yamauchi (9-1 to 9-23)
Violin [Violino I] – Azumi Takada (10-1 to 10-23, 15-1 to 15-21)
Violin [Violino I] – Mika Akiha (10-1 to 10-23)
Violin [Violino I] – Paul Herrera (1-1 to 1-5, 1-15 to 5-20, 7-1 to 7-20, 11-1 to 11-22, 13-1 to 14-25)
Violin [Violino I] – Shiho Hiromi (4-1 to 4-27, 10-1 to 10-23)
Violin [Violino I] – Yukie Yamaguchi (6-1 to 6-29, 8-1 to 9-23, 15-1 to 15-21)
Violin [Violino I] – Yuko Araki (12-1 to 12-20)
Violin [Violino I] – Yuko Takeshima (1-1 to 1-5, 1-15 to 8-25, 11-1 to 14-25)
Violin [Violino I], Leader – Natsumi Wakamatsu (1-6 to 1-14, 2-1 to 9-23, 11-1 to 14-25)
Violin [Violino I], Leader – Ryo Terakado (10-1 to 10-23, 15-1 to 15-21)
Violino Piccolo – Natsumi Wakamatsu (6-1 to 6-29)
Violoncello [Continuo] – Hidemi Suzuki (1-6 to 1-14, 2-1 to 15-21)
Violoncello [Continuo] – Koji Takahashi (10-13 to 10-17)
Violoncello [Continuo] – Takashi Kaketa (10-1 to 10-23)
Violone [Continuo] – Seiji Nishizawa (2-1 to 2-24, 7-1 to 7-20, 13-1 to 15-21)
Violone [Continuo] – Shigeru Sakurai (10-1 to 10-23)
Violone [Continuo] – Takashi Konno (1-6 to 1-14, 3-1 to 6-29, 8-1 to 9-23, 11-1 to 12-20)
℗ 2008-2013 © 2014 BIS Records AB.
Comprised of CDs 41-55 of the complete cycle of Bach's Church Cantatas. Includes the original CD booklets with notes in English, German and French, and cantata texts in German and English. CDs housed in individual plain white paper sleeves.
Box set total time: 17h 43m 27s
• CD1: © & ℗ 2008, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 64'04
- Recorded in September 2007 (BWV 56, 82 & 84) and July 2008 (BWV 158) at the Kobe Shoin Women's University Chapel, Japan
- 32 page booklet
- Cover texts © Klaus Hofmann 2008
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Protools Workstation; Stax headphones.
• CD2: © 2008 & ℗ 2009, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 75'24
- Recorded in February 2008 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2008
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Protools Workstation; Stax headphones.
• CD3: © & ℗ 2009, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 62'28
- Recorded in July 2008 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2008
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; Stax headphones.
• CD4: © & ℗ 2009, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 75'48
- Recorded in September 2008 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2008, Masaki Suzuki 2009
- Recording equipment: Neumann microphones; Audio-Technica AT4060 tube microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; Stax headphones.
• CD5: © & ℗ 2009, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 65'42
- Recorded in February 2009 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2008
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; Stax headphones.
• CD6: © & ℗ 2010, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 76'24
- Recorded in September/October 2009 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2009 © Masaaki Suzuki 2010
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; Stax headphones.
• CD7: © & ℗ 2010, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 68'27
- Recorded in February 2010 at the Kobe Shoin Women's University Chapel, Japan
- 32 page booklet
- Cover texts © Klaus Hofmann 2010 © Masaaki Suzuki 2010
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones.
• CD8: © & ℗ 2011, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 72'13
- Recorded in June 2010 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2010, © Masaaki Suzuki 2010
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones.
• CD9: © & ℗ 2011, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 72'07
- Recorded in September 2010 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2010, © Masaaki Suzuki 2010
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones.
• CD10: © & ℗ 2011, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 74'57
- Recorded in February 2011 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2011, © Masaaki Suzuki 2011
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones.
• CD11: © & ℗ 2012, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 80'18
- Recorded in June 2011 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2012, © Masaaki Suzuki 2012
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones.
• CD12: © & ℗ 2012, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 63'38
- Recorded in September 2011 at the Kobe Shoin Women's University Chapel, Japan
- 32 page booklet
- Cover texts © Klaus Hofmann 2012
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones.
• CD13: © & ℗ 2013, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 67'37
- Recorded in February 2012 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hoffmann 2012 © Masaaki Suzuki 2012
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones. Original format: 44.1 kHz / 24-bit.
• CD14: © & ℗ 2013, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 75'40
- Recorded in September 2012 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hoffmann 2012 © Masaaki Suzuki 2013
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones. Original format: 44.1 kHz / 24-bit.
• CD15: © & ℗ 2013, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 68'40
- Recorded in February 2013 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hoffmann 2012 © Masaaki Suzuki 2013
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones. Original format: 44.1 kHz / 24-bit.
Texts taken from the Bible:
• CD3 - track 1: Psalm 126, 2-3; track 3: Jeremias 10, 6; track 5: Lukas 2, 14; track 8: Jacobus 1, 12.
• CD4 - track 2: Acts 14, 22; track 9: Jeremia 16,16; tracks 12-13: Lukas 5,10; track 17: Psalm 47, 6-7; track 20: Markus 16, 19.
• CD5 - track 1: Jesaja 58, 7-8; track 4: Hebräer 13, 16; track 8: Psalm 104, 27-28; track 11: Matthäus 6, 31-32; text for tracks 2, 3, 5, 6, 9, 10, 12 & 13: based on a set of texts published in Meiningen in 1704.
• CD6 - track 1: Jeremia 5, 3; track 4: Römer 2, 4-7; track 8: Micha 6, 8; track 11: Matthäus 7, 22-23; track 15: Psalm 50, 23; track 18: Lukas 17, 15-16; text for cantatas BWV 102, 45 & 17: based on a set of texts published in Meiningen in 1704. Text for tracks 22 & 23: freie Umdichtung von Offenb. 12, 7-9; text for tracks 24 to 26: Umdichtung nach Christian Friedrich Henrici (Picander); text for track 28: anon., Freiberg 1620.
• CD7 - track 9: Lukas 14, 11.
• CD8 - track 20: Psalm 65, 2.
• CD9 - track 6: Lübeck before 1603 - track 13: Lukas 18, 31 - track 18: Psalm 48, 11.
• CD10 - track 1: Psalm 118, 15-16.
• CD11 - track 1: Psalm 97, 11-12 - track 10: Mose 32, 27.
• CD12 - tracks 8 to 12: nach Psalm 23 - track 14: Psalm 75, 2.
• CD15: - track 1: Psalm 103, 2 - tracks 7-11 / 13-18: Paraphrase of BWV 30a by an unknown arranger (maybe Picander) - track 19: Luke 2, 14 - tracks 20-21: the Lesser Doxology.
Comprised of CDs 41-55 of the complete cycle of Bach's Church Cantatas. Includes the original CD booklets with notes in English, German and French, and cantata texts in German and English. CDs housed in individual plain white paper sleeves.
Box set total time: 17h 43m 27s
• CD1: © & ℗ 2008, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 64'04
- Recorded in September 2007 (BWV 56, 82 & 84) and July 2008 (BWV 158) at the Kobe Shoin Women's University Chapel, Japan
- 32 page booklet
- Cover texts © Klaus Hofmann 2008
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Protools Workstation; Stax headphones.
• CD2: © 2008 & ℗ 2009, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 75'24
- Recorded in February 2008 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2008
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Protools Workstation; Stax headphones.
• CD3: © & ℗ 2009, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 62'28
- Recorded in July 2008 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2008
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; Stax headphones.
• CD4: © & ℗ 2009, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 75'48
- Recorded in September 2008 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2008, Masaki Suzuki 2009
- Recording equipment: Neumann microphones; Audio-Technica AT4060 tube microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; Stax headphones.
• CD5: © & ℗ 2009, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 65'42
- Recorded in February 2009 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2008
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; Stax headphones.
• CD6: © & ℗ 2010, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 76'24
- Recorded in September/October 2009 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2009 © Masaaki Suzuki 2010
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; Stax headphones.
• CD7: © & ℗ 2010, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 68'27
- Recorded in February 2010 at the Kobe Shoin Women's University Chapel, Japan
- 32 page booklet
- Cover texts © Klaus Hofmann 2010 © Masaaki Suzuki 2010
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones.
• CD8: © & ℗ 2011, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 72'13
- Recorded in June 2010 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2010, © Masaaki Suzuki 2010
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones.
• CD9: © & ℗ 2011, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 72'07
- Recorded in September 2010 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2010, © Masaaki Suzuki 2010
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones.
• CD10: © & ℗ 2011, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 74'57
- Recorded in February 2011 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2011, © Masaaki Suzuki 2011
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones.
• CD11: © & ℗ 2012, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 80'18
- Recorded in June 2011 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hofmann 2012, © Masaaki Suzuki 2012
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones.
• CD12: © & ℗ 2012, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 63'38
- Recorded in September 2011 at the Kobe Shoin Women's University Chapel, Japan
- 32 page booklet
- Cover texts © Klaus Hofmann 2012
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones.
• CD13: © & ℗ 2013, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 67'37
- Recorded in February 2012 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hoffmann 2012 © Masaaki Suzuki 2012
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones. Original format: 44.1 kHz / 24-bit.
• CD14: © & ℗ 2013, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 75'40
- Recorded in September 2012 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hoffmann 2012 © Masaaki Suzuki 2013
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones. Original format: 44.1 kHz / 24-bit.
• CD15: © & ℗ 2013, BIS Records AB, Åkersberga. Made in the EU by DADC.
- Total time: 68'40
- Recorded in February 2013 at the Kobe Shoin Women's University Chapel, Japan
- 36 page booklet
- Cover texts © Klaus Hoffmann 2012 © Masaaki Suzuki 2013
- Recording equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation; B&W Nautilus 802 loudspeakers; STAX headphones. Original format: 44.1 kHz / 24-bit.
Texts taken from the Bible:
• CD3 - track 1: Psalm 126, 2-3; track 3: Jeremias 10, 6; track 5: Lukas 2, 14; track 8: Jacobus 1, 12.
• CD4 - track 2: Acts 14, 22; track 9: Jeremia 16,16; tracks 12-13: Lukas 5,10; track 17: Psalm 47, 6-7; track 20: Markus 16, 19.
• CD5 - track 1: Jesaja 58, 7-8; track 4: Hebräer 13, 16; track 8: Psalm 104, 27-28; track 11: Matthäus 6, 31-32; text for tracks 2, 3, 5, 6, 9, 10, 12 & 13: based on a set of texts published in Meiningen in 1704.
• CD6 - track 1: Jeremia 5, 3; track 4: Römer 2, 4-7; track 8: Micha 6, 8; track 11: Matthäus 7, 22-23; track 15: Psalm 50, 23; track 18: Lukas 17, 15-16; text for cantatas BWV 102, 45 & 17: based on a set of texts published in Meiningen in 1704. Text for tracks 22 & 23: freie Umdichtung von Offenb. 12, 7-9; text for tracks 24 to 26: Umdichtung nach Christian Friedrich Henrici (Picander); text for track 28: anon., Freiberg 1620.
• CD7 - track 9: Lukas 14, 11.
• CD8 - track 20: Psalm 65, 2.
• CD9 - track 6: Lübeck before 1603 - track 13: Lukas 18, 31 - track 18: Psalm 48, 11.
• CD10 - track 1: Psalm 118, 15-16.
• CD11 - track 1: Psalm 97, 11-12 - track 10: Mose 32, 27.
• CD12 - tracks 8 to 12: nach Psalm 23 - track 14: Psalm 75, 2.
• CD15: - track 1: Psalm 103, 2 - tracks 7-11 / 13-18: Paraphrase of BWV 30a by an unknown arranger (maybe Picander) - track 19: Luke 2, 14 - tracks 20-21: the Lesser Doxology.
Barcode (Text) – 7 318590 090527
Barcode – 7318590090527
Rights Society – BIEM/n©b
Other (Cat# CD1) – BIS-1691 ❘ CD
Matrix / Runout (CD1) – Sony DADC A0102354439-0101 15 A00
Mastering SID Code (CD1) – IFPI L555
Mould SID Code (CD1) – IFPI 94W6
Other (Cat# CD2) – BIS-1711 ❘ CD
Matrix / Runout (CD2) – Sony DADC A0102354443-0101 15 A00
Mastering SID Code (CD2) – IFPI L555
Mould SID Code (CD2) – IFPI 94Z5
Other (Cat# CD3) – BIS-1761 ❘ CD
Matrix / Runout (CD3) – Sony DADC A0102354450-0101 15 A00
Mastering SID Code (CD3) – IFPI L555
Mould SID Code (CD3) – IFPI 946R
Other (Cat# CD4) – BIS-1791 ❘ CD
Matrix / Runout (CD4) – Sony DADC A0102354452-0101 15 A00
Mastering SID Code (CD4) – IFPI L555
Mould SID Code (CD4) – IFPI 94V7
Other (Cat# CD5) – BIS-1801 ❘ CD
Matrix / Runout (CD5) – Sony DADC A0102354463-0101 15 A00
Mastering SID Code (CD5) – IFPI L555
Mould SID Code (CD5) – IFPI 94V4
Other (Cat# CD6) – BIS-1851 ❘ CD
Matrix / Runout (CD6) – Sony DADC A0102354466-0101 15 A00
Mastering SID Code (CD6) – IFPI L555
Mould SID Code (CD6) – IFPI 94V5
Other (Cat# CD7) – BIS-1861 ❘ CD
Matrix / Runout (CD7) – Sony DADC A0102354489-0101 15 A00
Mastering SID Code (CD7) – IFPI L555
Mould SID Code (CD7) – IFPI 94V5
Other (Cat# CD8) – BIS-1881 ❘ CD
Matrix / Runout (CD8) – Sony DADC A0102354493-0101 12 A00
Mastering SID Code (CD8) – IFPI L552
Mould SID Code (CD8) – IFPI 94W4
Other (Cat# CD9) – BIS-1891 ❘ CD
Matrix / Runout (CD9) – Sony DADC A0102354498-0101 13 A00
Mastering SID Code (CD9) – IFPI L553
Mould SID Code (CD9) – IFPI 94V3
Other (Cat# CD10) – BIS-1941 ❘ CD
Matrix / Runout (CD10) – Sony DADC A0102354505-0101 22 A00
Mastering SID Code (CD10) – IFPI L552
Mould SID Code (CD10) – IFPI 9425
Other (Cat# CD11) – BIS-1961 ❘ CD
Matrix / Runout (CD11) – Sony DADC A0102354506-0101 13 A00
Mastering SID Code (CD11) – IFPI L553
Mould SID Code (CD11) – IFPI 94V3
Other (Cat# CD12) – BIS-1981 ❘ CD
Matrix / Runout (CD12) – Sony DADC A0102354517-0101 23 A00
Mastering SID Code (CD12) – IFPI L553
Mould SID Code (CD12) – IFPI 94W5
Other (Cat# CD13) – BIS-1991 ❘ CD
Matrix / Runout (CD13) – Sony DADC A0102354519-0101 12 A00
Mastering SID Code (CD13) – IFPI L553
Mould SID Code (CD13) – IFPI 94V5
Other (Cat# CD14) – BIS-2021 ❘ CD
Matrix / Runout (CD14) – Sony DADC A0102354521-0101 12 A00
Mastering SID Code (CD14) – IFPI L552
Mould SID Code (CD14) – IFPI 94K2
Other (Cat# CD15) – BIS-2031 ❘ CD
Matrix / Runout (CD15) – Sony DADC A0102354525-0101 12 A00
Mastering SID Code (CD15) – IFPI L553
Mould SID Code (CD15) – IFPI 94V4
Barcode – 7318590090527
Rights Society – BIEM/n©b
Other (Cat# CD1) – BIS-1691 ❘ CD
Matrix / Runout (CD1) – Sony DADC A0102354439-0101 15 A00
Mastering SID Code (CD1) – IFPI L555
Mould SID Code (CD1) – IFPI 94W6
Other (Cat# CD2) – BIS-1711 ❘ CD
Matrix / Runout (CD2) – Sony DADC A0102354443-0101 15 A00
Mastering SID Code (CD2) – IFPI L555
Mould SID Code (CD2) – IFPI 94Z5
Other (Cat# CD3) – BIS-1761 ❘ CD
Matrix / Runout (CD3) – Sony DADC A0102354450-0101 15 A00
Mastering SID Code (CD3) – IFPI L555
Mould SID Code (CD3) – IFPI 946R
Other (Cat# CD4) – BIS-1791 ❘ CD
Matrix / Runout (CD4) – Sony DADC A0102354452-0101 15 A00
Mastering SID Code (CD4) – IFPI L555
Mould SID Code (CD4) – IFPI 94V7
Other (Cat# CD5) – BIS-1801 ❘ CD
Matrix / Runout (CD5) – Sony DADC A0102354463-0101 15 A00
Mastering SID Code (CD5) – IFPI L555
Mould SID Code (CD5) – IFPI 94V4
Other (Cat# CD6) – BIS-1851 ❘ CD
Matrix / Runout (CD6) – Sony DADC A0102354466-0101 15 A00
Mastering SID Code (CD6) – IFPI L555
Mould SID Code (CD6) – IFPI 94V5
Other (Cat# CD7) – BIS-1861 ❘ CD
Matrix / Runout (CD7) – Sony DADC A0102354489-0101 15 A00
Mastering SID Code (CD7) – IFPI L555
Mould SID Code (CD7) – IFPI 94V5
Other (Cat# CD8) – BIS-1881 ❘ CD
Matrix / Runout (CD8) – Sony DADC A0102354493-0101 12 A00
Mastering SID Code (CD8) – IFPI L552
Mould SID Code (CD8) – IFPI 94W4
Other (Cat# CD9) – BIS-1891 ❘ CD
Matrix / Runout (CD9) – Sony DADC A0102354498-0101 13 A00
Mastering SID Code (CD9) – IFPI L553
Mould SID Code (CD9) – IFPI 94V3
Other (Cat# CD10) – BIS-1941 ❘ CD
Matrix / Runout (CD10) – Sony DADC A0102354505-0101 22 A00
Mastering SID Code (CD10) – IFPI L552
Mould SID Code (CD10) – IFPI 9425
Other (Cat# CD11) – BIS-1961 ❘ CD
Matrix / Runout (CD11) – Sony DADC A0102354506-0101 13 A00
Mastering SID Code (CD11) – IFPI L553
Mould SID Code (CD11) – IFPI 94V3
Other (Cat# CD12) – BIS-1981 ❘ CD
Matrix / Runout (CD12) – Sony DADC A0102354517-0101 23 A00
Mastering SID Code (CD12) – IFPI L553
Mould SID Code (CD12) – IFPI 94W5
Other (Cat# CD13) – BIS-1991 ❘ CD
Matrix / Runout (CD13) – Sony DADC A0102354519-0101 12 A00
Mastering SID Code (CD13) – IFPI L553
Mould SID Code (CD13) – IFPI 94V5
Other (Cat# CD14) – BIS-2021 ❘ CD
Matrix / Runout (CD14) – Sony DADC A0102354521-0101 12 A00
Mastering SID Code (CD14) – IFPI L552
Mould SID Code (CD14) – IFPI 94K2
Other (Cat# CD15) – BIS-2031 ❘ CD
Matrix / Runout (CD15) – Sony DADC A0102354525-0101 12 A00
Mastering SID Code (CD15) – IFPI L553
Mould SID Code (CD15) – IFPI 94V4