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Symphonies No. 1 "Spring" And No. 4
| Symphony No. 1 In B-flat Major, Op. 38 "Spring" | ||
| 1 | I. Andante Un Poco Maestoso - Allegro Molto Vivace | 11:07 |
| 2 | II. Larghetto | 6:30 |
| 3 | III. Scherzo: Molto Vivace; Trio I: Molto PiΓΉ Vivace: Trio II | 5:43 |
| 4 | IV. Allegro Animato E Grazioso | 8:25 |
| Symphony No. 4 In D Minor, Op. 120 | ||
| 5 | I. Ziemlich Langsam - Lebhaft | 11:00 |
| 6 | II. Romanze: Ziemlich Langsam | 4:14 |
| 7 | III. Scherzo: Lebhaft; Trio; Langsan | 6:45 |
| 8 | IV. Lebhaft | 8:31 |
Art Direction β Ray Kirschensteiner
Cover [Graphics] β Mike Ericsson
Edited By β E. Amelia Rogers
Engineer [Recording] β Bruce Leek
Engineer [Recording] β Michael Bishop
Engineer [Recording] β Robert Woods
Producer [Recording] β Elaine Martone
Producer [Recording] β Robert Woods
Technician [Assistance] β Michael Bishop
Cover [Graphics] β Mike Ericsson
Edited By β E. Amelia Rogers
Engineer [Recording] β Bruce Leek
Engineer [Recording] β Michael Bishop
Engineer [Recording] β Robert Woods
Producer [Recording] β Elaine Martone
Producer [Recording] β Robert Woods
Technician [Assistance] β Michael Bishop
Total Playing Time: 62:22
*** Technical Information ***
Recorded in Joseph Meyerhoff Concert Hall, Baltimore, Maryland, November 20-25, 1989
Microphones: Schoeps MK-2 Linear & MK-21
Digital Recording Processor: dbx/CTI 18-Bit, 128 times over-sampling A/D
Console: Neotek, custom-built, wired with Monster Cable Series III
Monitor Speakers: ADS 1530 wired with Monster Cable
Power Amplifiers: Threshold Model SA/12e Stasis
Pure Class A
The entire signal path from microphone to digital processors utilized the latest cable technology from Monster Cable, including M1000, M[Sigma]2, Series I Prolink and Series III Prolink bandwidth balanced
Control Room Acoustic Treatment: Sonex from illbruck/usa
Soundex from Monster Cable
Tube Traps by ASC
RPG Diffusors & Abffusors
Digital Editing: Sony DAE 3000
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
*** Technical Information ***
Recorded in Joseph Meyerhoff Concert Hall, Baltimore, Maryland, November 20-25, 1989
Microphones: Schoeps MK-2 Linear & MK-21
Digital Recording Processor: dbx/CTI 18-Bit, 128 times over-sampling A/D
Console: Neotek, custom-built, wired with Monster Cable Series III
Monitor Speakers: ADS 1530 wired with Monster Cable
Power Amplifiers: Threshold Model SA/12e Stasis
Pure Class A
The entire signal path from microphone to digital processors utilized the latest cable technology from Monster Cable, including M1000, M[Sigma]2, Series I Prolink and Series III Prolink bandwidth balanced
Control Room Acoustic Treatment: Sonex from illbruck/usa
Soundex from Monster Cable
Tube Traps by ASC
RPG Diffusors & Abffusors
Digital Editing: Sony DAE 3000
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
Barcode β 089408023026
Matrix / Runout (Outer ring) β DIDX-006852 2
Matrix / Runout (On mould) β Made in USA - Digital Audio Disc Corp
SPARS Code β DDD
Matrix / Runout (Outer ring) β DIDX-006852 2
Matrix / Runout (On mould) β Made in USA - Digital Audio Disc Corp
SPARS Code β DDD