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| 1-1 | Köhntarkösz | 25:23 |
| 1-2 | Soẁiloï | 7:13 |
| 1-3 | KMX B XII Opus 7 | 7:20 |
| 1-4 | Sons Et Chorus De Batterie (Ptah) | 25:11 |
| 1-5 | Ambiance Marquee | 1:00 |
| 2-1 | Theusz Hamtaahk | 29:20 |
| 2-2 | Mëkanïk Dëstruktïẁ Kömmandöh | 36:24 |
Bass [Basse] – Jannick Top
Composed By – Christian Vander (1-1, 1-2, 1-4 to 2-2)
Composed By – Jannick Top (1-3)
Drums [Batterie] – Christian Vander
Electric Piano [Fender Rhodes] – Gérard Bikialo
Electric Piano [Fender Rhodes], Keyboards [Clavier] – Michel Graillier
Guitar [Guitare] – Claude Olmos
Sleeve [Pochette Réalisée Par] – Gérald Nimal
Vocals [Chant], Percussion [Percussions] – Klaus Blasquiz
Composed By – Christian Vander (1-1, 1-2, 1-4 to 2-2)
Composed By – Jannick Top (1-3)
Drums [Batterie] – Christian Vander
Electric Piano [Fender Rhodes] – Gérard Bikialo
Electric Piano [Fender Rhodes], Keyboards [Clavier] – Michel Graillier
Guitar [Guitare] – Claude Olmos
Sleeve [Pochette Réalisée Par] – Gérald Nimal
Vocals [Chant], Percussion [Percussions] – Klaus Blasquiz
Enregistré au Marquee club de Londres le 17 mars 1974
Photos : D.R.
Enregistrement brut de fonte
"At the time of this concert, Köhntarkösz was still in its phase of elaboration, although the recording of the studio album began only 2 months later. Large sequences were still not composed, others were borrowed from Köhntarkösz Anteria and were taken away, then used later in the K.A recording of 2004.
In a similar way, Theusz Hamtaahk did not have its final shape and its coda was cut soon after."
Track 1-5 is not listed on sleeve, it's a recording of audience noise with an announcer talking to the crowd.
Two discs housed in an eight panel digifile.
Photos : D.R.
Enregistrement brut de fonte
"At the time of this concert, Köhntarkösz was still in its phase of elaboration, although the recording of the studio album began only 2 months later. Large sequences were still not composed, others were borrowed from Köhntarkösz Anteria and were taken away, then used later in the K.A recording of 2004.
In a similar way, Theusz Hamtaahk did not have its final shape and its coda was cut soon after."
Track 1-5 is not listed on sleeve, it's a recording of audience noise with an announcer talking to the crowd.
Two discs housed in an eight panel digifile.
Barcode (Text) – 3 760150 890421
Barcode (Scanned) – 3760150890421
Matrix / Runout (Disc One) – CA AKT18CD1@@ 7/31/2018 12:56:53 PM 0001353056
Mastering SID Code (Disc One) – IFPI LY88
Mould SID Code (Disc One) – IFPI 1285
Matrix / Runout (Disc Two) – CA AKT18CD2@ 07/25/18 08:06:27 AM
Mastering SID Code (Disc Two) – IFPI L039
Mould SID Code (Disc Two) – IFPI 1280
Rights Society – SACEM, SDRM, SACD, SGDL
Barcode (Scanned) – 3760150890421
Matrix / Runout (Disc One) – CA AKT18CD1@@ 7/31/2018 12:56:53 PM 0001353056
Mastering SID Code (Disc One) – IFPI LY88
Mould SID Code (Disc One) – IFPI 1285
Matrix / Runout (Disc Two) – CA AKT18CD2@ 07/25/18 08:06:27 AM
Mastering SID Code (Disc Two) – IFPI L039
Mould SID Code (Disc Two) – IFPI 1280
Rights Society – SACEM, SDRM, SACD, SGDL