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Michael Gielen Edition, Vol .5 - 1967-2014
| The Wooden Prince Suite, Op. 13, Sz. 60 | ||
| 1-1 | I. Vorspiel. Molto Moderato | |
| 1-2 | II. Die Prinzessin. Allegretto Scherzando | |
| 1-3 | III. Der Wald. Assai Moderato | |
| 1-4 | IV. Arbeitslied Des Prinzen. Allegro | |
| 1-5 | V. Der Bach. Andante | |
| 1-6 | VI. Tanz Des Holzgeschnizten Prinzen. Allegro | |
| 1-7 | VII. Nachspiel. Moderato | |
| Concerto For Orchestra, Sz. 116 | ||
| 1-8 | I. Introduzione. Andante Non Troppo - Allegro Vivace | |
| 1-9 | II. Giuoco Delle Coppie. Allegretto Scherzando | |
| 1-10 | III. Elegia. Andante Non Troppo | |
| 1-11 | IV. Intermezzo Interrotto. Allegretto | |
| 1-12 | V. Finale. Presto | |
| 4 Orchestral Pieces, Op. 12, Sz. 51 | ||
| 2-1 | I. Preludio. Moderato | |
| 2-2 | II. Scherzo. Allegro | |
| 2-3 | III. Intermezzo. Moderato | |
| 2-4 | IV. Marcia Funebre. Maetoso | |
| Violin Concerto No. 1 Sz. 36 | ||
| 2-5 | I. Andante Sostenuto | |
| 2-6 | II. Allegro Giocoso | |
| Music For Strings, Percussion & Celesta, Sz. 106 | ||
| 2-7 | I. Andante Tranquillo | |
| 2-8 | II. Allegro | |
| 2-9 | III. Adagio | |
| 2-10 | IV. Allegro Molto | |
| Dance Suite, Sz. 77 | ||
| 3-1 | I. Moderato | |
| 3-2 | II. Allegro Molto | |
| 3-3 | III. Allegro Vivace | |
| 3-4 | IV. Molto Tranquillo | |
| 3-5 | V. Commodo | |
| 3-6 | VI. Finale | |
| Piano Concerto No. 2, Sz. 95 | ||
| 3-7 | I. Allegro | |
| 3-8 | II. Adagio - Più Adagio - Presto | |
| 3-9 | III. Allegro Molto | |
| The Miraculous Mandarin, Op. 19, Sz. 73 | ||
| 3-10 | No. 1, Beginning | |
| 3-11 | No. 2, First Seduction Game. The Shabby Old Rake | |
| 3-12 | No. 3, Second Seduction Game. The Old Student | |
| 3-13 | No. 4, Third Seduction Game | |
| 3-14 | No. 5, The Mandarin Enters And Remains Immobile In The Doorway | |
| 3-15 | No. 6, The Girl Collapses In The Mandarin's Lap | |
| 3-16 | No. 7, A Wild Chase Begins | |
| 3-17 | No. 8, At Least The Three Tramps | |
| 3-18 | No. 9, Suddenly The Mandarin's Head Appears Between The Pillows And He Looks Longingly At The Girl | |
| 3-19 | No. 10, The Terrified Tramps Discuss How They Are To Get Rid Of The Mandarin | |
| 3-20 | No. 11, The Body Of The Mandarin Begins To Glow With A Greenish Blue Light (Live) | |
| 3-21 | No. 12, She Resists No Longer. They Embrace | |
| 3-22 | No. 13, His Longing Stilled, The Mandarin's Wounds Begin To Bleed, He Becomes Weaker And Dies | |
| Symphony In 3 Movements | ||
| 4-1 | I. Allegro | |
| 4-2 | II. Andante | |
| 4-3 | III. Con Moto | |
| Symphony In C Major | ||
| 4-4 | I. Moderato Alla Breve | |
| 4-5 | II. Larghetto Concertante | |
| 4-6 | III. Allegretto | |
| 4-7 | IV. Largo - Tempo Giusto, Alla Breve | |
| Symphony Of Psalms | ||
| 4-8 | I. Exaudi Orationem Meam, Domine | |
| 4-9 | II. Expectans Expectavi, Dominum | |
| 4-10 | III. Alleluia. Laudate Dominum | |
| 5-1 | Le Roi Des étoiles | |
| Canticum Sacrum Ad Honorem Sancti Marci Nominis | ||
| 5-2 | Dedicatio | |
| 5-3 | I. Euntes In Mundum | |
| 5-4 | II, Surge, Aquilo | |
| 5-5 | IIIa. Ad Tres Virtutes Hortationes. Caritas | |
| 5-6 | IIIb. Ad Tres Virtutes Hortationes. Spes | |
| 5-7 | IIIc. Ad Tres Virtutes Hortationes. Fides | |
| 5-8 | IV. Brevis Motus Cantilenae | |
| 5-9 | V. Illi Autem Profecti | |
| Agon | ||
| 5-10 | No. 1, Pas de Quatre | |
| 5-11 | No. 2, Double Pas de Quatre | |
| 5-12 | No. 3, Triple Pas de Quatre | |
| 5-13 | No. 4, Prelude | |
| 5-14 | No. 5, Pas de Trois. Saraband-Step | |
| 5-15 | No. 6, Gaillarde | |
| 5-16 | No. 7, Coda | |
| 5-17 | No. 8, Interlude | |
| 5-18 | No. 9, Pas de Trois. Bransle Simple | |
| 5-19 | No. 10, Bransle Gay | |
| 5-20 | No. 11, Bransle de Poitou | |
| 5-21 | No. 12, Interlude | |
| 5-22 | No. 13, Pas de Deux | |
| 5-23 | No. 14, Coda | |
| 5-24 | No. 15, 4 Duos | |
| 5-25 | No. 16, 4 Trios | |
| Requiem Canticles | ||
| 5-26 | No. 1, Prelude | |
| 5-27 | No. 2, Exaudi | |
| 5-28 | No. 3, Dies Irae | |
| 5-29 | No. 4, Tuba Mirum | |
| 5-30 | No. 5, Interlude | |
| 5-31 | No. 6, Rex Tremendae | |
| 5-32 | No. 7, Lacrimosa | |
| 5-33 | No. 8, Libera Me | |
| 5-34 | No. 9, Postlude | |
| 5-35 | Michael Gielen Talks About Variations | |
| 5-36 | Variations (Aldous Huxley In Memoriam) | |
| Pulcinella | ||
| 6-1 | No.1, Ouverture | |
| 6-2 | No. 2, Serenata. Larghetto. Mentre L'erbetta | |
| 6-3 | No. 3, Scherzino | |
| 6-4 | No. 4, Allegro | |
| 6-5 | No. 5, Andantino | |
| 6-6 | No. 6, Allegro | |
| 6-7 | No. 7, Ancroa Poco Meno. Contento Forse Vivere | |
| 6-8 | No. 8, Allegro Assai | |
| 6-9 | No. 9, Allegro. Con Queste Paroline | |
| 6-10 | No. 10, Andante. Sento Dire No'nce Pace | |
| 6-11 | No. 11, Presto. Una Te Fallan Zemprecce | |
| 6-12 | No. 12, Larghetto | |
| 6-13 | No. 13, Allegro | |
| 6-14 | No. 14, Tarentella | |
| 6-15 | No. 15, Andantino. Se Tu M'ami | |
| 6-16 | No. 16, Allegro | |
| 6-17 | No. 17, Gavotta Con Due Variazioni | |
| 6-18 | No. 18, Vivo | |
| 6-19 | No. 19, Tempo di Minuetto. Pupilette Fiammette D'amore | |
| 6-20 | No. 20, Finale. Allegro Assai | |
| Apollon Musagète | ||
| 6-21 | Tableau I: Prologue. The Birth Of Apollo | |
| 6-22 | Tableau II: Apollo's Variation | |
| 6-23 | Tableau II: Pas D'Action. Apollo And The Muses | |
| 6-24 | Tableau II: Variation Of Callipe | |
| 6-25 | Tableau II: Variation Of Polymnia | |
| 6-26 | Tableau II: Variation Of Terpsichore | |
| 6-27 | Tableau II: Variation Of Apollo | |
| 6-28 | Tableau II: Pas de Deux. Apollo And Terpsichore | |
| 6-29 | Tableau II: Coda, Apollo, And The Muses | |
| 6-30 | Tableau II: Apotheosis, Apollo And The Muses | |
| 6-31 | Scherzo à la Russe |
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