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SuperBass
| 1 | SuperBass Theme | 0:42 |
| 2 | Blue Monk | 7:46 |
| 3 | Bye, Bye Blackbird | 6:24 |
| 4 | Lullaby Of Birdland | 2:39 |
| 5 | Who Cares? | 4:17 |
| 6 | Mack The Knife | 5:48 |
| 7 | Centerpiece | 3:50 |
| 8 | Sculler Blues | 10:12 |
| 9 | Brown Funk | 9:18 |
| 10 | SuperBass Theme | 0:43 |
Bass – Christian McBride
Bass – John Clayton Jr.
Bass – Ray Brown
Drums – Gregory Hutchinson
Piano – Benny Green
Bass – John Clayton Jr.
Bass – Ray Brown
Drums – Gregory Hutchinson
Piano – Benny Green
Total playing time [53:34]
Recorded in ScullersJazzClub, Boston,Massachusetts,October17-18, l996
Microphones:Sennheiser MKH-20,MKH-40, MKH-50; B&K 4006; Audio-Tecnica AIM-35 On-Stage Microphone Preamplifiers: Millennia Media HV-3 & Benchmark 4*4+ MIA
Console Ramsa WR-S4412, custom engineered by John Windt
Digital Recording Processor: Telarc/UltraAnalog Tandem 20-bit ADC, custom engineered by Kenneth Hamann and Gary Gomes
Microphone, lnterconnecring & speaker Cables: This recording utilized the latest in cable technology including Monster Cable M1500,M1.5, Series I&III Prolink and Music Interface Tecnologies Proline, and MH-750 CVT Snotqun Terminators Monitored through Krell "Studio" 20-bit DAC
Power Amplifier Bryston 4B NPB
Monitor Speakers: ATC-SCM20
Control Room and On-Stage Acoustic Treatment: RPG Diffusors and Abffusors
Digital Editinq: Sonic Solutions
20- to 16-bit Encoding: Apogee UV-1000 Super CD Encoder
John Clayton. Jr. appears courtesy of Qwest Records
Benny Green apps courtesy of Blue Note R's
Cristian McBride apps courtesy of Verve R's
Recorded in ScullersJazzClub, Boston,Massachusetts,October17-18, l996
Microphones:Sennheiser MKH-20,MKH-40, MKH-50; B&K 4006; Audio-Tecnica AIM-35 On-Stage Microphone Preamplifiers: Millennia Media HV-3 & Benchmark 4*4+ MIA
Console Ramsa WR-S4412, custom engineered by John Windt
Digital Recording Processor: Telarc/UltraAnalog Tandem 20-bit ADC, custom engineered by Kenneth Hamann and Gary Gomes
Microphone, lnterconnecring & speaker Cables: This recording utilized the latest in cable technology including Monster Cable M1500,M1.5, Series I&III Prolink and Music Interface Tecnologies Proline, and MH-750 CVT Snotqun Terminators Monitored through Krell "Studio" 20-bit DAC
Power Amplifier Bryston 4B NPB
Monitor Speakers: ATC-SCM20
Control Room and On-Stage Acoustic Treatment: RPG Diffusors and Abffusors
Digital Editinq: Sonic Solutions
20- to 16-bit Encoding: Apogee UV-1000 Super CD Encoder
John Clayton. Jr. appears courtesy of Qwest Records
Benny Green apps courtesy of Blue Note R's
Cristian McBride apps courtesy of Verve R's
Barcode – 0 89408 33932 5
Matrix / Runout – [DADC Austria logo] IFPI L554 A0100216366-0101 14 A0
Mastering SID Code – IFPI L554
Mould SID Code – IFPI 94A5
Matrix / Runout – [DADC Austria logo] IFPI L554 A0100216366-0101 14 A0
Mastering SID Code – IFPI L554
Mould SID Code – IFPI 94A5