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Barber Agnus Dei - An American Collection
| 1 | – Samuel Barber | Agnus Dei | 8:25 |
| – Irving Fine | The Hour-Glass | ||
| 2 | O Know To End As A Begin | 3:13 | |
| 3 | Have You Seen The While Lily Grow | 1:38 | |
| 4 | O Do Not Wanton With Those Eyes | 1:19 | |
| 5 | Against Jealousy | 3:15 | |
| 6 | The Lament | 2:44 | |
| 7 | The Hour-Glass | 2:03 | |
| 8 | – Steve Reich | Clapping Music | 5:31 |
| – Leonard Bernstein | Choruses from "The Lark" | ||
| 9 | Part 1: French Choruses - Spring Song | 1:52 | |
| 10 | Part 1: French Choruses - Court Song | 1:17 | |
| 11 | Part 1: French Choruses - Soldier's Song | 0:48 | |
| 12 | Part 2: Latin Choruses - Prelude | 1:54 | |
| 13 | Part 2: Latin Choruses - Benedictus | 1:13 | |
| 14 | Part 2: Latin Choruses - Sanctus | 1:09 | |
| 15 | Part 2: Latin Choruses - Requiem | 1:11 | |
| 16 | Part 2: Latin Choruses - Gloria | 1:21 | |
| – Aaron Copland | Four Motets | ||
| 17 | Help us, O Lord | 2:51 | |
| 18 | Thou, O Jehovah, Abideth Forever | 1:53 | |
| 19 | Have Mercy On Us, O My Lord | 3:38 | |
| 20 | Sing ye praises to our King | 1:49 | |
| – Samuel Barber | Reincarnations | ||
| 21 | Mary Hynes | 1:44 | |
| 22 | Anthony O'Daly | 3:27 | |
| 23 | The Coolin | 3:06 | |
| 24 | – David Del Tredici | Acrostic Song From 'Final Alice' | 5:45 |
Alto Vocals – Caroline Trevor
Alto Vocals – Helen Templeton
Alto Vocals – Nigel Short
Alto Vocals – Philip Newton
Bass Vocals – Michael Bundy
Bass Vocals – Roger Cleverdon
Bass Vocals – Simon Birchall
Bass Vocals – Timothy Jones
Chorus – The Sixteen
Conductor – Harry Christophers
Cover – Creatas
Design – Richard Boxall Design Associates
Engineer – Mike Hatch
Mastered By – Julian Millard
Percussion – Benedict Hoffnung
Percussion – William Lockhart
Producer – Arthur Johnson
Soprano Vocals – Carys Lane
Soprano Vocals – Fiona Clarke
Soprano Vocals – Nicola Jenkin
Soprano Vocals – Nicola-Jane Kemp
Soprano Vocals – Ruth Dean
Soprano Vocals – Sophie Daneman
Soprano Vocals [Solo Soprano] – Sarah Leonard
Tenor Vocals – Duncan MacKenzie
Tenor Vocals – Nicolas Robertson
Tenor Vocals – Philip Daggett
Tenor Vocals – Thomas Phillips
Alto Vocals – Helen Templeton
Alto Vocals – Nigel Short
Alto Vocals – Philip Newton
Bass Vocals – Michael Bundy
Bass Vocals – Roger Cleverdon
Bass Vocals – Simon Birchall
Bass Vocals – Timothy Jones
Chorus – The Sixteen
Conductor – Harry Christophers
Cover – Creatas
Design – Richard Boxall Design Associates
Engineer – Mike Hatch
Mastered By – Julian Millard
Percussion – Benedict Hoffnung
Percussion – William Lockhart
Producer – Arthur Johnson
Soprano Vocals – Carys Lane
Soprano Vocals – Fiona Clarke
Soprano Vocals – Nicola Jenkin
Soprano Vocals – Nicola-Jane Kemp
Soprano Vocals – Ruth Dean
Soprano Vocals – Sophie Daneman
Soprano Vocals [Solo Soprano] – Sarah Leonard
Tenor Vocals – Duncan MacKenzie
Tenor Vocals – Nicolas Robertson
Tenor Vocals – Philip Daggett
Tenor Vocals – Thomas Phillips
This collection of American choral music spanning the 20th century features familiar and less well-known composers, from the lyrical traditionalism of Barber by way of Bernstein and Copland to the counterpoint, rhythmic verve and neo-classicism of Irving Fine. The disc finished with the dreamily haunting Acrostic Song from Final Alice by David del Tredici.
Originally released on th Collins label.
Originally released on th Collins label.
Barcode – 8 28021 60312 9
Rights Society – MCPS
Rights Society – MCPS