The Dead Brothers

Artwork – Beat-Man
Band, Effects [Roland Space Echo], Drums, Percussion [Shaker] – Dead Matteo Bordine
Band, Harmonium, Piano, Synthesizer [Synthétiseur Korg Lambda], Percussion [Shaker], Choir – Dead Resli Burri
Band, Helicon, Accordion, Choir – Dead Leon Schaetti
Band, Hurdy Gurdy, Bagpipes, Zither [Emmentaler Halszither], Jew's Harp, Lap Steel Guitar [Tourmaster Lap Steel Guitar], Electric Guitar [Homemade Stratocaster Electric Guitar], Choir – Dead Dide Marfurt
Band, Mandolin, Violin, Drum [Tambour Du Moyen-âge], Choir – Dead Matthias Lincke
Band, Vocals, Tenor Banjo [Framus Tenor Banjo], Acoustic Guitar [1968 Gibson Acoustic Mahagony], Zither [Thüringer Waldzither], Electric Guitar [Hagstrom 1- 1965 Electric Guitar], Timpani [Pauke] – Dead Alain Croubalian
Edited By, Mixed By – Bertrand Siffert (A1, A2, A4, A6, B1, B5)
Photography By – Mischa Scherrer
Recorded By – Bertrand Siffert (A5, A7, B2 to B4, B6)
Recorded By – Matteo Bordine (A1, A2, A4, A6, B1, B5)
Written-By – Alain Croubalian (A1 to A3, A7, B2, B4, B5)
Written-By – MarC Littler (A1 to A3, A7, B2, B4, B5)

Black Train sung by Larry Dale with Rudy Thacker and his Stringbusters in 1960.
St. Dymphna is the patron saint of the nervous and mentally ill who lost her head when she refused to marry her father.
La mauvaise réputation fut écrit et chanté par Georges Brassens en 1965.
I'm so lonesome I could cry is probably the saddest song in the world by Hank Williams in 1949.
In 1981 Femme fatale was the first single by our favourite French punk band Les Thugs, from Angers.
The Appenzeller Tanz is a traditional swiss dancing tune from the 18th century: Tanzmusik aus dem Appenzellerland, spätes 18. Jahrhundert, Transcription einer handschriftlichen Notensammlung von 55 Tanzmusikstücken in Gonten gefunden. Diese altertümliche Art wird im Appenzellerland mit „altfrentsch“ bezeichnet.

A5, A7, B2 to B4, B6 Binniger Stubete recorded at home by Bertrand Siffert in Basel, Switzerland
A1, A2, A4, A6, B1, B5 Recorded at Inside Outside, Monebelluna, Veneto, Italy. Edited and Mixed at Relief studio, Fribourg, Switzerland.

A5 & A7 aus Das Beste kommt noch, Regie: Tom Schneider, Compagnie Snap Deluxe, Wiehre Bahnhof, Freiburg, Deutschland.
A3 & B2 aus Das Wirtshaus im Spessart von Wilhelm Hauff. Regie Lars Ole Walburg, Schauspielhaus Hannover, Deutschland.
A3 aus Schuld, d'après Crime et châtiment de Fyodor Dostyevsky. Regie Karin Henkel, Deutschestheater, Hamburg.

Label Code – LC 07683
Matrix / Runout (Runout side A, stamped) – 122338E1/A
Matrix / Runout (Runout side B, stamped) – 122338E2/A
Rights Society – SUISA
Barcode (Sticker) – 7640148980449