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Live At The Fillmore - 1997
Label | Warner Records – 093624882602 |
Format | 3 x Vinyl, LP, Album, Tri-Gatefold |
Barcode | 0093624882602 |
Country | Worldwide |
Released | 25 Nov 2022 |
Genre | Rock |
Style | Rock & Roll, Pop Rock, Folk Rock |
A1 | Pre-Show (Spoken Interlude) | |
A2 | Jammin' Me | 4:34 |
A3 | Listen To Her Heart | 3:23 |
A4 | Around And Around | 2:35 |
A5 | Good Evening (Spoken Interlude) | |
A6 | Lucille | 3:13 |
A7 | Call Me The Breeze | 5:55 |
A8 | Cabin Down Below | 2:55 |
A9 | The Internet, Whatever That Is (Spoken Interlude) | |
A10 | Time Is On My Side | 3:31 |
B1 | You Don't Know How It Feels | 6:28 |
B2 | I'd Like To Love You Baby | 4:26 |
B3 | Ain't No Sunshine | 3:37 |
B4 | Homecoming Queen Intro (Spoken Interlude) | |
B5 | The Date I Had With The Ugly Old Homecoming Queen | 5:21 |
B6 | Bye Bye Johnny | 3:48 |
C1 | Did Someone Say Heartbreakers Beach Party? (Spoken Interlude) | |
C2 | Heartbreakers Beach Party | 4:25 |
C3 | Angel Dream | 3:08 |
C4 | The Wild One, Forever | 3:24 |
C5 | American Girl | 2:37 |
C6 | Let's Hear It For Howie And Scott (Spoken Interlude) | |
C7 | You Really Got Me | 2:43 |
C8 | Runnin' Down A Dream | 4:59 |
D1 | (I Can't Get No) Satisfaction | 3:00 |
D2 | It's All Over Now | 5:10 |
D3 | Mr. Roger McGuinn (Spoken Interlude) | |
D4 | It Won't Be Wrong | 2:06 |
D5 | You Ain't Going Nowhere | 3:26 |
D6 | Eight Miles High | 5:34 |
D7 | Honey Bee | 5:10 |
E1 | John Lee Hooker, Ladies And Gentleman (Spoken Interlude) | |
E2 | Boogie Chillen | 8:19 |
E3 | Sorry, I've Just Broken My Amplifier (Spoken Interlude) | |
E4 | Knockin' On Heaven's Door | 5:01 |
E5 | You Wreck Me | 4:03 |
E6 | Shakin' All Over | 2:50 |
E7 | Free Fallin' | 4:59 |
F1 | Mary Jane's Last Dance | 10:27 |
F2 | Louie Louie | 3:52 |
F3 | Gloria | 9:51 |
F4 | Alright For Now | 2:33 |
F5 | Goodnight (Spoken Interlude) |
Art Direction [Cover Art Creative Direction] – Blaine Halvorson
Art Direction, Design [Package] – Jeri Heiden
Art Direction, Design [Package] – Nick Steinhardt
Bass Guitar, Backing Vocals – Howie Epstein
Crew [Facilities And Equipment Manager] – Alan "Bugs" Weidel
Drums, Percussion – Steve Ferrone
Executive-Producer – Adria Petty
Executive-Producer – Annakim Violette
Executive-Producer – Benmont Tench
Executive-Producer – Dana Petty
Illustration [Cover Art Illustrator] – Tom Garner
Lacquer Cut By – CB
Lead Guitar, Rhythm Guitar, Mandolin – Mike Campbell
Lead Vocals, Rhythm Guitar, Lead Guitar, Harmonica – Tom Petty
Liner Notes – Joel Selvin
Management – Adam Hohlt
Management – Coran Capshaw
Management – Red Light Management
Management – Will Botwin
Management [Den Mother] – Mary Klauzer
Mastered By – Chris Bellman
Mixed By – Ryan Ulyate
Photography By [Photo Credits] – Martyn Atkins
Photography By [Photo Credits] – Steve Jennings
Piano, Organ, Keyboards, Backing Vocals – Benmont Tench
Producer – Mike Campbell
Producer – Ryan Ulyate
Product Manager [Project Marketing For Warner Records] – Ashley Slater
Product Manager [Project Marketing For Warner Records] – Ingrid Erickson
Project Manager [Project Management For Warner Records] – Robin Hurley
Recorded By – Biff Dawes
Research [Archives Producer & Director] – Alison Tavel
Rhythm Guitar, Backing Vocals, Harmonica – Scott Thurston
Songwriter – Tom Petty (A3, A8, B1, C2 to C5, D7, F1, F4)
Art Direction, Design [Package] – Jeri Heiden
Art Direction, Design [Package] – Nick Steinhardt
Bass Guitar, Backing Vocals – Howie Epstein
Crew [Facilities And Equipment Manager] – Alan "Bugs" Weidel
Drums, Percussion – Steve Ferrone
Executive-Producer – Adria Petty
Executive-Producer – Annakim Violette
Executive-Producer – Benmont Tench
Executive-Producer – Dana Petty
Illustration [Cover Art Illustrator] – Tom Garner
Lacquer Cut By – CB
Lead Guitar, Rhythm Guitar, Mandolin – Mike Campbell
Lead Vocals, Rhythm Guitar, Lead Guitar, Harmonica – Tom Petty
Liner Notes – Joel Selvin
Management – Adam Hohlt
Management – Coran Capshaw
Management – Red Light Management
Management – Will Botwin
Management [Den Mother] – Mary Klauzer
Mastered By – Chris Bellman
Mixed By – Ryan Ulyate
Photography By [Photo Credits] – Martyn Atkins
Photography By [Photo Credits] – Steve Jennings
Piano, Organ, Keyboards, Backing Vocals – Benmont Tench
Producer – Mike Campbell
Producer – Ryan Ulyate
Product Manager [Project Marketing For Warner Records] – Ashley Slater
Product Manager [Project Marketing For Warner Records] – Ingrid Erickson
Project Manager [Project Management For Warner Records] – Robin Hurley
Recorded By – Biff Dawes
Research [Archives Producer & Director] – Alison Tavel
Rhythm Guitar, Backing Vocals, Harmonica – Scott Thurston
Songwriter – Tom Petty (A3, A8, B1, C2 to C5, D7, F1, F4)
Issued in trifold jacket with four-page gatefold printed insert with essay and credits.
Made in Czech Republic.
Hype sticker with catalog number:
Tom Petty & The Heartbreakers Live at the Fillmore
The Legendary 1997 Residency
Hits, Deep Cuts, and Classic Covers
33 songs on 3-LPs — 2+ hours of Music
"We all feel this might be the highpoint of our time together as a group" – Tom Petty
Artist on spine, back cover, labels: "Tom Petty & The Heartbreakers"
Scott Thurston credited for lead vocal on "Little Maggie," which is not included on this version of the release.
E4 credit not listed in insert.
Track recording dates on back cover:
A2, A10, B6, C5, C7, D1, D2, E2, E6 to F2, F4: (Feb. 7)
A3, A7, A8, B3, C8, D5, D6, F3: (Feb. 1)
A4, B1, B2, D7, E4: (Feb. 3)
A6, C3, E5: (Feb. 6)
B5, C2: (Feb. 4)
C4, D4: (Jan. 31)
Spoken introduction tracks do not include durations on labels.
Runouts are mixed of etched ("093624882602-# CB") and stamped.
Made in Czech Republic.
Hype sticker with catalog number:
Tom Petty & The Heartbreakers Live at the Fillmore
The Legendary 1997 Residency
Hits, Deep Cuts, and Classic Covers
33 songs on 3-LPs — 2+ hours of Music
"We all feel this might be the highpoint of our time together as a group" – Tom Petty
Artist on spine, back cover, labels: "Tom Petty & The Heartbreakers"
Scott Thurston credited for lead vocal on "Little Maggie," which is not included on this version of the release.
E4 credit not listed in insert.
Track recording dates on back cover:
A2, A10, B6, C5, C7, D1, D2, E2, E6 to F2, F4: (Feb. 7)
A3, A7, A8, B3, C8, D5, D6, F3: (Feb. 1)
A4, B1, B2, D7, E4: (Feb. 3)
A6, C3, E5: (Feb. 6)
B5, C2: (Feb. 4)
C4, D4: (Jan. 31)
Spoken introduction tracks do not include durations on labels.
Runouts are mixed of etched ("093624882602-# CB") and stamped.
Barcode (Text) – 0 93624 88260 2
Barcode (Scanned) – 093624882602
Matrix / Runout (Side A runout) – 093624882602-A CB 33945 2A 243987E1 1252157
Matrix / Runout (Side B runout) – 093624882602-B CB 33945 2B 243987E2 1248559
Matrix / Runout (Side C runout) – 093624882602-C CB 33945 2C 243987E3 1252151
Matrix / Runout (Side D runout) – 093624882602-D CB 33945 2D 243987E4 1248561
Matrix / Runout (Side E runout) – 093624882602-E CB 33945 2E 243987E5 1248563
Matrix / Runout (Side F runout) – 093624882602-F CB 33945 2F 243987E6 1250857
Barcode (Scanned) – 093624882602
Matrix / Runout (Side A runout) – 093624882602-A CB 33945 2A 243987E1 1252157
Matrix / Runout (Side B runout) – 093624882602-B CB 33945 2B 243987E2 1248559
Matrix / Runout (Side C runout) – 093624882602-C CB 33945 2C 243987E3 1252151
Matrix / Runout (Side D runout) – 093624882602-D CB 33945 2D 243987E4 1248561
Matrix / Runout (Side E runout) – 093624882602-E CB 33945 2E 243987E5 1248563
Matrix / Runout (Side F runout) – 093624882602-F CB 33945 2F 243987E6 1250857