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The Music Of William Parker: Migration Of Silence Into And Out Of The Tone World (Volumes 1–10)
| Label | Centering Records – 1020–1029 |
| Format | 10 x CD, Album, Reissue Box Set, |
| Barcode | 0642623102022 |
| Country | US |
| Released | 2021 |
| Genre | Jazz |
| Style | Free Jazz, Avant-garde Jazz |
| Blue Limelight | |||
| 1-1 | Listen | 1:26 | |
| 1-2 | Cosmic Funk | 4:24 | |
| 1-3 | I'd Rather Be | 3:51 | |
| 1-4 | A Great Day To Be Dead | 6:09 | |
| 1-5 | Jenny's Interlude | 2:28 | |
| 1-6 | Blue Limelight (Dedicated To Cecil Taylor) | 6:17 | |
| 1-7 | Bennie's Tune | 7:53 | |
| 1-8 | Recall | 1:20 | |
| 1-9 | Kachina Song | 3:18 | |
| 1-10 | All I Ever Want | 2:20 | |
| 1-11 | Where The Angels Live | 2:27 | |
| 1-12 | Old Tears | 5:19 | |
| Child Of Sound | |||
| 2-1 | Malachi's Mode | 4:59 | |
| 2-2 | Malcolm's Smile | 4:00 | |
| 2-3 | This Sweet Land | 3:50 | |
| 2-4 | The Golden Light (Hymn) | 3:52 | |
| 2-5 | Mexico | 4:43 | |
| 2-6 | Broken Promises | 4:55 | |
| 2-7 | Child Of Sound | 5:15 | |
| 2-8 | Sky Falling | 4:53 | |
| 2-9 | Adobe House | 4:27 | |
| 2-10 | Rez Sunset | 0:36 | |
| 2-11 | Trail Of Tears I | 1:23 | |
| 2-12 | Trail Of Tears II | 4:46 | |
| 2-13 | Rez Sunrise | 5:55 | |
| 2-14 | Ascending Earth | 5:03 | |
| The Majesty Of Jah | |||
| 3-1 | Baldwin | 8:16 | |
| 3-2 | The Majesty Of Jah | 8:21 | |
| 3-3 | Freedom | 8:56 | |
| 3-4 | Sun Song | 6:49 | |
| 3-5 | Numbers | 6:29 | |
| 3-6 | Letters To A Resurrected Slave Owner | 4:48 | |
| Cheops | |||
| 4-1 | Entire Universe | 13:36 | |
| 4-2 | Cheops | 13:51 | |
| 4-3 | The Map Is Precise | 8:03 | |
| 4-4 | If We Play Soft Enough | 22:17 | |
| 4-5 | Harriott | 12:51 | |
| Harlem Speaks | |||
| 5-1 | Dancing At The Savoy | 4:45 | |
| 5-2 | Don't Sell My Soul | 11:53 | |
| 5-3 | Harlem Dances | 11:37 | |
| 5-4 | Harlem Speaks | 7:17 | |
| 5-5 | Paintings In The Sky | 10:23 | |
| 5-6 | Shutters As Windows | 18:17 | |
| Mexico | |||
| 6-1 | Tilted Mirror | 27:12 | |
| 6-2 | Mexico | 17:11 | |
| 6-3 | The Bleeding Tree | 11:54 | |
| 6-4 | It Is For You | 9:55 | |
| Afternoon Poem | |||
| 7-1 | Song To Lift Sadness (Morning) | 2:19 | |
| 7-2 | The Sky Is Always Beautiful | 3:23 | |
| 7-3 | Morning Bird | 3:36 | |
| 7-4 | Rocket Man | 2:20 | |
| 7-5 | Essence Calling Out | 5:40 | |
| 7-6 | Afternoon Poem | 1:41 | |
| 7-7 | First Vision | 0:24 | |
| 7-8 | Green And Brown | 2:20 | |
| 7-9 | I Believe | 0:56 | |
| 7-10 | I Will Die For You | 3:05 | |
| 7-11 | Song For Patricia | 1:25 | |
| 7-12 | My Cup | 2:22 | |
| 7-13 | Silent Whispers | 1:15 | |
| 7-14 | It Would Never Be Long Enough | 3:07 | |
| 7-15 | Song To Lift Sadness (Evening) | 2:20 | |
| 7-16 | Cloud And Sea Fading As Rain Falls | 7:24 | |
| Lights In The Rain (The Italian Directors Suite) | |||
| 8-1 | Visconti | 10:25 | |
| 8-2 | Fellini | 10:44 | |
| 8-3 | Pasolini | 6:07 | |
| 8-4 | Leone | 4:50 | |
| 8-5 | De Sica | 8:35 | |
| 8-6 | Rossellini | 9:05 | |
| 8-7 | Gospel | 5:12 | |
| 8-8 | Milano | 2:27 | |
| 8-9 | Lights In The Rain | 2:41 | |
| 8-10 | Antonioni | 6:03 | |
| The Fastest Train | |||
| 9-1 | The Elders At The Edge Of The World (Part 1) | 4:07 | |
| 9-2 | Cultivation | 5:10 | |
| 9-3 | Deep Spirit | 2:18 | |
| 9-4 | Family Voice | 5:06 | |
| 9-5 | Listen To The Sky | 5:13 | |
| 9-6 | Sacred Prayers | 5:09 | |
| 9-7 | Host For The Anointed | 2:21 | |
| 9-8 | Bamboo Village | 4:41 | |
| 9-9 | Blessed | 4:57 | |
| 9-10 | The Flute Reaches Out | 4:00 | |
| 9-11 | The World's Fastest Train | 3:44 | |
| 9-12 | Joyous And Delightful | 6:47 | |
| 9-13 | The Elders At The Edge Of The World (Part 2) | 7:44 | |
| Manzanar | |||
| 10-1 | Charcoal Paragraphs | 15:16 | |
| 10-2 | Khaen | 20:22 | |
| 10-3 | Lakota Song | 7:01 | |
| 10-4 | Manzanar | 8:47 | |
| 10-5 | On Being Native | 21:12 | |
Artwork – Jo Wood-Brown
Bass – Ohad Kapuya (6-1 to 6-4, 8-1 to 8-10)
Bass – Peter Dennis (1-1 to 1-12, 8-1 to 8-10)
Bass – William Parker (3-1 to 3-6, 4-1 to 4-5, 5-1 to 5-6)
Cello – Dara Bloom (10-1 to 10-4)
Composed By, Arranged By, Producer, Liner Notes, Lyrics By – William Parker
Conch [Conch Shell], Flute [Winti Flute From New Guinea], Sounds [Cricket Sounds], Sounds [Bird Sounds], Idiophone [Bamboo Brushes], Whistle [Whistles], Drums [Drums Set] – Coen Aalberts (9-1 to 9-13)
Cornet – William Parker (8-1 to 8-10)
Drum [Tenor Drum] – Jackson Krall (6-1 to 6-4)
Drums – Rachel Housle (4-1 to 4-5, 8-1 to 8-10)
Drums, Frame Drum – Hamid Drake (5-1 to 5-6)
Drums, Percussion – Kevin Murray (6-1 to 6-4)
Drums, Percussion – Rachel Housle (6-1 to 6-4)
Featuring, Ensemble – Universal Tonality String Quartet (10-1 to 10-4)
Featuring, Piano – Eri Yamamoto (2-1 to 2-14)
Featuring, Voice – Andrea Wolper (8-1 to 8-10)
Featuring, Voice – Fay Victor (5-1 to 5-6)
Featuring, Voice – Jean Carla Rodea (6-1 to 6-4)
Featuring, Voice – Kyoko Kitamura (4-1 to 4-5)
Featuring, Voice – Lisa Sokolov (7-1 to 7-16)
Featuring, Voice – Raina Sokolov-Gonzalez (1-1 to 1-12)
Featuring, Voice, Sampler [Sampling], Producer [Production], Overdubbed By [Overdubs, Superimpositions], Edited By, Edited By [Assembly], Mixed By [Final Album Mix] – Ellen Christi (3-1 to 3-6)
Flute [Dogon Flute], Shakuhachi, Bass Flute [Bass Indian Flute], Piccolo Flute, Flute [C Flute] – Klaas Hekman (9-1 to 9-13)
Guest [Special Guest], Tenor Saxophone – Jim Clouse (6-1 to 6-4)
Guest [Special Guest], Trumpet – Jalalu-Kalvert Nelson (3-1 to 3-6)
Guest [Special Guest], Trumpet – Matt Lambiase (6-1 to 6-4)
Guest [Special Guest], Trumpet – Matt Lavelle (6-1 to 6-4)
Guest [Special Guest], Violin – Jason Kao Hwang (1-1 to 1-12)
Guimbri [Guembri], Balafon, Shawm [Gralla] – William Parker (5-1 to 5-6)
Harmonica – Ariel Bart (6-1 to 6-4, 8-1 to 8-10)
Liner Notes [Harlem Speaks] – Carter Mathes
Mastered By – Jim Clouse (3-1 to 3-6)
Mouth Organ [Khaen], Flute [Navajo Flute] – William Parker (10-1 to 10-4)
Ngoni [Donso Ngoni], Percussion – William Parker (3-1 to 3-6)
Nose Flute [Keringot], Hotchiku [Hochiku], Shakuhachi [In D & A], Flute [Stereophonic Bamboo Flute], Bass Flute [Ojibway Overtone Bass Flute], Trumpet [Pocket Trumpet], Flute [Malakan Flute], Shakuhachi [Chinese Shakuhachi] – William Parker (9-1 to 9-13)
Oboe – Jim Ferraiuolo (1-1 to 1-12, 8-1 to 8-10)
Oud – Brahim Fribgane (6-1 to 6-4)
Piano – Illay Sabag (6-1 to 6-4, 8-1 to 8-10)
Piano – Mara Rosenbloom (1-1 to 1-12)
Product Manager [Box Set Production], Design – Steven Joerg
Recorded By – Maxim Baghuis (9-1 to 9-13)
Recorded By [Original Session] – Keith Parker (3-1 to 3-6)
Recorded By, Mastered By – Jim Clouse (9-1 to 9-13)
Recorded By, Mixed By, Mastered By – Jim Clouse (1-1 to 1-12, 3-1 to 3-6, 4-1 to 4-6, 5-1 to 5-6, 6-1 to 6-4, 7-1 to 7-15, 8-1 to 8-10, 10-1 to 10-4)
Soprano Saxophone – Kayla Milmine-Abbott (4-1 to 4-5)
Tuba – Ben Stapp (4-1 to 4-5)
Vibraphone – Matt Moran (4-1 to 4-5)
Viola – Melanie Dyer (10-1 to 10-4)
Violin – Gwen Laster (10-1 to 10-4)
Violin – Jason Kao Hwang (10-1 to 10-4)
Violin – Reina Murooka (1-1 to 1-12)
Violin – Scot Moore (1-1 to 1-12)
Violin – Tina Burova (1-1 to 1-12)
Bass – Ohad Kapuya (6-1 to 6-4, 8-1 to 8-10)
Bass – Peter Dennis (1-1 to 1-12, 8-1 to 8-10)
Bass – William Parker (3-1 to 3-6, 4-1 to 4-5, 5-1 to 5-6)
Cello – Dara Bloom (10-1 to 10-4)
Composed By, Arranged By, Producer, Liner Notes, Lyrics By – William Parker
Conch [Conch Shell], Flute [Winti Flute From New Guinea], Sounds [Cricket Sounds], Sounds [Bird Sounds], Idiophone [Bamboo Brushes], Whistle [Whistles], Drums [Drums Set] – Coen Aalberts (9-1 to 9-13)
Cornet – William Parker (8-1 to 8-10)
Drum [Tenor Drum] – Jackson Krall (6-1 to 6-4)
Drums – Rachel Housle (4-1 to 4-5, 8-1 to 8-10)
Drums, Frame Drum – Hamid Drake (5-1 to 5-6)
Drums, Percussion – Kevin Murray (6-1 to 6-4)
Drums, Percussion – Rachel Housle (6-1 to 6-4)
Featuring, Ensemble – Universal Tonality String Quartet (10-1 to 10-4)
Featuring, Piano – Eri Yamamoto (2-1 to 2-14)
Featuring, Voice – Andrea Wolper (8-1 to 8-10)
Featuring, Voice – Fay Victor (5-1 to 5-6)
Featuring, Voice – Jean Carla Rodea (6-1 to 6-4)
Featuring, Voice – Kyoko Kitamura (4-1 to 4-5)
Featuring, Voice – Lisa Sokolov (7-1 to 7-16)
Featuring, Voice – Raina Sokolov-Gonzalez (1-1 to 1-12)
Featuring, Voice, Sampler [Sampling], Producer [Production], Overdubbed By [Overdubs, Superimpositions], Edited By, Edited By [Assembly], Mixed By [Final Album Mix] – Ellen Christi (3-1 to 3-6)
Flute [Dogon Flute], Shakuhachi, Bass Flute [Bass Indian Flute], Piccolo Flute, Flute [C Flute] – Klaas Hekman (9-1 to 9-13)
Guest [Special Guest], Tenor Saxophone – Jim Clouse (6-1 to 6-4)
Guest [Special Guest], Trumpet – Jalalu-Kalvert Nelson (3-1 to 3-6)
Guest [Special Guest], Trumpet – Matt Lambiase (6-1 to 6-4)
Guest [Special Guest], Trumpet – Matt Lavelle (6-1 to 6-4)
Guest [Special Guest], Violin – Jason Kao Hwang (1-1 to 1-12)
Guimbri [Guembri], Balafon, Shawm [Gralla] – William Parker (5-1 to 5-6)
Harmonica – Ariel Bart (6-1 to 6-4, 8-1 to 8-10)
Liner Notes [Harlem Speaks] – Carter Mathes
Mastered By – Jim Clouse (3-1 to 3-6)
Mouth Organ [Khaen], Flute [Navajo Flute] – William Parker (10-1 to 10-4)
Ngoni [Donso Ngoni], Percussion – William Parker (3-1 to 3-6)
Nose Flute [Keringot], Hotchiku [Hochiku], Shakuhachi [In D & A], Flute [Stereophonic Bamboo Flute], Bass Flute [Ojibway Overtone Bass Flute], Trumpet [Pocket Trumpet], Flute [Malakan Flute], Shakuhachi [Chinese Shakuhachi] – William Parker (9-1 to 9-13)
Oboe – Jim Ferraiuolo (1-1 to 1-12, 8-1 to 8-10)
Oud – Brahim Fribgane (6-1 to 6-4)
Piano – Illay Sabag (6-1 to 6-4, 8-1 to 8-10)
Piano – Mara Rosenbloom (1-1 to 1-12)
Product Manager [Box Set Production], Design – Steven Joerg
Recorded By – Maxim Baghuis (9-1 to 9-13)
Recorded By [Original Session] – Keith Parker (3-1 to 3-6)
Recorded By, Mastered By – Jim Clouse (9-1 to 9-13)
Recorded By, Mixed By, Mastered By – Jim Clouse (1-1 to 1-12, 3-1 to 3-6, 4-1 to 4-6, 5-1 to 5-6, 6-1 to 6-4, 7-1 to 7-15, 8-1 to 8-10, 10-1 to 10-4)
Soprano Saxophone – Kayla Milmine-Abbott (4-1 to 4-5)
Tuba – Ben Stapp (4-1 to 4-5)
Vibraphone – Matt Moran (4-1 to 4-5)
Viola – Melanie Dyer (10-1 to 10-4)
Violin – Gwen Laster (10-1 to 10-4)
Violin – Jason Kao Hwang (10-1 to 10-4)
Violin – Reina Murooka (1-1 to 1-12)
Violin – Scot Moore (1-1 to 1-12)
Violin – Tina Burova (1-1 to 1-12)
10-CD Box set, packaged in a custom clam-shell box & mini-LP sleeves.
This is a second reissue, without the "First Edition" text on back cover of the clam shell box of the first release: . This is the only difference between the two releases.
* Includes a "Made in Czech Republic" sticker on shrink wrap.
* Includes a 36-page booklet with full track listing, personnel, recording info and liner notes, and an additional 24-page booklet "Lyrics".
* Limted edition of 1336 copies
On the William Parker Bandcamp release page, https://williamparker.bandcamp.com/album/migration-of-silence-into-and-out-of-the-tone-world-volumes-1-10 Parker writes about the second release: "The first edition of this Box Set sold out shortly after release date /// This 2nd deluxe edition (of 1336 copies) is packaged ..."
"A collection of vocal and instrumental suites all recorded expressly for this set between late 2018 and early 2020, with women’s voices at its core (both on voice & other instruments)."
Session dates:
CD1: November 9, 2018
Recorded, mixed & mastered at Park West Studios, Brooklyn, NY
CD2: January 3, 2019
Recorded, mixed & mastered at Park West Studios, Brooklyn, NY
CD3: Autumn 2010
Original session recorded at The Gallery Recording Studio, Brooklyn, NY
Overdubs, superimpositions/editing/assembly in 2019 at Christi Sound Studio, NYC
CD4: February 27, 2019
Recorded, mixed & mastered at Park West Studios, Brooklyn, NY
CD5: March 5, 2019
Recorded, mixed & mastered at Park West Studios, Brooklyn, NY
CD6: January 15, 2019
Recorded, mixed & mastered at Park West Studios, Brooklyn, NY
CD7: June 24, 2019
Recorded, mixed & mastered at Park West Studios, Brooklyn, NY
+ bonus track #16, recorded at Tedesco Studios, Paramus, NJ on March 3, 1993; mixed in November 1995, mastered in 2019
CD8: September 16, 2019
Recorded, mixed & mastered at Park West Studios, Brooklyn, NY
CD9: May 14, 2019
Recorded in Rotterdam, the Netherlands
Mixed & mastered at Park West Studios, Brooklyn, NY
CD10: February 13, 2020
Recorded, mixed & mastered at Park West Studios, Brooklyn, NY
+ On Being Native recorded and mixed at The Gallery Recording Studio, Brooklyn, NY
Mastered at Park West Studios, Brooklyn, NY
This is a second reissue, without the "First Edition" text on back cover of the clam shell box of the first release: . This is the only difference between the two releases.
* Includes a "Made in Czech Republic" sticker on shrink wrap.
* Includes a 36-page booklet with full track listing, personnel, recording info and liner notes, and an additional 24-page booklet "Lyrics".
* Limted edition of 1336 copies
On the William Parker Bandcamp release page, https://williamparker.bandcamp.com/album/migration-of-silence-into-and-out-of-the-tone-world-volumes-1-10 Parker writes about the second release: "The first edition of this Box Set sold out shortly after release date /// This 2nd deluxe edition (of 1336 copies) is packaged ..."
"A collection of vocal and instrumental suites all recorded expressly for this set between late 2018 and early 2020, with women’s voices at its core (both on voice & other instruments)."
Session dates:
CD1: November 9, 2018
Recorded, mixed & mastered at Park West Studios, Brooklyn, NY
CD2: January 3, 2019
Recorded, mixed & mastered at Park West Studios, Brooklyn, NY
CD3: Autumn 2010
Original session recorded at The Gallery Recording Studio, Brooklyn, NY
Overdubs, superimpositions/editing/assembly in 2019 at Christi Sound Studio, NYC
CD4: February 27, 2019
Recorded, mixed & mastered at Park West Studios, Brooklyn, NY
CD5: March 5, 2019
Recorded, mixed & mastered at Park West Studios, Brooklyn, NY
CD6: January 15, 2019
Recorded, mixed & mastered at Park West Studios, Brooklyn, NY
CD7: June 24, 2019
Recorded, mixed & mastered at Park West Studios, Brooklyn, NY
+ bonus track #16, recorded at Tedesco Studios, Paramus, NJ on March 3, 1993; mixed in November 1995, mastered in 2019
CD8: September 16, 2019
Recorded, mixed & mastered at Park West Studios, Brooklyn, NY
CD9: May 14, 2019
Recorded in Rotterdam, the Netherlands
Mixed & mastered at Park West Studios, Brooklyn, NY
CD10: February 13, 2020
Recorded, mixed & mastered at Park West Studios, Brooklyn, NY
+ On Being Native recorded and mixed at The Gallery Recording Studio, Brooklyn, NY
Mastered at Park West Studios, Brooklyn, NY
Barcode (Text) – 6 42623 10202 2
Rights Society – BMI
Matrix / Runout (CD1) – CENT 1020/CD1 G72209
Matrix / Runout (CD2) – CENT 1020/CD2 G72210
Matrix / Runout (CD3) – CENT 1020/CD3 G72211
Matrix / Runout (CD4) – CENT 1020/CD4 G72212
Matrix / Runout (CD5) – CENT 1020/CD5 G72214
Matrix / Runout (CD6) – CENT 1020/CD6 G72313
Matrix / Runout (CD7) – William Parker - Afternoon Poem
Matrix / Runout (CD8) – CENT 1020/CD8 G72305
Matrix / Runout (CD9) – CENT 1020/CD9 G72307
Matrix / Runout (CD10) – CENT 1020/CD10 G72308
Other (CD / Album 1 cat #) – CENTERING 1020
Other (CD / Album 2 cat #) – CENTERING 1021
Other (CD / Album 3 cat #) – CENTERING 1022
Other (CD / Album 4 cat #) – CENTERING 1023
Other (CD / Album 5 cat #) – CENTERING 1024
Other (CD / Album 6 cat #) – CENTERING 1025
Other (CD / Album 7 cat #) – CENTERING 1026
Other (CD / Album 8 cat #) – CENTERING 1027
Other (CD / Album 9 cat #) – CENTERING 1028
Other (CD / Album 10 cat #) – CENTERING 1029
Rights Society – BMI
Matrix / Runout (CD1) – CENT 1020/CD1 G72209
Matrix / Runout (CD2) – CENT 1020/CD2 G72210
Matrix / Runout (CD3) – CENT 1020/CD3 G72211
Matrix / Runout (CD4) – CENT 1020/CD4 G72212
Matrix / Runout (CD5) – CENT 1020/CD5 G72214
Matrix / Runout (CD6) – CENT 1020/CD6 G72313
Matrix / Runout (CD7) – William Parker - Afternoon Poem
Matrix / Runout (CD8) – CENT 1020/CD8 G72305
Matrix / Runout (CD9) – CENT 1020/CD9 G72307
Matrix / Runout (CD10) – CENT 1020/CD10 G72308
Other (CD / Album 1 cat #) – CENTERING 1020
Other (CD / Album 2 cat #) – CENTERING 1021
Other (CD / Album 3 cat #) – CENTERING 1022
Other (CD / Album 4 cat #) – CENTERING 1023
Other (CD / Album 5 cat #) – CENTERING 1024
Other (CD / Album 6 cat #) – CENTERING 1025
Other (CD / Album 7 cat #) – CENTERING 1026
Other (CD / Album 8 cat #) – CENTERING 1027
Other (CD / Album 9 cat #) – CENTERING 1028
Other (CD / Album 10 cat #) – CENTERING 1029