Je hebt geen items in je winkelwagen.
Third Symphony / Music For The Theatre
| Label | Telarc Digital – CD-80201Telarc Digital – DIDX 005414 |
| Format | CD, Album, Stereo |
| Barcode | 0089408020124 |
| Genre | Classical |
| Style | Modern |
| Third Symphony | ||
| 1 | I. Molto Moderato, With Simple Expression | 10:25 |
| 2 | II. Allegro Molto | 9:11 |
| 3 | III. Andantino Quasi Allegretto | 10:36 |
| 4 | IV. Molto Deliberato (Freely At First) | 13:25 |
| Music For The Theatre | ||
| 5 | I. Prologue | 5:55 |
| 6 | II. Dance | 3:24 |
| 7 | III. Interlude | 5:09 |
| 8 | IV. Burlesque | 3:02 |
| 9 | V. Epilogue | 3:49 |
Art Direction – Ray Kirschensteiner
Composed By – Aaron Copland
Conductor – Yoel Levi
Editor – Elaine Martone
Engineer [Recording Engineer] – Jack Renner
Graphics [Cover Graphics] – Nottingham-Spirk Design Associates, Inc.
Liner Notes – Richard E. Rodda
Orchestra – Atlanta Symphony Orchestra
Photography By [Cover Photo] – Andrew Russetti
Producer [Recording Producer] – Robert Woods
Technician [Technical Assistance] – Michael Bishop
Technician [Technical Assistance] – Thomas Knab
Composed By – Aaron Copland
Conductor – Yoel Levi
Editor – Elaine Martone
Engineer [Recording Engineer] – Jack Renner
Graphics [Cover Graphics] – Nottingham-Spirk Design Associates, Inc.
Liner Notes – Richard E. Rodda
Orchestra – Atlanta Symphony Orchestra
Photography By [Cover Photo] – Andrew Russetti
Producer [Recording Producer] – Robert Woods
Technician [Technical Assistance] – Michael Bishop
Technician [Technical Assistance] – Thomas Knab
ON CD: Made in Austria
Total Playing Time [65:05
Technical Information:
Recorded in Symphony Hall, Atlanta on February 18-19, & April 14-18, 1989
Microphones: Sennheiser MKH-20 & MKH-40
Digital Recording Processor: dbx/CTI 18-bit A/D
Console: Neotek, custom-built, wired with Monster Cable Series III
Monitor Speakers: ADS 1530 wired with Monster Cable
Power Amplifier: Threshold Model S/500 Stasis, Series II with optical bias
The entire signal path from microphones to digital processors utilized the latest cable technology from Monster Cable, including M1000, Series I Prolink and Series III Prolink bandwidth balanced
Control Room Acoustic Treatment: Sonex from illbruck/usa, Soundex from Monster Cable, RPG Diffusors, Tube Traps by ASC
Digital Editing: Sony DAE 3000
During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
This recording is made possible by a grant from the Fulton County Arts Council, a division of Fulton County government, Atlanta, Georgia.
Total Playing Time [65:05
Technical Information:
Recorded in Symphony Hall, Atlanta on February 18-19, & April 14-18, 1989
Microphones: Sennheiser MKH-20 & MKH-40
Digital Recording Processor: dbx/CTI 18-bit A/D
Console: Neotek, custom-built, wired with Monster Cable Series III
Monitor Speakers: ADS 1530 wired with Monster Cable
Power Amplifier: Threshold Model S/500 Stasis, Series II with optical bias
The entire signal path from microphones to digital processors utilized the latest cable technology from Monster Cable, including M1000, Series I Prolink and Series III Prolink bandwidth balanced
Control Room Acoustic Treatment: Sonex from illbruck/usa, Soundex from Monster Cable, RPG Diffusors, Tube Traps by ASC
Digital Editing: Sony DAE 3000
During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
This recording is made possible by a grant from the Fulton County Arts Council, a division of Fulton County government, Atlanta, Georgia.
Barcode – 0 89408 02012 4
Matrix / Runout (Insideout) – CD-80201 11 C1 MASTERED BY DADC AUSTRIA
SPARS Code – DDD
Rights Society – ASCAP
Matrix / Runout (Insideout) – CD-80201 11 C1 MASTERED BY DADC AUSTRIA
SPARS Code – DDD
Rights Society – ASCAP