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The Complete Works
Label | Warner Classics – 0190295283261 |
Format | 21 x CD, Compilation, Stereo, Mono Box Set, |
Barcode | 0190295283261 |
Country | Worldwide |
Released | 04 Sep 2020 |
Genre | Classical |
Style | Impressionist |
Piano Works | |||
1-1 | Sérénade Grotesque, M.5 (1892-1893) | 3:21 | |
1-2 | Menuet Antique, M.8 (1895) | 5:41 | |
1-3 | La Parade, M.11 (1896) | 11:15 | |
1-4 | Pavane Pour Une Infante Défunte, M.19 (1899) | 5:51 | |
1-5 | Jeux D'eau, M.30 (1901) | 6:05 | |
Sonatine, M.40 (1903-1905) | |||
1-6 | I. Modéré | 4:30 | |
1-7 | II. Mouvement De Menuet | 3:53 | |
1-8 | III. Animé | 3:58 | |
1-9 | Menue In C-sharp Minor, M.42 (1904) | 0:52 | |
Miroirs, M.43 (1904-1905) | |||
1-10 | I. Noctuelles | 4:52 | |
1-11 | II. Oiseaux Tristes | 4:11 | |
1-12 | III. Une Barque Sur L'Océan | 6:54 | |
1-13 | IV. Alborada Del Gracioso | 6:11 | |
1-14 | V. La Vallée Des Cloches | 5:58 | |
Gaspard De La Nuit, after Aloysius Bertrand, M.55 (1908) | |||
2-1 | I. Ondine | 7:12 | |
2-2 | II. Le Gibet | 5:11 | |
2-3 | III. Scarbo | 9:42 | |
Daphnis Et Chloé, Ballet In One Act And Three Parts, M.57 (1909-1912). First Version For Piano (1910) | |||
2-4 | I. Part 1 | 30:23 | |
2-5 | II. Part 2 | 11:02 | |
2-6 | III. Part 3 | 17:09 | |
3-1 | Menuet Sur Le Nom De Haydn, M.58 (1909) | 1:46 | |
Valses Nobles Et Sentimentales, M.61 (1911) | |||
3-2 | I. Modéré | 1:18 | |
3-3 | II. Assez Lent | 2:29 | |
3-4 | III/ Modéré | 1:18 | |
3-5 | IV. Assez Animé | 1:12 | |
3-6 | V. Presque Lent | 1:20 | |
3-7 | VI. Vif | 0:43 | |
3-8 | VII. Moins Vif | 2:22 | |
3-9 | VIII. Épilogue : Lent | 4:52 | |
À La Manière De..., M.63 (1912-1913) | |||
3-10 | I. Borodine | 1:45 | |
3-11 | II. Chabrier (Paraphrase Sur Un Air De Faust De Gounod) | 1:53 | |
3-12 | Prélude, M.65 (1913) | 1:25 | |
Le Tombeau De Couperin, M.68 (1914-1917) | |||
3-13 | I. Prélude | 3:06 | |
3-14 | II. Fugue | 3:31 | |
3-15 | III. Forlane | 5:37 | |
3-16 | IV. Rigaudon | 3:06 | |
3-17 | V. Menuet | 4:51 | |
3-18 | VI. Toccata | 3:51 | |
3-19 | La Valse, Poème Chorégraphique, M.72 (1919-1920, Transcription For Piano, 1920) | 12:53 | |
Piano Four Hands | |||
4-1 | Shéhérazade, Ouverture De Féerie | 12:37 | |
Ma Mère L'Oye, Cinq Pièces Enfantines, M.60 (1908-1910) | |||
4-2 | I. Pavane De La Belle Au Bois Dormant | 1:22 | |
4-3 | II. Petit Poucet | 2:46 | |
4-4 | III. Laideronnette, Impératrice Des Pagodes | 2:47 | |
4-5 | IV. Les Entretiens De La Belle Et Le La Bête | 4:29 | |
4-6 | V. Le Jardin Féérique | 3:02 | |
4-7 | Fanfare, Prélude À « L'Eventail Dde Jeanne », Ballet Collectif En Un Acte, M.80 (1927) | 1:19 | |
Piano Four Hands, Transcription By Ravel | |||
4-8 | Prélude À L'après Midi D'un Faune, L 87c, M.A16 (Transcription For Piano Four Hands) | 8:52 | |
Two Pianos | |||
4-9 | Sites Auriculaires: II. Entre Cloches, M.13 (1897) | 3:31 | |
4-10 | Introduction Et Allegro, M.46 (1905, Transcription For Two Pianos, 1906) | 10:24 | |
Rapsodie Espagnole, M.54 (1907, First Version For Two Pianos) | |||
4-11 | I. Prélude À La Nuit | 4:21 | |
4-12 | II. Malagueña | 2:06 | |
4-13 | III. Habanera (No. 1 Of Sites Auriculaires, M.13) | 2:48 | |
4-14 | IV. Feria | 6:30 | |
5-1 | La Valse, Poéme Chorégraphique, M.72 (1919-1920, Transcription For Two Pianos, Four Hands, 1920) | 11:48 | |
5-2 | Bolero, Ballet, M.81 (1928, Transcription For Two Pianos, Four Hands, 1929) | 15:57 | |
Two Pianos (Five Hands) | |||
5-3 | Frontispice, M.70 (1918) | 1:44 | |
Two Pianos, Transcription By Ravel | |||
Nocturnes, Tryptique Symphonique, L 98b, M.A14 | |||
5-4 | Nuages | 7:13 | |
5-5 | Fêtes | 6:24 | |
5-6 | Sirènes | 12:36 | |
Chamber Music | |||
6-1 | Sonata Movement For Violin & Piano, M.12 (1897) | 11:11 | |
String Quartet In F Major, M.35 (1902-1903) | |||
6-2 | I. Allegro Moderato – Très Doux | 8:50 | |
6-3 | II. Assez Vif – Très Rythmé | 6:29 | |
6-4 | III. Très Lent | 9:48 | |
6-5 | IV. Vif Et Agité | 4:46 | |
6-6 | Introduction Et Allegro For Harp, Flute, Clarinet, Two Violins, Viola & Cello, M.46 (1905) | 11:01 | |
Trio For Piano, Violin & Cello In A Minor, M.67 (1914) | |||
6-7 | I. Modéré | 9:08 | |
6-8 | II. Pantoum. Assez Vite | 4:23 | |
6-9 | III. Passacaille. Très Large | 8:41 | |
6-10 | IV. Final. Animé | 5:14 | |
Sonata For Violin & Cello, M.73 (1920-1922) | |||
7-1 | I. Allegro | 5:03 | |
7-2 | II. Très Vif | 3:21 | |
7-3 | III. Lent | 7:13 | |
7-4 | IV. Vif, Avec Entrain | 5:59 | |
7-5 | Tzigane, Concert Rhapsody For Violin & Piano, M.76 (1922-1924) | 9:13 | |
7-6 | Berceuse Sur Le Nom De Gabriel Fauré, M.74 (1922) | 3:18 | |
Sonata For Violin & Piano, M.77 (1923-1927) | |||
7-7 | I. Allegretto | 7:56 | |
7-8 | II. Blues. Moderato | 4:58 | |
7-9 | III. Perpetuum Mobile | 3:38 | |
Orchestral Works | |||
8-1 | Menuet Antique, M.7 (1895, Orchestration 1929) | 6:25 | |
8-2 | Shéhérazade, Ouverture De Féérie, M.17 (1898) | 13:52 | |
8-3 | Pavane Pour Une Infante Défunte, M.19 (1899, Orchestration 1910) | 7:00 | |
Miroirs, M.43 (1904-1905) | |||
8-4 | III. Une Barque Sur L'Océan (Orchestration 1906) | 8:31 | |
8-5 | IV. Alborada Del Gracioso (Orchestration 1918) | 8:21 | |
Rapsodie Espagnole, M.54 (1907) | |||
8-6 | I. Prélude À La Nuit | 4:52 | |
8-7 | II. Malagueña | 1:55 | |
8-8 | III. Habanera | 2:42 | |
8-9 | IV. Feria | 6:08 | |
Daphnis Et Chloé, Ballet In One Act And Three Parts, M.57 (1909-1912) | |||
9-1 | Première Partie | Introduction | 2:54 | |
9-2 | Danse Religieuse | 5:32 | |
9-3 | Scène | 1:57 | |
9-4 | Danse Générale | 0:47 | |
9-5 | Scène | 0:38 | |
9-6 | Danse Grotesque De Dorcon | 1:54 | |
9-7 | Danse Légère Et Gracieuse De Daphnis | 4:31 | |
9-8 | Scène – Danse De Lyceion – Arrivée Des Pirates | 3:17 | |
9-9 | Scène (Nocturne) | 1:45 | |
9-10 | Danse Lente Et Mystérieuse | 3:06 | |
9-11 | Deuxième Partie | Interlude | 2:13 | |
9-12 | Introduction | 0:11 | |
9-13 | Danse Guerrière Et Scène | 4:36 | |
9-14 | Danse Suppliante De Chloé | 5:26 | |
9-15 | Troisième Partie | Introduction | 0:22 | |
9-16 | Lever Du Jour | 5:16 | |
9-17 | Pantomine | 6:22 | |
9-18 | Danse Générale | 4:47 | |
Valses Nobles Et Sentimentales. M.61 (1911, Orchestration 1912) | |||
9-19 | I. Modéré | 1:16 | |
9-20 | II. Assez Lent, Avec Une Expression Intense | 2:38 | |
9-21 | III. Modéré | 1:53 | |
9-22 | IV. Assez Animé | 1:17 | |
9-23 | V. Presque Lent, Dans Un Sentiment Intime | 1:27 | |
9-24 | VI. Vif | 0:52 | |
9-25 | VII. Moins Vif | 2:53 | |
9-26 | VIlI. Épilogue: Lent | 4:28 | |
Ma Mère L'Oye, Musique De Ballet, M.62 (1911-1912) | |||
10-1 | I. Prélude | 3:21 | |
10-2 | II. Danse Du Rouet Et Scène | 3:39 | |
10-3 | III. Pavane De La Belle Au Bois Dormant | 1:48 | |
10-4 | IV. Les Entretiens De La Belle Et De la Bête | 5:06 | |
10-5 | V. Petit Poucet | 4:10 | |
10-6 | VI. Laideronnette, Impératrice Des Pagodes | 5:03 | |
10-7 | AVII. potheose: Le Jardin Féérique | 5:31 | |
Le Tombeau De Couperin, M.68 (1914-1917, Orchestration 1919) | |||
10-8 | I. Prélude | 3:23 | |
10-9 | II. Forlane | 5:57 | |
10-10 | III. Menuet | 5:32 | |
10-11 | IV. Rigaudon | 3:15 | |
10-12 | La Valse, Poème Chorégraphique, M.72 (1919-1920) | 9:43 | |
10-13 | Tzigane, Concert Rhapsody For Violin & Orchestra, M.76 (1922-1924( | 12:42 | |
10-14 | Fanfare, Prélude À « L'Èventail De Jeanne », Ballet Collectif En Un Acte, M.90 (1927) | 2:11 | |
11-1 | Bolero, Ballet, M.81 (1928) | 17:07 | |
11-2 | Piano Concerto In D Major "For The Left Hand", M.82 (1929-1930) | 18:18 | |
Piano Concerto In G Major, M.82 (1929-1930) | |||
11-3 | I. Allegramente | 8:25 | |
11-4 | II. Adagio Assai | 8:53 | |
11-5 | III. Presto | 4:23 | |
Orchestration By Ravel Of Other Composers | |||
Carnaval, Op.9, M.A21 | |||
12-1 | I. Préambule | 2:36 | |
12-2 | XVI. Valse Allemande | 0:57 | |
12-3 | XVII. Intermezzo: Paganini | 1:35 | |
12-4 | XIX. Marche Des « Davidsbündler » Contre Les Philistins | 4:19 | |
12-5 | Menuet Pompeux (Pièces Pittoresques No. 9), M.A23 | 6:32 | |
Tableaux D'une Expostion, M.A24 | |||
12-6 | Promenade | 1:38 | |
12-7 | Gnomus | 2:17 | |
12-8 | Promenade | 0:51 | |
12-9 | Il Vecchio Castello | 4:17 | |
12-10 | Promenade | 0:29 | |
12-11 | Tuileries | 0:58 | |
12-12 | Býdlo | 2:37 | |
12-13 | Promenade | 0:37 | |
12-14 | Ballet Of The Unhatched Chicks | 1:07 | |
12-15 | Samuel Goldenberg & Schmuyle | 2:04 | |
12-16 | Limoges: The Market | 1:21 | |
12-17 | Catacombae: Sepulcrum Romanum | 1:45 | |
12-18 | Con Mortuis In Lingua Mortua | 1:43 | |
12-19 | The Hut On Chicken's Legs (Baba Yaga) | 3:25 | |
12-20 | The Great Gate Of Kiev | 6:00 | |
12-21 | Pour Le Piano: II. Sarabande, L95b, M.A25 | 4:59 | |
12-22 | Tarantelle Styrienne | 5:46 | |
Songs | |||
13-1 | Ballade De La Reine Morte D'Aimer, M.4 (1893) | 4:41 | |
13-2 | Un Grand Sommeil Noir, M.6 (1895) | 3:39 | |
13-3 | Sainte, M.9 (1896) | 2:00 | |
13-4 | Chanson Du Rouet, M.15 (1898) | 4:11 | |
13-5 | Si Morne!, M.16 (1898) | 4:19 | |
Deux Épigrammes De Clément Marot | |||
13-6 | D'Anne Jouant De L'espinette, M.10 (1896) | 1:42 | |
13-7 | D'Anne Qui Me Jecta De La Neige, M.21 (1899) | 3:37 | |
13-8 | Manteau De Fleurs, M.39 (1903) | 3:37 | |
Shéhérazade, M.41 (1903) | |||
13-9 | I. Asie | 9:50 | |
13-10 | II. La Flûte Enchantée | 3:00 | |
13-11 | III. L'Indifférent | 3:46 | |
Cinq Mélodies Populaires Grecques | |||
13-12 | I. Chanson De La Mariée, M.A9 (1905-1906) | 1:20 | |
13-13 | II. Là-bas, Vers L'Église, M.A10 (1905-1908) | 1:32 | |
13-14 | III. Quel Galant M'est Comparable, M.A4 (1904) | 0:57 | |
13-15 | IV. Chanson Des Cueilleuses De Lentisques, M.A5 (1904) | 3:04 | |
13-16 | V. Tout Gai!, M.A11 (1905-1906) | 0:54 | |
Cinq Mélodies Populaires Grecques | |||
13-17 | I. Chanson De La Mariée, M.A9 (1905-1906) | 1:24 | |
13-18 | II. Là-bas, Vers L'Église, M.A10 (1905-1908) | 1:19 | |
13-19 | III. Quel Galant M'est Comparable, M.A4 (1904) | 0:50 | |
13-20 | IV. Chanson Des Cueilleuses De Lentisques, M.A5 (1904) | 2:21 | |
13-21 | V. Tout Gai!, M.A11 (1905-1906) | 1:05 | |
13-22 | Noël Des Jouets, M.47 (1905) | 3:29 | |
13-23 | Les Grand Vents Venus D'Outre-mer, M. 48 (1906) | 2:21 | |
Histoires Naturelles, M.50 (1906) | |||
13-24 | I. Le Pacon | 4:40 | |
13-25 | II. Le Grillon | 3:07 | |
13-26 | III. Le Cygne | 3:11 | |
13-27 | IV. Le Martin-Pêcheur | 2:26 | |
13-28 | V. La Pintade | 3:25 | |
14-1 | Vocalise-étude En Forme De Habanera (1923-1924) (Without Words), M.51 (1907) | 2:51 | |
14-2 | Sur L'herbe, M.53 (1907) | 2:05 | |
14-3 | Chanson Écossaise, M.A12 (1909) | 2:39 | |
14-4 | Tripatos, M.A13 (1909) | 1:51 | |
Chansons Populaires, M.A17 (1910) | |||
14-5 | I. Chanson Espagnole (Sung In Spanish) | 2:37 | |
14-6 | II. Chanson Française (Sung In Limousin Dialect) | 1:57 | |
14-7 | III. Chanson Italienne (Sung In Italian) | 1:57 | |
14-8 | iv. Chanson Hébraique (sung In Yiddish) | 4:36 | |
Trois Poémes De Stéphane Mallarmé For Voice, Piccolo Flute, Two Flutes, Clarinet, Bass Clarinet, Two Violins, Viola, Cello & Piano, M.64 (1913) | |||
14-9 | I. Soupir | 4:12 | |
14-10 | II. Placet Futlie | 4:37 | |
14-11 | III. Surgi De La Croupe Et Du Bond | 3:15 | |
Deux Mélodies Hébraiques, M.A22 (1914) | |||
14-12 | I. Kaddish (Sung In Hebrew) | 4:54 | |
14-13 | II. L'Énigme Éternelle (Sung In Yiddish) | 1:33 | |
Deux Mélodies Hébraiques, M.A22 (1914, Orchestration 1920) | |||
14-14 | I. Kaddish (Sung In Hebrew) | 4:56 | |
14-15 | II. L'Énigme Éternelle (Sung In Yiddish) | 1:51 | |
Trois Chansons, M.69 (1914-1915, Version For Solo Voice & Piano 1915) | |||
14-16 | I. Nicolette | 1:47 | |
14-17 | II. Trois Beaux Oiseaux Du Paradis | 2:44 | |
14-18 | III/ La Ronde | 1:54 | |
14-19 | Ronsard À Son Âme, M.75 (1923-1924 | 2:20 | |
14-20 | Ronsard À Son Âme (Orchestration 1935)), M.75 (1923-1924, Orchestration 1935) | 2:47 | |
Chansons Madécasses For Voice, Flute, Cello & Piano, M.78 (1925-1926) | |||
14-21 | I. Nahandove | 5:25 | |
14-22 | II. Aoua ! | 3:34 | |
14-23 | III. Il Est Doux De Se Coucher | 4:08 | |
14-24 | Rêves, M.79 (1927) | 1:26 | |
Don Quichotte À Dulcinéefor Voice & Orchestra, M.84 (1932-1933) | |||
14-25 | I. Chanson Romanesque | 2:14 | |
14-26 | II. Chanson Épique | 3:13 | |
14-27 | III. Chanson À Boire | 1:49 | |
Don Quichotte À Dulcinée M.84 (Transcription For Piano) | |||
15-1 | I. Chanson Romanesque | 2:05 | |
15-2 | II. Chanson Épique | 3:21 | |
15-3 | III. Chanson À Boire | 1:47 | |
Choral Works | |||
15-4 | Les Bayadères, Choral Piece In G Minor For Soprano, Mixed Chorus & Orchestra, M.25 (1900) | 4:05 | |
15-5 | Tout Est Lumière, Choral Piece In A Major For Soprano, Mixed Chorus & Orchestra, M.28 (1901) | 3:56 | |
Myrrha, Cantata For Soprano, Tenor, Baritone & Orchestra, M.29 (1901) | |||
15-6 | I. Prélude | 2:14 | |
15-7 | II. « Me Voici Seul Enfin » (Sardanapale) | 3:32 | |
15-8 | II. « Ainsi Qu'Un Signal Dans Le Ciel Passe » (Myrrha, Sardanapale) | 5:38 | |
15-9 | IV. « Que Tu Peux Retrouver De Nouveaux Soldats» (Myrrha, Sardanapale) | 4:03 | |
15-10 | V. « Tu Ne Passeras Pas, Ô Roi » (Bélésis, Myrrha, Sardanapale) | 3:33 | |
15-11 | VI. « Arrière Donc !» (Sardanapale, Bélésis, Myrrha) | 4:10 | |
Alcyone, Cantata For Soprano, Contralto, Tenor & Orchestra, M.34 (1902) | |||
15-12 | I. Prélude | 3:32 | |
15-13 | II. « A L'Horizon Les Voiles Blanches Ont Disparu » (Alcyone, Sophrona) | 7:05 | |
15-14 | III. Description Symphonique | 3:26 | |
15-15 | IV. « Ah! Dieux Puissants! » (Alcyone) | 1:45 | |
15-16 | V. « Mon Aimé! Mon Aimé! » (Alcyone, La Voix De Céyx) | 5:01 | |
15-17 | VI. « Ma Fille! Mon Enfant! Qu'as-tu? » (Sophrona, Alcyone, La Voix De Céyx) | 4:21 | |
15-18 | La Nuit Choral Piece In E-flat Major For Soprano, Mixed Chorus & Orchestra, M.33 (1902) | ||
15-19 | Matinée De Provence, Choral Piece In A Major For Soprano, Mixed Chorus & Orchestra, M.37 (1903) | 3:31 | |
15-20 | L'Aurore, Choral Piece In E-flat Major For Tenor, Mixed Chorus & Orchestra, M.45 (1905) | 6:22 | |
Opera And Lyric Works | |||
Alyssa, Cantata For Soprano, Tenor, Baritone & Orchestra, M.38 (1903) | |||
16-1 | I. Prélude | 3:09 | |
16-2 | II. « Elfes Légers, Elfes Errants » (Braïzyl) | 5:44 | |
16-3 | III. « Là-Bas, Tout Là-Bas » (Alyssa, Braïzyl) | 4:57 | |
16-4 | IV. « On Dirait Un Bruit Lointain D'Armures » (Braïzyl, Alyssa) | 3:00 | |
16-5 | V. « Le Barde, Porte-Glaive! » (Braïzyl, Le Barde, Alyssa) | 5:29 | |
16-6 | VI. « Puisqu'en Vain Pour Eux Je Supplie » (Le Barde, Braïzyl, Alyssa) | ||
Trois Chansons For Mixed Chorus Without Accompaniment, M.69 (1914-1915) | |||
16-7 | I. Nicolette | 2:07 | |
16-8 | II. Trois Beaux Oiseaux Du Paradis | ||
16-9 | III. La Ronde | ||
L'Heure Espagnole, Opéra, M.52 (1907) | |||
16-10 | Introduction | 2:36 | |
16-11 | « Señor Torquemada, Horloger De Tolède » (Ramiro, Torquemada) | 1:47 | |
16-12 | « Totor ! » (Concepción, Torquemada, Ramiro) | 2:02 | |
16-13 | « Il Reste, Voilà Bien Ma Chance! » (Concepción, Ramiro) | 2:16 | |
16-14 | « Il Était Temps, Voici Gonzalve ! » (Concepción, Gonzalve) | 3:02 | |
16-15 | « C'Est Fait, L'Horloge Est À Sa Place » (Ramiro, Concepción, Gonzalve) | 1:37 | |
16-16 | « Maintenant, Pas De Temps À Perdre » (Concepción, Gonzalve) | 1:42 | |
16-17 | « Salut À La Belle Horlogère ! » (Inigo, Concepción) | 1:51 | |
16-18 | « Voilà! Et Maintenant À L'Autre ! » (Ramiro, Concepción, Inigo) | 1:17 | |
16-19 | « Évidemment, Elle Me Congédie » (Inigo) | 2:08 | |
16-20 | « Voilà Ce Que J'appelle Une Femme Charmante » (Ramiro) | 1:57 | |
16-21 | « Monsieur, Ah! Monsieur ! » (Concepción, Ramiro) | 0:29 | |
16-22 | « Enfin, Il Part ! » (Inigo, Concepción) | 3:00 | |
16-23 | « Voilà L'Objet » (Ramiro, Concepción, Inigo) | 1:08 | |
16-24 | « Ah! Vous, N'est-ce Pas, Preste ! » (Concepción, Gonzalve) | 1:19 | |
16-25 | « En Dépit De Cette Inhumaine » (Gonzalve) | 1:35 | |
16-26 | « Voilà Ce Que J'appelle Une Femme Charmante » (Ramiro, Concepción) | 2:43 | |
16-27 | « Oh, La Pitoyable Aventure ! » (Concepción) | 2:57 | |
16-28 | « Voilà! Et Maintenant, Señora, Je Suis Prêt » (Ramiro, Concepción) | 1:28 | |
16-29 | « Mon Il Anxieux Interroge » (Inigo, Gonzalve) | 4:06 | |
16-30 | « Il N'Est, Pour L'Horloger, De Joie Égale À Celle» (Torquemada, Inigo, Gonzalve) | 2:25 | |
16-31 | « Pardieu, Déménageur » (Inigo, Torquemada, Ramiro, Concepción, Gonzalve) | 4:37 | |
L'Enfant Et Les Sortilèges, Fantaisie Lyrique En Deux Parties, M.71 (1919-1925) | |||
17-1 | « J'Ai Pas Envie De Faire Ma Page » (L'Enfant) | 2:30 | |
17-2 | « Bébé A Été Sage? » (Maman) | 1:18 | |
17-3 | « Ça M'est Égal » (L'Enfant) | 1:08 | |
17-4 | « Votre Serviteur Humble, Bergère » (La Bergère, Le Fauteuil, Chorus) | 1:36 | |
17-5 | « Ding, Ding, Ding, Ding! » (L'Horloge Comtoise, L'Enfant) | 1:25 | |
17-6 | « How's Your Mug? » La Théiere, La Tasse Chinoise) | 0:57 | |
17-7 | « Keng-ça-fou, Mah-Jong » (La Théière, La Tasse Chinoise) | 1:45 | |
17-8 | « Oh! Ma Belle Tasse Chinoise! » (L'Enfant) | 0:45 | |
17-9 | « Arrière! Je Réchauffe Les Bons » (Le Feu) | 2:30 | |
17-10 | « Adieu, Pastourelles! » (Chorus) | 2:54 | |
17-11 | « Ah! C'Est Elle! C'Est Elle! (L'Enfant, La Princesse) | 4:59 | |
17-12 | « Toi, Le Cœur De La Rose » (L'Enfant) | 1:23 | |
17-13 | « Deux Robinets Coulent Dans Un Réservoir » (Le Petit Vieillard, L'Enfant) | 1:10 | |
17-14 | « Oh! Ma Tête! » (L'Enfant) | 1:21 | |
17-15 | Duo Miaulé (Les Chats) | 1:47 | |
17-16 | Musique D'Insectes, De Rainettes (Chœur) | 1:31 | |
17-17 | « Ah! Quelle Joie De Te Retrouver, Jardin » (L'Enfant, L'Arbre) | 1:34 | |
17-18 | « Où Es-Tu, Je Te Cherche » (La Libellule, Le Rossignol, Les Rainettes, L'Enfant) | 1:45 | |
17-19 | Ronde Des Chauves-souris: « Rends-la Moi... Tsk, Tsk.... » (La Chauve-souris, L'Enfant) | 0:36 | |
17-20 | Danse Des Rainettes | 2:03 | |
17-21 | « Sauve-toi, Sotte! Et La Cage? La Cage? » (L'Écureuil, La Rainette) | 0:51 | |
17-22 | « La Cage, C'Était Pour Mieux Voir Ta Prestesse » (L'Enfant, L'Écureuil) | 1:49 | |
17-23 | « Ah! C'Est L'Enfant Au Couteau! » (Chorus) | 0:44 | |
17-24 | « Il A Pansé La Plaie... » (Chorus) | 2:16 | |
17-25 | « Il Est Bon, L'Enfant, Il Est Sage » (Chorus, L'Enfant) | 2:41 | |
Ravel Conducts Ravel | |||
17-26 | Introduction Et Allegro For Harp, Flute, Clarinet, Two Violins, Viola & Cello, M.46 | 9:35 | |
Chansons Madécasses For Voice, Flute, Cello & Piano, M.78 | |||
17-27 | I. Nahandove | 4:38 | |
17-28 | II. Aoua! | 3:38 | |
17-29 | III. Il Est Doux De Se Coucher | 3:30 | |
17-30 | Bolero, Ballet, M.81 | 16:02 | |
Ravel Plays Ravel - Piano Rolls Fall 1913, Paris (Welte-Mignon) And 30.VI.1922. London (Aeolian Duo-Art) | |||
Valses nobles et sentimentales, M.61 (Welte-Mignon 2187) | |||
18-1 | I. Modéré | 1:09 | |
18-2 | II. Assez Lent | 2:01 | |
18-3 | III. Modéré | 1:11 | |
18-4 | IV. Assez Animé | 0:55 | |
18-5 | V. Presque Lent | 1:06 | |
18-6 | VI. Vif | 0:34 | |
18-7 | VII. Moins Vif | 2:12 | |
18-8 | VIII. Épilogue: Lent | 3:25 | |
Sonatine, M.40 (Welte-Mignon 2188) | |||
18-9 | I. Modéré | 3:22 | |
18-10 | II. Mouvement De Menuet | 2:50 | |
18-11 | Miroirs, M.43: II. Oiseaux Tristes (Duo-Art 082) | 4:33 | |
18-12 | Pavane Pour Une Infante Défunte | ||
18-13 | Le Tombeau De Couperin, M.68: VI. Toccata (Duo-Art 086) | 3:51 | |
18-14 | Gaspard De La Nuit After Aloysius Bertrand, M.55: II. Le Gibet (Duo-Art 0219) | 5:28 | |
18-15 | Miroirs, M.43: VI. La Vallée Des Cloches (Duo-Art 72750) | 6:05 | |
Recordings Supervised By The Composer | |||
Piano Concerto In G Major, M.83 | |||
18-16 | I. Allegramente | 7:25 | |
18-17 | II. Adagio Assai | 8:40 | |
18-18 | III. Presto | 4:05 | |
18-19 | Pavane Pour Une Infante Défunte | ||
Don Quichotte À Dulcinée For Voice & Orchestra, M.84 | |||
18-20 | I. Chanson Romanesque | 2:07 | |
18-21 | II. Chanson Épique | 2:57 | |
18-22 | III. Chanson À Boire | 1:45 | |
18-23 | Ronsard À Son Âme, M.75 | 2:44 | |
19-1 | Jeux D'Eau | ||
Sonatine | |||
19-2 | Modéré | ||
19-3 | Mouvement De Menuet | ||
19-4 | Animé | ||
19-5 | Le Tombeau De Couperin | ||
19-6 | Gaspard De La Nuit | ||
Valses Nobles Et Sentimentales | |||
19-7 | Modéré | ||
19-8 | Assez Lent | ||
19-9 | Modéré | ||
19-10 | Assez Animé | ||
19-11 | Presque Lent | ||
19-12 | Vif | ||
19-13 | Moins Vif | ||
19-14 | Épilogue: Lent | ||
Miroirs | |||
19-15 | Noctuelles | ||
19-16 | Oiseaux Tristes | ||
9-17 | Une Barque Sur L'Océan | ||
19-18 | Alborada Del Gracioso | ||
19-19 | La Vallée Des Cloches | ||
Shéhérazade | |||
20-1 | Asie | ||
20-2 | La Flûte Enchantée | ||
20-3 | L'Indifférent | ||
Histoires Naturelles | |||
20-4 | Le Paon | ||
20-5 | Le Grillon | ||
20-6 | Le Martin-Pêcheur | ||
20-7 | Sainte | ||
20-8 | Sur L'Herbe | ||
Chants Populaires | |||
20-9 | Chanson Espagnole (Sung In French) | ||
20-10 | Chanson Franaise (Sung In French) | ||
20-11 | Chanson Hébraique (Sung In French) | ||
20-12 | Deux Mélodies Hébraiques I. Kaddish | ||
String Quartet In F Major | |||
20-13 | Allegro Moderato - Très Doux | ||
20-14 | Assez Vif - Très Rythmé | ||
20-15 | Très Lent | ||
20-16 | Vif Et Agité | ||
20-17 | Tzigane, Concert Rhapsody For Violin And Piano | ||
21-1 | L'Heure Espagnole | ||
21-2 | Piano Concerto In D Major 'For The Left Hand" | ||
Ma Mère L'Oye | |||
21-3 | Pavane De La Belle Au Bois Dormant | ||
21-4 | Petit Poucet | ||
21-5 | Laideronnette, Impératrice Des Pagodes | ||
21-6 | Les Entretiens De La Belle Et De La Bête | ||
21-7 | Le Jardin Féérique | ||
21-8 | Miroirs: IV. Alborada Del Gracioso | ||
Valses Nobles Et Sentimentales | |||
21-9 | Modéré | ||
21-10 | Assez Lent, Avec Une Expression Intense | ||
21-11 | Modéré | ||
21-12 | Assez Animé | ||
21-13 | Presque Lent, Dans Un Sentiment Intime | ||
21-14 | Vif | ||
21-15 | Moins Vif | ||
21-16 | Épilogue: Lent | ||
21-17 | La Valse |
Composed By – Maurice Ravel
Engineer [Balance Engineer, Assisted By] – Amalia Costa Karwatky (9-18 to 9-26)
Engineer [Balance Engineer, Assisted By] – Lindsay Pell (15-4, 15-5, 15-18 to 15-20)
Engineer [Balance Engineer] – Alain Duchemin (13-8, 13-12 to 13-16, 13-2, 16-10 to 16-31)
Engineer [Balance Engineer] – Catherine Déréthé (17-1 to 17-25)
Engineer [Balance Engineer] – Charles-Alexandre Englebert (4-8)
Engineer [Balance Engineer] – Christopher Parker (13-9 to 13-11)
Engineer [Balance Engineer] – Daniel Madelaine (16-7 to 16-9)
Engineer [Balance Engineer] – Daniel Michel (4-11 to 4-14, 15-6 to 15-17, 16-1 to 16-6)
Engineer [Balance Engineer] – Didier Gervais (14-25 to 14-27)
Engineer [Balance Engineer] – Frédéric Briant (6-1, 6-7 to 6-10, 7-1 to 7-4, 7-7 to 7-9)
Engineer [Balance Engineer] – G.W. Deakin (18-20 to 18-23)
Engineer [Balance Engineer] – Georges Cailly (18-16 to 18-19)
Engineer [Balance Engineer] – Hugues Deschaux (14-1)
Engineer [Balance Engineer] – Jean Chatauret (10-13)
Engineer [Balance Engineer] – Jean-François Néollier (14-25 to 14-27)
Engineer [Balance Engineer] – Jean-Martial Golaz (1-3)
Engineer [Balance Engineer] – John Kurlander (8-5)
Engineer [Balance Engineer] – Jørn Pedersen (3-19)
Engineer [Balance Engineer] – Karin Jürgensen (4-1, 4-7)
Engineer [Balance Engineer] – Laure Casenave (1-1, 1-2, 1-4, 1-9, 3-1 to 3-18)
Engineer [Balance Engineer] – Matthew Cocker (8-4)
Engineer [Balance Engineer] – Michel Gray
Engineer [Balance Engineer] – Michael Rast (4-2 to 4-6)
Engineer [Balance Engineer] – Michael Sheady (8-4, 10-1 to 10-7, 10-14)
Engineer [Balance Engineer] – Michel Pierre (6-2 to 6-5)
Engineer [Balance Engineer] – Mike Hatch (1-6 to 1-8)
Engineer [Balance Engineer] – Paul Vavasseur (1-5, 2-1 to 2-3, 4-9, 5-3, 7-5, 8-1, 8-2, 10-8 to 10-12, 11-1, 13-17 to 13-21, 14-2, 14-19, 14-21, 14-24)
Engineer [Balance Engineer] – Philip Hobbs (15-4, 15-5, 15-18 to 15-20)
Engineer [Balance Engineer] – Philippe Pélissier (2-4 to 2-6)
Engineer [Balance Engineer] – Pierre Lavoix (1-10 to 1-14, 7-6)
Engineer [Balance Engineer] – Robert Gooch (8-3, 14-5 to 14-8)
Engineer [Balance Engineer] – Roger Ducourtieux (13-1, 13-2, 13-4, 13-5, 13-23 to 13-29)
Engineer [Balance Engineer] – Roy Emerson (14-16 to 14-18)
Engineer [Balance Engineer] – Serge Rémy (13-1, 13-2, 13-4, 13-5, 13-23 to 13-29, 14-3, 14-4, 14-9 to 14-13, 14-21 to 14-23, 14-3, 14-4, 14-9 to 14-13, 14-21 to 14-23, 15-1 to 15-3)
Engineer [Balance Engineer] – Siegbert Ernst (5-2, 5-4 to 5-6)
Engineer [Balance Engineer] – Thomas Dappelo (1-1, 1-2, 1-4, 1-9, 3-1 to 3-18)
Engineer [Balance Engineer] – Ulrich Ruscher (5-1, 11-3 to 11-5, 11-3 to 11-5)
Engineer [Balance Engineer] – Walter Ruhlmann (6-6, 9-1 to 9-18, 11-2)
Engineer [Balance Engineer] – Wolf-Dieter Karwatky (9-18 to 9-26)
Producer – Arendt Prohmann (14-25 to 14-27)
Producer – Christopher Bishop (13-9 to 13-11)
Producer – Daniel Zalay (14-1, 17-1 to 17-25)
Producer – David Groves (8-4)
Producer – David R. Murray (10-1 to 10-7, 10-14)
Producer – Denis Rouger (15-4, 15-5, 15-18 to 15-20)
Producer – Eric Macleod (1-5, 2-1 to 2-3, 4-9, 5-3, 13-1, 13-2, 13-4, 13-5, 13-23 to 13-29, 14-3, 14-4, 14-9 to 14-13, 14-21 to 14-23, 15-1 to 15-3)
Producer – Étienne Collard (4-11 to 4-14, 6-1 to 6-5, 6-7 to 6-10, 7-1 to 7-3, 7-7 to 7-9, 16-1 to 16-6)
Producer – Friedemann Engelbrecht (5-1)
Producer – Guy Chesnais (16-10 to 16-31)
Producer – Gérald Hugon (4-8)
Producer – Jean-Martial Golaz (1-3)
Producer – John H. West (1-6 to 1-8)
Producer – John Mordler (8-5 to 8-9)
Producer – Jørn Pedersen (3-19)
Producer – Karin Jürgensen (4-1, 4-7)
Producer – Laure Casenave (1-1, 1-2, 1-4, 1-9)
Producer – Michael Fine (9-18 to 9-26)
Producer – Michael Rast (4-2 to 4-6)
Producer – Michel Bernard (13-8, 13-12 to 13-16, 13-22)
Producer – Michel Garcin (7-6)
Producer – Paul Myers (14-16 to 14-18)
Producer – Raymond Alessandrini (2-4 to 2-6)
Producer – René Challan (6-6, 8-1, 8-2, 9-1 to 9-18, 10-8 to 10-12, 11-1, 11-2, 14-2, 14-19, 14-21, 14-24)
Producer – Robert Suff (5-2, 5-4 to 5-6)
Producer – Ronald Kinloch Anderson (8-3, 14-5 to 14-8)
Producer – Unknown Artist (16-7 to 16-9)
Producer – Victor Olof (7-5, 13-17 to 13-21)
Producer – Vincent Villetard (17-1 to 17-25)
Producer – Wilhelm Hellweg (10-13)
Producer – Yolanta Skura (1-10 to 1-14)
Producer [Assisted By] – Tamara Saylor Fine (9-18 to 9-26)
Engineer [Balance Engineer, Assisted By] – Amalia Costa Karwatky (9-18 to 9-26)
Engineer [Balance Engineer, Assisted By] – Lindsay Pell (15-4, 15-5, 15-18 to 15-20)
Engineer [Balance Engineer] – Alain Duchemin (13-8, 13-12 to 13-16, 13-2, 16-10 to 16-31)
Engineer [Balance Engineer] – Catherine Déréthé (17-1 to 17-25)
Engineer [Balance Engineer] – Charles-Alexandre Englebert (4-8)
Engineer [Balance Engineer] – Christopher Parker (13-9 to 13-11)
Engineer [Balance Engineer] – Daniel Madelaine (16-7 to 16-9)
Engineer [Balance Engineer] – Daniel Michel (4-11 to 4-14, 15-6 to 15-17, 16-1 to 16-6)
Engineer [Balance Engineer] – Didier Gervais (14-25 to 14-27)
Engineer [Balance Engineer] – Frédéric Briant (6-1, 6-7 to 6-10, 7-1 to 7-4, 7-7 to 7-9)
Engineer [Balance Engineer] – G.W. Deakin (18-20 to 18-23)
Engineer [Balance Engineer] – Georges Cailly (18-16 to 18-19)
Engineer [Balance Engineer] – Hugues Deschaux (14-1)
Engineer [Balance Engineer] – Jean Chatauret (10-13)
Engineer [Balance Engineer] – Jean-François Néollier (14-25 to 14-27)
Engineer [Balance Engineer] – Jean-Martial Golaz (1-3)
Engineer [Balance Engineer] – John Kurlander (8-5)
Engineer [Balance Engineer] – Jørn Pedersen (3-19)
Engineer [Balance Engineer] – Karin Jürgensen (4-1, 4-7)
Engineer [Balance Engineer] – Laure Casenave (1-1, 1-2, 1-4, 1-9, 3-1 to 3-18)
Engineer [Balance Engineer] – Matthew Cocker (8-4)
Engineer [Balance Engineer] – Michel Gray
Engineer [Balance Engineer] – Michael Rast (4-2 to 4-6)
Engineer [Balance Engineer] – Michael Sheady (8-4, 10-1 to 10-7, 10-14)
Engineer [Balance Engineer] – Michel Pierre (6-2 to 6-5)
Engineer [Balance Engineer] – Mike Hatch (1-6 to 1-8)
Engineer [Balance Engineer] – Paul Vavasseur (1-5, 2-1 to 2-3, 4-9, 5-3, 7-5, 8-1, 8-2, 10-8 to 10-12, 11-1, 13-17 to 13-21, 14-2, 14-19, 14-21, 14-24)
Engineer [Balance Engineer] – Philip Hobbs (15-4, 15-5, 15-18 to 15-20)
Engineer [Balance Engineer] – Philippe Pélissier (2-4 to 2-6)
Engineer [Balance Engineer] – Pierre Lavoix (1-10 to 1-14, 7-6)
Engineer [Balance Engineer] – Robert Gooch (8-3, 14-5 to 14-8)
Engineer [Balance Engineer] – Roger Ducourtieux (13-1, 13-2, 13-4, 13-5, 13-23 to 13-29)
Engineer [Balance Engineer] – Roy Emerson (14-16 to 14-18)
Engineer [Balance Engineer] – Serge Rémy (13-1, 13-2, 13-4, 13-5, 13-23 to 13-29, 14-3, 14-4, 14-9 to 14-13, 14-21 to 14-23, 14-3, 14-4, 14-9 to 14-13, 14-21 to 14-23, 15-1 to 15-3)
Engineer [Balance Engineer] – Siegbert Ernst (5-2, 5-4 to 5-6)
Engineer [Balance Engineer] – Thomas Dappelo (1-1, 1-2, 1-4, 1-9, 3-1 to 3-18)
Engineer [Balance Engineer] – Ulrich Ruscher (5-1, 11-3 to 11-5, 11-3 to 11-5)
Engineer [Balance Engineer] – Walter Ruhlmann (6-6, 9-1 to 9-18, 11-2)
Engineer [Balance Engineer] – Wolf-Dieter Karwatky (9-18 to 9-26)
Producer – Arendt Prohmann (14-25 to 14-27)
Producer – Christopher Bishop (13-9 to 13-11)
Producer – Daniel Zalay (14-1, 17-1 to 17-25)
Producer – David Groves (8-4)
Producer – David R. Murray (10-1 to 10-7, 10-14)
Producer – Denis Rouger (15-4, 15-5, 15-18 to 15-20)
Producer – Eric Macleod (1-5, 2-1 to 2-3, 4-9, 5-3, 13-1, 13-2, 13-4, 13-5, 13-23 to 13-29, 14-3, 14-4, 14-9 to 14-13, 14-21 to 14-23, 15-1 to 15-3)
Producer – Étienne Collard (4-11 to 4-14, 6-1 to 6-5, 6-7 to 6-10, 7-1 to 7-3, 7-7 to 7-9, 16-1 to 16-6)
Producer – Friedemann Engelbrecht (5-1)
Producer – Guy Chesnais (16-10 to 16-31)
Producer – Gérald Hugon (4-8)
Producer – Jean-Martial Golaz (1-3)
Producer – John H. West (1-6 to 1-8)
Producer – John Mordler (8-5 to 8-9)
Producer – Jørn Pedersen (3-19)
Producer – Karin Jürgensen (4-1, 4-7)
Producer – Laure Casenave (1-1, 1-2, 1-4, 1-9)
Producer – Michael Fine (9-18 to 9-26)
Producer – Michael Rast (4-2 to 4-6)
Producer – Michel Bernard (13-8, 13-12 to 13-16, 13-22)
Producer – Michel Garcin (7-6)
Producer – Paul Myers (14-16 to 14-18)
Producer – Raymond Alessandrini (2-4 to 2-6)
Producer – René Challan (6-6, 8-1, 8-2, 9-1 to 9-18, 10-8 to 10-12, 11-1, 11-2, 14-2, 14-19, 14-21, 14-24)
Producer – Robert Suff (5-2, 5-4 to 5-6)
Producer – Ronald Kinloch Anderson (8-3, 14-5 to 14-8)
Producer – Unknown Artist (16-7 to 16-9)
Producer – Victor Olof (7-5, 13-17 to 13-21)
Producer – Vincent Villetard (17-1 to 17-25)
Producer – Wilhelm Hellweg (10-13)
Producer – Yolanta Skura (1-10 to 1-14)
Producer [Assisted By] – Tamara Saylor Fine (9-18 to 9-26)
0190295283261 STEREO/MONO Manufactured and printed in the EU.
English text /Notice en français / Deutscher Text ℗ as show on wallets. A Warner Classics compilation, ℗ & © 2020 Parlophone Records Limited.
www.warnerclassics.com
Contains booklet with 68 pages. All credits are on sleeve backs.
Editor's Note: The | character is used to separate parts or acts that would ordinarily call for a Header (which is not used here) to keep complete works under a single Index Track.
CD 1 73:37
Recorded: 28.IX & 11.X.1966, Salle Wagram, Paris (5): 24-25.V.1976, Salle Adyar, Paris (10-14); I & IV.2003, Eglise luthérienne de la Vilette, Paris (3); IX.1992, St Martin's Church, East Woodhay, near Newbury (6-8); 3-6, 13-14, 25-28.VII & 10-11.X.2015, Saint-Pierre des Cuisines, Toulouse (1-2, 4, 9) (STEREO)
A Warner Classics/Erato release, ℗ 1967/Remastered 2010 Warner Music France (5). A Warner Classics/Erato Disques release. ℗ 1977 Warner Music UK Limited (10-14). A Warner Classics release, ℗ 1993 (6-8). 2016 (1-2, 4, 9) Parlophone Records Ltd. ℗ 2003 Harmonia Mundi (3).
CD 2 80:44
Recorded: 22-23.I, 4.IV & 3, 5-7.VI.1967, Salle Wagram, Paris & Salle de l'Alcazar, Monte-Carlo (1-3); 13-16.IV & 22-24-V.2001, Salle Adyar Paris (STEREO)
A Warner Classics/Erato release, ℗ 1967/Remastered 2010 Warner Music France (1-3). ℗ 2001 Decca Records France, un label Universal Music France (4-6).
CD 3 59:22
Recorded: 3-6, 13-14, 25-28.VII & 10-11.X.2015, Saint-Pierre des Cuisines, Toulouse (1-18); 19-21.VI & 5. IX. 2019, Teldex Studio, Berlin (19) (STEREO)
A Warner Classics/Erato release, ℗ 2016 Parlophone Records Ltd (1-18). A Warner Classics release, ℗ 2019 Parlophone Records Ltd (19).
CD 4 67:01
Recorded: 1.1980 (9), 28-30.I & 20.VI.1994 (11-14), Salle Wagram, Paris; VI.1987, Varde Gymnasium, Denmark (1, 7): 22.VI (10) & VI. 2007 (2-6), Lugano (Live); 14-15.X.2013, Studio 4 33, Pierre Malbos, Ivry-sur-Seine (8) (STEREO)
A Warner Classics/Erato release, © 1980/Remastered 1989 (9). 1995 (11-14) Warner Music France. A Warner Classics release, ℗ 2008 (2-6) & 2009 (10) Parlophone Records Ltd. © 1987 Olufsen Records/CDklassisk (1, 7). ℗ 2016 Naxos Rights US, Inc. (8).
CD 5 55:44
Recorded: 28-29.I.1980, Salle Wagram, Paris (3): 29-31.VII & 01.VIII1990, Danderid Grammar School (Danderids Gymnasium), Sweden (2, 4-6); III.1995, Teldec Studios, Berlin (1) (STEREO)
A Warner Classics/Erato release, ℗ 1980 Warner Music France (3). A Warner Classics/Teldec release, ℗ 1996 Warner Music UK Limited (1). ℗ 1990 Grammofon AB BIS, Djursholm (2, 4-6).
CD 6 79:35
Recorded: XI.1964, Salle Wagram, Paris (6); 9-11.IV. 2001, Studio Tibor Varga, Sion (1, 7-10): 4-9.II.2008. Ferme de Villefavard en Limousin, France (2-5) (STEREO)
A Warner Classics/Erato release, ℗ 2002 (1, 7-10). 2008 (2-5) Parlophone Records Ltd. A Warner Classics/Erato release, ℗ 1965 Warner Music France (6).
CD 7 50:43
Recorded: V.1962, Salle Wagram (5): 1973. Eglise Notre-Dame du Liban, Paris (6): 9-11.IV. 2001, Studio Tibor Varga, Sion (1-4, 7-9) (STEREO)
A Warner Classics/Erato release, ℗ 1963/Remastered 2017 Warner Music France (5). A Warner Classics/Erato Disques release, ℗ 1973 Warner Music UK Limited (6). A Warner Classics/Erato release, ℗ 2002 Parlophone Records Ltd (1-4, 7-9).
CD 8 49:40
Recorded: 17-18.V.1966, No. 1 Studio, Abbey Road, London (3): 1974, Salle Wagram, Paris (1-2): 1 & 3.XII.1979, The Old Met., Philadelphia (6-9), 13-14.II.1982, Metropolitan Opera House, Philadelphia (5): 6/8.I.1993, Memorial Hall, Fairmount Park, Philadelphia (4) (STEREO)
A Warner Classics release, ℗ 1966/Remastered 2013 (3), 1975/Remastered 1988 (1-2), 1980 (6-9), 1982 (5), 1994 (4), Parlophone Records Ltd.
CD 9 72:23
Recorded: 1 & 4-8.VI.1962 Salle Wagram, Paris (1-18): 13-15.VI.2007, de Doelen Hall, Rotterdam (19-26) (STEREO)
A Warner Classics/Erato release, ℗ 1963/Remastered 2017 Warner Music France (1-18). A Warner Classics release, ℗ 2009 Parlophone Records Ltd (19-26).
CD 10 71:25
Recorded: 1974, Salle Wagram, Paris (8-12); X.1989 (14) & IV.1990 (1-7), Arts Centre, University of Warwick; 21-23.XII.1998. Assembly Hall, Walthamstow (13) (STEREO)
A Warner Classics/Erato Disques release, ℗ 1999 Warner Music UK Limited (13).
CD 11 57:17
Recorded: 16.VI &.1-3.VII.1959 (2) & IX.1968 (1), Salle Wagram, Paris; 10.VI.2016, Sala Teatro, Arte E Cultura (LAC), Lugano (live) (3-5) (STEREO)
A Warner Classics/Erato release, ℗ 1960/Remastered 2017 (2) & 1969/Remastered 2018 (1) Warner Music France.
CD 12 58:04
Recorded: 19-29.VI.1962, Kingsway Hall, London (6-20); 1973, Salle Wagram, Paris (22); IV.1981, Martinskirche, Basel (21), 4-7.XI.1993, Auditorium Maurice Ravel, Lyon (1-4) (STEREO)
A Warner Classics release, ℗ 1963/ Remastered 1988 Parlophone Records Ltd (6-20). A Warner Classics/ Erato release, ℗ 1974/Remastered 1998 (22). 1987 (5) Warner Music France. A Warner Classics/Erato Disques release, ℗ 1982 Warner Music UK Limited (21). ℗ 1995 Nippon Columbia, Ltd., Japan (1-4).
CD 13 80:25
Recorded: 27-28.XII.1967, Kingsway Hall, London (9-11); 20-24.I.1962 (17-21) & 8-9.V.1968 (3, 6-7), 1981-1983 (1), 20.V.1981 & 12.XII.1983 (24-28), 29-30.1X.1981, 7-8.XI.1983 (2, 23), 20.VII.1983 (4-5), Salle Wagram, Paris; I.1985, Studio 104, Radio France, Paris (8, 12-16, 22) (STEREO)
A Warner Classics release, ℗ 1963/Remastered 2005 (17-21) & 1968/Remastered 2020 (9-11) Parlophone Records Ltd. A Warner Classics/Erato release, ℗ 1968/Remastered 2009 (3, 6-7) & 1984 (1-2, 4-5, 23-28) Warner Music France. A Warner Classics/Erato Disques release, ℗ 1987 Warner Music UK Limited, in coproduction with Radio France (8, 12-16, 22).
CD 14 78:49
Recorded: 9-12.IV & 17-18.V.1958 (14-15, 20), 8-9.V.1968 (2, 19, 21, 24), 1-2.I.1983 (3, 9-11), 20.VII.1983 (21-23), 1981-1983 (4, 12-13), Salle Wagram, Paris; 19-20,
22-23, 25-26.I.1966, Barcelona (5-8); 31.X-3.XI.1990, Auditorium Maurice Ravel, Lyon (25-27); 22 & 31.II.1997,1-2.IV.1997, 3.IV.1998 & 29.V.2000, Abbaye Royale de Fontevraud (16-18); 17-21.III.2017, Mozarteum, Salzburg (1) (STEREO / MONO 14-15) [Editor's Notes: Track 19, not 16, was recorded 8-9.V.1968, Salle Wagram, Paris, and track 24 was recorded in 1968, most likely during the same session as for tracks 2 and 21; for both, see
A Warner Classics release, © 1967/Remastered 2006 (5-8), 1992 (25-27), 2017 (1) Parlophone Records Ltd. A Warner Classics/Erato release, ℗ 1968/Remastered 2009 (2,19, 24), 1984 (3-4, 9-13, 21-23), 1989 (14-15, 20) Warner Music France. ℗ 2003 HnH International Ltd (16-18).
CD 15 79:25
Recorded: 29-30.IX.1981 & 7-8.XI. 1983, Salle Wagram, Paris (1-3); 3-5.VIl.1993, Grand Amphithéâtre de la Sorbonne, Paris (4-5, 18-20); 26.Ill 2.IV.2000, Halle aux grains, Toulouse (6-17) (STEREO)
A Warner Classics/Erato release, 1984 Warner Music France (1-3). A Warner Classics release, ℗ 2000 Parlophone Records Ltd (6-17). ℗ 2003 HNH International Ltd (4-5, 18-20)
CD 16 80:20
Recorded: 20.XI. 1963, Studio Hoche, Paris (7-9); IX.1985, Studio 103, Radio France, Paris (10-31); 26. Ill-2.IV.2000, Halle aux grains, Toulouse (1-6)
(STEREO)
10-31: Coproduction Erato/Radio France/INA
A Warner Classics/Erato Disques release, ℗ 1964/Remastered 2020 (7-9) & 1987 (10-31) Warner Music UK Limited. A Warner Classics release, ℗ 2000 Parlophone Records Ltd (1-6).
CD 17 80:46
Recorded: 15.IV.2016, Studio 103, Radio France, Paris (live) (1-25) (STEREO); 1924, London (26); 1.1930 (30) & IX.1932 (27-29), Paris (MONO)
A Warner Classics release, 2017 Radio France under exclusive licence to Parlophone Records Ltd (1-25). A Warner Classics release,
℗ 1924/Remastered 2020 Parlophone Records Ltd (26). ℗ 1930 (30) & 1932 (27-29) Decca Records France, un label Universal Music France
CD 18 78:30
Recorded: 1913, Paris (1-10); 30.VI.1922 (11-15), London (Re-recorded in STEREO); 14.IV.1932, Studio Albert, Paris (16-19); 20.XI. 1934, Salle Chopin/Pleyel, Paris (20-23) (MONO)
Recorded on piano rolls 1914 (1-10) Welte-Mignon, ℗ 1922 (11-13), 1925 (14) & 1928 (15) Aeolian-Duo-Art
A Warner Classics release, 1932 (16-19) & 1935 (20-23), Remastered © 2020 Parlophone Records Ltd. © 1992 Dolphin (1-15)
English text /Notice en français / Deutscher Text ℗ as show on wallets. A Warner Classics compilation, ℗ & © 2020 Parlophone Records Limited.
www.warnerclassics.com
Contains booklet with 68 pages. All credits are on sleeve backs.
Editor's Note: The | character is used to separate parts or acts that would ordinarily call for a Header (which is not used here) to keep complete works under a single Index Track.
CD 1 73:37
Recorded: 28.IX & 11.X.1966, Salle Wagram, Paris (5): 24-25.V.1976, Salle Adyar, Paris (10-14); I & IV.2003, Eglise luthérienne de la Vilette, Paris (3); IX.1992, St Martin's Church, East Woodhay, near Newbury (6-8); 3-6, 13-14, 25-28.VII & 10-11.X.2015, Saint-Pierre des Cuisines, Toulouse (1-2, 4, 9) (STEREO)
A Warner Classics/Erato release, ℗ 1967/Remastered 2010 Warner Music France (5). A Warner Classics/Erato Disques release. ℗ 1977 Warner Music UK Limited (10-14). A Warner Classics release, ℗ 1993 (6-8). 2016 (1-2, 4, 9) Parlophone Records Ltd. ℗ 2003 Harmonia Mundi (3).
CD 2 80:44
Recorded: 22-23.I, 4.IV & 3, 5-7.VI.1967, Salle Wagram, Paris & Salle de l'Alcazar, Monte-Carlo (1-3); 13-16.IV & 22-24-V.2001, Salle Adyar Paris (STEREO)
A Warner Classics/Erato release, ℗ 1967/Remastered 2010 Warner Music France (1-3). ℗ 2001 Decca Records France, un label Universal Music France (4-6).
CD 3 59:22
Recorded: 3-6, 13-14, 25-28.VII & 10-11.X.2015, Saint-Pierre des Cuisines, Toulouse (1-18); 19-21.VI & 5. IX. 2019, Teldex Studio, Berlin (19) (STEREO)
A Warner Classics/Erato release, ℗ 2016 Parlophone Records Ltd (1-18). A Warner Classics release, ℗ 2019 Parlophone Records Ltd (19).
CD 4 67:01
Recorded: 1.1980 (9), 28-30.I & 20.VI.1994 (11-14), Salle Wagram, Paris; VI.1987, Varde Gymnasium, Denmark (1, 7): 22.VI (10) & VI. 2007 (2-6), Lugano (Live); 14-15.X.2013, Studio 4 33, Pierre Malbos, Ivry-sur-Seine (8) (STEREO)
A Warner Classics/Erato release, © 1980/Remastered 1989 (9). 1995 (11-14) Warner Music France. A Warner Classics release, ℗ 2008 (2-6) & 2009 (10) Parlophone Records Ltd. © 1987 Olufsen Records/CDklassisk (1, 7). ℗ 2016 Naxos Rights US, Inc. (8).
CD 5 55:44
Recorded: 28-29.I.1980, Salle Wagram, Paris (3): 29-31.VII & 01.VIII1990, Danderid Grammar School (Danderids Gymnasium), Sweden (2, 4-6); III.1995, Teldec Studios, Berlin (1) (STEREO)
A Warner Classics/Erato release, ℗ 1980 Warner Music France (3). A Warner Classics/Teldec release, ℗ 1996 Warner Music UK Limited (1). ℗ 1990 Grammofon AB BIS, Djursholm (2, 4-6).
CD 6 79:35
Recorded: XI.1964, Salle Wagram, Paris (6); 9-11.IV. 2001, Studio Tibor Varga, Sion (1, 7-10): 4-9.II.2008. Ferme de Villefavard en Limousin, France (2-5) (STEREO)
A Warner Classics/Erato release, ℗ 2002 (1, 7-10). 2008 (2-5) Parlophone Records Ltd. A Warner Classics/Erato release, ℗ 1965 Warner Music France (6).
CD 7 50:43
Recorded: V.1962, Salle Wagram (5): 1973. Eglise Notre-Dame du Liban, Paris (6): 9-11.IV. 2001, Studio Tibor Varga, Sion (1-4, 7-9) (STEREO)
A Warner Classics/Erato release, ℗ 1963/Remastered 2017 Warner Music France (5). A Warner Classics/Erato Disques release, ℗ 1973 Warner Music UK Limited (6). A Warner Classics/Erato release, ℗ 2002 Parlophone Records Ltd (1-4, 7-9).
CD 8 49:40
Recorded: 17-18.V.1966, No. 1 Studio, Abbey Road, London (3): 1974, Salle Wagram, Paris (1-2): 1 & 3.XII.1979, The Old Met., Philadelphia (6-9), 13-14.II.1982, Metropolitan Opera House, Philadelphia (5): 6/8.I.1993, Memorial Hall, Fairmount Park, Philadelphia (4) (STEREO)
A Warner Classics release, ℗ 1966/Remastered 2013 (3), 1975/Remastered 1988 (1-2), 1980 (6-9), 1982 (5), 1994 (4), Parlophone Records Ltd.
CD 9 72:23
Recorded: 1 & 4-8.VI.1962 Salle Wagram, Paris (1-18): 13-15.VI.2007, de Doelen Hall, Rotterdam (19-26) (STEREO)
A Warner Classics/Erato release, ℗ 1963/Remastered 2017 Warner Music France (1-18). A Warner Classics release, ℗ 2009 Parlophone Records Ltd (19-26).
CD 10 71:25
Recorded: 1974, Salle Wagram, Paris (8-12); X.1989 (14) & IV.1990 (1-7), Arts Centre, University of Warwick; 21-23.XII.1998. Assembly Hall, Walthamstow (13) (STEREO)
A Warner Classics/Erato Disques release, ℗ 1999 Warner Music UK Limited (13).
CD 11 57:17
Recorded: 16.VI &.1-3.VII.1959 (2) & IX.1968 (1), Salle Wagram, Paris; 10.VI.2016, Sala Teatro, Arte E Cultura (LAC), Lugano (live) (3-5) (STEREO)
A Warner Classics/Erato release, ℗ 1960/Remastered 2017 (2) & 1969/Remastered 2018 (1) Warner Music France.
CD 12 58:04
Recorded: 19-29.VI.1962, Kingsway Hall, London (6-20); 1973, Salle Wagram, Paris (22); IV.1981, Martinskirche, Basel (21), 4-7.XI.1993, Auditorium Maurice Ravel, Lyon (1-4) (STEREO)
A Warner Classics release, ℗ 1963/ Remastered 1988 Parlophone Records Ltd (6-20). A Warner Classics/ Erato release, ℗ 1974/Remastered 1998 (22). 1987 (5) Warner Music France. A Warner Classics/Erato Disques release, ℗ 1982 Warner Music UK Limited (21). ℗ 1995 Nippon Columbia, Ltd., Japan (1-4).
CD 13 80:25
Recorded: 27-28.XII.1967, Kingsway Hall, London (9-11); 20-24.I.1962 (17-21) & 8-9.V.1968 (3, 6-7), 1981-1983 (1), 20.V.1981 & 12.XII.1983 (24-28), 29-30.1X.1981, 7-8.XI.1983 (2, 23), 20.VII.1983 (4-5), Salle Wagram, Paris; I.1985, Studio 104, Radio France, Paris (8, 12-16, 22) (STEREO)
A Warner Classics release, ℗ 1963/Remastered 2005 (17-21) & 1968/Remastered 2020 (9-11) Parlophone Records Ltd. A Warner Classics/Erato release, ℗ 1968/Remastered 2009 (3, 6-7) & 1984 (1-2, 4-5, 23-28) Warner Music France. A Warner Classics/Erato Disques release, ℗ 1987 Warner Music UK Limited, in coproduction with Radio France (8, 12-16, 22).
CD 14 78:49
Recorded: 9-12.IV & 17-18.V.1958 (14-15, 20), 8-9.V.1968 (2, 19, 21, 24), 1-2.I.1983 (3, 9-11), 20.VII.1983 (21-23), 1981-1983 (4, 12-13), Salle Wagram, Paris; 19-20,
22-23, 25-26.I.1966, Barcelona (5-8); 31.X-3.XI.1990, Auditorium Maurice Ravel, Lyon (25-27); 22 & 31.II.1997,1-2.IV.1997, 3.IV.1998 & 29.V.2000, Abbaye Royale de Fontevraud (16-18); 17-21.III.2017, Mozarteum, Salzburg (1) (STEREO / MONO 14-15) [Editor's Notes: Track 19, not 16, was recorded 8-9.V.1968, Salle Wagram, Paris, and track 24 was recorded in 1968, most likely during the same session as for tracks 2 and 21; for both, see
A Warner Classics release, © 1967/Remastered 2006 (5-8), 1992 (25-27), 2017 (1) Parlophone Records Ltd. A Warner Classics/Erato release, ℗ 1968/Remastered 2009 (2,19, 24), 1984 (3-4, 9-13, 21-23), 1989 (14-15, 20) Warner Music France. ℗ 2003 HnH International Ltd (16-18).
CD 15 79:25
Recorded: 29-30.IX.1981 & 7-8.XI. 1983, Salle Wagram, Paris (1-3); 3-5.VIl.1993, Grand Amphithéâtre de la Sorbonne, Paris (4-5, 18-20); 26.Ill 2.IV.2000, Halle aux grains, Toulouse (6-17) (STEREO)
A Warner Classics/Erato release, 1984 Warner Music France (1-3). A Warner Classics release, ℗ 2000 Parlophone Records Ltd (6-17). ℗ 2003 HNH International Ltd (4-5, 18-20)
CD 16 80:20
Recorded: 20.XI. 1963, Studio Hoche, Paris (7-9); IX.1985, Studio 103, Radio France, Paris (10-31); 26. Ill-2.IV.2000, Halle aux grains, Toulouse (1-6)
(STEREO)
10-31: Coproduction Erato/Radio France/INA
A Warner Classics/Erato Disques release, ℗ 1964/Remastered 2020 (7-9) & 1987 (10-31) Warner Music UK Limited. A Warner Classics release, ℗ 2000 Parlophone Records Ltd (1-6).
CD 17 80:46
Recorded: 15.IV.2016, Studio 103, Radio France, Paris (live) (1-25) (STEREO); 1924, London (26); 1.1930 (30) & IX.1932 (27-29), Paris (MONO)
A Warner Classics release, 2017 Radio France under exclusive licence to Parlophone Records Ltd (1-25). A Warner Classics release,
℗ 1924/Remastered 2020 Parlophone Records Ltd (26). ℗ 1930 (30) & 1932 (27-29) Decca Records France, un label Universal Music France
CD 18 78:30
Recorded: 1913, Paris (1-10); 30.VI.1922 (11-15), London (Re-recorded in STEREO); 14.IV.1932, Studio Albert, Paris (16-19); 20.XI. 1934, Salle Chopin/Pleyel, Paris (20-23) (MONO)
Recorded on piano rolls 1914 (1-10) Welte-Mignon, ℗ 1922 (11-13), 1925 (14) & 1928 (15) Aeolian-Duo-Art
A Warner Classics release, 1932 (16-19) & 1935 (20-23), Remastered © 2020 Parlophone Records Ltd. © 1992 Dolphin (1-15)
Barcode (Text) – 0 190295 283261
Barcode (Scanned) – 0190295283261
Matrix / Runout (CD1) – 0190295283261-01 AK09788-01 manufactured by optimal media GmbH
Mastering SID Code (CD1 to CD3, CD6 to CD9, CD14, CD15) – IFPI L576
Mould SID Code (CD1 to CD17) – IFPI 9755
Matrix / Runout (CD2) – 0190295283261-02 AK09789-01 manufactured by optimal media GmbH
Matrix / Runout (CD3) – 0190295283261-03 AK09790-01 manufactured by optimal media GmbH
Matrix / Runout (CD4) – 0190295283261-04 AK09791-01 manufactured by optimal media GmbH
Mastering SID Code (CD4, CD5) – IFPI L577
Matrix / Runout (CD5) – 0190295283261-05 AK09792-01 manufactured by optimal media GmbH
Matrix / Runout (CD6) – 0190295283261-06 AK09794-01 manufactured by optimal media GmbH
Matrix / Runout (CD7) – 0190295283261-07 AK09795-01 manufactured by optimal media GmbH
Matrix / Runout (CD8) – 0190295283261-08 AK09796-01 manufactured by optimal media GmbH
Matrix / Runout (CD9) – 0190295283261-09 AK09797-01 manufactured by optimal media GmbH
Matrix / Runout (CD10) – 0190295283261-10 AK09798-01 manufactured by optimal media GmbH
Matrix / Runout (CD10 to CD13, CD16, CD17) – IFPI L578
Matrix / Runout (CD11) – 0190295283261-11 AK09799-01 manufactured by optimal media GmbH
Matrix / Runout (CD12) – 0190295283261-12 AK09800-01 manufactured by optimal media GmbH
Matrix / Runout (CD13) – 0190295283261-13 AK09801-01 manufactured by optimal media GmbH
Matrix / Runout (CD14) – 0190295283261-14 AK09802-01 manufactured by optimal media GmbH
Matrix / Runout (CD15) – 0190295283261-15 AK09803-01 manufactured by optimal media GmbH
Matrix / Runout (CD16) – 0190295283261-16 AK09804-01 manufactured by optimal media GmbH
Matrix / Runout (CD17) – 0190295283261-17 AK09805-01 manufactured by optimal media GmbH
Matrix / Runout (CD18) – 0190295283261-18 AK09806-01 manufactured by optimal media GmbH
Barcode (Scanned) – 0190295283261
Matrix / Runout (CD1) – 0190295283261-01 AK09788-01 manufactured by optimal media GmbH
Mastering SID Code (CD1 to CD3, CD6 to CD9, CD14, CD15) – IFPI L576
Mould SID Code (CD1 to CD17) – IFPI 9755
Matrix / Runout (CD2) – 0190295283261-02 AK09789-01 manufactured by optimal media GmbH
Matrix / Runout (CD3) – 0190295283261-03 AK09790-01 manufactured by optimal media GmbH
Matrix / Runout (CD4) – 0190295283261-04 AK09791-01 manufactured by optimal media GmbH
Mastering SID Code (CD4, CD5) – IFPI L577
Matrix / Runout (CD5) – 0190295283261-05 AK09792-01 manufactured by optimal media GmbH
Matrix / Runout (CD6) – 0190295283261-06 AK09794-01 manufactured by optimal media GmbH
Matrix / Runout (CD7) – 0190295283261-07 AK09795-01 manufactured by optimal media GmbH
Matrix / Runout (CD8) – 0190295283261-08 AK09796-01 manufactured by optimal media GmbH
Matrix / Runout (CD9) – 0190295283261-09 AK09797-01 manufactured by optimal media GmbH
Matrix / Runout (CD10) – 0190295283261-10 AK09798-01 manufactured by optimal media GmbH
Matrix / Runout (CD10 to CD13, CD16, CD17) – IFPI L578
Matrix / Runout (CD11) – 0190295283261-11 AK09799-01 manufactured by optimal media GmbH
Matrix / Runout (CD12) – 0190295283261-12 AK09800-01 manufactured by optimal media GmbH
Matrix / Runout (CD13) – 0190295283261-13 AK09801-01 manufactured by optimal media GmbH
Matrix / Runout (CD14) – 0190295283261-14 AK09802-01 manufactured by optimal media GmbH
Matrix / Runout (CD15) – 0190295283261-15 AK09803-01 manufactured by optimal media GmbH
Matrix / Runout (CD16) – 0190295283261-16 AK09804-01 manufactured by optimal media GmbH
Matrix / Runout (CD17) – 0190295283261-17 AK09805-01 manufactured by optimal media GmbH
Matrix / Runout (CD18) – 0190295283261-18 AK09806-01 manufactured by optimal media GmbH