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1979
Label | Dark Entries – DE-155 |
Format | 2 x Vinyl, LP, Album, Remastered |
Barcode | 0744271372694 |
Country | US |
Released | 22 May 2017 |
Genre | Electronic |
Style | Experimental, Industrial |
A1 | Semi Detatched Suicide | |
A2 | Torment Weekly | |
A3 | Urbaine | |
B1 | Surprising Variations | |
B2 | Crossmaglen | |
B3 | Ad Astra | 3:29 |
C1 | Fixed Focus | |
C2 | Structures | |
C3 | Sleepless Nights | 5:08 |
D1 | Monorail | |
D2 | Back Of The Mind | |
D3 | High Rise | |
D4 | Crouch End | |
D5 | Never Met An Actress |
Design – Eloise Leigh
Mastered By – George Horn
Photography By [Cover Photo] – Andy Wishart
Tape [Two Cassette Machines], Effects [Copycat Tape Echo, Some FX Pedals, Ring Modulator], Guitar, Bass, Synthesizer [Wasp], Written-By, Performer, Liner Notes – Thomas Leer
Mastered By – George Horn
Photography By [Cover Photo] – Andy Wishart
Tape [Two Cassette Machines], Effects [Copycat Tape Echo, Some FX Pedals, Ring Modulator], Guitar, Bass, Synthesizer [Wasp], Written-By, Performer, Liner Notes – Thomas Leer
Each copy includes a two-sided black and white postcard with liner notes by Thomas.
"1979 was a great year for making music. The punk explosion two years earlier, cleansed the palate and opened up minds to new sonic possibilities.
It was in this spirit I took to exploring electronics and set up my first little home studio. Bearing in mind this was before such luxuries as Portastudios or affordable multi-tracks, I decided sound quality was less important than experimentation and innovation, so I pressed on with the meager equipment I had.
My tabletop studio in Crouch End, North London, consisted of two cassette machines, a copycat tape echo, some FX pedals, Ring Modulator, Guitar, Bass & Wasp Synthesizer.
It was a time of my life."
Thomas Leer, February 2017
"1979 was a great year for making music. The punk explosion two years earlier, cleansed the palate and opened up minds to new sonic possibilities.
It was in this spirit I took to exploring electronics and set up my first little home studio. Bearing in mind this was before such luxuries as Portastudios or affordable multi-tracks, I decided sound quality was less important than experimentation and innovation, so I pressed on with the meager equipment I had.
My tabletop studio in Crouch End, North London, consisted of two cassette machines, a copycat tape echo, some FX pedals, Ring Modulator, Guitar, Bass & Wasp Synthesizer.
It was a time of my life."
Thomas Leer, February 2017
Barcode (Barcode As Scanned) – 744271372694