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Renaissance Music: England, Italy, Spain, Mexico
| Label | Erato – 0190295974916Warner Classics – 0190295974916 |
| Format | 6 x CD, Album, Reissue Box Set, Compilation |
| Barcode | 0190295974916 |
| Country | Europe |
| Released | 2016 |
| Genre | Classical |
| Style | Renaissance |
| Italian Renaissance Madrigals | |||
| 1-1 | Cantiam Lieti Cantiamo | 2:07 | |
| 1-2 | E D'un Bel Matin D'amore | 0:54 | |
| 1-3 | Quella Bella A Biancha Mano | 3:14 | |
| 1-4 | Una Leggiadra Nimpha | 3:14 | |
| 1-5 | Venite Amanti Insieme | 2:23 | |
| 1-6 | Divini Occhi Sereni | 1:45 | |
| 1-7 | Con L'angelico Riso | 2:00 | |
| 1-8 | Madonna, Il Tuo Bel Viso | 3:09 | |
| 1-9 | Fuggi, Fuggi, Cor Mio | 1:34 | |
| 1-10 | Si Liet' E Grata Morte | 3:29 | |
| 1-11 | Se La Dura Durezza | 1:54 | |
| 1-12 | Ahimè, Ahimè, Dov'è 'l Bel Viso | 2:23 | |
| 1-13 | Madonna, S'io V'offendo | 1:52 | |
| 1-14 | Il Bianco E Dolce Cigno | 2:05 | |
| 1-15 | Donne, Venete Al Ballo | 2:59 | |
| 1-16 | Morir Non Può Il Mio Cuore | 1:58 | |
| 1-17 | Se La Mia Vita | 4:57 | |
| 1-18 | Mia Benigna Fortuna | 3:06 | |
| 1-19 | Ancor Che Col Partire | 2:32 | |
| 1-20 | O Sonno | 3:23 | |
| 1-21 | Chi La Gagliarda | 3:23 | |
| 1-22 | Madonna Mia Fa | 3:03 | |
| 1-23 | Medici Nui Siamo | 4:37 | |
| 1-24 | Quando Sarà Mai Quel Zorno | 4:24 | |
| 1-25 | Matona, Mia Cara | 2:31 | |
| 1-26 | Tri Ciechi Siamo | 2:13 | |
| English Renaissance Madrigals | |||
| 2-1 | O Grief Even On The Bud | 1:59 | |
| 2-2 | When Lo By Break Of Morning | 1:36 | |
| 2-3 | April Is In My Mistress' Face | 1:21 | |
| 2-4 | Thule, The Period Of Cosmographie: The First Part | 2:23 | |
| 2-5 | Thule, The Period Of Cosmographie: The Second Part | 2:18 | |
| 2-6 | Sweet Nimphe Come To Thy Lover | 1:34 | |
| 2-7 | Sweet Honey Sucking Bees: The First Part | 2:02 | |
| 2-8 | Sweet Honey Sucking Bees: The Second Part | 2:44 | |
| 2-9 | Miraculous Love's Wounding | 3:00 | |
| 2-10 | Adew Sweet Amarillis | 2:47 | |
| 2-11 | Weepe O Mine Eyes | 2:36 | |
| 2-12 | The Silver Swan | 1:46 | |
| 2-13 | O Care Thou Wilt Dispatch Me: The First Part | 2:10 | |
| 2-14 | O Care Thou Wilt Dispatch Me: The Second Part | 2:28 | |
| 2-15 | Since Robin Hood | 1:23 | |
| 2-16 | Fire And Lightning | 0:53 | |
| 2-17 | Strike It Up Tabor | 1:35 | |
| 2-18 | See, See, The Shepherd's Queen | 1:55 | |
| 2-19 | Come Sable Night | 5:36 | |
| 2-20 | Sweet Suffolke Owl | 2:35 | |
| 2-21 | In Nets Of Golden Wires | 2:49 | |
| 2-22 | Draw On Sweet Night | 5:33 | |
| The Courts Of Ferdinand And Isabella | |||
| 3-1 | Ave Rex Noster | 2:47 | |
| 3-2 | Inter Vestibulum Et Altare | 3:01 | |
| 3-3 | Magnificat | 9:41 | |
| 3-4 | Tierra I Çielos Se Quexavan | 5:49 | |
| 3-5 | Vox Dilecti Mei | 4:34 | |
| 3-6 | Di, Por Que Museres En Cruz | 5:00 | |
| 3-7 | Clamabat Autem Mulier | 4:17 | |
| 3-8 | Stabat Mater | 3:45 | |
| 3-9 | Triste España Sin Ventura | 2:48 | |
| 3-10 | Dindirin, Dindirin | 1:20 | |
| 3-11 | Passame Por Dios, Barquero | 2:50 | |
| 3-12 | Si La Noche Haze Escura | 3:23 | |
| 3-13 | Mas Vale Trocar | 2:26 | |
| 3-14 | A La Caça, Sus, A Caça | 1:57 | |
| 3-15 | Nuna Fue Pena Mayor | 2:59 | |
| 3-16 | O Dulce Y Triste Memoria | 5:17 | |
| 3-17 | Cucu, Cucu | 0:59 | |
| 3-18 | La Tricotea | 1:02 | |
| 3-19 | Oy Comamos Y Bebamos | 1:24 | |
| Music In The New World: Renaissance Music From Mexico | |||
| 4-1 | In Ilhuicac Cihuapile | 1:39 | |
| 4-2 | Salve Regina | 8:51 | |
| 4-3 | Pater Noster | 6:59 | |
| 4-4 | Parce Mihi, Domine | 3:56 | |
| 4-5 | Magnificat | 8:22 | |
| 4-6 | Memento Mei, Deus | 4:28 | |
| 4-7 | O Quam Suavis Est, Domine | 4:58 | |
| 4-8 | Ave Virgo Sanctissima | 4:09 | |
| 4-9 | Transfige, Dulcissime Domine | 3:54 | |
| 4-10 | Salve Regina | 10:19 | |
| 4-11 | Dios Itlazo Nantzine | 2:35 | |
| Byrd: Masses (For Four Voices - Three Voices) | |||
| Mass For Four Voices | |||
| 5-1 | I: Kyrie | 2:33 | |
| 5-2 | II: Gloria | 6:20 | |
| 5-3 | III: Credo | 8:42 | |
| 5-4 | IV: Sanctus - Benedictus | 4:35 | |
| 5-5 | V: Agnus Dei | 3:53 | |
| Mass For Three Voices | |||
| 5-6 | I: Kyrie | 0:46 | |
| 5-7 | II: Gloria | 4:50 | |
| 5-8 | III: Credo | 7:51 | |
| 5-9 | IV: Sanctus - Benedictus | 3:31 | |
| 5-10 | V: Agnus Dei | 3:34 | |
| Byrd: Mass For Five Voices / Lamentations / Motets | |||
| Mass For Five Voices | |||
| 6-1 | I: Kyrie | 1:54 | |
| 6-2 | II: Gloria | 5:37 | |
| 6-3 | III: Credo | 0:42 | |
| 6-4 | IV: Sanctus - Benedictus | 4:37 | |
| 6-5 | V: Agnus Dei | 3:46 | |
| 6-6 | De Lamentatione Hieremiae | 12:55 | |
| 6-7 | Christe Qui Es Et Dies / Precamur | 3:10 | |
| 6-8 | Laetentur Coeli | 3:41 | |
| 6-9 | Ave Verum Corpus | 3:57 | |
Alto Vocals – David James
Baritone Vocals, Conductor – Paul Hillier (1-1 to 2-22, 5-1 to 6-8)
Bass Vocals – Gordon Jones (3-1 to 4-11)
Bass Vocals – Michael George (6-6, 6-9)
Compiled By – Rolf Gertler
Composed By – Adrian Willaert (1-22)
Composed By – Alonso De Mondéjar (3-1, 3-18)
Composed By – Alonso Lobo (4-7)
Composed By – Alonso de Alba (3-8, 3-18)
Composed By – Anonymous (3-4, 3-10, 3-12)
Composed By – Antonio Caprioli (1-2 to 1-4)
Composed By – Cipriano De Rore (1-18 to 1-20)
Composed By – Cristóbal de Morales (4-3 to 4-5)
Composed By – Francesco Patavino (1-15)
Composed By – Francisco De Millán (3-16)
Composed By – Francisco De Peñalosa (3-2, 3-3)
Composed By – Francisco Guerrero (4-8)
Composed By – Giovane Domenico da Nola (1-21, 1-23, 1-26)
Composed By – Giovanni Gastoldi (1-1)
Composed By – Hernando Franco (4-1, 4-6, 4-11)
Composed By – Jacques Arcadelt (1-11 to 1-14)
Composed By – Johannes de Urreda (3-15)
Composed By – John Bennet (2-11)
Composed By – John Ward (2-19)
Composed By – John Wilbye (2-7, 2-8, 2-10, 2-22)
Composed By – Juan De Lienas (4-2)
Composed By – Juan Del Encina (3-9, 3-13, 3-17, 3-19)
Composed By – Juan Gutiérrez De Padilla (4-9)
Composed By – Loyset Compère (1-5)
Composed By – Luca Marenzio (1-16)
Composed By – Lucas Fernández (3-6, 3-14)
Composed By – Maddalena Casulana (1-16)
Composed By – Martin de Rivaflecha (3-5)
Composed By – Orlando Gibbons (2-12)
Composed By – Pedro De Escobar (3-7, 3-11)
Composed By – Pedro De Escobar (4-10)
Composed By – Philippe Verdelot (1-6 to 1-10)
Composed By – Thomas Morley (2-1 to 2-3, 2-6, 2-9, 2-16, 2-21)
Composed By – Thomas Tomkins (2-18)
Composed By – Thomas Vautor (2-20)
Composed By – Thomas Weelkes (2-4, 2-5, 2-13 to 2-15, 2-17)
Composed By – William Byrd (5-1 to 6-9)
Edited By – Mary Hughes
Edited By – Matthew Cocker
Edited By – Tim Handley
Engineer – Mark Vigars (2-1 to 2-22)
Engineer – Neville Boyling (5-1 to 6-9)
Engineer – Simon Rhodes (1-1 to 1-26, 3-1 to 4-11)
Ensemble – The Hilliard Ensemble
Liner Notes – Simon Heighes
Painting [Cover Photo / Portrait of Simonetta Vespucci as Nymph] – S. Botticelli
Photography By [Cover Photo] – akg-images
Producer – David Groves (2-1 to 2-22)
Producer – Gerd Berg (5-1 to 6-9)
Producer – Simon Woods (1-1 to 1-26, 3-1 to 4-11)
Soprano Vocals – Gillian Fisher (1-1 to 2-22, 6-1 to 6-5, 6-7, 6-8)
Soprano Vocals – Lynne Dawson (1-1 to 2-22)
Tenor Vocals – John Potter (1-1 to 4-11)
Tenor Vocals – Leigh Nixon (5-1 to 5-5, 6-1 to 6-9)
Tenor Vocals – Mark Padmore (4-2, 4-3, 4-5, 4-7, 4-8, 4-10)
Tenor Vocals – Paul Elliott (5-1 to 6-9)
Tenor Vocals – Rogers Covey-Crump (1-1 to 4-11)
Baritone Vocals, Conductor – Paul Hillier (1-1 to 2-22, 5-1 to 6-8)
Bass Vocals – Gordon Jones (3-1 to 4-11)
Bass Vocals – Michael George (6-6, 6-9)
Compiled By – Rolf Gertler
Composed By – Adrian Willaert (1-22)
Composed By – Alonso De Mondéjar (3-1, 3-18)
Composed By – Alonso Lobo (4-7)
Composed By – Alonso de Alba (3-8, 3-18)
Composed By – Anonymous (3-4, 3-10, 3-12)
Composed By – Antonio Caprioli (1-2 to 1-4)
Composed By – Cipriano De Rore (1-18 to 1-20)
Composed By – Cristóbal de Morales (4-3 to 4-5)
Composed By – Francesco Patavino (1-15)
Composed By – Francisco De Millán (3-16)
Composed By – Francisco De Peñalosa (3-2, 3-3)
Composed By – Francisco Guerrero (4-8)
Composed By – Giovane Domenico da Nola (1-21, 1-23, 1-26)
Composed By – Giovanni Gastoldi (1-1)
Composed By – Hernando Franco (4-1, 4-6, 4-11)
Composed By – Jacques Arcadelt (1-11 to 1-14)
Composed By – Johannes de Urreda (3-15)
Composed By – John Bennet (2-11)
Composed By – John Ward (2-19)
Composed By – John Wilbye (2-7, 2-8, 2-10, 2-22)
Composed By – Juan De Lienas (4-2)
Composed By – Juan Del Encina (3-9, 3-13, 3-17, 3-19)
Composed By – Juan Gutiérrez De Padilla (4-9)
Composed By – Loyset Compère (1-5)
Composed By – Luca Marenzio (1-16)
Composed By – Lucas Fernández (3-6, 3-14)
Composed By – Maddalena Casulana (1-16)
Composed By – Martin de Rivaflecha (3-5)
Composed By – Orlando Gibbons (2-12)
Composed By – Pedro De Escobar (3-7, 3-11)
Composed By – Pedro De Escobar (4-10)
Composed By – Philippe Verdelot (1-6 to 1-10)
Composed By – Thomas Morley (2-1 to 2-3, 2-6, 2-9, 2-16, 2-21)
Composed By – Thomas Tomkins (2-18)
Composed By – Thomas Vautor (2-20)
Composed By – Thomas Weelkes (2-4, 2-5, 2-13 to 2-15, 2-17)
Composed By – William Byrd (5-1 to 6-9)
Edited By – Mary Hughes
Edited By – Matthew Cocker
Edited By – Tim Handley
Engineer – Mark Vigars (2-1 to 2-22)
Engineer – Neville Boyling (5-1 to 6-9)
Engineer – Simon Rhodes (1-1 to 1-26, 3-1 to 4-11)
Ensemble – The Hilliard Ensemble
Liner Notes – Simon Heighes
Painting [Cover Photo / Portrait of Simonetta Vespucci as Nymph] – S. Botticelli
Photography By [Cover Photo] – akg-images
Producer – David Groves (2-1 to 2-22)
Producer – Gerd Berg (5-1 to 6-9)
Producer – Simon Woods (1-1 to 1-26, 3-1 to 4-11)
Soprano Vocals – Gillian Fisher (1-1 to 2-22, 6-1 to 6-5, 6-7, 6-8)
Soprano Vocals – Lynne Dawson (1-1 to 2-22)
Tenor Vocals – John Potter (1-1 to 4-11)
Tenor Vocals – Leigh Nixon (5-1 to 5-5, 6-1 to 6-9)
Tenor Vocals – Mark Padmore (4-2, 4-3, 4-5, 4-7, 4-8, 4-10)
Tenor Vocals – Paul Elliott (5-1 to 6-9)
Tenor Vocals – Rogers Covey-Crump (1-1 to 4-11)
CD1: Recorded at Abbey Road Studio No.1, IV.1991; (P) 1992 Parlophone Records Limited.
CD2: Recorded at Abbey Road Studio No.1, V.1987; (P) 1988 Parlophone Records Limited.
CD3 & CD4: Recorded at The Priory Church of St Mary and St Blaise, Boxgrove, Chichester, Sussex, I.1991; (P) 1991 Parlophone Records Limited.
CD 5 & CD6: Recorded in London, St. James Church (Clerkenwell), 3-7 X.1983; (P) 1984 Parlophone Records Limited.
(P) 1984, 1988 & 1992 Parlophone Records Limited.
This compilation (P) & (C) 2016 Parlophone Records Limited.
Manufactured and printed in the EU.
Clamshell cardboard box contain 6 CDs in separate, original cover artwork, cardboard wallets and a 20p. booklet with track listings and essay but no texts.
Notes:
CD1 is a reissue of .
CD2 is a reissue of .
CD5 & CD6 are reissues of .
CD2: Recorded at Abbey Road Studio No.1, V.1987; (P) 1988 Parlophone Records Limited.
CD3 & CD4: Recorded at The Priory Church of St Mary and St Blaise, Boxgrove, Chichester, Sussex, I.1991; (P) 1991 Parlophone Records Limited.
CD 5 & CD6: Recorded in London, St. James Church (Clerkenwell), 3-7 X.1983; (P) 1984 Parlophone Records Limited.
(P) 1984, 1988 & 1992 Parlophone Records Limited.
This compilation (P) & (C) 2016 Parlophone Records Limited.
Manufactured and printed in the EU.
Clamshell cardboard box contain 6 CDs in separate, original cover artwork, cardboard wallets and a 20p. booklet with track listings and essay but no texts.
Notes:
CD1 is a reissue of .
CD2 is a reissue of .
CD5 & CD6 are reissues of .
Barcode (Scanned) – 190295974916
Barcode (Text) – 0 190295 974916
Rights Society – GEMA BIEM
Label Code – LC 02822
Barcode (Text) – 0 190295 974916
Rights Society – GEMA BIEM
Label Code – LC 02822