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SOCOM 3: U.S. Navy SEALs / SOCOM: U.S. Navy SEALs Combined Assault (Original Soundtrack From The Video Games)
Label | La-La Land Records – LLLCD 1305 |
Format | 2 x CD, Album, Limited Edition |
Barcode | 0826924130520 |
Country | US |
Released | 18 Nov 2014 |
Genre | Stage & Screen |
Style | Score, Soundtrack, Video Game Music |
1-1 | SOCOM 3: U.S. Navy SEALs Fanfare | 0:21 | |
1-2 | SOCOM 3: U.S. Navy SEALs Main Titles | 1:41 | |
1-3 | Entering Adjikistan | 4:09 | |
1-4 | Highway Of Death | 2:30 | |
1-5 | Morocco | 4:28 | |
1-6 | Hunting For NAPF | 2:39 | |
1-7 | Concentration Camp | 3:34 | |
1-8 | U.S. Navy SEALs Honor | 4:58 | |
1-9 | Poland Reconnaissance | 5:22 | |
1-10 | More Than One Way To Skin A FATCAT | 2:07 | |
1-11 | Entering Poland | 3:02 | |
1-12 | The New Slavic Order | 2:25 | |
1-13 | Industrial Desert | 5:16 | |
1-14 | Hunting Mongoose In The Snow | 4:34 | |
1-15 | Local Influence | 3:29 | |
1-16 | The Fist And Fire | 2:57 | |
1-17 | Searching For The Breakneck | 2:06 | |
1-18 | Polish Boathouse | 1:52 | |
1-19 | Ambush | 2:01 | |
2-1 | SOCOM: U.S. Navy SEALs Combined Assault Main Titles | 1:50 | |
2-2 | Urban Warfare | 3:16 | |
2-3 | Convoy Assault | 2:19 | |
2-4 | Out Of The Caves And Into The Forest | 2:19 | |
2-5 | Freedom | 2:01 | |
2-6 | Polish Brew | 1:23 | |
2-7 | Uprising | 3:42 | |
2-8 | Liberty | 3:07 | |
2-9 | Airstrip Secure | 3:11 | |
2-10 | Securing Badger | 4:04 | |
2-11 | Terror In Adjikistan | 4:14 | |
2-12 | Strait Of Gibraltar | 2:20 | |
2-13 | Mahmood Indigo | 2:50 | |
2-14 | Bangladesh Recon | 1:40 | |
2-15 | Trouble In South Asia | 2:38 | |
2-16 | Dalahtibar Extraction | 1:58 | |
2-17 | Colossal Battle | 1:38 | |
2-18 | Hearts And Minds | 2:50 | |
2-19 | Adjikistani Tundra | 4:23 | |
2-20 | Navy SEAL Victory | 1:04 | |
2-21 | SOCOM 3: U.S. Navy SEALs End Credits | 3:33 | |
Bonus Track | |||
2-22 | SOCOM 3 Theme (Early Demo) | 1:51 |
Arranged By [Additional Arrangements] – Matthew Margeson (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Art Direction – Dan Goldwasser
Choir – Dvorak All (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Co-producer [Production Assistance] – Andrew Skrabutenas
Co-producer [Production Assistance] – Frank K. DeWald
Co-producer [Production Assistance] – Mike Brennan
Co-producer [Production Assistance] – Neil S. Bulk
Composed By – Jim Dooley
Conductor, Orchestrated By [Lead Orchestrator] – Tim Davies
Contractor [Orchestra Contractor] – Isobel Griffiths (1-1, 1-2, 1-4 to 1-6, 1-9 to 1-12, 1-15 to 1-19, 2-4 to 2-6, 2-12 to 2-15, 2-21, 2-22)
Coordinator [Sr. Music Department Coordinator] – Vanesa Zamora
Coordinator [Sr. Music Licensing Coordinator] – Justin Fields
Copyist – Pavel Ciboch (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Edited By – Tom Trafalski
Executive-Producer [Executive Producer For La-La Land Records] – M.V. Gerhard
Executive-Producer [Executive Producer For La-La Land Records] – Matt Verboys
Executive-Producer [Executive Producer For SCEA / Head Of Music] – Chuck Doud
Liner Notes – Jeff Bond
Management [Project Manager] – Tammy Tsuyuki
Management [Sr. Manager, Music Affairs] – Jason Swan
Management [Sr. Music Department Assistant] – Angelica Garde
Mastered By – Marc Senasac
Mixed By – Dennis Sands
Mixed By [Assistant Mix Engineer] – Adam Olmstead (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Mixed By [Assistant Mix Engineer] – Greg Hayes (1-1, 1-2, 1-4 to 1-6, 1-9 to 1-12, 1-15 to 1-19, 2-4 to 2-6, 2-12 to 2-15, 2-21, 2-22)
Musical Assistance [Assistant To Composer] – Matthew Margeson (1-1, 1-2, 1-4 to 1-6, 1-9 to 1-12, 1-15 to 1-19, 2-4 to 2-6, 2-12 to 2-15, 2-21, 2-22)
Musical Assistance [Music Preparation] – Mark Cally
Musical Assistance [Music Preparation] – Nicole Haye (1-1, 1-2, 1-4 to 1-6, 1-9 to 1-12, 1-15 to 1-19, 2-4 to 2-6, 2-12 to 2-15, 2-21, 2-22)
Musical Assistance [Music Preparation], Orchestrated By [Additional Orchestrations] – Brandon Roberts (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Orchestra – CNSO Recording Studio Orchestra (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Producer [Music Production Associate] – Ernest Johnson
Producer [Music Production Associate] – Michael Bricker
Producer [Produced For SCEA By] – Clint Bajakian
Producer [Produced For SCEA By] – Matt Levine
Producer [Soundtrack Album Producer] – Dan Goldwasser
Producer [Soundtrack Album Producer] – Jim Dooley
Recorded By [Choir Assistant Recording Engineer] – Ivan Zbíral (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Recorded By [Choir Recording Engineer] – Jan Kotzmann (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Recorded By [Choir Recordist] – Andy Lazo (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Recorded By [Orchestra Assistant Recording Engineer] – Chris Barrett (1-1, 1-2, 1-4 to 1-6, 1-9 to 1-12, 1-15 to 1-19, 2-4 to 2-6, 2-12 to 2-15, 2-21, 2-22)
Recorded By [Orchestra Assistant Recording Engineer], Contractor [Orchestra Contractor], Translated By – Cenda Kotzmann (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Recorded By [Orchestra Recording Engineer] – Milan Jilek (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Recorded By [Orchestra Recording Engineer] – Nick Wollage (1-1, 1-2, 1-4 to 1-6, 1-9 to 1-12, 1-15 to 1-19, 2-4 to 2-6, 2-12 to 2-15, 2-21, 2-22)
Recorded By [Orchestra Recordist] – Petr Kovanda (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Art Direction – Dan Goldwasser
Choir – Dvorak All (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Co-producer [Production Assistance] – Andrew Skrabutenas
Co-producer [Production Assistance] – Frank K. DeWald
Co-producer [Production Assistance] – Mike Brennan
Co-producer [Production Assistance] – Neil S. Bulk
Composed By – Jim Dooley
Conductor, Orchestrated By [Lead Orchestrator] – Tim Davies
Contractor [Orchestra Contractor] – Isobel Griffiths (1-1, 1-2, 1-4 to 1-6, 1-9 to 1-12, 1-15 to 1-19, 2-4 to 2-6, 2-12 to 2-15, 2-21, 2-22)
Coordinator [Sr. Music Department Coordinator] – Vanesa Zamora
Coordinator [Sr. Music Licensing Coordinator] – Justin Fields
Copyist – Pavel Ciboch (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Edited By – Tom Trafalski
Executive-Producer [Executive Producer For La-La Land Records] – M.V. Gerhard
Executive-Producer [Executive Producer For La-La Land Records] – Matt Verboys
Executive-Producer [Executive Producer For SCEA / Head Of Music] – Chuck Doud
Liner Notes – Jeff Bond
Management [Project Manager] – Tammy Tsuyuki
Management [Sr. Manager, Music Affairs] – Jason Swan
Management [Sr. Music Department Assistant] – Angelica Garde
Mastered By – Marc Senasac
Mixed By – Dennis Sands
Mixed By [Assistant Mix Engineer] – Adam Olmstead (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Mixed By [Assistant Mix Engineer] – Greg Hayes (1-1, 1-2, 1-4 to 1-6, 1-9 to 1-12, 1-15 to 1-19, 2-4 to 2-6, 2-12 to 2-15, 2-21, 2-22)
Musical Assistance [Assistant To Composer] – Matthew Margeson (1-1, 1-2, 1-4 to 1-6, 1-9 to 1-12, 1-15 to 1-19, 2-4 to 2-6, 2-12 to 2-15, 2-21, 2-22)
Musical Assistance [Music Preparation] – Mark Cally
Musical Assistance [Music Preparation] – Nicole Haye (1-1, 1-2, 1-4 to 1-6, 1-9 to 1-12, 1-15 to 1-19, 2-4 to 2-6, 2-12 to 2-15, 2-21, 2-22)
Musical Assistance [Music Preparation], Orchestrated By [Additional Orchestrations] – Brandon Roberts (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Orchestra – CNSO Recording Studio Orchestra (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Producer [Music Production Associate] – Ernest Johnson
Producer [Music Production Associate] – Michael Bricker
Producer [Produced For SCEA By] – Clint Bajakian
Producer [Produced For SCEA By] – Matt Levine
Producer [Soundtrack Album Producer] – Dan Goldwasser
Producer [Soundtrack Album Producer] – Jim Dooley
Recorded By [Choir Assistant Recording Engineer] – Ivan Zbíral (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Recorded By [Choir Recording Engineer] – Jan Kotzmann (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Recorded By [Choir Recordist] – Andy Lazo (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Recorded By [Orchestra Assistant Recording Engineer] – Chris Barrett (1-1, 1-2, 1-4 to 1-6, 1-9 to 1-12, 1-15 to 1-19, 2-4 to 2-6, 2-12 to 2-15, 2-21, 2-22)
Recorded By [Orchestra Assistant Recording Engineer], Contractor [Orchestra Contractor], Translated By – Cenda Kotzmann (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Recorded By [Orchestra Recording Engineer] – Milan Jilek (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Recorded By [Orchestra Recording Engineer] – Nick Wollage (1-1, 1-2, 1-4 to 1-6, 1-9 to 1-12, 1-15 to 1-19, 2-4 to 2-6, 2-12 to 2-15, 2-21, 2-22)
Recorded By [Orchestra Recordist] – Petr Kovanda (1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20)
Limited Edition of 1500 Units.
SOCOM 3: U.S. Navy SEALs: Tracks 1-1, 1-2, 1-4 to 1-6, 1-9 to 1-12, 1-15 to 1-19, 2-4 to 2-6, 2-12 to 2-15, 2-21, 2-22 (Total Time: 57:34)
Score Recorded in London, England, June 9-10, 2005
SOCOM: U.S. Navy SEALs Combined Assault: Tracks 1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20 (Total Time: 60:03)
Score Recorded in Prague, Czech Rep., July 23-25, 2006
Disc 1 Time: 59:29
Disc 2 Time: 58:07
Total Album Time: 117:38
© & ℗ 2014 Sony Computer Entertainment America LLC
Printed in the U.S.A.
SOCOM 3: U.S. Navy SEALs: Tracks 1-1, 1-2, 1-4 to 1-6, 1-9 to 1-12, 1-15 to 1-19, 2-4 to 2-6, 2-12 to 2-15, 2-21, 2-22 (Total Time: 57:34)
Score Recorded in London, England, June 9-10, 2005
SOCOM: U.S. Navy SEALs Combined Assault: Tracks 1-3, 1-7, 1-8, 1-13, 1-14, 2-1 to 2-3, 2-7 to 2-11, 2-16 to 2-20 (Total Time: 60:03)
Score Recorded in Prague, Czech Rep., July 23-25, 2006
Disc 1 Time: 59:29
Disc 2 Time: 58:07
Total Album Time: 117:38
© & ℗ 2014 Sony Computer Entertainment America LLC
Printed in the U.S.A.
Barcode (Text) – 8 26924 13052 0
Barcode (String) – 826924130520
Mould SID Code (Disc 1) – IFPI AAHB7
Mould SID Code (Disc 2) – IFPI VL12
Matrix / Runout (Disc 1) – CA / - LLLCD 1305 SOCOM 3 Disc 1 - 57618
Matrix / Runout (Disc 2) – CA / - LLLCD 1305 SOCOM 3 Disc 1 - 57619
Barcode (String) – 826924130520
Mould SID Code (Disc 1) – IFPI AAHB7
Mould SID Code (Disc 2) – IFPI VL12
Matrix / Runout (Disc 1) – CA / - LLLCD 1305 SOCOM 3 Disc 1 - 57618
Matrix / Runout (Disc 2) – CA / - LLLCD 1305 SOCOM 3 Disc 1 - 57619