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Desenhos
| Label | Mad About Records – FE 1.017/2 |
| Format | Vinyl, LP, Album, Reissue |
| Barcode | 4040824089832 |
| Country | Portugal |
| Released | 2020 |
| Genre | Jazz |
| Style | Latin Jazz |
| A1 | Naquela Base | 2:50 |
| A2 | Devaneio | 5:07 |
| A3 | Primavera | 5:43 |
| A4 | Simplesmente | 3:56 |
| A5 | Feitiço Da Vila | 6:25 |
| B1 | Dueto | 7:40 |
| B2 | Amor De Nada | 4:01 |
| B3 | Eugenie | 4:42 |
| B4 | Minha Saudade | 3:05 |
| B5 | Desenhos | 2:55 |
Alto Saxophone – Vitor Assis Brasil
Artwork – Kumbuka
Bass – Edison Lôbo
Directed By, Liner Notes, Producer – Roberto Quartin
Drums – Chico "Batera"
Engineer – Ademar Rocha
Engineer – Armando Dulcetti
Photography By – Pedro Moraes
Piano – Tenório Júnior
Producer – Wadi Gebara
Artwork – Kumbuka
Bass – Edison Lôbo
Directed By, Liner Notes, Producer – Roberto Quartin
Drums – Chico "Batera"
Engineer – Ademar Rocha
Engineer – Armando Dulcetti
Photography By – Pedro Moraes
Piano – Tenório Júnior
Producer – Wadi Gebara
***thick cover
This is the incredibly rare and Coltrane influenced debut of Brazilian sax great Victor Assis Brasil (1945-1981) for the cult label Forma, of Roberto Quartin. Vitor Assis Brasil lead this session on January 11th 1966 with his quartet which featured the legendary pianist Tenório Jr plus double-bassist Edison Lôbo and drummer Chico Batera. It’s one of the greatest jazz albums ever recorded in Brazil and the highlights go to the originals and the wonderful João Donato tracks.
Victor Assis Brasil was the best Brazilian jazzman of his generation, having being praised by international critics. Vitor Brasil showed early evidence of talent for music, excelling at the harmonica and the drums. In 1961, at age 16, he was presented with an alto saxophone. In 1965, while already a professional, Brasil recorded his first album, Desenhos, consolidating his pioneering role as a Brazilian jazz musician. He studied at Berklee College of Music and later taught improvisation technique in Brazil. During the following four years he spent in the U.S., Brasil wrote most of his 400 works. Also from that period are his albums Trajeto, Victor Assis Brasil Toca Jobim, Esperanto, Victor Assis Brasil Quinteto, and Pedrinho, his last one. His last three years of life were marked by noted international performances.
This is Victor Assis Brasil – “Desenhos” (1966), for Forma, featuring the sax of Victor with the accompaniment of Tenório Júnior (piano), Edson Lobo, with the age of 19 (bass) and Chico Batera (drums). Victor had 19 years old at this recording session.
This is the incredibly rare and Coltrane influenced debut of Brazilian sax great Victor Assis Brasil (1945-1981) for the cult label Forma, of Roberto Quartin. Vitor Assis Brasil lead this session on January 11th 1966 with his quartet which featured the legendary pianist Tenório Jr plus double-bassist Edison Lôbo and drummer Chico Batera. It’s one of the greatest jazz albums ever recorded in Brazil and the highlights go to the originals and the wonderful João Donato tracks.
Victor Assis Brasil was the best Brazilian jazzman of his generation, having being praised by international critics. Vitor Brasil showed early evidence of talent for music, excelling at the harmonica and the drums. In 1961, at age 16, he was presented with an alto saxophone. In 1965, while already a professional, Brasil recorded his first album, Desenhos, consolidating his pioneering role as a Brazilian jazz musician. He studied at Berklee College of Music and later taught improvisation technique in Brazil. During the following four years he spent in the U.S., Brasil wrote most of his 400 works. Also from that period are his albums Trajeto, Victor Assis Brasil Toca Jobim, Esperanto, Victor Assis Brasil Quinteto, and Pedrinho, his last one. His last three years of life were marked by noted international performances.
This is Victor Assis Brasil – “Desenhos” (1966), for Forma, featuring the sax of Victor with the accompaniment of Tenório Júnior (piano), Edson Lobo, with the age of 19 (bass) and Chico Batera (drums). Victor had 19 years old at this recording session.