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| 1 | – Joseph Fiennes | Be Not Afeard, The Isle Is Full Of Noises (The Tempest) | 0:48 |
| 2 | – Annie Lennox | Live With Me And Be My Love (Christopher Marlowe) | 2:19 |
| 3 | – John Gielgud | As An Unperfect Actor On The Stage (23) | 0:54 |
| 4 | – Alan Rickman | My Mistress' Eyes Are Nothing Like The Sun (130) | 1:27 |
| 5 | – Diana Rigg | Why Is My Verse So Barren Of New Pride (76) | 0:56 |
| 6 | – Richard Attenborough | Who Will Believe My Verse In Time To Come (17) | 1:04 |
| 7 | – Paul Rhys | That You Were Once Unkind Befriends Me Now (120) | 1:04 |
| 8 | – Juliet Stevenson | How Oft, When Thou, My Music (128) | 0:57 |
| 9 | – Rufus Wainwright | When, In Disgrace With Fortune And Men's Eyes (29) | 3:01 |
| 10 | – Janet McTeer | Being Your Slave, What Should I Do But Tend (57) | 0:48 |
| 11 | – Alan Bates | Tired With All These, For Restful Death I Cry (66) | 1:10 |
| 12 | – Marianne Jean-Baptiste | When I Consider Everything That Grows (15) | 0:52 |
| 13 | – David Warner | Let Those Who Are In Favour With Their Stars (25) | 0:53 |
| 14 | – Siân Phillips | They That Have Power To Hurt And Will Do None (94) | 0:54 |
| 15 | – John Hurt | Those Lips That Love's Own Hand Did Make (145) | 0:47 |
| 16 | – John Potter | Come Again, Sweet Love Doth Now Invite | 4:42 |
| 17 | – Ralph Fiennes | Th'expense Of Spirit In A Waste Of Shame (129) | 0:57 |
| 18 | – Matthew Rhys | Thine Eyes I Love, And They, As Pitying Me (132) | 0:53 |
| 19 | – Imelda Staunton | I Never Saw That You Did Painting Need (83) | 0:59 |
| 20 | – Kenneth Branagh | When To The Sessions Of Sweet Silent Thought (30) | 1:06 |
| 21 | – Fiona Shaw | Is It Thy Will Thy Image Should Keep Open (61) | 1:18 |
| 22 | – Henry Goodman | Mine Eye And Heart Are At A Mortal War (46) | 0:55 |
| 23 | – Keb' Mo' | No More Be Grieved At That Which Thou Hast Done (35) | 3:25 |
| 24 | – Susannah York | O Never Say That I Was False Of Heart (109) | 0:58 |
| 25 | – Timothy Spall | Look In Thy Glass And Tell The Face Thou Viewest (3) | 0:58 |
| 26 | – Peter Barkworth | Some Glory In Their Birth, Some In Their Skill (91) | 1:08 |
| 27 | – Gemma Jones | How Heavy Do I Journey On The Way (50) | 0:56 |
| 28 | – Jonathan Pryce | Since Brass, Nor Stone, Nor Earth, Nor Boundless Sea (65) | 1:06 |
| 29 | – Richard Wilson | Like As The Waves Make Towards The Pebbled Shore (60) | 0:53 |
| 30 | – Des'ree | The Quality Of Mercy Is Not Strained (The Merchant Of Venice) | 3:21 |
| 31 | – Tom Courtenay | Sweet Love, Renew Thy Force; Be It Not Said (56) | 1:05 |
| 32 | – Zoe Waites | Since I Left You, Mine Eye Is In My Mind (113) | 1:03 |
| 33 | – Edward Fox | Be Wise As Thou Art Cruel ; Do Not Press (140) | 1:13 |
| 34 | – Trevor Eve | Is It For Fear To Wet A Widow's Eye (9) | 0:55 |
| 35 | – Imogen Stubbs | So Is It Not With Me As With That Muse (21) | 1:03 |
| 36 | – David Harewood | Devouring Time, Blunt Thou The Lion's Paws (19) | 0:51 |
| 37 | – Barbara Bonney | The Willow Song (Othello) | 3:14 |
| 38 | – Richard Johnson | When My Love Swears That She Is Made Of Truth (138) | 1:03 |
| 39 | – Martin Jarvis | When I Do Count The Clock That Tells The Time (12) | 0:50 |
| 40 | – Roger Hammond | What Potions Have I Drunk Of Siren Tears (119) | 1:05 |
| 41 | – Richard Briers | Not Marble Nor The Gilded Monuments (55) | 0:46 |
| 42 | – John Sessions | Sin Of Self-Love Possesseth All Mine Eye (62) | 0:52 |
| 43 | – Thelma Holt | Let Me Not To The Marriage Of True Minds (116) | 0:46 |
| 44 | – Ladysmith Black Mambazo | Music To Hear, Why Hears't Thou Music Sadly (8) | 3:26 |
| 45 | – Caroline Blakiston | When Forty Winters Shall Besiege Thy Brow (2) | 0:57 |
| 46 | – Peter Bowles | No Longer Mourn For Me When I Am Dead (71) | 0:47 |
| 47 | – Sylvia Syms | In Faith I Do Not Love Thee With Mine Eyes (141) | 1:12 |
| 48 | – Robert Lindsay | Why Didst Thou Promise Such A Beauteous Day (34) | 1:01 |
| 49 | – Ioan Gruffudd | Not From The Stars Do I My Judgement Pluck (14) | 0:48 |
| 50 | – John Hurt | My Love Is As A Fever, Longing Still (147) | 1:05 |
| 51 | – Bohdan Poraj | The Little Love-God Lying Once Asleep (154) | 0:55 |
| 52 | – Bryan Ferry | Shall I Compare Thee To A Summer's Day (18) | 2:51 |
| 53 | – Joseph Fiennes | Our Revels Now Are Ended (The Tempest) | 0:50 |
Artwork [All] – Paul Nelson
Co-producer – Alan Rickman
Co-producer – James Brett
Coordinator [Project co-ordinator for RADA] – Ellis Jones
Executive-Producer – Michael Kamen
Layout, Design – Nomad Design
Liner Notes – Michael Kamen
Liner Notes – Nicholas Barter
Liner Notes – Lord Attenborough
Mastered By – Tony Bridge
Mastered By [Music pre-mastered] – Pete Cobbin
Producer – Joy Gelardi (1, 2, 4 to 53)
Recorded By – Antony Fisher (1, 5 to 8, 10 to 15, 17 to 22, 24 to 29, 31 to 36, 38, 40 to 43, 45 to 47, 49 to 51, 53)
Recorded By – Chris Downes (48)
Recorded By – Dave Chilton (4)
Co-producer – Alan Rickman
Co-producer – James Brett
Coordinator [Project co-ordinator for RADA] – Ellis Jones
Executive-Producer – Michael Kamen
Layout, Design – Nomad Design
Liner Notes – Michael Kamen
Liner Notes – Nicholas Barter
Liner Notes – Lord Attenborough
Mastered By – Tony Bridge
Mastered By [Music pre-mastered] – Pete Cobbin
Producer – Joy Gelardi (1, 2, 4 to 53)
Recorded By – Antony Fisher (1, 5 to 8, 10 to 15, 17 to 22, 24 to 29, 31 to 36, 38, 40 to 43, 45 to 47, 49 to 51, 53)
Recorded By – Chris Downes (48)
Recorded By – Dave Chilton (4)
On spines:
1 Compact Disc
On inlay, rear:
℗ as shown in booklet © 2002 Parlaphone Records Limited,
A Warner Music Group Company
Place of manufacturer as stated on label.
Printed in the EU
STEREO / DDD/ADD
A selection of William Shakespeare's much-loved sonnets, read by some of the world's forest actors, together with musical settings of passages from his sonnets and plays. The celebrated musicians have been brought together specially for this recording by the composer Michael Kamen. All the texts are included in the full-colour booklet, which features specially commissioned illustrations.
[List of Musicians and Actors
All the artists on this recording have donated their talent and time in support of the Royal Academy of Dramatic Art
www.warnerclassics.com
From booklet:
"And when Love speaks, the voice of all the gods
Makes heaven drowsy with the harmony."
Berowne, from Love's Labour's Lost, Act IV, Sc.III
Thanks to the BBC for John Gielgud's recording
All other actors' recordings produced by Joy Gelardi
All actors were recorded by Antony Fisher at Waveeffect Studios, London (except tracks 3, 4, 39, 48) - special thanks to Antony and to Eliot Cohen Thanks to Dave Chilton at Essential Music for Alan Rickman's recording, Voice Box Studios, Los Angeles for Martin Jarvis' recording and Chris Downes at Lynx Video Ltd for Robert Lindsay's recording
Michael Kamen would like to thank Richard Lyttelton, Lord Attenborough, Alan Rickman, Joy Gelardi, Robert Urband, James Brett, Tim Atack, Colette at Abbey Road, Lola at Sarm, Nyree at Sony Studios, Alison at Air, Sally Zito, Deborah Jones, Vicky Corley Smith and IMG Artists
Project co-ordinator for RADA: Ellis Jones, Vice Principal
For details of all RADA courses visit www.rada.org
RADA wishes to thank especially the one actor on this recording who did not train with the Academy: Joseph Fiennes, famed for his fine screen performance in Shakespeare in Love
The recording of Sonnet no. 61 is dedicated to the late Dame Dorothy Tutin
Music pre-mastered by Pete Cobbin at Abbey Road
Album mastered by Tony Bridge at Sony Music Studios, London
All artwork by Paul Nelson. Layout and design by Nomad Design
© 2002 The copyright in this sound recording is owned by RADA (all spoken-word tracks, except Track 3 — owned by BBC Worldwide Ltd.); BMG Ariola München GmbH (Track 2);
Dreamworks Records (Track 9); Okeh/Epic Records (Track 23); Sony Music Worldwide (Track 30); Decca Music Group Limited (Track 37); Gallo Music International (Track 44).
Track 16 © 1999 The copyright in this sound recording is owned by ECM Records GmbH.
Track 52 © 1997 The copyright in this sound recording is owned by Dene Jesmond Enterprises Ltd.
All tracks under licence to K-Man Corp.
This compilation ℗ 2002 Parlophone Records Limited, a Warner Music Group Company.
© 2002 Parlophone Records Limited, A Warner Music Group Company.
Other info:
Compilation album made by RADA (Royal Academy of Dramatic Art) that features interpretations of William Shakespeare's sonnets - some spoken, some set to music - and excerpts from his plays by famous actors and musicians. Released in a jewel case with 44-page booklet.
1 Compact Disc
On inlay, rear:
℗ as shown in booklet © 2002 Parlaphone Records Limited,
A Warner Music Group Company
Place of manufacturer as stated on label.
Printed in the EU
STEREO / DDD/ADD
A selection of William Shakespeare's much-loved sonnets, read by some of the world's forest actors, together with musical settings of passages from his sonnets and plays. The celebrated musicians have been brought together specially for this recording by the composer Michael Kamen. All the texts are included in the full-colour booklet, which features specially commissioned illustrations.
[List of Musicians and Actors
All the artists on this recording have donated their talent and time in support of the Royal Academy of Dramatic Art
www.warnerclassics.com
From booklet:
"And when Love speaks, the voice of all the gods
Makes heaven drowsy with the harmony."
Berowne, from Love's Labour's Lost, Act IV, Sc.III
Thanks to the BBC for John Gielgud's recording
All other actors' recordings produced by Joy Gelardi
All actors were recorded by Antony Fisher at Waveeffect Studios, London (except tracks 3, 4, 39, 48) - special thanks to Antony and to Eliot Cohen Thanks to Dave Chilton at Essential Music for Alan Rickman's recording, Voice Box Studios, Los Angeles for Martin Jarvis' recording and Chris Downes at Lynx Video Ltd for Robert Lindsay's recording
Michael Kamen would like to thank Richard Lyttelton, Lord Attenborough, Alan Rickman, Joy Gelardi, Robert Urband, James Brett, Tim Atack, Colette at Abbey Road, Lola at Sarm, Nyree at Sony Studios, Alison at Air, Sally Zito, Deborah Jones, Vicky Corley Smith and IMG Artists
Project co-ordinator for RADA: Ellis Jones, Vice Principal
For details of all RADA courses visit www.rada.org
RADA wishes to thank especially the one actor on this recording who did not train with the Academy: Joseph Fiennes, famed for his fine screen performance in Shakespeare in Love
The recording of Sonnet no. 61 is dedicated to the late Dame Dorothy Tutin
Music pre-mastered by Pete Cobbin at Abbey Road
Album mastered by Tony Bridge at Sony Music Studios, London
All artwork by Paul Nelson. Layout and design by Nomad Design
© 2002 The copyright in this sound recording is owned by RADA (all spoken-word tracks, except Track 3 — owned by BBC Worldwide Ltd.); BMG Ariola München GmbH (Track 2);
Dreamworks Records (Track 9); Okeh/Epic Records (Track 23); Sony Music Worldwide (Track 30); Decca Music Group Limited (Track 37); Gallo Music International (Track 44).
Track 16 © 1999 The copyright in this sound recording is owned by ECM Records GmbH.
Track 52 © 1997 The copyright in this sound recording is owned by Dene Jesmond Enterprises Ltd.
All tracks under licence to K-Man Corp.
This compilation ℗ 2002 Parlophone Records Limited, a Warner Music Group Company.
© 2002 Parlophone Records Limited, A Warner Music Group Company.
Other info:
Compilation album made by RADA (Royal Academy of Dramatic Art) that features interpretations of William Shakespeare's sonnets - some spoken, some set to music - and excerpts from his plays by famous actors and musicians. Released in a jewel case with 44-page booklet.
Barcode (Text) – 7 24355 73212 5
Barcode (Scanned) – 724355732125
Rights Society – bel biem
Label Code – LC 0542
Matrix / Runout – [Warner W logo] 243557321-2 V01 SGB
Mastering SID Code – IFPI L016
Mould SID Code – IFPI 05R7
SPARS Code – DDD/ADD
Barcode (Scanned) – 724355732125
Rights Society – bel biem
Label Code – LC 0542
Matrix / Runout – [Warner W logo] 243557321-2 V01 SGB
Mastering SID Code – IFPI L016
Mould SID Code – IFPI 05R7
SPARS Code – DDD/ADD