Kreiviskai -  Zemmis : supnāi
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CD

Zemmis : supnāi

Label Casus Belli Musica ‎– CBM 022CD
Format CD, Album, Limited Edition, Digipak
Barcode 2090504098311
Country Russia
Released 25 Aug 2014
Genre Rock
Style Folk, Neofolk
Levertijd

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Dit item wordt geïmporteerd uit Netherlands.

€18,99

'Zemmis Supnai' means 'Dreams Of The Land' in Prussian. Traditional folk mixed with some neo-folk and ambient.

1 Сны земли 3:16
2 Горушка 5:15
3 Меж совой и жаворонком 1:18
4 Malduns Be Mergas 3:25
5 Тройца 1:42
6 Три вяночки 3:11
7 У Гром-камня 1:14
8 Кривия 3:24
9 Марш Кривды 5:15
10 Кабак "Ухват" 1:07
11 Зарождение 5:54
12 Вдоль по морю 5:07
13 Святвячор 3:31
Bagpipes – Марк Баринов
Drum – Евгений Смолин
Flute – Даша Баринова
Goblet Drum – Евгений Смолин
Gusli – Марк Баринов
Horn – Даша Баринова
Hurdy Gurdy – Марк Баринов
Jew's Harp – Евгений Смолин
Percussion – Рина Смолина
Synthesizer – Даша Баринова
Tambourine – Евгений Смолин
Vocals – Даша Баринова
Vocals – Евгений Смолин
Vocals – Марк Баринов
Vocals – Рина Смолина
Released as limited 500 copies digipak.



The band KREIVISKAI (Prussian "in Kryvyan", "Kryvyan") was founded in Tver’ in 2013. The aim of the band is the return of forgotten musical authenticity and mythology of Tver’ (and wider – of Kryviya) by means of Tver’ old instruments.

The debut album “Zemmis Supnāi” includes traditional tunes of Tver’ together with elements of ambient, dungeon synth, neofolk, martial, so the regional folklore finds a new reading in other, archeofuturistic, way.

Track by track – the original arrangement of sacral/ritual ethnic music gives way to the band’s own songs; the speech of nowadays echoes with local dialects and Baltic ancestors’ ancient language; the music canvas summons up, one by one, forgotten voices of old instruments of Tver’: solemn Kryvyan bagpipes, an inviting Kryvyan horn, a meditative gusli (the oldest Russian multi-string plucked instrument), an anxious hurdy-gurdy, a glib gudok (a string instrument, played with a bow), magical vargans (guimbardes), ornate flutes.

The album is constructed as an annual calendar cycle – alternating ritual acts of different seasons close up, and start from the very beginning – showing a listener the Life’s breath and the Eternity’s majesty, while the ritual rhythms together with somnolent hissing noise of a gramophone record plunges a listener into a semi-trance state.
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