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Glenn Gould - The Goldberg Variations - The Complete Unreleased Recording Sessions June 1955
| The Goldberg Variations - The Complete 1955 Recording Sessions CD 1 | |||
| 1-01 | Aria Take 1 | ||
| 1-02 | Aria Take 2 | ||
| 1-03 | Aria Take 3 ['] | ||
| 1-04 | Aria Take 4 | ||
| 1-05 | Aria Take 5 | ||
| 1-06 | Aria Take 6 | ||
| 1-07 | Variation 1 Take 1 | ||
| 1-08 | Variation 1 Take 2 (B) | ||
| 1-09 | Variation 1 Take 3 | ||
| 1-10 | Variation 1 Remake Take 1 (B) | ||
| 1-11 | Variation 1 Remake Take 2 (B) | ||
| 1-12 | Variation 1 Remake Take 3 (B) | ||
| 1-13 | Variation 1 Remake Take 4 (B) | ||
| 1-14 | Variation 1 Remake Take 5 (B) | ||
| 1-15 | Variation 1 Remake Take 6 ('B) | ||
| 1-16 | Variation 1 Remake Take 7 | ||
| 1-17 | Variation 1 Remake Take 8 | ||
| 1-18 | Variation 1 Remake Take 9 [B] | ||
| 1-19 | Variation 1 Remake [Take 9A] | ||
| 1-20 | Variation 1 Remake Take 10 | ||
| 1-21 | Variation 1 Remake Take 11 | ||
| 1-22 | Variation 1 Remake Take 12 (') | ||
| 1-23 | Variation 1 Remake Take 13 (B) | ||
| 1-24 | Variation 2 Take 1 (b) | ||
| 1-25 | Variation 2 Take 2 [] | ||
| 1-26 | Variation 2 Take 2[A] (B) | ||
| 1-27 | Variation 2 Take 3 | ||
| 1-28 | Variation 2 Take 4 (B) | ||
| 1-29 | Variation 2 Take 5 [] | ||
| 1-30 | Variation 2 Take 6 | ||
| 1-31 | Variation 2 Take 7 (B) | ||
| 1-32 | Variation 2 Take 8 | ||
| 1-33 | Variation 2 Take 9 [B] | ||
| 1-34 | Variation 2 [Take 9A] | ||
| 1-35 | Variation 2 Take 10 | ||
| 1-36 | Variation 2 Take 11 (B) | ||
| 1-37 | Variation 2 Take 11A (B) | ||
| 1-38 | Variation 2 Take 11B (') | ||
| 1-39 | Variation 2 Take 12 (B) | ||
| 1-40 | Variation 2 Take 12A | ||
| 1-41 | Variation 2 Take 13 | ||
| 1-42 | Variation 3 Take 1 | ||
| 1-43 | Variation 3 Take 2 (B) | ||
| 1-44 | Variation 3 Take 2A [announced] [] | ||
| 1-45 | Variation 3 Take 3 | ||
| 1-46 | Variation 4 Take 1 (b) | ||
| 1-47 | Variation 4 Take 1A (B) | ||
| 1-48 | Variation 4 Take 1B (B) | ||
| 1-49 | Variation 4 Take 2 (') | ||
| 1-50 | Variation 4 Take 3 | ||
| 1-51 | Variation 4 Take 4 | ||
| 1-52 | Variation 4 Take 5 (') | ||
| 1-53 | Variation 4 Take 6 (b) | ||
| 1-54 | Variation 4 Take 6A | ||
| 1-55 | Variation 4 Take 7 (B) | ||
| 1-56 | Variation 4 Take 8 (B) | ||
| 1-57 | Variation 4 Take 8A | ||
| 1-58 | Variation 4 Take 9 | ||
| 1-59 | Variation 4 Take 10 (''B) | ||
| 1-60 | Variation 5 Take 1 | ||
| 1-61 | Variation 5 Take 2 ('B) | ||
| 1-62 | Variation 5 Take 3 | ||
| 1-63 | Variation 5 Take 4 (B) | ||
| 1-64 | Variation 5 Take 5 (B) | ||
| 1-65 | Variation 5 Take 6 | ||
| 1-66 | Variation 5 Take 7 [B] | ||
| 1-67 | Variation 5 Take 8 (') [B] | ||
| 1-68 | Variation 5 Take 9 (B) | ||
| The Goldberg Variations - The Complete 1955 Recording Sessions CD 2 | |||
| 2-01 | Variation 6 Take 1 | ||
| 2-02 | Variation 6 Take 2 ('') | ||
| 2-03 | Variation 6 Take 3 | ||
| 20-4 | Variation 6 Take 4 (' [']) | ||
| 2-05 | Variation 6 Take 5 (B) | ||
| 2-06 | Variation 6 Take 6 [] | ||
| 2-07 | Variation 6 Take 7 | ||
| 2-08 | Variation 6 Take 8 (b) | ||
| 2-09 | Variation 6 Take 9 [B] | ||
| 2-10 | Variation 6 Take 10 (') | ||
| 2-11 | Variation 6 Take 11 [b] | ||
| 2-12 | Variation 6 [Take 11A] ['] | ||
| 2-13 | Variation 6 Take 12 [] | ||
| 2-14 | Variation 6 Take 13 (') [B] | ||
| 2-15 | Variation 6 Take 14 | ||
| 2-16 | Variation 6 Take 15 | ||
| 2-17 | Variation 6 Take 16 | ||
| 2-18 | Variation 7 Take 1 (B) | ||
| 2-19 | Variation 7 Take 1A | ||
| 2-20 | Variation 7 Take 2 (B) | ||
| 2-21 | Variation 7 Take 3 [B] | ||
| 2-22 | Variation 7 Take 3A [b] | ||
| 2-23 | Variation 7 Take 4 | ||
| 2-24 | Variation 7 Take 5 | ||
| 2-25 | Variation 7 Remake Take 1 | ||
| 2-26 | Variation 7 Remake Take 2 | ||
| 2-27 | Variation 7 Remake Take 3 (B) | ||
| 2-28 | Variation 7 Remake Take 4 | ||
| 2-29 | Variation 7 Remake Take 5 | ||
| 2-30 | Variation 7 Remake Take 6 [B] | ||
| 2-31 | Variation 7 Remake Take 7 | ||
| 2-32 | Variation 7 Remake Take 8 | ||
| 2-33 | Variation 7 Remake Take 9 (B) | ||
| 2-34 | Variation 7 Remake Take 10 or 9A | ||
| 2-35 | Variation 8 Take 1 | ||
| 2-36 | Variation 8 Take 2 | ||
| 2-37 | Variation 8 Take 3 | ||
| 2-38 | Variation 9 Take 1 (B) | ||
| 2-39 | Variation 9 Take 2 | ||
| 2-40 | Variation 9 Take 3 (B) | ||
| 2-41 | Variation 9 Take 4 (') | ||
| 2-42 | Variation 9 Take 5 | ||
| 2-43 | Variation 9 Take 6 | ||
| 2-44 | Variation 9 Take 7 ['] | ||
| 2-45 | Variation 9 Take 8 (') | ||
| 2-46 | Variation 9 Take 9 | ||
| 2-47 | Variation 9 Take 10 (B) | ||
| 2-48 | Variation 10 Take 1 | ||
| 2-49 | Variation 10 Take 2 | ||
| 2-50 | Variation 11 Take 1 [''] | ||
| 2-51 | Variation 11 Take 2 | ||
| 2-52 | Variation 11 Take 3 [B] | ||
| 2-53 | Variation 11 Take 3A (B) | ||
| 2-54 | Variation 11 Take 3B (B) | ||
| 2-55 | Variation 11 Take 3C (B) | ||
| 2-56 | Variation 11 Take 4 | ||
| 2-57 | Variation 11 Take 5 [B] | ||
| 2-58 | Variation 11 Take 6 [not recorded] | ||
| 2-59 | Variation 11 Take 7 [''] | ||
| 2-60 | Variation 11 Take 8 | ||
| The Goldberg Variations - The Complete 1955 Recording Sessions CD 3 | |||
| 3-01 | Variation 12 Take 1 | ||
| 3-02 | Variation 12 Take 2 (B) | ||
| 3-03 | Variation 12 Take 2A | ||
| 3-04 | Variation 12 Take 3 (B) | ||
| 3-05 | Variation 12 Take 4 (B) | ||
| 3-06 | Variation 12 Take 5 (B) | ||
| 3-07 | Variation 12 Take 6 [] | ||
| 3-08 | Variation 12 Take 7 [b] | ||
| 3-09 | Variation 12 [Take 8 [B]] | ||
| 3-10 | Variation 12 Take 9 (B) | ||
| 3-11 | Variation 12 Take 10 (2nd half only) | ||
| 3-12 | Variation 12 Take 11 | ||
| 3-13 | Variation 12 Take 12 (') | ||
| 3-14 | Variation 12 Take 13 (B) | ||
| 3-15 | Variation 12 Take 14 ['] | ||
| 3-16 | Variation 12 Take 15 (''' B) | ||
| 3-17 | Variation 12 Take 16 | ||
| 3-18 | Variation 12 Take 17 | ||
| 3-19 | Variation 12 Take 18 | ||
| 3-20 | Variation 13 Take 1 | ||
| 3-21 | Variation 13 Take 2 (2nd half F.S.) | ||
| 3-22 | Variation 13 Take 3 | ||
| 3-23 | Variation 13 Take 4 [B] | ||
| 3-24 | Variation 13 Take 5 | ||
| 3-25 | Variation 14 Take 1 ['] | ||
| 3-26 | Variation 14 Take 2 | ||
| 3-27 | Variation 15 Take 1 | ||
| 3-28 | Variation 15 Take 2 | ||
| 3-29 | Variation 15 Take 3 (B) | ||
| 3-30 | Variation 15 Take 4 | ||
| 3-31 | Variation 15 Take 5 | ||
| 3-32 | Variation 15 Take 6 (B) | ||
| 3-33 | Variation 16 Take 1 | ||
| 3-34 | Variation 16 Take 2 | ||
| 3-35 | Variation 16 Insert 1 Take 1 | ||
| 3-36 | Variation 16 Insert 1 Take 2 | ||
| 3-37 | Variation 16 Insert 1 Take 3 | ||
| 3-38 | Variation 17 Take 1 (B) | ||
| 3-39 | Variation 17 Take 2 | ||
| 3-40 | Variation 17 Take 3 (B) | ||
| 3-41 | Variation 17 Take 4 | ||
| 3-42 | Variation 17 Insert 1 Take 1 | ||
| 3-43 | Variation 17 Insert 1 Take 2 ['''] | ||
| 3-44 | Variation 17 Insert 1 Take 3 (B) | ||
| 3-45 | Variation 17 Insert 1 Take 4 | ||
| 3-46 | Variation 17 Insert 1 Take 5 | ||
| The Goldberg Variations - The Complete 1955 Recording Sessions CD 4 | |||
| 4-01 | Variation 18 Take 1 | ||
| 4-02 | Variation 18 Take 2 (B) | ||
| 4-03 | Variation 18 Take 2A | ||
| 4-04 | Variation 18 Take 3 | ||
| 4-05 | Variation 18 Take 4 | ||
| 4-06 | Variation 18 Take 5 | ||
| 4-07 | Variation 18 Take 6 ['] | ||
| 4-08 | Variation 18 Take 7 | ||
| 4-09 | Variation 18 Take 8 | ||
| 4-10 | Variation 18 Take 9 ['B] | ||
| 4-11 | Variation 18 Take 10 (' ['] B) | ||
| 4-12 | Variation 18 Take 11 | ||
| 4-13 | Variation 19 Take 1 (') | ||
| 4-14 | Variation 19 Take 2 (b) | ||
| 4-15 | Variation 19 Take 2A | ||
| 4-16 | Variation 19 Take 3 | ||
| 4-17 | Variation 19 Take 4 ['] (B) | ||
| 4-18 | Variation 19 Take 4A ['] | ||
| 4-19 | Variation 19 Take 5 | ||
| 4-20 | Variation 20 Take 1 [B] | ||
| 4-21 | Variation 20 Take 1A [announced] | ||
| 4-22 | Variation 20 Take 2 (') | ||
| 4-23 | Variation 20 Take 3 ['] | ||
| 4-24 | Variation 20 Take 4 ('' [']) | ||
| 4-25 | Variation 21 Take 1 | ||
| 4-26 | Variation 21 Take 2 | ||
| 4-27 | Variation 21 Take 3 | ||
| 4-28 | Variation 21 Insert 1 Take 1 | ||
| 4-29 | Variation 21 Insert 1 Take 2 ('') | ||
| 4-30 | Variation 21 Take 4 | ||
| 4-31 | Variation 21 Take 5 (') | ||
| 4-32 | Variation 21 Take 6 | ||
| 4-33 | Variation 22 Take 1 | ||
| 4-34 | Variation 22 Insert 1 Take 1 (2nd half) | ||
| 4-35 | Variation 22 Take 2 | ||
| 4-36 | Variation 22 Take 3 | ||
| 4-37 | Variation 22 Take 4 | ||
| 4-38 | Variation 23 Take 1 | ||
| 4-39 | Variation 23 Take 2 | ||
| 4-40 | Variation 23 Take 3 | ||
| 4-41 | Variation 23 Take 4 (b) | ||
| 4-42 | Variation 23 Take 4A | ||
| 4-43 | Variation 23 Take 5 [B] | ||
| 4-44 | Variation 23 Take 6 | ||
| 4-45 | Variation 23 Take 7 ['] | ||
| 4-46 | Variation 23 Take 8 (B) | ||
| 4-47 | Variation 23 Take 9 | ||
| 4-48 | Variation 23 Take 10 | ||
| 4-49 | Variation 23 Take 11 | ||
| 4-50 | Variation 23 Remake Take 1 (B) | ||
| 4-51 | Variation 23 Remake Take 1A | ||
| 4-52 | Variation 23 Remake Take 2 (''') | ||
| 4-53 | Variation 23 Remake Take 3 | ||
| 4-54 | Variation 24 Take 1 | ||
| 4-55 | Variation 24 Take 2 (B) | ||
| 4-56 | Variation 24 Take 2A | ||
| 4-57 | Variation 24 Take 3 | ||
| 4-58 | Variation 24 Take 4 | ||
| 4-59 | Variation 24 Take 5 (B) | ||
| 4-60 | Variation 24 Take 6 | ||
| 4-61 | Variation 24 Take 7 | ||
| 4-62 | Variation 24 Take 8 | ||
| 4-63 | Variation 24 Take 9 | ||
| 4-64 | Variation 24 Take 10 | ||
| 4-65 | Variation 24 Insert 1 Take 1 (B) | ||
| 4-66 | Variation 24 Insert 1 Take 2 | ||
| 4-67 | Variation 24 Insert 1 Take 3 (B) | ||
| 4-68 | Variation 24 Insert 1 Take 4 (B) | ||
| 4-69 | Variation 24 Take 11 | ||
| 4-70 | Variation 24 Take 12 | ||
| The Goldberg Variations - The Complete 1955 Recording Sessions CD 5 | |||
| 5-01 | Variation 25 Take 1 | ||
| 5-02 | Variation 25 Take 2 (B) | ||
| 5-03 | Variation 26 Take 1 | ||
| 5-04 | Variation 26 Take 2 (') | ||
| 5-05 | Variation 26 Take 3 (B) | ||
| 5-06 | Variation 26 Take 3[A] | ||
| 5-07 | Variation 26 Insert 1 Take 1 | ||
| 5-08 | Variation 26 Take 4 | ||
| 5-09 | Variation 26 Take 5 | ||
| 5-10 | Variation 27 Take 1 | ||
| 5-11 | Variation 27 Take 2 | ||
| 5-12 | Variation 27 Take 3 | ||
| 5-13 | Variation 27 Take 4 | ||
| 5-14 | Variation 27 Take 4[A] | ||
| 5-15 | Variation 28 Take 1 | ||
| 5-16 | Variation 28 Take 2 | ||
| 5-17 | Variation 28 Take 3 (B) | ||
| 5-18 | Variation 28 Take 4 (B) | ||
| 5-19 | Variation 29 Take 1 | ||
| 5-20 | Variation 30 Take 1 [announced] | ||
| 5-21 | Gould About Quodlibet, Improvisation | ||
| 5-22 | Variation 30 Take 2 (B) | ||
| 5-23 | Variation 30 Take 3 [] | ||
| 5-24 | Variation 30 Take 4 (B) | ||
| 5-25 | Variation 30 Take 5 [announced] [B] | ||
| 5-26 | Variation 30 Take 6 | ||
| 5-27 | Variation 30 Take 7 | ||
| 5-28 | Aria Remake Take 1 | ||
| 5-29 | Aria Remake Take 2 | ||
| 5-30 | Aria Remake Take 3 | ||
| 5-31 | Aria Remake Take 4 | ||
| 5-32 | Aria Remake Take 5 [] [B] | ||
| 5-33 | Aria Remake Take 6 [announced] [''] | ||
| 5-34 | Aria Remake Take 7 | ||
| 5-35 | Aria Remake Take 8 | ||
| 5-36 | Aria Remake Take 9 (B) | ||
| 5-37 | Aria Remake Take 10 [B] | ||
| 5-38 | Aria Remake [Take 11] (announced Take 297) | ||
| 5-39 | Aria Remake [Take 11A] (announced Take 11) | ||
| Glenn Gould Discusses His Performances Of "The Goldberg Variations" With Tim Page | |||
| 6-01 | Opening | ||
| 6-02 | The Meaning Of Re-Recording | ||
| 6-03 | Comparison Of Arias | ||
| 6-04 | The Secret Of The Tempo | ||
| 6-05 | New Recordings (From Variation 16 To Variation 18) | ||
| 6-06 | The Importance Of The System | ||
| 6-07 | Doubts On Variation 25 | ||
| 6-08 | Arguments On Instruments | ||
| 6-09 | New Recordings (From Variation 1 To Variation 10) | ||
| 6-10 | Ending | ||
| Aria With 30 Variations “Goldberg Variations” BWV 988 | |||
| 7-01 | Aria | ||
| 7-02 | Variation 1 A 1 Clav. | ||
| 7-03 | Variation 2 A 1 Clav. | ||
| 7-04 | Variation 3 A 1 Clav. Canone All' Unisuono | ||
| 7-05 | Variation 4 A 1 Clav. | ||
| 7-06 | Variation 5 A 1 Ovvero 2 Clav. | ||
| 7-07 | Variation 6 A 1 Clav. Canone Alla Seconda | ||
| 7-08 | Variation 7 A 1 Ovvero 2 Clav. | ||
| 7-09 | Variation 8 A 2 Clav. | ||
| 7-10 | Variation 9 A 1 Clav. Canone Alla Terza | ||
| 7-11 | Variation 10 A 1 Clav. Fughetta | ||
| 7-12 | Variation 11 A 2 Clav. | ||
| 7-13 | Variation 12 Canone Alla Quarta | ||
| 7-14 | Variation 13 A 2 Clav. | ||
| 7-15 | Variation 14 A 2 Clav. | ||
| 7-16 | Variation 15 A 1 Clav. Canone Alla Quinta. Andante | ||
| 7-17 | Variation 16 Ouverture A 1 Clav. | ||
| 7-18 | Variation 17 A 2 Clav. | ||
| 7-19 | Variation 18 - Canone Alla Sesta A 1 Clav. | ||
| 7-20 | Variation 19 A 1 Clav. | ||
| 7-21 | Variation 20 A 2 Clav. | ||
| 7-22 | Variation 21 Canone Alla Settima | ||
| 7-23 | Variation 22 Alla Breve A 1 Clav. | ||
| 7-24 | Variation 23 A 2 Clav. | ||
| 7-25 | Variation 24 Canone All' Ottava A 1 Clav. | ||
| 7-26 | Variation 25 A 2 Clav. | ||
| 7-27 | Variation 26 A 2 Clav. | ||
| 7-28 | Variation 27 Canone Alla Nona | ||
| 7-29 | Variation 28 A 2 Clav. | ||
| 7-30 | Variation 29 A 1 Ovvero 2 Clav. | ||
| 7-31 | Variation 30 A 1 Clav. Quodlibet | ||
| 7-32 | Aria Da Capo | ||
| Aria With 30 Variations “Goldberg Variations” BWV 988 | |||
| A | Aria; Variations 1-16 | ||
| B | Variations 17-30; Aria Da Capo | ||
Booklet Editor – Jochen Rudelt
Design – [ec:ko] Communications
Engineer – Fred Plaut
Engineer – Robert Waller
Interviewer – Tim Page
Liner Notes – Glenn Gould
Liner Notes – Kevin Bazzana
Liner Notes – Michael Stegemann
Liner Notes – Robert Russ
Liner Notes [Translated By] – Daniel Fesquet
Liner Notes [Translated By] – Jean-Claude Poyet
Liner Notes [Translated By] – Josée Bégaud
Liner Notes [Translated By] – Odile Demange
Liner Notes [Translated By] – Stewart Spencer
Mixed By, Mastered By – Martin Kistner (CDs 1-5)
Mixed By, Mastered By – Matthias Erb (CDs 1-5)
Photography By – Dan Weiner
Photography By – Fred Plaut
Photography By – Jock Carroll
Photography By – Robert Russ
Photography [Analog to Digital Conversion] – Che Williams
Piano, Interviewee – Glenn Gould
Producer – Howard H. Scott
Producer – Robert Russ
Research [Document] – Michael Panico
Research [Tape] – Anthony Fountain
Transferred By – Matt Cavaluzzo (CDs 1-5)
Transferred By, Mastered By – Andreas K. Meyer (CD 7)
Design – [ec:ko] Communications
Engineer – Fred Plaut
Engineer – Robert Waller
Interviewer – Tim Page
Liner Notes – Glenn Gould
Liner Notes – Kevin Bazzana
Liner Notes – Michael Stegemann
Liner Notes – Robert Russ
Liner Notes [Translated By] – Daniel Fesquet
Liner Notes [Translated By] – Jean-Claude Poyet
Liner Notes [Translated By] – Josée Bégaud
Liner Notes [Translated By] – Odile Demange
Liner Notes [Translated By] – Stewart Spencer
Mixed By, Mastered By – Martin Kistner (CDs 1-5)
Mixed By, Mastered By – Matthias Erb (CDs 1-5)
Photography By – Dan Weiner
Photography By – Fred Plaut
Photography By – Jock Carroll
Photography By – Robert Russ
Photography [Analog to Digital Conversion] – Che Williams
Piano, Interviewee – Glenn Gould
Producer – Howard H. Scott
Producer – Robert Russ
Research [Document] – Michael Panico
Research [Tape] – Anthony Fountain
Transferred By – Matt Cavaluzzo (CDs 1-5)
Transferred By, Mastered By – Andreas K. Meyer (CD 7)
Product description:
Documenting with unprecedented completeness the events that unfolded in Columbia s 30th Street Studio during those four key days in June 1955, the present release allows listeners for the very first time to join Glenn Gould, his producer Howard Scott and sound engineer Fred Plaut as one of the greatest recordings of all time came into existence.
Glenn Gould: The Goldberg Variations The Complete Unreleased Recording Sessions is probably the most comprehensive special edition ever dedicated to a single classical music album. It features Glenn Gould s complete recording sessions of Bach s Goldberg Variations on 5 CDs (including the studio conversations between him and his producer), restored from the original ¼-inch analogue tapes and re mastered using 24 bit / 96 kHz technology, plus the final album on both CD and heavyweight 180g vinyl, as well as an extra CD Glenn Gould Discusses His Performances of the Goldberg Variations with Tim Page. The edition comes with a 90 x 60 cm (36 x 24 ) poster and a 280-page hard-cover coffee-table book, featuring 45 sensational, newly discovered photos from the recording sessions, the complete musical score, several essays and an extensive documentation including facsimiles of more than 20 archival documents detailing how an analogue vinyl LP was recorded in the mid-1950s.
Produced by Robert Russ
in cooperation with the Estate of Glenn Gould and Glenn Gould Limited,
Stephen Posen and Faye Perkins
Booklet Editor: Jochen Rudelt, texthouse
Design: [ec:ko communications
Tape Research: Anthony Fountain
Document Research: Michael Panico
Negative Film to Digital Conversion: Che Williams
CDs 1–5: Analogue Tape Transfers by Matt Cavaluzzo, Battery Studios
Mastering by Martin Kistner and Matthias Erb, b-sharp music & media solutions using 24 bit / 96 kHz technology
CD 7: Analogue Tape Transfers using Direct Stream Digital® (DSD) and Mastering
by Andreas K. Meyer, Meyer Media LLC
12′′ black vinyl (180g) produced at GZ Media, CZ
Contains previously released material · CDs 1–5 previously unreleased
Cover/ Backcover Photos and Photos pp. 0, 2/3, 7, 8, 17, 18, 22, 25, 27, 28, 43, 48, 56, 61, 65, 69, 104, 105 top right, 116, 117 top right and bottom left, 119, 124, 128, 132, 139, 140, 146, 154, 178, 200, 206, 209, 210, 234, 244, 253: Dan Weiner (C) John Broderick
Photos pp. 4, 5, 12/13, 38, 44, 52, 54, 62, 66, 70, 75, 76, 82/83, 89, 90/91, 97, 98/99, 105 top left and bottom, 109, 110, 112/113, 150/151, 159, 168, 174/175, 182, 185, 193, 196, 213, 214, 224/225, 231, 232, 239, 240, 248, 267, 269, 272: Fred Plaut, from The Frederick and Rose Plaut Papers MSS 52 at the Irving S. Gilmore Music Library, Yale University, with kind support by Richard Boursy, Archivist and Jonathan Manton, Librarian
Photos p. 39: Jock Carroll (C) Carroll Family Archives; pp. 33, 34, 40, 58, 256, 257, 258, 259, 270: Don Hunstein; p. 254 (C) Sony Music Entertainment; pp. 201–203, 220, 260 left: Robert Russ; p. 274 (C) Library and Archives Canada, Estate of Glenn Gould and Glenn Gould Limited
Facsimiles pp. 30, 49, 50, 59, 101, 102, 106/107, 108, 111, 115, 204, 207, 208, 211, 212, 215–219, 221, 223, 226–230, 235–238, 260, 263, 264, 266, 267 (C) Sony Music Entertainment
88843014882 This compilation (P) & (C) 2017 Sony Music Entertainment.
Distributed by Sony Music Entertainment. All trademarks and logos are protected. Made in the EU.
“Direct Stream Digital”, DSD and their logos are trademarks of Sony Corporation.
Sony Classical and "Sony Classical" are trademarks of Sony Music Entertainment.
www.sonyclassical.com www.glenngould.com
Documenting with unprecedented completeness the events that unfolded in Columbia s 30th Street Studio during those four key days in June 1955, the present release allows listeners for the very first time to join Glenn Gould, his producer Howard Scott and sound engineer Fred Plaut as one of the greatest recordings of all time came into existence.
Glenn Gould: The Goldberg Variations The Complete Unreleased Recording Sessions is probably the most comprehensive special edition ever dedicated to a single classical music album. It features Glenn Gould s complete recording sessions of Bach s Goldberg Variations on 5 CDs (including the studio conversations between him and his producer), restored from the original ¼-inch analogue tapes and re mastered using 24 bit / 96 kHz technology, plus the final album on both CD and heavyweight 180g vinyl, as well as an extra CD Glenn Gould Discusses His Performances of the Goldberg Variations with Tim Page. The edition comes with a 90 x 60 cm (36 x 24 ) poster and a 280-page hard-cover coffee-table book, featuring 45 sensational, newly discovered photos from the recording sessions, the complete musical score, several essays and an extensive documentation including facsimiles of more than 20 archival documents detailing how an analogue vinyl LP was recorded in the mid-1950s.
Produced by Robert Russ
in cooperation with the Estate of Glenn Gould and Glenn Gould Limited,
Stephen Posen and Faye Perkins
Booklet Editor: Jochen Rudelt, texthouse
Design: [ec:ko communications
Tape Research: Anthony Fountain
Document Research: Michael Panico
Negative Film to Digital Conversion: Che Williams
CDs 1–5: Analogue Tape Transfers by Matt Cavaluzzo, Battery Studios
Mastering by Martin Kistner and Matthias Erb, b-sharp music & media solutions using 24 bit / 96 kHz technology
CD 7: Analogue Tape Transfers using Direct Stream Digital® (DSD) and Mastering
by Andreas K. Meyer, Meyer Media LLC
12′′ black vinyl (180g) produced at GZ Media, CZ
Contains previously released material · CDs 1–5 previously unreleased
Cover/ Backcover Photos and Photos pp. 0, 2/3, 7, 8, 17, 18, 22, 25, 27, 28, 43, 48, 56, 61, 65, 69, 104, 105 top right, 116, 117 top right and bottom left, 119, 124, 128, 132, 139, 140, 146, 154, 178, 200, 206, 209, 210, 234, 244, 253: Dan Weiner (C) John Broderick
Photos pp. 4, 5, 12/13, 38, 44, 52, 54, 62, 66, 70, 75, 76, 82/83, 89, 90/91, 97, 98/99, 105 top left and bottom, 109, 110, 112/113, 150/151, 159, 168, 174/175, 182, 185, 193, 196, 213, 214, 224/225, 231, 232, 239, 240, 248, 267, 269, 272: Fred Plaut, from The Frederick and Rose Plaut Papers MSS 52 at the Irving S. Gilmore Music Library, Yale University, with kind support by Richard Boursy, Archivist and Jonathan Manton, Librarian
Photos p. 39: Jock Carroll (C) Carroll Family Archives; pp. 33, 34, 40, 58, 256, 257, 258, 259, 270: Don Hunstein; p. 254 (C) Sony Music Entertainment; pp. 201–203, 220, 260 left: Robert Russ; p. 274 (C) Library and Archives Canada, Estate of Glenn Gould and Glenn Gould Limited
Facsimiles pp. 30, 49, 50, 59, 101, 102, 106/107, 108, 111, 115, 204, 207, 208, 211, 212, 215–219, 221, 223, 226–230, 235–238, 260, 263, 264, 266, 267 (C) Sony Music Entertainment
88843014882 This compilation (P) & (C) 2017 Sony Music Entertainment.
Distributed by Sony Music Entertainment. All trademarks and logos are protected. Made in the EU.
“Direct Stream Digital”, DSD and their logos are trademarks of Sony Corporation.
Sony Classical and "Sony Classical" are trademarks of Sony Music Entertainment.
www.sonyclassical.com www.glenngould.com
Barcode – 888430148826
Label Code – LC 06868
Label Code – LC 06868